Sideburns Collection (page 10)

Mask of a Bald Man with Tufty Sideburns, from Divers Masques, ca. 1635-45

Portrait of William Cassady Cattell (1827-1898), 1876. Creator: Frederick Gutekunst
Portrait of William Cassady Cattell (1827-1898), 1876

Gustave Dore, 1856 / 58. Creator: Nadar
Gustave Dore, 1856/58. Albumen print

Elie-Louis, duc Decazes (French statesman and diplomat, 1819-1886), c. 1853/77. Creator: Nadar
Elie-Louis, duc Decazes (French statesman and diplomat, 1819-1886), c. 1853/77. Woodburytype, from the periodical "Galerie Contemporaine Litteraire, Artistique" (1877), volume 2

Charles Hind, General, 1855. Creator: Roger Fenton
Charles Hind, General, 1855. A work made of thinly albumenized print

Photographic postcard portrait of a man wearing a hat and overalls, early 20th century
This real photo postcard features an image of a man in western attire. He is wearing a long sleeve shirt, overalls, a hat and has two scarves around his neck and a fake mustache

Potrait of a man, 1860. Creator: James Abbott McNeill Whistler
Potrait of a man, 1860

Portrait of a man, 1860. Creator: James Abbott McNeill Whistler
Portrait of a man, 1860

Portrait of Sir Edward Colebrooke, 1843 (oil on canvas)
931088 Portrait of Sir Edward Colebrooke, 1843 (oil on canvas) by Say, Frederick Richard (fl.1825-54) (attr. to); 91.6x70.9 cm; Private Collection; (add.info)

Andre-Benoit Barreau, dit Taurel, 1819 (graphite on paper)
2974135 Andre-BenoAt Barreau, dit Taurel, 1819 (graphite on paper) by Ingres, Jean Auguste Dominique (1780-1867); 28.8x20.4 cm; Private Collection; (add.info.: Signed, dated)

Self portrait, 1839 (pastel on paper) (pair to 780926)
780925 Self portrait, 1839 (pastel on paper) (pair to 780926) by Bacon, John (1777-1859); 57.8x42.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

John Parry, c. 1825 (oil on canvas)
3610569 John Parry, c.1825 (oil on canvas) by Lawrence, Thomas (1769-1830) (circle of); 75x63 cm; The Royal Society of Musicians of Great Britain, London

John Blackbourn, c. 1850 (oil on canvas)
3610552 John Blackbourn, c.1850 (oil on canvas) by Grant, Francis (1803-78) (circle of); 76x64 cm; The Royal Society of Musicians of Great Britain, London

Portrait of Count Charles de Mornay, 1837 (oil on canvas)
3941029 Portrait of Count Charles de Mornay, 1837 (oil on canvas) by Delacroix, Ferdinand Victor Eugene (1798-1863); 100 x 81 cm; Yale University Art Gallery, New Haven, CT

Union Brig. Gen. John M. Schofield, late 1861 (b / w photo)
869210 Union Brig. Gen. John M. Schofield, late 1861 (b/w photo) by Brady, Mathew (1823-96) & studio; Private Collection; (add.info.: Portrait of 30-year-old U.S. Artillery Capt. John M)

John Thomas Quekett (litho)
XJF406272 John Thomas Quekett (litho) by English School, (19th century); Private Collection; (add.info.: John Thomas Quekett (1815-61)

Self portrait (oil on cardboard)
2829492 Self portrait (oil on cardboard) by O Neil, Henry Nelson (1817-80); 26x22 cm; Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given, 1945; English, out of copyright

Edmond Fremy, 1865-66 (litho)
2641078 Edmond Fremy, 1865-66 (litho) by Lafosse, Jean Baptiste Adolphe (1810/14-79); Private Collection; (add.info.: Edmond Fremy: 28.02.1814 - 03.02.1894 French chemist Creators: Lafosse fecit)

Henri-Auguste-Georges de La Rochejaquelein, 1865-66 (litho)
2641044 Henri-Auguste-Georges de La Rochejaquelein, 1865-66 (litho) by Charpentier, Auguste (1813-80); Private Collection; (add.info.: Henri-Auguste-Georges de La Rochejaquelein)

Pierre Jules Baroche, 1865-66 (litho)
2641024 Pierre Jules Baroche, 1865-66 (litho) by Lafosse, Jean Baptiste Adolphe (1810/14-79); Private Collection; (add.info.: Pierre Jules Baroche: 18.11.1802 - 29.10.1870 French statesman Creators)

A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving)
2636952 A new way to pay the National Debt, pub. 21st April, 1786 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Samuel Jones-Loyd, 1st Baron Overstone (1796 - 1883), British banker and politician. Date: 1883

Revd. J. E. Sewell, Warden, from Vanity Fair, 1894 (w / c & pencil on paper)
NCO292191 Revd. J. E. Sewell, Warden, from Vanity Fair, 1894 (w/c & pencil on paper) by Ward, Leslie Matthew (Spy) (1851-1922); Courtesy of the Warden and Scholars of New College

Chester A. Arthur, 1884 (oil on canvas)
NBY332315 Chester A. Arthur, 1884 (oil on canvas) by Healy, George Peter Alexander (1813-1894); Newberry Library, Chicago, Illinois

Spanish smuggler of Cadiz area, 1815, engraved by Langlume (19th century)
REV326653 Spanish smuggler of Cadiz area, 1815, engraved by Langlume (19th century) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Charles Lyell (1797-1875) engraved by Albert Newsam (litho)
TRI168528 Charles Lyell (1797-1875) engraved by Albert Newsam (litho) by Mayall, John Jabez Edwin Paisley (1813-1901) (after); 32x30.5 cm; The Royal Institution, London

