Soft Furnishing Collection (page 6)

Young Warrior, Seen from Behind, Lifting a Curtain, 1550/55. Creator: Francesco Salviati
Young Warrior, Seen from Behind, Lifting a Curtain, 1550/55

Cushion Cover (Made from Woman's Dress), England, Elizabethan period, 1575/1600. Creator: Unknown
Cushion Cover (Made from Woman's Dress), England, Elizabethan period, 1575/1600. Detail from a larger artwork

The Military, Naval, and County Service Club, St. James's-Street - Principal Drawing-Room, 1850. Creator: Unknown
The Military, Naval, and County Service Club, St. James's-Street, [London] - Principal Drawing-Room, 1850. The style of decoration is that of Louis Quatorze...a splendid apartment

Family Group at Piano, c.1820. Creator: Eunice Pinney
Family Group at Piano, c.1820

Paul and Virginie, Furnishing Fabric, France, after 1818. Creator: Oberkampf Manufactory
Paul and Virginie, Furnishing Fabric, France, after 1818. Engraved by Tony Johannot and others after works by Jean Michel Moreau and Jean Frederic Schall

Le Retour de L'Ile d'Elbe (The Return from the Isle of Elba) (Furnishing Fabric), Nantes, c. 1830. Napoleon is welcomed by adoring troops on his return from exile

Le Bal (The Costume Ball) (Furnishing Fabric), France, 1827/40. Creator: Unknown
Le Bal (The Costume Ball) (Furnishing Fabric), France, 1827/40. Designed by George Zipelius after Sulpice Guillaume Chevallier. Detail from a larger artwork

La Marchande d'Amour (The Merchant of Love) (Furnishing Fabric), France, 1815/17. Designed by Louis-Hippolyte LeBas, after Jacques Firmin Beauvarlet

Furnishing Fabric, France, 1827/40. Creator: Unknown
Furnishing Fabric, France, 1827/40. Leceister visitant Amy Robsart, [Robert Dudley, 1st Earl of Leicester visiting Amy Robsiart]

Drapery, 1935/1942. Creator: Madeline Arnold
Drapery, 1935/1942

Tie-back, c. 1939. Creator: Helen Bronson
Tie-back, c. 1939

Tieback, c. 1939. Creator: Helen Bronson
Tieback, c. 1939

Tie-back, c. 1939. Creator: Helen Bronson
Tie-back, c. 1939

Tie-back, c. 1938. Creator: Helen Bronson
Tie-back, c. 1938

Tie-back, c. 1938. Creator: Helen Bronson
Tie-back, c. 1938

Tie-back, c. 1941. Creator: Helen Bronson
Tie-back, c. 1941

Tie-back, c. 1938. Creator: Helen Bronson
Tie-back, c. 1938

Tie-back, c. 1939. Creator: Helen Bronson
Tie-back, c. 1939

Mozart Tie-back, c. 1938. Creator: Helen Bronson
Mozart Tie-back, c. 1938

Tie-back, c. 1941. Creator: Helen Bronson
Tie-back, c. 1941

Puck's Souvenir Performance, from Puck, published March 2, 1887. Creator: Charles Jay Taylor
Puck's Souvenir Performance, from Puck, published March 2, 1887

Carriage for his Highness Said Pacha, 1850. Creator: Unknown
Carriage for his Highness Said Pacha, 1850. This "invalid carriage" has just been built by Messrs. Hallmarke, Aldebert, and Hallmarke, of Long Acre [in London]

Mary Queen of Scots Room at Holyrood, 1850. Creator: Unknown
Mary Queen of Scots Room at Holyrood, 1850. Interior of the royal Palace of Holyrood, Edinburgh, Scotland. The ceiling, as far as the moulded compartments are concerned

La Marchande d'Amour (The Merchant of Love) (Furnishing Fabric), France, 1815/17. Designed by Louis-Hippolyte LeBas, after Jacques Firmin Beauvarlet

Les Travaux de la Manufacture (The Activities of the Factory) (Furnishing Fabric), France, 1783/84. Dyeing and printing of mass-produced textiles

Cordingly's Floating Bath, 1850. Creator: Hare
Cordingly's Floating Bath, 1850. A simple and ingenious novelty...for the convenience and comfort of those who may wish to enjoy a private bath in mid-day, on the Serpentine

Amorini et Medallions (Cupid and Medallions) (Furnishing Fabric), France, c. 1810. Designed by Jean Baptiste Huet, manufactured by Christophe Philippe Oberkampf. Detail from a larger artwork

Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler, 1892. Creator: Thomas Robert Way
Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler, 1892

Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler, 1892. Creator: Thomas Robert Way
Arrangement in Grey and Black: Portrait of the Artist's Mother, after Whistler, 1892

Interior of Whippingham Church, Isle of Wight, 1850. Creator: Unknown
Interior of Whippingham Church, Isle of Wight, 1850. The interior of the Church is as simple as the exterior, there being no enrichment to the arches or windows, or decorations to the roof

The White Drawing-Room, Windsor Castle, 1850. Creator: Unknown
The White Drawing-Room, Windsor Castle, 1850. The White Drawingroom is a noble room, with a spacious bay window reaching from the floor to the ceiling

