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Silk Collection (page 4)

Silk, the epitome of elegance and luxury, has a rich history that spans across continents and centuries

Background imageSilk Collection: Washing and dyeing in a silk production works, 1823

Washing and dyeing in a silk production works, 1823
3480219 Washing and dyeing in a silk production works, 1823; (add.info.: Early 19th century washing and dyeing in a silk production works in Derby, England 1823.); Universal History Archive/UIG

Background imageSilk Collection: John Lombeof Derby, 1888

John Lombeof Derby, 1888
3480208 John Lombeof Derby, 1888; (add.info.: John Lombeof Derby (1693-1722), disguised as a poor out of work young man, secretly making drawings of the machinery in the Leghorn silk mills where he

Background imageSilk Collection: Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate

Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate
FLO4678252 Federigo Oricono, 1558. In a suit of armour with silk surcoat in plush covering the breastplate and backplate, sleeve armour pauldrons and elbow pieces, and slops or wide breeches

Background imageSilk Collection: Nautch girl or dancing girl, India, in embroidered silks and muslins with bracelets

Nautch girl or dancing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings
FLO4565459 Nautch girl or dancing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings. Handcoloured copperplate engraving by an unknown artist from " Asiatic

Background imageSilk Collection: Chhata wala or umbrella carrier, in cotton loin cloth. Fringed umbrella in silk or red

Chhata wala or umbrella carrier, in cotton loin cloth. Fringed umbrella in silk or red and blue curwah
FLO4565334 Chhata wala or umbrella carrier, in cotton loin cloth. Fringed umbrella in silk or red and blue curwah. Handcoloured copperplate engraving by an unknown artist from " Asiatic

Background imageSilk Collection: Medieval shoes and boots in England. Gold-fretted shoe worn by Henry III 1

Medieval shoes and boots in England. Gold-fretted shoe worn by Henry III 1
FLO4603250 Medieval shoes and boots in England. Gold-fretted shoe worn by Henry III 1, decorated shoes from the reign of Edward III (2-6)

Background imageSilk Collection: Mandarins or noblemen in silk, and woman and child, of the Kingdom of Siam, Thailand

Mandarins or noblemen in silk, and woman and child, of the Kingdom of Siam, Thailand. Adapted from Simon de la Loubere
FLO4624176 Mandarins or noblemen in silk, and woman and child, of the Kingdom of Siam, Thailand. Adapted from Simon de la Loubere

Background imageSilk Collection: Sorting silk cocoons, 1885

Sorting silk cocoons, 1885
3480218 Sorting silk cocoons, 1885; (add.info.: US silk production. Sorting silk cocoons, 1885.); Universal History Archive/UIG

Background imageSilk Collection: Women operating a spinning machine in a textile silk mill, 1843

Women operating a spinning machine in a textile silk mill, 1843
3478862 Women operating a spinning machine in a textile silk mill, 1843; (add.info.: Women operating a spinning machine in a textile silk mill, Derby, England, 1843.); Universal History Archive/UIG

Background imageSilk Collection: Woman working in an elastic mill

Woman working in an elastic mill
2602733 Woman working in an elastic mill; (add.info.: Woman working in an elastic mill, Leicester, England. Winding silk onto bobbins in a warping frame prior to using it to cover rubber strand)

Background imageSilk Collection: The Witches Cloth, altar frontal, from the Monestir de Sant Joan de les Abadeses

The Witches Cloth, altar frontal, from the Monestir de Sant Joan de les Abadeses, 12th century (silk tapestry)
AIS5343410 The Witches Cloth, altar frontal, from the Monestir de Sant Joan de les Abadeses, 12th century (silk tapestry); Museo Episcopal de Vic, Osona, Catalonia

Background imageSilk Collection: Man playing the tumboora (guitar) wearing embroidered silk pants, tunic and turban

Man playing the tumboora (guitar) wearing embroidered silk pants, tunic and turban
FLO4565598 Man playing the tumboora (guitar) wearing embroidered silk pants, tunic and turban. Handcoloured copperplate engraving by an unknown artist from " Asiatic Costumes, " Ackermann

Background imageSilk Collection: Nautch girl or singing girl, India, in embroidered silks and muslins with bracelets

Nautch girl or singing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings
FLO4565536 Nautch girl or singing girl, India, in embroidered silks and muslins with bracelets, necklaces and earrings. Handcoloured copperplate engraving by an unknown artist from " Asiatic

