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Seurat Collection (page 2)

"Seurat: A Master of Pointillism and Capturing Everyday Life" Georges Seurat, a renowned French artist born in 1859

Background imageSeurat Collection: View of the Seine, 1882-83. Creator: Georges-Pierre Seurat

View of the Seine, 1882-83. Creator: Georges-Pierre Seurat
View of the Seine, 1882-83

Background imageSeurat Collection: The Forest at Pontaubert, 1881. Creator: Georges-Pierre Seurat

The Forest at Pontaubert, 1881. Creator: Georges-Pierre Seurat
The Forest at Pontaubert, 1881

Background imageSeurat Collection: Gray Weather, Grande Jatte, ca. 1886-88. Creator: Georges-Pierre Seurat

Gray Weather, Grande Jatte, ca. 1886-88. Creator: Georges-Pierre Seurat
Gray Weather, Grande Jatte, ca. 1886-88

Background imageSeurat Collection: Seated Nude. Study for Une Baignade, 1883. Creator: Seurat, Georges Pierre (1859-1891)

Seated Nude. Study for Une Baignade, 1883. Creator: Seurat, Georges Pierre (1859-1891)
Seated Nude. Study for " Une Baignade", 1883. Found in the Collection of National Gallery of Scotland, Edinburgh

Background imageSeurat Collection: The Bridge at Bineau. Creator: Seurat, Georges Pierre (1859-1891)

The Bridge at Bineau. Creator: Seurat, Georges Pierre (1859-1891)
The Bridge at Bineau. Found in the Collection of Nationalmuseum Stockholm

Background imageSeurat Collection: La Seine a Courbevoie, 1885. Creator: Seurat, Georges Pierre (1859-1891)

La Seine a Courbevoie, 1885. Creator: Seurat, Georges Pierre (1859-1891)
La Seine a Courbevoie, 1885. Private Collection

Background imageSeurat Collection: The Black Bow, c. 1882. Artist: Seurat, George Pierre (1859-1891)

The Black Bow, c. 1882. Artist: Seurat, George Pierre (1859-1891)
The Black Bow, c. 1882. Found in the collection of the Musee d Orsay, Paris

Background imageSeurat Collection: La Baignade, (Bathers at Asnieres), 1884, (1937). Creator: Georges-Pierre Seurat

La Baignade, (Bathers at Asnieres), 1884, (1937). Creator: Georges-Pierre Seurat
La Baignade, (Bathers at Asnieres), 1884, (1937). OIl on canvas. From " French Painting and the Nineteenth Century", by James Laver. [B. T. Batsford Ltd, London, 1937]

Background imageSeurat Collection: Le Bec Du Hoc, Grandcamp, 1885, (1937). Creator: Georges-Pierre Seurat

Le Bec Du Hoc, Grandcamp, 1885, (1937). Creator: Georges-Pierre Seurat
Le Bec Du Hoc, Grandcamp, 1885, (1937). From " French Painting and the Nineteenth Century", by James Laver. [B. T. Batsford Ltd, London, 1937]

Background imageSeurat Collection: Landscape in Ile-de-France, 1881-1882

Landscape in Ile-de-France, 1881-1882
Landscape in I le-de-France, 1881-1882. Found in the Collection of Muse e des Beaux-Arts, Bordeaux

Background imageSeurat Collection: Sunday at Port-en-Bessin, 1888

Sunday at Port-en-Bessin, 1888. Found in the Collection of Kroller-Muller Museum, Otterlo

Background imageSeurat Collection: Model in profile, 1887

Model in profile, 1887. Found in the collection of Musee d Orsay, Paris

Background imageSeurat Collection: Portrait of Georges Seurat, c. 1890

Portrait of Georges Seurat, c. 1890. Private Collection

Background imageSeurat Collection: Study for the Models, 1886, (1923). Artist: Georges-Pierre Seurat

Study for the Models, 1886, (1923). Artist: Georges-Pierre Seurat
Study for the Models, 1886, (1923). From the collection of the Musee d Orsay, Paris. From Modern French Painters, by Jan Gordon. [John Lane The Bodley Head Limited, London, 1923]

Background imageSeurat Collection: Tete de Jeune Fille, late 19th century, (1929). Artist: Georges-Pierre Seurat

Tete de Jeune Fille, late 19th century, (1929). Artist: Georges-Pierre Seurat
Tete de Jeune Fille, late 19th century, (1929). Illustration from the Apollo Volume X, no 59, (November 1929)

Background imageSeurat Collection: The Seine seen from La Grande Jatte, 1888. Artist: Seurat, George Pierre (1859-1891)

The Seine seen from La Grande Jatte, 1888. Artist: Seurat, George Pierre (1859-1891)
The Seine seen from La Grande Jatte, 1888. Found in the collection of the National Gallery, London

