Skins Collection (page 14)

Sheep - Sheepskins drying / curing on line in sun. Napier - North Island - New Zealand
MAB-633 Sheep - Sheepskins drying / curing on line in sun Napier - North Island - New Zealand Mark Boulton Please note that prints are for personal display purposes only

American Alligator - Closeup of skin - Native to southeastern United States - Most abundant in the coastal marshes of
CAN-2339 American Alligator - Closeup of skin Native to southeastern United States - Most abundant in the coastal marshes of Louisiana Alligator mississippiensis John Cancalosi Please note that

American Alligator - Close-up of skin - Louisiana - Native to southeastern United States - Most abundant in the coastal
CAN-2337 American Alligator - Close-up of skin Louisiana - Native to southeastern United States Alligator mississippiensis John Cancalosi Please note that prints are for personal display purposes

American Alligator - Dorsal closeup, Louisiana, USA - Native to southeastern United States - Most abundant in
CAN-2336 American Alligator - Dorsal closeup Louisiana, USA - Native to southeastern United States Alligator mississippiensis John Cancalosi Please note that prints are for personal display purposes

Stone Age men treat their wounds after hunting
Mens costume of the Stone Age is simple but practical, using animal skins to good effect : their teeth are used as ornaments, worn as necklaces

Leadenhall Market
LEADENHALL MARKET, apart from butchers, fishmongers and cheesemongers, houses dealers in leather, from the skins of the millions of animals slaughtered in the city

Adam & Eve Expelled
Adam and Eve have covered their nakedness with skins, but angels shoo them out of Eden : the snake, who caused the trouble in the first place, slinks away also

Stone Age Skins & Rope
Early man scraping skins and making rope, probably during the late Stone Age

Catlin / Sioux as Wolves
Sioux stalk buffalo disguised as wolves by wearing their skins on their backs

All Professionally Made to Order for Quick Shipping

"Skins: A Tapestry of Cultures, History, and Identity" From the BFI poster showcasing Barney Platts-Mills' iconic film "Bronco Bullfrog" to the captivating images of Norway's Kautokeino Sami people, they have long been a canvas for expressing cultural heritage. Delving into ancient Egypt, we discover the Nubians adorned in vibrant skins that symbolized their rich history. In an unexpected twist, an anti-fruit throwing sign reminds us that even everyday objects can bear significance when it comes to our skin. Meanwhile, Tucson's Indian Blanket Department showcases the intricate craftsmanship behind Native American textiles. Traveling back in time to Coventry in 1969, we witness both a solitary skinhead and a group of them in the shopping precinct – emblematic figures representing youth subcultures and societal shifts. These images prompt contemplation on how our outer appearances often reflect inner identities. Drawing inspiration from James Fenimore Cooper's "Last of The Mohicans, " we are transported to another era where they were not only garments but also symbols of survival and resilience. Similarly evocative is Cunnacks Tannery in Helston, Cornwall during October 1883 - reminding us of the skillful artistry involved in transforming raw hides into functional materials. Taking a detour from traditional depictions, we encounter a Hadza hunter smoking cannabis from a crude stone pipe – highlighting how different cultures utilize natural resources for various purposes. Furthermore, hunting trophies displayed proudly as part of British East Africa's heritage demonstrate humanity's complex relationship with animals throughout history. Finally, winter count on buffalo robe brings forth vivid imagery through its color litho representation - revealing how indigenous communities documented their stories and experiences through visual narratives etched onto animal hides. Through these diverse glimpses into "skins, " whether as clothing or symbolic representations thereof; one thing becomes clear.