Shaikh Collection

Sheikh Saqr Bin Sultan of the Naim tribe of Oman. Date: 1953

"Miguel el Musrab, Sheikh of the Anazeh Tribe", by Carl Haag…, Water-colour Society, 1862. Creator: Unknown
"Miguel el Musrab, Sheikh of the Anazeh Tribe", by Carl Haag, in the Winter Exhibition of the Water-colour Society, 1862

Costumes de Différents Pays, Sheik de l'Arabie Heureuse, c1797. Creators: Jacques Grasset de Saint-Sauveur
Costumes de Differents Pays, Sheik de l'Arabie Heureuse, c1797

Futtehpore Sikri, Tomb of Sheik Selim Chisti, Late 1860s. Creator: Samuel Bourne
Futtehpore Sikri, Tomb of Sheik Selim Chisti, Late 1860s

Tombs of Nizamuddin Aulia, Delhi, India (b/w photo)
2598040 Tombs of Nizamuddin Aulia, Delhi, India (b/w photo) by Indian photographer, (19th century); Private Collection; (add.info.: Sultan-ul-Mashaikh, Mehboob-e-Ilahi)

Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet)... A.H. 931 / A
Farhad Carves a Milk Channel for Shirin, Folio 74 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Sheikh Abdul Qadir Gilani's tomb, Baghdad, Iraq. Date: circa 1918

Album Page with Two Sheikhs, Safavid dynasty and Mughal empire, 16th / 17th century
Album Page with Two Sheikhs, Safavid dynasty (1501-1722) and Mughal empire (1526-1857), 16th/17th century

Dance of the whirling Dervishes of Mawlawi Tawagozi. Sufi Dervishes in tall hats dance in a circle to accompaniment by musicians on drums, psaltery and sistrum. Ballo dei Dervisch Mewlewi

Chiefs from Arabia and the Gulf visiting the King, 1919
Seeing the sights of London: some of the chiefs from Central Arabia and the Gulf Littoral on a mission to King George V in 1919

The Shaik and his Guide, 1874 (w / c on paper)
DRE146653 The Shaik and his Guide, 1874 (w/c on paper) by Haag, Carl (1820-1915); 26x18 cm; Private Collection; eDreweatt Neate Fine Art Auctioneers, Newbury, Berks, UK; German, out of copyright

Jahangir Preferring a Sufi Shaikh to Kings, illustration from the St
1074062 Jahangir Preferring a Sufi Shaikh to Kings, illustration from the St. Petersburg Album, c.1615-18 (w/c, ink & gold on paper) by Bichtir (fl)

Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Bustan (Orchard) of Sa di, dated A. H. 936 / A. D. 1529 with later additions
Bustan (Orchard) of Sa di, dated A.H. 936/ A.D. 1529 with later additions

King Salih of Syria Entertaining Two Dervishes, Folio from a Bustan (Orchard) of Sa di, 17th century

A Religious Devotee Summoned to Pray for the Kings Recovery, Folio from a Bustan (Orchard) of Sa di, 17th century

A Fire-Worshipper Received at the Board of Abraham the Patriarch, Folio from a Bustan (Orchard) of Sa di, 17th century

Interior Reception, Folio 36r from a Bustan of Sa di, ca. 1525-35. Creator: Shaikh Zada
Interior Reception, Folio 36r from a Bustan of Sa di, ca. 1525-35

Illuminated Frontispiece of a Bustan of Sa di, dated A. H. 920 / A. D. 1514
Illuminated Frontispiece of a Bustan of Sa di, dated A.H. 920/ A.D. 1514

Leaf of Calligraphy from Poems by Sa di, 16th century. Creator: Unknown
Leaf of Calligraphy from Poems by Sa di, 16th century

Shaikh Mahneh and the Villager, Folio 49r from a Mantiq al-tair (Language of the Birds), 1487

Shaikh San an and the Christian Maiden, Folio 22v from a Mantiq al-Tair (Language of the Birds), ca. 1600

Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Page of Calligraphy from an Anthology of Poetry by Sa di and Hafiz, late 15th century

Palace in Manama, Bahrain, Persian Gulf
Palace (probably the Bait Shaikh Salman Historic Palace) in Manama, capital of Bahrain, Persian Gulf. Date: late 1940s

Hall of Private Audience, Fatehpur Sikri, India
Hall of Private Audience, Fatehpur Sikri, in Agra district in the state of Uttar Pradesh, India. Fatehpur Sikri was constructed by Mughal emperor Akbar beginning in 1570

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"Exploring the Legacy of Shaikhs: From Oman to Iraq and Beyond" Sheikh Saqr Bin Sultan of the Naim tribe, a revered figure in Oman's history, left an indelible mark on his people with his wise leadership. In Baghdad, Iraq, lies the tomb of Sheikh Abdul Qadir Gilani, a prominent Sufi saint whose teachings continue to inspire millions around the world. The majestic Sheikh Omar's tomb and mosque stand as testaments to Baghdad's rich cultural heritage and religious significance. Delving into artistry, "Khusrau Seated on his Throne" captivates viewers with its intricate details from a Khamsa (Quintet) by Nizami. Journeying further through this artistic masterpiece collection is "Bahram Gur in the White Palace on Friday, " showcasing Persian craftsmanship at its finest. Another captivating piece from the same Khamsa series is "Bahram Gur in the Yellow Palace on Sunday, " offering glimpses into ancient Persian culture and opulence. The tale of Farhad Carves a Milk Channel for Shirin unfolds beautifully in "Folio 74 from a Khamsa (Quintet), " illustrating love's power over adversity. Continuing our exploration within this remarkable collection is "Bahram Gur in the Sandal Palace on Thursday, " revealing yet another facet of Persian grandeur. Moving away from historical artifacts, we find ourselves admiring Manama's stunning Palace nestled along Bahrain's picturesque Persian Gulf shores. An intriguing fusion emerges in an album page featuring two Sheikhs - Safavid dynasty meets Mughal empire - bridging cultures across time and space. The mesmerizing Dance of Whirling Dervishes transports us into spiritual realms as these mystical performers spin gracefully towards enlightenment.