Background imageSilk Collection: Burmese woman in long loose striped silk petticoat, wearing slippers and carrying an umbrella

Burmese woman in long loose striped silk petticoat, wearing slippers and carrying an umbrella
FLO4565505 Burmese woman in long loose striped silk petticoat, wearing slippers and carrying an umbrella. She wears painted fingernails and sandalwood perfume

Background imageSilk Collection: The attack of Joseph Marie Jacquard, 1880 (engraving)

The attack of Joseph Marie Jacquard, 1880 (engraving)
5616315 The attack of Joseph Marie Jacquard, 1880 (engraving); (add.info.: Illustration depicting the attack of Joseph Marie Jacquard (1752-1834) a French weaver and merchant

Background imageSilk Collection: Greeting the Righteous Man on the Way to the Pure Land of Amitabha (Thangka)

Greeting the Righteous Man on the Way to the Pure Land of Amitabha (Thangka), 12th century (pigment painting on silk)
FIA5634387 Greeting the Righteous Man on the Way to the Pure Land of Amitabha (Thangka), 12th century (pigment painting on silk); 113x61.5 cm; State Hermitage Museum, St

Background imageSilk Collection: A state saddle and two saddle bags used by James II, c.1686 (embroidery on silk velvet)

A state saddle and two saddle bags used by James II, c.1686 (embroidery on silk velvet)
7141209 A state saddle and two saddle bags used by James II, c.1686 (embroidery on silk velvet); Parham House, West Sussex

Background imageSilk Collection: Embroidered Walnut Armchair Detail, c. 1685 (embroidery)

Embroidered Walnut Armchair Detail, c. 1685 (embroidery)
7141205 Embroidered Walnut Armchair Detail, c. 1685 (embroidery); Parham House, West Sussex, UK; (add.info.: A formal banqueting scene, probably featuring Solomon and the Queen of Sheba)

Background imageSilk Collection: Playbill for Taming of the Shrew, 1853 (silk)

Playbill for Taming of the Shrew, 1853 (silk)
7295649 Playbill for Taming of the Shrew, 1853 (silk); 52x43.5 cm; National Maritime Museum, London, UK; (add.info.: Playbill, printed in black on white silk)

Background imageSilk Collection: Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving

Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's
FLO4705495 Woman of Silesia, in golden crown and silk dress, 1577. Handcolored copperplate engraving from Robert von Spalart's " Historical Picture of the Costumes of the Principal People of

Background imageSilk Collection: The bird denicher, curtain of the Russian games, detail of the central group

The bird denicher, curtain of the Russian games, detail of the central group
JEB4880820 The bird denicher, curtain of the Russian games, detail of the central group. Tapestry by Jean-Baptiste Le Prince (Jean Baptiste Leprince)

Background imageSilk Collection: The bird denicher, hangout of the Russian games. Tapestry by Jean-Baptiste Le Prince

The bird denicher, hangout of the Russian games. Tapestry by Jean-Baptiste Le Prince (Jean Baptiste Leprince)
JEB4880793 The bird denicher, hangout of the Russian games. Tapestry by Jean-Baptiste Le Prince (Jean Baptiste Leprince, 1734-1781) made by Beauvais's studio in Lower Lice. Wool and silk

Background imageSilk Collection: The start of Sancho for the island of Barataria, detail left, conversation between two young people

The start of Sancho for the island of Barataria, detail left, conversation between two young people
JEB4881560 The start of Sancho for the island of Barataria, detail left, conversation between two young people. Based on the novel "El Ingenioso Hidalgo Don Quijote de la Mancha"

Background imageSilk Collection: Departing from Sancho to Barataria Island. Based on the novel 'El Ingenioso Hidalgo Don Quijote de

Departing from Sancho to Barataria Island. Based on the novel "El Ingenioso Hidalgo Don Quijote de la Mancha"
JEB4881554 Departing from Sancho to Barataria Island. Based on the novel "El Ingenioso Hidalgo Don Quijote de la Mancha" (Don Quixote) written by Miguel de Cervantes

Background imageSilk Collection: The meeting of Don Quixote with the Duchess, detail of Don Quixote on his horse

The meeting of Don Quixote with the Duchess, detail of Don Quixote on his horse
JEB4881278 The meeting of Don Quixote with the Duchess, detail of Don Quixote on his horse. According to the novel "El Ingenioso Hidalgo Don Quijote de la Mancha" written by Miguel de

