Silas Marner Collection

Scene from Silas Marner by George Eliot, 1882. Artist: Mary L Gow
Scene from Silas Marner by George Eliot, 1882. Eppie, the orphan adopted by the lonely miser and linen-weaver, Silas Marner

Illustration for Silas Marner by George Eliot (colour litho)
6022097 Illustration for Silas Marner by George Eliot (colour litho) by Tarrant, Percy (1855-1934); Private Collection; (add.info.: " There they come, then, " said Eppie)

Illustration for Silas Marner by George Eliot (colour litho)
6022095 Illustration for Silas Marner by George Eliot (colour litho) by Tarrant, Percy (1855-1934); Private Collection; (add.info)

Illustration for Silas Marner by George Eliot (colour litho)
6022091 Illustration for Silas Marner by George Eliot (colour litho) by Tarrant, Percy (1855-1934); Private Collection; (add.info)

"Thats Ended!"(colour litho)
727731 " Thats Ended!" (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: " Thats Ended)

Here sat Eppie (colour litho)
727726 Here sat Eppie (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Here sat Eppie. Illustration for Silas Marner by George Eliot (Macmillan)

The Young Squire leading off Wi Miss Nancy for Partners (colour litho)
727723 The Young Squire leading off Wi Miss Nancy for Partners (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Young Squire leading off Wi Miss Nancy for Partners)

Dr. Kimble making himself Agreeable to his Feminine Patients (colour litho)
727722 Dr. Kimble making himself Agreeable to his Feminine Patients (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Dr)

Arrivals at the Red House (colour litho)
727719 Arrivals at the Red House (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Arrivals at the Red House)

He felt his heart begin to beat violently, and for a few moments he was unable to stretch out his hand
725510 He felt his heart begin to beat violently, and for a few moments he was unable to stretch out his hand and grasp the restored treasure (engraving) by English School

She retreated to her fathers chair again, and held him round the neck (engraving)
725509 She retreated to her fathers chair again, and held him round the neck (engraving) by English School, (19th century); Private Collection; (add.info.: She retreated to her fathers chair again)

Silas Marner (engraving)
2812135 Silas Marner (engraving) by English School, (19th century); Private Collection; (add.info.: Silas Marner. Illustration for Scenes and Characters from the works of George Eliot)

Essex Landscape
GG16942 Essex Landscape by Meadows, James Edwin (1828-88); Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

A Miser (chromolitho)
668974 A Miser (chromolitho) by European School, (19th century); Private Collection; (add.info.: A Miser.); © Look and Learn; European, out of copyright

The Lost Path
MAK86598 The Lost Path by Walker, Frederick (1840-75); The Makins Collection; English, out of copyright

Eppie Frisking (colour litho)
727725 Eppie Frisking (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Eppie Frisking. Illustration for Silas Marner by George Eliot (Macmillan)

The Gay Procession (colour litho)
727720 The Gay Procession (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Gay Procession)

Arrivals at the Red House (colour litho)
727715 Arrivals at the Red House (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Arrivals at the Red House)

The Rarer Pleasure of seeing Miss Nancy Lammeter (colour litho)
727710 The Rarer Pleasure of seeing Miss Nancy Lammeter (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Rarer Pleasure of seeing Miss Nancy Lammeter)

The Children always called him Old Master Marner (colour litho)
727709 The Children always called him Old Master Marner (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Children always called him Old Master Marner)

Illustration for Silas Marner (colour litho)
3651906 Illustration for Silas Marner (colour litho) by Wheelhouse, Mary V. (1895-1947); Private Collection; (add.info.: The pale)

Illustration for Silas Marner (colour litho)
3651907 Illustration for Silas Marner (colour litho) by Wheelhouse, Mary V. (1895-1947); Private Collection; (add.info.: In utter amazement Silas fell on his knees)

The Father whose Return is Greeted by Young Voices (colour litho)
727728 The Father whose Return is Greeted by Young Voices (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Father whose Return is Greeted by Young Voices)

Inviting Silas with much Chuckling (colour litho)
727721 Inviting Silas with much Chuckling (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Inviting Silas with much Chuckling)

Ring the Bell for my Ale, will you (colour litho)
727718 Ring the Bell for my Ale, will you (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Ring the Bell for my Ale, will you)

The Fields Length you d go (colour litho)
727717 The Fields Length you d go (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Fields Length you d go)

Ring the Bell for my Ale, will you (colour litho)
727713 Ring the Bell for my Ale, will you (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Ring the Bell for my Ale, will you)

Take to their Legs in Terror (colour litho)
727711 Take to their Legs in Terror (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Take to their Legs in Terror)

Landscape Scene in Norfolk
BUR17323 Landscape Scene in Norfolk by Crome, John (1768-1821); Bury Art Museum & Sculpture Centre, UK; eBury Art Museum & Sculpture Centre; English, out of copyright

