Sitting Room Collection (page 8)

Valentine: "I regret that they are out, Patty, but I will await their return"
1074517 Valentine: " I regret that they are out, Patty, but I will await their return". (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info)

Miss Willoughby: "We shall probably spend the evening here with Miss Susan at
1074512 Miss Willoughby: " We shall probably spend the evening here with Miss Susan at the card table". (litho) by Thomson

Valentine: "To see her on his knees, decorating the little legs of the couch with
1074506 Valentine: " To see her on his knees, decorating the little legs of the couch with frills as if it were a child"

An Interesting Story, (oil on canvas)
985386 An Interesting Story, (oil on canvas) by Jones, Francis Coates (1857-1932); 69.2x56.5 cm; Private Collection; (add.info.: An Interesting Story. Francis Coates Jones (1857-1932). Oil on canvas

A Winters Tale of Sprites and Goblins, 1886 (oil on canvas)
985370 A Winters Tale of Sprites and Goblins, 1886 (oil on canvas) by Bunker, Denis Miller (1861-90); 95.3x126.4 cm; Private Collection; Photo eChristies Images; American, out of copyright

Solskin I Dagligstuen, No. 1, 1903 (oil on canvas)
658894 Solskin I Dagligstuen, No.1, 1903 (oil on canvas) by Hammershoi, Vilhelm (1864-1916); 58.5x53.2 cm; Private Collection; (add.info.: Solskin I Dagligstuen, No.1. Vilhelm Hammershoi (1864-1916)

Loves Distraction, 1880 (oil on canvas)
658742 Loves Distraction, 1880 (oil on canvas) by Carpentier, Evariste (1845-1922); 55.9x90.1 cm; Private Collection; (add.info.: Loves Distraction. Evariste Carpentier (1845-1922). Oil on canvas

Doddy and her Pets, (oil on canvas)
658479 Doddy and her Pets, (oil on canvas) by Garland, Charles Trevor (fl.1880-1901); 41.5x29.5 cm; Private Collection; (add.info.: Doddy and her Pets. Charles Trevor Garland (1855-1906)

Girl Resting on a Chaise Longue, 1922 (oil on canvas)
658150 Girl Resting on a Chaise Longue, 1922 (oil on canvas) by Lessore, Therese (1884-1945); 49.5x59.5 cm; Private Collection; (add.info.: Girl Resting on a Chaise. Longue)

Flowers in the Salon, Chateau de Nanteuil, 1927 (oil on panel)
657837 Flowers in the Salon, Chateau de Nanteuil, 1927 (oil on panel) by Manson, James Bolivar (1879-1945); Private Collection; (add.info.: Flowers in the Salon, Chateau de Nanteuil)

Group Portrait of the President, Fellows, and Corresponding Members of the Medical
XJF134183 Group Portrait of the President, Fellows, and Corresponding Members of the Medical Society of London, engraved by Nathan Cooper Branwhite (1775-1857), published by R

The Queens Drawing Room, Windsor Castle, from Royal Residences
STC133530 The Queens Drawing Room, Windsor Castle, from Royal Residences, engraved by Thomas Sutherland (b.1785), pub. by William Henry Pyne (1769-1843), 1816 (aquatint) by Wild

A Tea Party (oil on canvas)
STC22545 A Tea Party (oil on canvas) by Verkolje, Nicolaes (1673-1746); Victoria & Albert Museum, London, UK; The Stapleton Collection; Dutch, out of copyright

The Kings Writing Closet, Hampton Court, from
STC170308 The Kings Writing Closet, Hampton Court, from The History of the Royal Residences, engraved by Richard Reeve (b.1780), by William Henry Pyne (1769-1843), 1819 (litho) by Cattermole

Mr Chamberlains Forthcoming Tour, HMS "Good Hope, "as fitted out for the Voyage (b / w photo)
1601268 Mr Chamberlains Forthcoming Tour, HMS " Good Hope, " as fitted out for the Voyage (b/w photo) by English Photographer

Rearing Pheasants, Sketches at the Duke of Norfolks Pheasantry at Angmering Park, Sussex (engraving)
1626975 Rearing Pheasants, Sketches at the Duke of Norfolks Pheasantry at Angmering Park, Sussex (engraving) by English School, (19th century); Private Collection; (add.info.: Rearing Pheasants)

The Sailors Return, (oil on canvas)
823275 The Sailors Return, (oil on canvas) by Hovenden, Thomas (1840-95); 91.5x145 cm; Private Collection; (add.info.: The Sailors Return. Oil on canvas. Thomas Hovenden (1840-1895). Painted in 1892