Background imageSilk Collection: Outdoor banquet, curtain of Russian games, boat detail on the right

Outdoor banquet, curtain of Russian games, boat detail on the right. Tapestry by Jean-Baptiste Le Prince
JEB4881860 Outdoor banquet, curtain of Russian games, boat detail on the right. Tapestry by Jean-Baptiste Le Prince (Jean Baptiste Leprince, 1734-1781) made by Beauvais's studio in Lower Lice

Background imageSilk Collection: The fortune teller or the stop of the bohemians, a hangout of the Russian games

The fortune teller or the stop of the bohemians, a hangout of the Russian games
JEB4880657 The fortune teller or the stop of the bohemians, a hangout of the Russian games. Tapestry by Jean-Baptiste Le Prince (Jean Baptiste Leprince)

Background imageSilk Collection: Dance, curtain of Russian games, detail group of women with lute player

Dance, curtain of Russian games, detail group of women with lute player. Tapestry by Jean-Baptiste Le Prince
JEB4880632 Dance, curtain of Russian games, detail group of women with lute player. Tapestry by Jean-Baptiste Le Prince (Jean Baptiste Leprince)

Background imageSilk Collection: Don Quixote has the cave of Montesinos, detail of Don Quixote and the birds

Don Quixote has the cave of Montesinos, detail of Don Quixote and the birds
JEB4880430 Don Quixote has the cave of Montesinos, detail of Don Quixote and the birds. According to the novel "El Ingenioso Hidalgo Don Quijote de la Mancha" written by Miguel de

Background imageSilk Collection: Don Quixote fights the Knight of Mirrors. According to the novel 'El Ingenioso Hidalgo Don Quijote

Don Quixote fights the Knight of Mirrors. According to the novel "El Ingenioso Hidalgo Don Quijote de la
JEB4880322 Don Quixote fights the Knight of Mirrors. According to the novel "El Ingenioso Hidalgo Don Quijote de la Mancha" written by Miguel de Cervantes

Background imageSilk Collection: Musicians. Cartons of the curtain created by Jean-Baptiste Monnoyer (Jean-Baptiste Monnoyer)

Musicians. Cartons of the curtain created by Jean-Baptiste Monnoyer (Jean-Baptiste Monnoyer, 1636-1699)
JEB4880195 Musicians. Cartons of the curtain created by Jean-Baptiste Monnoyer (Jean-Baptiste Monnoyer, 1636-1699), inspired by Jean Berain pere (1640-1711)

Background imageSilk Collection: Javanese man of the upper classes, a mantri, wearing a silk sabook girdle

Javanese man of the upper classes, a mantri, wearing a silk sabook girdle and wide djarit sarong and sikapan vest
FLO4695579 Javanese man of the upper classes, a mantri, wearing a silk sabook girdle and wide djarit sarong and sikapan vest. He carries a kris in his girdle

Background imageSilk Collection: Sir John Harsich, 1384. He wears his tilting helmet with turkey-feather crest

Sir John Harsich, 1384. He wears his tilting helmet with turkey-feather crest and cointisse over his bassinet
FLO4678208 Sir John Harsich, 1384. He wears his tilting helmet with turkey-feather crest and cointisse over his bassinet. The wreath below the crest is two pieces of silk in his armorial colours

Background imageSilk Collection: Women winding hanks of embroidery silks

Women winding hanks of embroidery silks
2602740 Women winding hanks of embroidery silks; (add.info.: Women winding hanks of embroidery silks into convenient balls or onto spindles. Engraving, London, 1881.); Universal History Archive/UIG

Background imageSilk Collection: Thomas Watson

Thomas Watson
3586368 Thomas Watson; (add.info.: Portrait of Thomas Watson (1821-1887) an English silk spinner and Liberal Party politician. Dated 19th Century.); Universal History Archive/UIG

Background imageSilk Collection: Cottage industry: Coventry silk loom, 1823

Cottage industry: Coventry silk loom, 1823
3480220 Cottage industry: Coventry silk loom, 1823; (add.info.: Early 19th century cottage industry: Coventry silk loom. England, 1823.); Universal History Archive/UIG

Background imageSilk Collection: Women making up sewing thread onto bobbins in a textile silk mill, 1843

Women making up sewing thread onto bobbins in a textile silk mill, 1843
3478861 Women making up sewing thread onto bobbins in a textile silk mill, 1843; (add.info.: Women making up sewing thread onto bobbins in a textile silk mill, Derby, England)

