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Skull Cap Collection (page 2)

"Skull Cap: A Symbol of Authority and Tradition" Throughout history, the skull cap has been worn by individuals from various walks of life, representing authority

Background imageSkull Cap Collection: Pope John Paul II at Cardiff airport on his visit to Wales

Pope John Paul II at Cardiff airport on his visit to Wales

Background imageSkull Cap Collection: Pope John Paul II gives a blessing from his popemobile during his visit to ireland

Pope John Paul II gives a blessing from his popemobile during his visit to ireland

Background imageSkull Cap Collection: Pope John Paul II waves to the congregation from his pope mobile following an open air

Pope John Paul II waves to the congregation from his pope mobile following an open air mass held at Wembley Stadium

Background imageSkull Cap Collection: F. Ximines, (1436- 1517), 1830. Creator: Unknown

F. Ximines, (1436- 1517), 1830. Creator: Unknown
F. Ximines, (1436- 1517), 1830. Francisco Jimenez de Cisneros (1436- 1517), Spanish cardinal, religious figure, and statesman, twice regent of Spain

Background imageSkull Cap Collection: Titian, (c1488-1576), 1830. Creator: Unknown

Titian, (c1488-1576), 1830. Creator: Unknown
Titian, (c1488-1576), 1830. Tiziano Vecelli (c1488-1576) Italian Renaissance painter of the Venetian school sought after by patrons notably the Habsburgs and papacy

Background imageSkull Cap Collection: Asante cap worn by King and officials, from Ghana (leather silver & gold) c. 1850's

Asante cap worn by King and officials, from Ghana (leather silver & gold) c. 1850's
XBP228651 Asante cap worn by King and officials, from Ghana (leather silver & gold) c. 1850's by African School; Private Collection; Photo © Boltin Picture Library

Background imageSkull Cap Collection: Marie de Rabutin-Chantal, Madame de Sevigne, French epistolary writer famous for her letters to

Marie de Rabutin-Chantal, Madame de Sevigne, French epistolary writer famous for her letters to her daughter Madame de
FLO4657527 Marie de Rabutin-Chantal, Madame de Sevigne, French epistolary writer famous for her letters to her daughter Madame de Grignan, 1626-1696

Background imageSkull Cap Collection: Woman in white crepe de chine dress, cape of otter and skunk fur lined with floral pattern

Woman in white crepe de chine dress, cape of otter and skunk fur lined with floral pattern, skull cap with plumes
5892987 Woman in white crepe de chine dress, cape of otter and skunk fur lined with floral pattern, skull cap with plumes. Robe de crepe de chine blanc garnie de renard, manteau de loutre et skunks

Background imageSkull Cap Collection: Skull-Cap of King Charles I, Lace Collar (chromolitho)

Skull-Cap of King Charles I, Lace Collar (chromolitho)
2812039 Skull-Cap of King Charles I, Lace Collar (chromolitho) by English School, (19th century); Private Collection; (add.info.: Skull-Cap of King Charles I. Worn by him on the Scaffold)

Background imageSkull Cap Collection: Statues of Philippe Hurepel (1200-34) Comte de Clermont and his wife Mahaut (d

Statues of Philippe Hurepel (1200-34) Comte de Clermont and his wife Mahaut (d
XIR166580 Statues of Philippe Hurepel (1200-34) Comte de Clermont and his wife Mahaut (d.1260) Comtesse de Boulogne et de Dammartin, jamb figures from the North Portal

Background imageSkull Cap Collection: The Actor Grandmesnil (fl. 1790) as Harpagon in The Miser (oil on canvas)

The Actor Grandmesnil (fl. 1790) as Harpagon in The Miser (oil on canvas)
CHT176874 The Actor Grandmesnil (fl.1790) as Harpagon in The Miser (oil on canvas) by Desoria, Jean Baptiste Francois (1758-1832); Comedie Francaise, Paris