Jeanne Reading, 1899 (oil on canvas)
988814 Jeanne Reading, 1899 (oil on canvas) by Pissarro, Camille (1830-1903); 56x67 cm; Private Collection; (add.info.: Jeanne Reading; Jeanne Lisant. Camille Pissarro (1830-1903). Oil on canvas

The Love Letter, c. 1890 (oil on canvas)
984999 The Love Letter, c.1890 (oil on canvas) by Califano, John (1864-1924); 75.6x45 cm; Private Collection; Photo eChristies Images; American, out of copyright

The Connoisseurs, (oil on canvas)
984911 The Connoisseurs, (oil on canvas) by Moeller, Louis Charles (1855-1930); 76.5x106.7 cm; Private Collection; (add.info.: The Connoisseurs. Louis Charles Moeller (1855-1930). Oil on canvas

Waiting, 1885 (oil on canvas)
984907 Waiting, 1885 (oil on canvas) by Grant, Clement Rollins (1849-93); 51x76.2 cm; Private Collection; (add.info.: Waiting. Clement Rollins Grant (1849-1893). Oil on canvas. Painted in 1885

Phoebe: "Sergeant, I am wishful to scold you, but would you be so obliging as to
1074498 Phoebe: " Sergeant, I am wishful to scold you, but would you be so obliging as to stand on this paper while I do it"

The New Home for Incurables opened by HRH the Princess of Wales on Tuesday (engraving)
1047921 The New Home for Incurables opened by HRH the Princess of Wales on Tuesday (engraving) by English School, (19th century); Private Collection; (add.info)

Pip, How are you Pip?, illustration for Great Expectations by Charles Dickens, 1861 (engraving)
1080202 Pip, How are you Pip?, illustration for Great Expectations by Charles Dickens, 1861 (engraving) by McLenan, John (1827-65); Private Collection; (add.info)

Marriage a la Mode (Plate II), 1768 (engraving)
985920 Marriage a la Mode (Plate II), 1768 (engraving) by Hogarth, William (1697-1764); 45.6x28.6 cm; Private Collection; (add.info.: Marriage a la Mode (Plate II). From Les Satyres (French title)

Spring Sunshine, 1913 (oil on canvas)
827104 Spring Sunshine, 1913 (oil on canvas) by Pieters, Evert (1856-1932); 63.5x75.6 cm; Private Collection; (add.info.: Spring Sunshine. Evert Pieters (1856-1932). Oil on canvas. Painted in 1913

Max Liebermann in his Studio; Max Liebermann in Seinem Atelier, 1926 (oil on canvas)
653590 Max Liebermann in his Studio; Max Liebermann in Seinem Atelier, 1926 (oil on canvas) by Kirchner, Ernst Ludwig (1880-1938); 80x70 cm; Private Collection; (add.info)

Portrait de Madame Dubois, 1922 (oil on canvas)
653213 Portrait de Madame Dubois, 1922 (oil on canvas) by Rysselberghe, Theo van (1862-1926); 110x84 cm; Private Collection; (add.info.: Portrait de Madame Dubois. Theo van Rysselberghe (1862 -1926)

Living Room, 1905 (w / c on paper)
661088 Living Room, 1905 (w/c on paper) by Grenander, Alfred (1863-1931); Private Collection; The Stapleton Collection; Swedish, out of copyright

Design for the Interior of a Bedroom, early 20th century (w / c and pencil on paper)
661047 Design for the Interior of a Bedroom, early 20th century (w/c and pencil on paper) by Lovell, Richard Goulburn (1861-1937); Private Collection; The Stapleton Collection; English

An Interior with a Mother and Child (The Artists Family), (oil on canvas)
659659 An Interior with a Mother and Child (The Artists Family), (oil on canvas) by Pedersen, Viggo (1854-1926); 35.5x29.6 cm; Private Collection; (add.info)

The Swing, (oil on canvas)
659045 The Swing, (oil on canvas) by Torriglia, Giovanni-Battista (1858-1937); 73.7x111.7 cm; Private Collection; (add.info.: The Swing. Giovanni Battista Torriglia (1858-1937). Oil on canvas

A Good Book, (oil on panel)
658609 A Good Book, (oil on panel) by Fischer, Paul (1860-1934); 47x36 cm; Private Collection; (add.info.: A Good Book. Paul Fischer (1860-1934). Oil on panel

Mothers Little Helper, 1874 (oil on canvas)
658303 Mothers Little Helper, 1874 (oil on canvas) by Kilburne, George Goodwin (1839-1924); 53.5x43.3 cm; Private Collection; (add.info.: Mothers Little Helper. George Goodwin Kilburne (1839-1924)

The New Breeches, (oil on canvas)
658280 The New Breeches, (oil on canvas) by Barnes, Edward Charles (1855-1882); 71x92 cm; Private Collection; (add.info.: The New Breeches. Edward Charles Barnes (1855-1882). Oil on canvas