Background imageSeurat Collection: Study for La Grande Jatte, 1884-1885. Artist: Seurat, George Pierre (1859-1891)

Study for La Grande Jatte, 1884-1885. Artist: Seurat, George Pierre (1859-1891)
Study for La Grande Jatte, 1884-1885. Found in the collection of the National Gallery, London

Background imageSeurat Collection: Study for Une Baignade, 1883. Artist: Georges-Pierre Seurat

Study for Une Baignade, 1883. Artist: Georges-Pierre Seurat
Study for Une Baignade, 1883. From the Scottish National Gallery, Edinburgh

Background imageSeurat Collection: Woman Seen from the Back, c1880-1891. Artist: Georges-Pierre Seurat

Woman Seen from the Back, c1880-1891. Artist: Georges-Pierre Seurat
Woman Seen from the Back, c1880-1891

Background imageSeurat Collection: Vagabond, c1880-1891 Artist: Georges-Pierre Seurat

Vagabond, c1880-1891 Artist: Georges-Pierre Seurat
Vagabond, c1880-1891

Background imageSeurat Collection: The Harnessed Horse, 1883. Artist: Georges-Pierre Seurat

The Harnessed Horse, 1883. Artist: Georges-Pierre Seurat
The Harnessed Horse, 1883. From the collection of the Guggenheim Museum, New York, USA

Background imageSeurat Collection: Circus Sideshow, 1887-1888. Artist: Georges-Pierre Seurat

Circus Sideshow, 1887-1888. Artist: Georges-Pierre Seurat
Circus Sideshow, 1887-1888. A parade, the free entertainment offered at the entrance of a traveling theatre, is intended to attract a crowd and encourage the sale of tickets

Background imageSeurat Collection: A Sunday Afternoon on the Island of La Grande Jatte, 1884-1886. Artist: Georges-Pierre Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884-1886. Artist: Georges-Pierre Seurat
A Sunday Afternoon on the Island of La Grande Jatte, 1884-1886. From the collection of the Art Institute of Chicago, Illinois, USA

Background imageSeurat Collection: Le Cirque ( The Circus ), 1891. Artist: Georges-Pierre Seurat

Le Cirque ( The Circus ), 1891. Artist: Georges-Pierre Seurat
Le Cirque ( The Circus ), 1891. This picture was exhibited in 1891 at the 7th Salon des Independants in Paris. During the exhibition Seurat died. From the Musee d Orsay, Paris

Background imageSeurat Collection: SEURAT: KNOBLOCH, 1889-90. Madeleine Knobloch seated at a powder table

SEURAT: KNOBLOCH, 1889-90. Madeleine Knobloch seated at a powder table. Oil on canvas by Georges Seurat, 1889-90

Background imageSeurat Collection: GEORGES SEURAT (1859-1891). French painter. Lithograph, 1890, by Maximilien Luce

GEORGES SEURAT (1859-1891). French painter. Lithograph, 1890, by Maximilien Luce

Background imageSeurat Collection: The Seine at La Grande Jatte 1888. Oil on canvas. Georges Seurat (1859-1891)

The Seine at La Grande Jatte 1888. Oil on canvas. Georges Seurat (1859-1891) French Post-Impressionist painter. France Water River Seine Rower Boat Sail Summer

Background imageSeurat Collection: Claude Ambroise Surat

Claude Ambroise Surat
CLAUDE AMBROISE SEURAT skeletal Frenchman Date: flourished 1820s

Background imageSeurat Collection: Olive Trees 1889 Oil canvas 28 5 / 8 x 36 1 / 4 72. 7 92. 1 cm

Olive Trees 1889 Oil canvas 28 5 / 8 x 36 1 / 4 72. 7 92. 1 cm
Artokoloro

Background imageSeurat Collection: Embroidery Artist Mother 1882-83 Conte crayon

Embroidery Artist Mother 1882-83 Conte crayon
Artokoloro

Background imageSeurat Collection: Study Sunday La Grande Jatte 1884 Oil wood 6 1 / 8 x 9 1 / 2

Study Sunday La Grande Jatte 1884 Oil wood 6 1 / 8 x 9 1 / 2
Artokoloro

Background imageSeurat Collection: Forest Pontaubert 1881 Oil canvas 31 1 / 8 x 24 5 / 8

Forest Pontaubert 1881 Oil canvas 31 1 / 8 x 24 5 / 8
Artokoloro

Background imageSeurat Collection: Evening Calm Concarneau Opus 220 Allegro Maestoso

Evening Calm Concarneau Opus 220 Allegro Maestoso
Artokoloro

Background imageSeurat Collection: Georges Seurat, Study after The Models, French, 1859-1891, 1888, pen

Georges Seurat, Study after The Models, French, 1859-1891, 1888, pen
Georges Seurat, Study after " The Models", French, 1859-1891, 1888, pen and brown ink over graphite on wove paper

Background imageSeurat Collection: Georges Seurat, French (1859-1891), The Lighthouse at Honfleur, 1886, oil on canvas

Georges Seurat, French (1859-1891), The Lighthouse at Honfleur, 1886, oil on canvas

Background imageSeurat Collection: Poplars

Poplars; Georges Seurat, French, 1859 - 1891; France, Europe; about 1883 - 1884; Conte crayon on Michallet paper; 24.3 x 31 cm (9 9/16 x 12 3/16 in.)