Background imageSkull Cap Collection: Fancy dress costume for Mephistopheles, from L Art du Travestissement

Fancy dress costume for Mephistopheles, from L Art du Travestissement
CHT173752 Fancy dress costume for Mephistopheles, from L Art du Travestissement by Leon Salut, 1885 (colour litho) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Background imageSkull Cap Collection: The Goose Plucker

The Goose Plucker
GG26848 The Goose Plucker by Novak, Ernst (1853-1919); Private Collection; Photo eGavin Graham Gallery, London, UK; German, out of copyright

Background imageSkull Cap Collection: A Yeshiva Boy (oil on pen & blue ink on panel)

A Yeshiva Boy (oil on pen & blue ink on panel)
CH402287 A Yeshiva Boy (oil on pen & blue ink on panel) by Kaufmann (Kaufman) Isidor (1853-1921); 33x39.4 cm; Private Collection; Photo eChristies Images; Hungarian, out of copyright

Background imageSkull Cap Collection: Ms Hunter 112 f. 1v Arderne in the Herb Garden, form Incerti Avctoris

Ms Hunter 112 f. 1v Arderne in the Herb Garden, form Incerti Avctoris
GUL232055 Ms Hunter 112 f.1v Arderne in the Herb Garden, form Incerti Avctoris by Johannis Arderne (vellum) by English School, (14th century); Glasgow University Library

Background imageSkull Cap Collection: Portrait of Pierre Corneille (1606-84) 1644, frontispiece for an edition of

Portrait of Pierre Corneille (1606-84) 1644, frontispiece for an edition of
CHT233219 Portrait of Pierre Corneille (1606-84) 1644, frontispiece for an edition of Oeuvres de Corneille, published in 1634 (engraving) (b/w photo) by French School

Background imageSkull Cap Collection: Bearded Old Man with His Head Leaning Forward, Wearing a Skull Cap

Bearded Old Man with His Head Leaning Forward, Wearing a Skull Cap
873390 Bearded Old Man with His Head Leaning Forward, Wearing a Skull Cap, Facing Right (etching) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64); 18.1 x15 cm; San Diego Museum of Art

Background imageSkull Cap Collection: Priest making a ritual gesture, from the Tomb of the Augurs, c

Priest making a ritual gesture, from the Tomb of the Augurs, c
XIR159296 Priest making a ritual gesture, from the Tomb of the Augurs, c.530-20 BC (mural painting) (see also 106404) by Etruscan, (6th century BC); Tarquinia, Lazio, Italy; Etruscan, out of copyright

Background imageSkull Cap Collection: Portrait of St. Albertus Magnus (c. 1206-80) c. 1475 (oil on panel) (b / w photo)d

Portrait of St. Albertus Magnus (c. 1206-80) c. 1475 (oil on panel) (b / w photo)d
ALI165889 Portrait of St. Albertus Magnus (c.1206-80) c.1475 (oil on panel) (b/w photo)d by Joos van Gent (fl.1460-75) and Berruguete, P

Background imageSkull Cap Collection: Skull-Cap and Glove of King Charles I (chromolitho)

Skull-Cap and Glove of King Charles I (chromolitho)
2812038 Skull-Cap and Glove of King Charles I (chromolitho) by English School, (19th century); Private Collection; (add.info.: Skull-Cap of King Charles I)

Background imageSkull Cap Collection: Curtis British Entomology Plate 389

Curtis British Entomology Plate 389
Hymenoptera: Agriotypus armatus (Spined Agriotypus) [Plant: Scutellaria galericulata (Common Skull-cap)] Date: 1824-39

Background imageSkull Cap Collection: Curtis British Entomology Plate 362

Curtis British Entomology Plate 362
Coleoptera: Leptura apicalis = Strangalia quadrifasciata (Horn-tipped Leptura) [Plant: Scutellaria minor (Less Skull-cap)] Date: 1824-39

Background imageSkull Cap Collection: North-Western Afghan mountain troops fighting against the British, engraved by H

