Slender Collection (page 2)

Evening Gold
A landscape painting capturing a broad field, lit with a golden hue, in the early evening, tall, slender trees stand to each side. Date: circa 1919

A Canal In Flanders
A painting of a boat, floating against a canal which is lined on both sides, with tall, slender trees, some houses sit in the distant background, situated in Flanders, Belgium. Date: circa 1917

Pine Tree, Cape Of Antibes
A landscape painting of a slender pine tree, which shades the water's edge of the peninsula, Cap d'Antibes, on the French Riviera. Date: 1888

Horse Drawn Cart
A painting of a horse drawn cart travelling down a countryside road, which has a row of tall, slender trees along it's edge. Date: circa 1916

Cows By The River
An oil painting which shows a group of four cows grazing by a riverside, with a line of tall, slender trees the other side and a woman standing nearby. Date: circa 1914

On The Lane Cove
A landscape etching of an Australian cove, set beside a wide, meandering river and tall, slender trees. Date: circa 1925

The Curtain Illustration
An illustration in reference to a poem, written by Australian poet, Zora Bernice May Cross, showing a woman in a blue dress, hiding behind a stage curtain

Portrait of a Miss Gebhard
Miss Gebhard, an American whose family appear to have taken residence at Corsham Court in Wiltshire. Date: 1910

Slender Billy's Boxing Studio. Date: 1841

Portrait of Madame Floge, 1902 (oil on canvas)
3506780 Portrait of Madame Floge, 1902 (oil on canvas) by Klimt, Gustav (1862-1918); 178x80 cm; Wien Museum Karlsplatz, Vienna, Austria; (add.info.: Portrait of Madame Floge (Floege)

Young Woman in Undergarments, c. 1910-11 (oil on canvas)
5188341 Young Woman in Undergarments, c.1910-11 (oil on canvas) by List, Wilhelm (1864-1918); 126.1--57.5 cm; Minneapolis Institute of Arts, MN

A standing male nude, 1914 (pencil & w / c and bodycolour on paper)
3427884 A standing male nude, 1914 (pencil & w/c and bodycolour on paper) by Tuke, Henry Scott (1858-1929); 36.2x20.3 cm; Private Collection; Photo © Christies Images

Seated female nude, 1914 (gouache, w / c & pencil on paper) (recto of 993715)
993714 Seated female nude, 1914 (gouache, w/c & pencil on paper) (recto of 993715) by Schiele, Egon (1890-1918); 48x32.2 cm; Private Collection; (add.info)

DDE-90036226
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. Date: 21/02/2010

DDE-90036225
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. Date: 21/02/2010

DDE-90036224
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. Date: 21/02/2010

DDE-90036223
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. Date: 21/02/2010

DDE-90036222
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. Date: 21/02/2010

DDE-90036221
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. (Large format sizes available) Date: 21/02/2010

DDE-90036220
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. (Large format sizes available) Date: 21/02/2010

DDE-90036219
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. (Large format sizes available) Date: 21/02/2010

DDE-90036218
Northern Gannet (Morus bassanus), cliffs of the Noss national Nature Reserve. Shetland, Northern Isles, Scotland. (Large format sizes available) Date: 21/02/2010

DDE-90036216
Northern Gannet (Morus bassanus), Noss national Nature Reserve. Shetland, Northern Isles, Scotland. Date: 21/02/2010

DDE-90036217
Northern Gannet (Morus bassanus), Noss national Nature Reserve. Shetland, Northern Isles, Scotland. Date: 21/02/2010

DDE-90021758
Slender-billed Weaver (Ploceus pelzelni) in partially built nest, Kamieskroon, Namaqualand, South Africa. Date: 12/08/2006

all the fishing fleet of slender spars Range at their moorings, veer with tide about, V Sackville-West (b / w photo)
6002106... all the fishing fleet of slender spars Range at their moorings, veer with tide about, V Sackville-West (b/w photo) by Burdekin

The bather, 1912 (oil on canvas)
3427886 The bather, 1912 (oil on canvas) by Tuke, Henry Scott (1858-1929); 52.5x32 cm; Private Collection; Photo © Christies Images

A Tete aTete Conversation on Recent Events, published April 19, 1805
A Tete a Tete Conversation on Recent Events, published April 19, 1805

New Ministers Going on Duty, published February 14, 1806. Creator: Charles Williams
New Ministers Going on Duty, published February 14, 1806

Sketch in Picardy, 1895. Creator: Philip William May
Sketch in Picardy, 1895

Palm Trees silhouetted by rising sun through fog

Detail of Wellington and his officers from a Berlin gold-ground slender campana vase
1766863 Detail of Wellington and his officers from a Berlin gold-ground slender campana vase and plinth of Wellington service type, painted with a scene of the Battle of Vittoria

An Elegant Lady with a Fur Muff (oil on canvas)
827430 An Elegant Lady with a Fur Muff (oil on canvas) by Gandara, Antonio de la (1861-1917); 193.7x97.2 cm; Private Collection; (add.info.: An Elegant Lady with a Fur Muff)