Background imageSilk Collection: Silk worm cultivation and threading of silk, 1775

Silk worm cultivation and threading of silk, 1775
3480656 Silk worm cultivation and threading of silk, 1775; (add.info.: Silk worm cultivation and threading of silk, from the 1775 edition of Oeconomie generale de la campagne)

Background imageSilk Collection: Silk weavers in India, 1828

Silk weavers in India, 1828
3480360 Silk weavers in India, 1828; (add.info.: French lithograph of silk weavers in India, By Marlet 1828.); Universal History Archive/UIG

Background imageSilk Collection: Silk manufacture: transferring yarn from the warping reel to a spool, 1780

Silk manufacture: transferring yarn from the warping reel to a spool, 1780
3480179 Silk manufacture: transferring yarn from the warping reel to a spool, 1780; (add.info.: Silk manufacture: transferring yarn from the warping reel to a spool)

Background imageSilk Collection: Silk spinning machine, 1843

Silk spinning machine, 1843
3480176 Silk spinning machine, 1843; (add.info.: Silk spinning machine: in this process the threads from the cocoons were joined into a continuous thread: Lombe's silk mill, Derby)

Background imageSilk Collection: Lombe's silk mill, Derby, 1843

Lombe's silk mill, Derby, 1843
3480223 Lombe's silk mill, Derby, 1843; (add.info.: Lombe's silk mill, Derby: Throwing (twisting) silk by hand. While the man turned the wheel

Background imageSilk Collection: Dyeing rooms in a silk mill, 1885

Dyeing rooms in a silk mill, 1885
3480217 Dyeing rooms in a silk mill, 1885; (add.info.: US silk production. Dyeing rooms in a silk mill 1885.); Universal History Archive/UIG

Background imageSilk Collection: Making the warp threads, 1885

Making the warp threads, 1885
3480215 Making the warp threads, 1885; (add.info.: US silk production. Making the warp threads through the harness to form pattern. 1885.); Universal History Archive/UIG

Background imageSilk Collection: Chinese women making silk cord, 1812

Chinese women making silk cord, 1812
3480207 Chinese women making silk cord, 1812; (add.info.: Chinese women making silk cord, 1812.); Universal History Archive/UIG

Background imageSilk Collection: One of a pair of Portieres for the Marquand Music Room, c.1885-87 (silk & embroidery)

One of a pair of Portieres for the Marquand Music Room, c.1885-87 (silk & embroidery)
8698275 One of a pair of Portieres for the Marquand Music Room, c.1885-87 (silk & embroidery) by Alma-Tadema, Lawrence (1836-1912); Sterling and Francine Clark Art Institute, Williamstown

Background imageSilk Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701679 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Background imageSilk Collection: Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701677 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)



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Silk, the epitome of elegance and luxury, has a rich history that spans across continents and centuries. From the Map of the Empire of King Alexander the Great to The Royal Bride, it has adorned royalty throughout time, symbolizing opulence and refinement. In Fashions for 1954, silk took center stage as it draped gracefully on women with impeccable style. Just like a Twenties flapper girl sitting at a cocktail bar exuding confidence and allure, silk dresses accentuated their every move. The timeless beauty was captured in Reading Aloud by Albert Joseph Moore in 1884. Its delicate threads whispered stories from generations past while Working drawings by William Morris showcased intricate patterns woven into this luxurious fabric. Fred Archer's mastery behind the lens immortalized Burmese women donning their native attire made from vibrant silks. Their colorful garments reflected their culture's vibrancy and traditions. A red-headed girl seated in a sheer red dress evoked passion and sensuality through her choice of clothing. Silk clung to her curves like second skin, leaving little to the imagination but everything to desire. As Aphra Farquhar walked down the aisle wearing her wedding dress designed by Worth, all eyes were captivated by its ethereal beauty. Silk cascaded around her like a cloud of pure enchantment as she embarked on her journey towards eternal love. Good Morning. David Wright's artwork depicted an elegant woman wrapped in silk sheets as she greeted each day with grace and poise. The softness against her skin mirrored the gentle embrace of morning light. Even historical figures such as Henry Fiennes Pelham Clinton (1750-1778), Earl of Lincoln - Gainsborough Dupont recognized silk's allure when they chose it for their portraits. It became synonymous with power and prestige during those times. Silk is not merely a fabric; it embodies artistry, craftsmanship, and sophistication that transcends time.