North-Western Afghan mountain troops fighting against the British, engraved by H
CHT165184 North-Western Afghan mountain troops fighting against the British, engraved by H. Koch (engraving) (b/w photo) by Bayard, Emile Antoine (1837-91) (after); Bibliotheque des Arts Decoratifs

Background imageSkull Cap Collection: John Knox admonishing Mary Queen of Scots, engraved by A. H. Payne (litho)

John Knox admonishing Mary Queen of Scots, engraved by A. H. Payne (litho)
475453 John Knox admonishing Mary Queen of Scots, engraved by A.H. Payne (litho) by Allen, William (1793-1864) (after); Private Collection; (add.info.: John Knox (c.1510-72); Scottish clergyman

Background imageSkull Cap Collection: Portrait of Emile Zola (1840-1902) from the front cover of La Revue Illustree

Portrait of Emile Zola (1840-1902) from the front cover of La Revue Illustree
CHT170438 Portrait of Emile Zola (1840-1902) from the front cover of La Revue Illustree, engraved by Florian, 15th February 1887 (colour litho) by La Barre

Background imageSkull Cap Collection: Portrait of Richard Boyle, 3rd Earl of Burlington (1695-1753

Portrait of Richard Boyle, 3rd Earl of Burlington (1695-1753
HMP86638 Portrait of Richard Boyle, 3rd Earl of Burlington (1695-1753) and his wife Lady Dorothy Savile (1699-1758) 1723 (oil on canvas) by Aikman

Background imageSkull Cap Collection: D. Leonardus Marius Goezanus, pub. 1654 (engraving)

D. Leonardus Marius Goezanus, pub. 1654 (engraving)
4071330 D. Leonardus Marius Goezanus, pub. 1654 (engraving) by Moeyaert, Nicolaes (Claes) Cornelisz (c.1592-1655); Private Collection; (add.info)

Background imageSkull Cap Collection: Indias Loyal Moslems: Prayers after the Great Meeting at Dacca

Indias Loyal Moslems: Prayers after the Great Meeting at Dacca
KAT323440 Indias Loyal Moslems: Prayers after the Great Meeting at Dacca, illustration from The Graphic October 27th 1906 (b/w photo) by English Photographer

Background imageSkull Cap Collection: The Disgrace of Cardinal Wolsey (1475-1530) (oil on canvas)

The Disgrace of Cardinal Wolsey (1475-1530) (oil on canvas)
SAG186642 The Disgrace of Cardinal Wolsey (1475-1530) (oil on canvas) by Pettie, John (1839-93); Sheffield Galleries and Museums Trust

Background imageSkull Cap Collection: Pope Paul VI waves to the crowds after landing in Amman on January 4, 1964

Pope Paul VI waves to the crowds after landing in Amman on January 4, 1964, during a visit to the Holy Land

Background imageSkull Cap Collection: Pope John Paul II gives a blessing from a balcony during his visit to Ireland

Pope John Paul II gives a blessing from a balcony during his visit to Ireland

Background imageSkull Cap Collection: Pope John Paul II in during his visit to Britain in 1982 visits the home of

Pope John Paul II in during his visit to Britain in 1982 visits the home of the Archbishop and meets Russian Orthodox church religious leaders

Background imageSkull Cap Collection: Pope John Paul II returns to Poland for an official visit

Pope John Paul II returns to Poland for an official visit and kisses the ground on his arrival at the airport

Background imageSkull Cap Collection: Pope John Paul II visits Britain May 1982 The Pope conducts a service at Digby

Pope John Paul II visits Britain May 1982 The Pope conducts a service at Digby Stuart Collage, Roehampton with Cardinal Basil Hume

Background imageSkull Cap Collection: Pope John Paul II during his visit to Britain in 1982 conducts a joint service withe

Pope John Paul II during his visit to Britain in 1982 conducts a joint service withe the Archbishop of Canterbury Dr Robert Runcie