Silas Marner - Here sat Eppie, discoursing cheerfully to her own small boot (engraving)
5198300 Silas Marner - Here sat Eppie, discoursing cheerfully to her own small boot (engraving) by Gow, Mary L. (1851-1929); Private Collection; (add.info.: Silas Marner - Here sat Eppie)

Nancys Married Life (engraving)
2792622 Nancys Married Life (engraving) by English School, (19th century); Private Collection; (add.info.: Nancys Married Life)

Like Little Dogs Face to Face (colour litho)
727724 Like Little Dogs Face to Face (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Like Little Dogs Face to Face)

The "Carril"(colour litho)
727716 The " Carril" (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The " Carril." Illustration for Silas Marner by George Eliot (Macmillan)

The "Carril"(colour litho)
727714 The " Carril" (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The " Carril." Illustration for Silas Marner by George Eliot (Macmillan)

The Fields Length you d go (colour litho)
727712 The Fields Length you d go (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Fields Length you d go)

To ask the Name of this Town (colour litho)
727732 To ask the Name of this Town (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: To ask the Name of this Town)

She turned from the Window with Gladness in her Eyes (colour litho)
727729 She turned from the Window with Gladness in her Eyes (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: She turned from the Window with Gladness in her Eyes)

A Chance Meeting (colour litho)
727727 A Chance Meeting (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: A Chance Meeting. Illustration for Silas Marner by George Eliot (Macmillan)

Silas Marner at his loom (colour litho)
2796687 Silas Marner at his loom (colour litho) by Brock, Charles Edmund (1870-1938) (after); Private Collection; (add.info.: Silas Marner at his loom)

Silas Marner (litho)
6013120 Silas Marner (litho) by English School, (20th century); Private Collection; (add.info.: Silas Marner. Illustration for The Practical Senior Teacher edited by F F Potter (New Era)

Illustration for Silas Marner (colour litho)
3642424 Illustration for Silas Marner (colour litho) by Wheelhouse, Mary V. (1895-1947); Private Collection; (add.info.: Title-page illustration for Silas Marner by George Eliot (G Bell)

A Beautiful Nap in the Gig (colour litho)
727730 A Beautiful Nap in the Gig (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: A Beautiful Nap in the Gig)

Crossing the Brook
BUR17326 Crossing the Brook by Linnell, John (1792-1882); Bury Art Museum & Sculpture Centre, UK; eBury Art Museum & Sculpture Centre; English, out of copyright

An old man and his dog seated by a road side
CH27057 An old man and his dog seated by a road side by Landseer, Edwin (1802-73); Private Collection; Photo eChristies Images; English, out of copyright

Illustration for Silas Marner (colour litho)
3651904 Illustration for Silas Marner (colour litho) by Wheelhouse, Mary V. (1895-1947); Private Collection; (add.info.: The door opened, and a thick-set, heavy-looking young man entered)

Grandfathers Little Nurse
BAL16591 Grandfathers Little Nurse by Hayllar, James (1829-1920); Private Collection; English, out of copyright

Going to the Fair
BAL13712 Going to the Fair by Morgan, Frederick (1856-1927); Roy Miles Fine Paintings; English, out of copyright

GEORGE ELIOT MANUSCRIPT. The beginning of the autograph fair copy manuscript of George Eliots Silas Marner sent to the publishers in 1861

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"Silas Marner: A Tale of Redemption and Love" Step into the enchanting world of "Silas Marner" through these captivating illustrations by George Eliot. The vivid color lithographs bring to life the heartwarming story of a lonely weaver, Silas Marner, whose life takes an unexpected turn. In one illustration, we see Silas Marner sitting in his humble cottage, surrounded by his precious gold coins. This image captures the essence of his solitary existence before fate intervenes. Another illustration portrays Eppie, a young girl who becomes the source of joy and purpose in Silas' life. Her innocence radiates from the page as she sits beside him. The vibrant colors continue to tell this tale as we witness Miss Nancy dancing with the young squire at a lively gathering. Dr. Kimble's charm shines through as he attends to his female patients with care and compassion. As new arrivals grace the Red House, secrets unravel and lives intertwine in ways no one could have predicted. In an engraving that tugs at our heartstrings, Silas feels his heartbeat violently when he finally reunites with something more valuable than gold – love and family restored. Another poignant moment is captured when Eppie embraces her father tightly around the neck, symbolizing their unbreakable bond forged through unconditional love. Through these illustrations and engravings, "Silas Marner" invites us into its world where landscapes come alive with beauty and emotion – whether it be Essex or within our own hearts. Join us on this journey of redemption as George Eliot's timeless masterpiece reminds us that even in our darkest moments, love has the power to transform our lives forever.