Old Maid, 1886 (oil on canvas)
658244 Old Maid, 1886 (oil on canvas) by Goodall, Frederick (1822-1904); 110.5x97.8 cm; Private Collection; (add.info.: Old Maid. Frederick Goodall (1822-1904). Oil on canvas. Signed and dated 1886

Flower Arrangement, 1878 (watercolour)
659865 Flower Arrangement, 1878 (watercolour) by Kilburne, George Goodwin (1839-1924); 38.7x26.7 cm; Private Collection; (add.info.: Flower Arrangement. George Goodwin Kilburne (1839-1924)

Portrait of Zoum Van den Eeckhoudt, 1915 (oil on canvas)
657494 Portrait of Zoum Van den Eeckhoudt, 1915 (oil on canvas) by Fry, Roger Eliot (1866-1934); Private Collection; (add.info.: Portrait of Zoum Van den Eeckhoudt. Roger Fry (1866-1934)

A man playing the piano in a living room of the A. C. Cronin residence
MNY381649 A man playing the piano in a living room of the A.C. Cronin residence, 1915-16 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.4 cm; Museum of the City of New York

A scene from an amateur production of a play titled "My Lord in Livery"
MNY381309 A scene from an amateur production of a play titled " My Lord in Livery" (silver gelatin print) by Byron Company (fl.1890-1942); 20.3x25.4 cm; Museum of the City of New York

The parlor of the penthouse at the Hotel St. Regis, 1937 (silver gelatin print)
MNY380751 The parlor of the penthouse at the Hotel St. Regis, 1937 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York, USA; (add.info.: Hotel St)

To be or not to be (oil on canvas)
TW429304 To be or not to be (oil on canvas) by Glindoni, Henry Gillard (1852-1913); 106.7x152.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; eSunderland Museums; English, out of copyright

A Conversation, 1917 (oil on canvas laid on board)
657398 A Conversation, 1917 (oil on canvas laid on board) by Lessore, Therese (1884-1945); Private Collection; (add.info.: A Conversation. Therese Lessore (1884-1945). Oil on canvas laid on board

Interior, Mornington Crescent, 1910
IPS72963 Interior, Mornington Crescent, 1910 by Gore, Spencer Frederick (1878-1914); 41x51 cm; Ipswich Borough Council Museums and Galleries, Suffolk

Interior (oil on canvas)
LEF219952 Interior (oil on canvas) by Cadell, Francis Campbell Boileau (1883-1937); 50x59 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; Scottish, out of copyright

An apartment designed by Fornasetti, 1950s (b / w photo)
STC439609 An apartment designed by Fornasetti, 1950s (b/w photo) by French Photographer, (20th century); Private Collection; (add.info)

Reading by Lamplight (Twilight: Interior) (oil on canvas)
LMG123010 Reading by Lamplight (Twilight: Interior) (oil on canvas) by Clausen, George (1852-1944); 73.2x58.4 cm; Leeds Museums and Galleries (Leeds Art Gallery)

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Step into the timeless elegance of a sitting room, where stories unfold and memories are made. Just like the opening scene of Dr Who and The Daleks, this space is filled with anticipation and adventure. Picture George Relph, John Gregson, and Naunton Wayne gathered around a cozy fireplace, sharing laughter and camaraderie. But it's not just about thrilling escapades; a it also holds moments of profound love. Imagine a couple celebrating their Golden Wedding anniversary in February 1942. Gabrielle Brune, John Gregson, George Relph, and Edie Martin come together in this very room to commemorate years of devotion and commitment. As you explore further, you'll discover Bernard Lee and Maxine Audley engrossed in deep conversation amidst the elegant surroundings. Their presence adds an air of sophistication to this cherished space. The sitting room transcends time as we delve into Paul Douglas' journey aboard The Maggie. Here he finds solace within these walls while embarking on his own personal odyssey. Travel back even further to 1860 when the Drawing Room at Guys Cliffe in Warwickshire was adorned with opulent decor by an anonymous creator. This exquisite design transports us to another era where grandeur meets comfort. Continuing our historical tour brings us to Eastnor Castle in Hertfordshire circa 1850. Feast your eyes on the intricate details captured in the Design for Decoration of its Drawing Room - a testament to craftsmanship that has stood the test of time. In contrast to these regal settings lies The Queen Mother's intimate sitting room – a haven where she could retreat from her royal duties and find tranquility amid familiar comforts. Artistic beauty takes center stage as we admire Edouard Vuillard's Vase of Flowers on a Mantelpiece from around 1900 – each bloom carefully arranged as if frozen in time against an ornate backdrop.