Sir Anthony Van Dyck Collection (page 8)

Sir Anthony van Dyck sunflower 1644 Etching third state
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Sir Anthony van Dyck, The Prefect Raffaele Raggi, Flemish, 1599-1641, c. 1625, oil on canvas

Sir Anthony van Dyck, Portrait of a Flemish Lady, Flemish, 1599-1641, probably 1618, oil on canvas

Sir Anthony van Dyck, Head of a Young Man, Flemish, 1599-1641, c. 1617-1618, oil on paper on panel

Jacobus Houbraken after Sir Anthony van Dyck (Dutch, 1698 - 1780), William Russell, 1st Duke of Bedford, etching and engraving

Cornelis Galle I after Sir Anthony van Dyck (Flemish, 1576 - 1650), Artus Wolfart, probably 1626-1641, engraving

Sir Anthony van Dyck and Schelte Adams Bolswert (Flemish, 1599 - 1641), Willem de Vos, probably 1626-1641, etching and engraving

Sir Anthony van Dyck after Hans Holbein the Younger (Flemish, 1599 - 1641), Erasmus of Rotterdam, probably 1626-1641, etching

Schelte Adams Bolswert after Sir Anthony van Dyck (Flemish, 1586 - 1659), Marten Pepyn, probably 1626-1641, engraving

Paulus Pontius after Sir Anthony van Dyck, Henricus Steenwyck, Flemish, 1603 - 1658, engraving on laid paper

Sir Anthony van Dyck, Jan Bruegel the Elder, Flemish, 1599 - 1641, probably 1626-1641, etching and engraving on laid paper

Sir Anthony van Dyck and Jacobus Neeffs (Flemish, 1599 - 1641), Self-Portrait, probably 1626-1641, etching and engraving (etching of head by van Dyck and finished in engraving by J)

Timothy Cole after Sir Anthony van Dyck, Marchesa Elena Grimaldi, Wife of Marchese Nicola Cattaneo, American, 1852-1931, 1910 (published 1911), wood engraving on japan paper

Cornelis Ploos van Amstel and Johannes Kornlein after Sir Anthony van Dyck (Dutch, 1726-1798), Jan van Goyen, 1766, transfer technique with some roulette in gray and red-orange

Jonas Suyderhoff after Sir Anthony van Dyck (Dutch, c. 1613-1686), Charles I, King of England, 1650?, etching and engraving

Jonas Suyderhoff and Attributed to Pieter Claesz Soutman after Sir Anthony van Dyck (Flemish)
Jonas Suyderhoff and Attributed to Pieter Claesz Soutman after Sir Anthony van Dyck (Flemish, c. 1580-1657), John, Count of Nassau, etching on laid paper

Pieter de Jode II after Sir Anthony van Dyck (Flemish, 1601-1674 or after), Adam de Coster, probably 1626-1641, engraving

Paulus Pontius after Sir Anthony van Dyck (Flemish, 1603-1658), Cornelis van Poelenburgh, probably 1626-1641, engraving

Lucas Emil Vorsterman after Sir Anthony van Dyck (Flemish, 1595-1675), Deodat Delmont, probably 1626-1641, engraving

Sir Anthony van Dyck (Flemish, 1599-1641), Frans Snyders, probably 1626-1641, etching
Sir Anthony van Dyck (Flemish, 1599-1641), Philippe le Roy, Lord of Ravels, probably 1626-1641, etching

Antique illustration of self-portrait of van Dyck
Antique illustration of etching from a Sir Anthony van Dyck self-portrait. The 17th century Flemish Baroque artist depicts himself in three-quarter profile while still young

Antique illustration of young man portrait by Van Dick
Antique illustration of drawing by Sir Anthony van Dyck, representing a young man in three-quarter profile: a boy with long curly hair, beard, moustache and goatee

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Sir Anthony van Dyck was a Flemish Baroque artist who rose to become the leading court painter in England during the 17th century. His talent and skill are evident in his diverse range of works, which include portraits, historical scenes, and still life paintings. One of his notable pieces is "Queen Henrietta Maria with Sir Jeffrey Hudson" from 1633. In this painting, Van Dyck captures the regal beauty of Queen Henrietta Maria alongside the dwarf courtier Sir Jeffrey Hudson. The attention to detail and delicate brushwork showcase Van Dyck's mastery as a portraitist. Another remarkable work by Van Dyck is "Philip, Lord Wharton" painted in 1632. This portrait exudes elegance and sophistication as Lord Wharton gazes confidently at the viewer. The play of light and shadow adds depth to the composition, highlighting Van Dyck's ability to capture both physical likeness and inner character. In addition to portraiture, Van Dyck also excelled in religious subjects such as "Saint Sebastian prepared for Martyrdom. " Painted around 1622, this piece depicts Saint Sebastian bound before his impending martyrdom with emotional intensity conveyed through vibrant colors and dramatic lighting. Van Dyck himself is immortalized in his self-portrait dating back to when he was just twenty-six years old. This introspective portrayal showcases his youthful energy while hinting at the immense talent that would later earn him fame across Europe. Not all works attributed to Van Dyck were solely created by him; some were executed by followers or imitators like "Portrait of a Man" from 1625-30. Although not directly painted by Van Dyck himself, these pieces demonstrate how influential he became within artistic circles during his lifetime. Van Dyck's versatility can be seen in other genres too; for instance, "Bouquet of Flowers in an Earthenware Vase" showcases his ability to capture the beauty of still life.