An Irish Girl or Annie, 1894. Creator: Anders Leonard Zorn
An Irish Girl or Annie, 1894

The Four Magistrates of Besançon, 1825. Creator: Jean-Auguste-Dominique Ingres
The Four Magistrates of Besancon, 1825

The Girl at the Window, 1894. Creator: Edvard Munch
The Girl at the Window, 1894

Moonlight. Night in St Cloud, 1895. Creator: Edvard Munch
Moonlight. Night in St Cloud, 1895

The Girl at the Window, 1894. Creator: Edvard Munch
The Girl at the Window, 1894

"Drottningholm 1847", 1847. Creator: Fritz von Dardel. "Drottningholm 1847", 1847
"Drottningholm 1847", 1847

The International Exhibition: the Treaty of Commerce Screen Carpet, by T. Tapling... 1862. Creator: Unknown
The International Exhibition: the Treaty of Commerce Screen Carpet, by Thomas Tapling, of Gresham-street, 1862. It must at the outset be understood that [this machine-made item]

The International Exhibition: Messrs. Henderson and Co.'s carpet power-loom, 1862. Creator: Unknown
The International Exhibition: Messrs. Henderson and Co.'s carpet power-loom, 1862. The power-loom exhibited by this firm is adapted for weaving either Jacquard, Brussels, or velvet-pile carpets

The International Exhibition: patent carpet by Jackson and Graham, 1862. Creator: Unknown
The International Exhibition: patent carpet by Jackson and Graham, 1862. It is in style purely French, and is of the best period of the style; and to those who are partial to bright

The International Exhibition: carpet by Woodward Brothers and Co. 1862. Creator: Unknown
The International Exhibition: carpet by Woodward Brothers and Co. 1862. The carpet which we engrave...is an excellent illustration of a true treatment of a floor-covering

The International Exhibition: carpet by Watson and Bontor, 1862. Creator: Unknown
The International Exhibition: carpet by Watson and Bontor, 1862. The ground is maroon, and the ornament is in two reds, with the exception of the little circular masses, which are in dark green

The International Exhibition: bedstead in the Furniture Court... 1862. Creator: Unknown
The International Exhibition: bedstead in the Furniture Court by Heal and Son, Tottenham-Court-road, 1862. On the centre of the canopy rest two cooing doves enjoying each other's caresses

St. Clare, Isle of Wight, the temporary abode of their Royal Highnesses: the Drawing-Room, 1862. Creator: Unknown
The marriage of Princess Alice with Prince Louis of Hesse: St. Clare, Isle of Wight, the temporary abode of their Royal Highnesses: the Drawing-Room

The International Exhibition: Axminster carpet by Lapworth Brothers, 1862. Creator: Unknown
The International Exhibition: Axminster carpet by Lapworth Brothers, 1862. The carpet is not Indian, yet it is Indian in character...It is simple

Siberian Cossacks in the Guard Presentation to the Emperor Nikolai Pavlovich at the... 19th cent
Siberian Cossacks in the Guard Presentation to the Emperor Nikolai Pavlovich at the Mikhailovskii Palace in 1833, 19th. One of 21 watercolors (out of an original 27)

The International Exhibition - floral carpet, by J. Templeton and Co... 1862. Creator: Unknown
The International Exhibition - floral carpet, by J. Templeton and Co. of Glasgow and London, 1862. The carpet which we engrave may fairly be said to be one of the finest examples of its class

Elder, Samarkand, between 1905 and 1915. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Elder, Samarkand, between 1905 and 1915. Man seated on chair, on carpet, outside. In album: Views in Central Asia, Russian Empire, LOT 10338, no. 133

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"Soft Furnishing: A Tapestry of Artistic Elegance" Step into "The Jewel Box, " a mesmerizing pencil and watercolor creation that showcases the delicate intricacies of soft furnishing. The artist's meticulous strokes bring forth an enchanting blend of colors, textures, and patterns. In "Odalisque, 1920, " an oil on canvas masterpiece, soft furnishings take center stage as they adorn the opulent surroundings. The velvety fabrics and plush cushions create an atmosphere of luxurious comfort fit for royalty. Transport yourself to nature's embrace with "Ruffed Grouse, 1865. " This hand-colored lithograph captures the essence of wildlife amidst a backdrop of exquisite soft furnishings, and is a testament to how these elements can seamlessly merge artistry with functionality. Witness history unfold in "Hammersmith Carpet Weaving at Merton Abbey Works. " Although its creator remains unknown, this captivating artwork immortalizes the craftsmanship behind creating sumptuous carpets that transform any space into a haven of warmth and style. Travel back in time to France's Oberkampf Manufactory with "Le Meunier, Son Fils et l'Ane (The Miller, His Son, and the Ass) (Furnishing Fabric), France 1806. " This fabric design encapsulates French elegance through its intricate motifs woven into rich textiles that add sophistication to any interior. "The Bachelors Birthday" invites us into a world where soft furnishings become storytellers. In this oil-on-panel painting, every brushstroke unveils tales whispered by cozy armchairs draped in velvet or embroidered tapestries adorning walls. A portrait comes alive in "Portrait of William Pitt, " where soft furnishing serves as both background and character enhancer. Dark jacketed drapery creates depth while complementing Pitt's stature—a perfect fusion between fashion and interior design aesthetics.