Sir George Frederic Warner Collection
Sir George Frederic Warner was a renowned collector and scholar of medieval manuscripts, known for his vast knowledge and passion for preserving historical artifacts
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Sir George Frederic Warner was a renowned collector and scholar of medieval manuscripts, known for his vast knowledge and passion for preserving historical artifacts. His collection included an array of stunning works, such as the initial page from the Lindisfarne Gospels, a masterpiece from the late 7th or early 8th century that showcases intricate craftsmanship. Warner's fascination with art extended to various periods, evident in his possession of two captivating horsemen of the Apocalypse dating back to the early 14th century. These exquisite pieces capture both the terror and beauty associated with this biblical theme. One cannot overlook Warner's appreciation for religious artwork, exemplified by his acquisition of Ascension and Pentecost scenes created between 1290-1300. The delicate brushstrokes and vibrant colors bring these divine moments to life. In addition to visual art, Warner also valued written treasures. He possessed an agreement signed by Oliver Goldsmith himself on March 31st, 1763 - a testament to Goldsmith's commitment as a writer during that era. Warner's collection even contained letters from notable figures like Oliver Cromwell. A letter penned by Cromwell in the seventeenth century provides insight into historical events while showcasing Warner's dedication to preserving important documents. The Tower of London with London Bridge is another remarkable piece within Sir George Frederic Warner's assortment. This depiction captures the essence of fifteenth-century England through its detailed portrayal of architecture and bustling city life. Among his many acquisitions were text pages adorned with illuminated initials - true gems from different centuries. One particular page features an intricately designed letter D from the fifteenth century that adds elegance to any manuscript it graces. Religious themes continued to captivate Warner as seen in Henry VI depicted before the Virgin and Child around 1420 - a poignant image symbolizing devotion amidst political turmoil. Two bible scenes dating back to the late fourteenth century further demonstrate Sir George Frederic Warner's interest in preserving religious narratives.