Shakespeares The Merry Wives of Windsor: Slender (litho)
6023848 Shakespeares The Merry Wives of Windsor: Slender (litho) by English School, (19th century); Private Collection; (add.info.: Slender)

Flapper Opening a Curtain, 1923 (engraving)
2622426 Flapper Opening a Curtain, 1923 (engraving) by American School, (20th century); Private Collection; (add.info.: Vintage illustration of a slender flapper posed opening curtains; engraving)

Slender Woman with Vase, 1894 (oil on canvas)
2972859 Slender Woman with Vase, 1894 (oil on canvas) by Rippl-Ronai, Jozsef (1861-1927); 186x73 cm; The Art Institute of Chicago, IL, USA; Through prior gift of Mr. and Mrs. Chauncey B

A slender loris standing on a branch held by a keeper, London Zoo
3116085 A slender loris standing on a branch held by a keeper, London Zoo, August 1926 (b/w photo) by Bond, Frederick William (1887-1942)

"I am not a hungry, I thank you", illustration from
3082670 " I am not a hungry, I thank you", illustration from The Merry Wives of Windsor, 1910 (colour litho) by Thomson

A Chamberlains Worcester slender oviform black-ground vase and cover, c. 1825 (ceramic)
1766861 A Chamberlains Worcester slender oviform black-ground vase and cover, c.1825 (ceramic) by English School, (19th century); Private Collection; (add.info)

Portrait of Gardenia, three quarter length, 1915 (oil on canvas)
656979 Portrait of Gardenia, three quarter length, 1915 (oil on canvas) by Orpen, William (1878-1931); Private Collection; (add.info.: Portrait of Gardenia, three quarter length)

Reclining Semi-Nude with Red Hat, 1910 (w / c & crayon on paper)
995702 Reclining Semi-Nude with Red Hat, 1910 (w/c & crayon on paper) by Schiele, Egon (1890-1918); 31.5x45.1 cm; Private Collection; (add.info)

Kneeling female nude, 1917 (conte crayon on paper)
992649 Kneeling female nude, 1917 (conte crayon on paper) by Schiele, Egon (1890-1918); 46x29.9 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Shakespeares The Merry Wives of Windsor: Simple, Servant to Slender (litho)
6023858 Shakespeares The Merry Wives of Windsor: Simple, Servant to Slender (litho) by English School, (19th century); Private Collection; (add.info.: Simple, Servant to Slender)

Anne Page and Slender
LLM459419 Anne Page and Slender by English School, (19th century); Private Collection; (add.info.: Anne Page and Slender. Illustration for The Complete Works of Shakespeare (John G Murdoch)

Innocentia, 1889 (oil on canvas)
PCD282387 Innocentia, 1889 (oil on canvas) by Stuck, Franz von (1863-1928); 68x61 cm; Private Collection; Piccadilly Gallery, London, UK; German, out of copyright

Mary Chamberlains shoes, 1890s (silk satin)
FMB329179 Mary Chamberlains shoes, 1890s (silk satin) by French School, (19th century); Fashion Museum Bath; (add.info.: Mary Chamberlain (nee Endicott)

Slender fringe-lily, Thysanotus tenuis. Handcoloured copperplate engraving by G. Barclay after Miss Sarah Drake from John Lindley and Robert Sweets Ornamental Flower Garden and Shrubbery, G

Slender grasshopper, Tetrix subulata (Awl-shaped acrydium, Acrydium subulatum). Handcoloured copperplate engraving by James Sowerby from The British Miscellany, or Coloured figures of new, rare

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"Captivating Elegance: Exploring the Slender Aesthetics through Time" Step back in time to the Festival of Britain 1951, where The Skylon at South Bank, London stood tall and slender, a symbol of modernity and progress. In David Wright's "Flower in her Hair, " a delicate adornment adds a touch of grace to her slender silhouette, capturing the essence of femininity. Transporting us further into history, we encounter "Woman Knitting 1929, " showcasing the elegance found in simplicity as she delicately crafts with precision. The young man lying on a couch without his shirt exudes confidence and allure. His slender physique hints at both strength and vulnerability. Continuing this theme, another young man kneels on a couch without his shirt. His posture evokes an air of mystery while emphasizing his lean figure. Pieter Bruegh's masterpiece "The Strife of Lent with Shrovetide" depicts contrasting figures - one plump and indulgent during carnival season while another remains slim during fasting periods. A young man jumps energetically in white shirt and blue jeans, embodying youthful vigor with his lithe body suspended mid-air. In an unexpected setting, we find a man sitting amidst hay bales wearing long underwear. Despite being partially exposed, his torso appears sleek against the rustic backdrop. Raphael Kirchner's Art Nouveau lady gazes upwards gracefully; her elongated neck accentuates her slender beauty as she captivates all who behold her image. Curiosity piques when encountering a girl peering over the back of a chair; her slight frame suggests innocence mingled with mischief lurking within those bright eyes. Celebrating diversity in body types is essential; thus emerges the concept of "Female Type / Long Neck. " Embracing uniqueness allows for appreciation beyond conventional standards of beauty.