Background imageSkull Cap Collection: Pope John Paul II visits Britain 29th May 1982 The first Pope to visit

Pope John Paul II visits Britain 29th May 1982 The first Pope to visit Britain kneels down to kiss the ground at Gatwick Airport

Background imageSkull Cap Collection: The Pope in Glasgow 1982

The Pope in Glasgow 1982

Background imageSkull Cap Collection: Pope John Paul II during his visit to Britain in 1982 conducts a joint service withe

Pope John Paul II during his visit to Britain in 1982 conducts a joint service withe the Archbishop of Canterbury Dr Robert Runcie

Background imageSkull Cap Collection: Pope John Paul II at Caturbury Cathedral

Pope John Paul II at Caturbury Cathedral

Background imageSkull Cap Collection: Pope John Paul II returns to Poland for an official visit 1979

Pope John Paul II returns to Poland for an official visit 1979

Background imageSkull Cap Collection: Pope John Paul II with Dr Robert Runcie the Archbishop of Canterbury at Canterbury

Pope John Paul II with Dr Robert Runcie the Archbishop of Canterbury at Canterbury Cathedral

Background imageSkull Cap Collection: Pope John Paul II is interviewed during a flight on his visit to Ireland

Pope John Paul II is interviewed during a flight on his visit to Ireland

Background imageSkull Cap Collection: Pope John Paul II during his visit to Britain in 1982 in pray at the altar during a

Pope John Paul II during his visit to Britain in 1982 in pray at the altar during a joint service with the Archbishop of Canterbury

Background imageSkull Cap Collection: Pope John Paul II in during his visit to Britain in 1982 visits the home of

Pope John Paul II in during his visit to Britain in 1982 visits the home of the Archbishop and meets Russian Orthodox church religious leaders

Background imageSkull Cap Collection: Pope John Paul II gives a blessing from a balcony during his visit to Ireland

Pope John Paul II gives a blessing from a balcony during his visit to Ireland

Background imageSkull Cap Collection: Head of a Man with a Skullcap. Creator: Alphonse Legros

Head of a Man with a Skullcap. Creator: Alphonse Legros
Head of a Man with a Skullcap

Background imageSkull Cap Collection: G. F. Watts, R. A. 2nd plate. Creator: Alphonse Legros

G. F. Watts, R. A. 2nd plate. Creator: Alphonse Legros
G.F. Watts, R.A. 2nd plate



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"Skull Cap: A Symbol of Authority and Tradition" Throughout history, the skull cap has been worn by individuals from various walks of life, representing authority, tradition, and religious significance. One notable figure associated with the skull cap is Charles Howard, First Earl of Nottingham (early-mid 19th century). As a prominent English nobleman and politician, he was often depicted wearing this distinctive headpiece in portraits painted by H Robinson. In another era, George Herbert and Anon Eng were captured in an anonymous artwork donning skull caps. These individuals remain mysterious to us today but their choice of headwear suggests a connection to tradition or perhaps even religious affiliation. Moving back in time to the 17th century, we encounter John Owen - an influential English Puritan pastor and theologian. In a copper engraving dating back to around 1800, Owen can be seen wearing his signature skull cap as a symbol of his devout faith. The influence of the skull cap extends beyond Europe as well. F. Ximines (1436-1517), depicted in an artwork from 1830 whose creator remains unknown, showcases how this headgear transcended borders and became part of cultural attire elsewhere. Even renowned artists like Titian (c1488-1576) have been portrayed wearing skull caps during their creative endeavors. The unknown artist who created this depiction in 1830 highlights how these caps were not limited to specific professions but rather embraced across different fields. Religious leaders also adopted the use of skull caps throughout history. Pope Paul VI's meeting with King Hussein I of Jordan in Amman on January 4th, 1964 shows both figures adorned with these symbolic headpieces that denote their spiritual authority. Pope John Paul II was frequently seen sporting a white skull cap during his papacy.