Background imageSeurat Collection: Une elegante (Woman Strolling)

Une elegante (Woman Strolling); Georges Seurat, French, 1859 - 1891; about 1884; Conte crayon on Michallet paper; 31.8 x 24 cm (12 1/2 x 9 7/16 in.)

Background imageSeurat Collection: Woman Viewed from the Back : Georges Pierre Seurat (1859-1891) French artist

Woman Viewed from the Back : Georges Pierre Seurat (1859-1891) French artist. Conte crayon

Background imageSeurat Collection: Vagabond : Georges Pierre Seurat (1859-1891) French artist. Conte crayon

Vagabond : Georges Pierre Seurat (1859-1891) French artist. Conte crayon

Background imageSeurat Collection: The Parade (The Side Show) 1887-1889: Georges Pierre Seurat (1859-1891) French artist

The Parade (The Side Show) 1887-1889: Georges Pierre Seurat (1859-1891) French artist

Background imageSeurat Collection: Beach at Gravelines, 1890. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter

Beach at Gravelines, 1890. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Background imageSeurat Collection: Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French

Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Background imageSeurat Collection: Clothing on the grass. Study for Bathers at Asnieres. Georges-Pierre Seurat

Clothing on the grass. Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Background imageSeurat Collection: The Circus (Le Circque), 1891: Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter

The Circus (Le Circque), 1891: Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. This picture was exhibited in 1891 at the 7th Salon des Independants in Paris

Background imageSeurat Collection: Le Bec du Hoc, Grandchamp, 1885. Oil on canvas. Georges Seurat (1859-1891) French

Le Bec du Hoc, Grandchamp, 1885. Oil on canvas. Georges Seurat (1859-1891) French Post-Impressionist painter. France Normandy Seascape Water Air Rock

Background imageSeurat Collection: Casseur de Pierre a la brouette, Le Raincy (The Stonebreaker and Wheelbarrow, Le Raincy), 1884

Casseur de Pierre a la brouette, Le Raincy (The Stonebreaker and Wheelbarrow, Le Raincy), 1884. Georges Seurat (1859-1891) French Post-Impressionist painter

Background imageSeurat Collection: SEURAT, GEORGES (1859-1891). AN

SEURAT, GEORGES (1859-1891). AN

Background imageSeurat Collection: SEURAT: MODELS, c1866. The Models. Oil on canvas, c1866-8, by Georges Seurat

SEURAT: MODELS, c1866. The Models. Oil on canvas, c1866-8, by Georges Seurat



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"Seurat: A Master of Pointillism and Capturing Everyday Life" Georges Seurat, a renowned French artist born in 1859, is best known for his innovative technique called pointillism. Through meticulous placement of small dots or strokes of pure color, he created vibrant and luminous compositions that captivated the art world. One of his most famous works, "A Sunday Afternoon on the Island of La Grande Jatte, " painted between 1884-86, depicts an idyllic scene along the banks of the River Seine. This large-scale masterpiece showcases Seurat's ability to capture everyday life with precision and detail. In another notable piece titled "Bathers at Asnieres, " completed in 1884, Seurat portrays a group of working-class men enjoying their leisure time by the riverbank. The painting exemplifies his interest in social realism while showcasing his mastery over light and shadow. Seurat's fascination with capturing landscapes extended beyond city scenes. In "Beach at Gravelines" (1890) and "The Channel of Gravelines, Grand Fort-Philippe" (1890), he explores coastal vistas with delicate brushwork and harmonious colors. Not limited to outdoor settings, it also ventured into depicting urban environments such as "The Eiffel Tower" (1889). Here, he captures Paris' iconic landmark from an unusual perspective using bold lines and contrasting tones. "The Circus" (1890-91) reveals yet another facet of Seurat's artistic prowess. With dynamic compositions and vivid hues, he brings to life the excitement and energy found under the big top. Throughout his career, Seurat produced numerous studies that served as preparatory sketches for larger works like "A Sunday on La Grande Jatte. " These studies showcase his dedication to meticulous planning before executing complex compositions.