A Quiet Pipe (oil on canvas)
BOW111885 A Quiet Pipe (oil on canvas) by Harris, Edwin (1855-1906); 20.3x15.2 cm; Private Collection; Courtesy of Simon Gillespie Studio, London; English, out of copyright

Portrait of Alexander I (1777-1825) (litho)
PHG242629 Portrait of Alexander I (1777-1825) (litho) by Delpech, Francois Seraphin (1778-1825); Private Collection; (add.info.: Alexandre)

Vautrin, illustration from Le Pere Goriot by Honore de Balzac (1799-1850
CHT207677 Vautrin, illustration from Le Pere Goriot by Honore de Balzac (1799-1850) (engraving) (b/w photo) by Daumier, Honore (1808-79) (after); Private Collection; (add.info)

Portrait of Louis Auguste Baudelocque (1799-1863) (oil on canvas)
XIR212845 Portrait of Louis Auguste Baudelocque (1799-1863) (oil on canvas) by French School, (19th century); Musee de l Assistance Publique, Hopitaux de Paris, France; French, out of copyright

Isaac Bitton, engraved by P. Roberts, published 1822 (colour litho)
STC203619 Isaac Bitton, engraved by P. Roberts, published 1822 (colour litho) by Cruikshank, Isaac Robert (1789-1856) (after); Private Collection; The Stapleton Collection; English, out of copyright

Portrait of Ferdinand Ries (1784-1838) (oil on canvas)
JHG183072 Portrait of Ferdinand Ries (1784-1838) (oil on canvas) by German School, (19th century); Beethoven Haus, Bonn, Germany; (add.info)

Portrait of Charles Howard, Duke of Norfolk (1746-1815) published by Hannah Humphrey in
NCO193155 Portrait of Charles Howard, Duke of Norfolk (1746-1815) published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray

A Pair of Polished Gentlemen, published by Hannah Humphrey in 1801 (hand-coloured etching
NCO192598 A Pair of Polished Gentlemen, published by Hannah Humphrey in 1801 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Esprit Auber (1782-1871) (litho) (b / w photo)
JHG215594 Esprit Auber (1782-1871) (litho) (b/w photo) by Llanta, Jacques Francois Gauderique (1807-64); Bibliotheque Nationale, Paris, France; French, out of copyright

Esprit Auber (1782-1871) 1832 (litho)
JHG215593 Esprit Auber (1782-1871) 1832 (litho) by Llanta, Jacques Francois Gauderique (1807-64); Bibliotheque Nationale, Paris, France; French, out of copyright

Joseph Lister (1827-1912) (b / w photo)
CHT214719 Joseph Lister (1827-1912) (b/w photo) by English Photographer, (19th century); Private Collection; eArchives Charmet; English, out of copyright

Portrait of a Man in a Red Uniform (w / c and gouache on ivory)
BOO73774 Portrait of a Man in a Red Uniform (w/c and gouache on ivory) by Saint, Daniel (1778-1847); 20x14.2 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Baron Alphonse de Rothschild, illustration from Vanity Fair, 1894 (colour litho)
BAL8706 Baron Alphonse de Rothschild, illustration from Vanity Fair, 1894 (colour litho) by Guth, Jean Baptiste (fl.1883-1921) (after); London Library, St Jamess Square, London

Alexander Hay Moncur, 1887 (oil on canvas)
6200119 Alexander Hay Moncur, 1887 (oil on canvas) by Reid, George (1841-1913); 122.5x867 cm; The McManus, Dundee, UK; (add.info.: Alexander Hay Moncur (1830-1905)

Sir Thomas Thornton, 1893 (oil on canvas)
6200821 Sir Thomas Thornton, 1893 (oil on canvas) by Orchardson, William Quiller (1832-1910); 121.9x101.6 cm; The McManus, Dundee, UK; (add.info.: Sir Thomas Thornton (1829-1903)

Portrait, The Late Mr F B Chatterton. Frederick Balsir Chatterton (1834-1886), was a London theatre manager. 1886

Portrait, Mr Henry Hersee, Musical Critic. He wrote for The Observer. 1886

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"Sideburns: From David Essex and Ringo Starr's Mini Golf Adventure to Richard Wagner's Musical Legacy" In the world of sideburns, there is a fascinating tapestry of history and culture that intertwines with this iconic facial hair style. Picture this - David Essex and Ringo Starr engaged in a friendly game of mini golf, their sideburns swaying in the breeze as they share laughter and camaraderie. But let us not forget the great composers who sported these distinctive whiskers. Take Richard Wagner, the German musical genius whose oil on canvas portrait by Franz von Lenbach captures his intense gaze framed by magnificent sideburns, and is a testament to how even artistic greatness can find harmony with fashionable trends. Speaking of fashion, William Ballantine exudes timeless elegance with his impeccably groomed sideburns. A true gentleman through and through, he epitomizes sophistication from an era long gone but never forgotten. And then there's Ringo Starr himself, immortalized in "That'll be the Day" (1973), where his charismatic persona shines alongside those unmistakable sideburns that became synonymous with his rock 'n' roll image. Let us also delve into literature and theater - Bill Sykes from 1939 embodies villainy at its finest, complete with menacing sideburns that add an extra layer of menace to his character. Meanwhile, an old post office nestled in Helford, Cornwall transports us back to simpler times when locals would gather for gossip while admiring each other's stylishly crafted facial hair. Even Gilbert & Sullivan couldn't resist incorporating sideburn-clad characters into their operettas. Sir Arthur Sullivan and Sir William Schwenck Gilbert themselves are captured in caricature form; their creative minds matched only by their flamboyant facial hair choices. Venturing beyond our earthly realm, we encounter Castor and Pollux.