School Of Forli Collection

Judith and Her Maidservant with the Head of Holofernes, 1645. Creator: Canlassi (Called Cagnacci)
Judith and Her Maidservant with the Head of Holofernes, 1645. Found in the collection of the Palazzo Barberini, Rome

Pope Sixtus IV Appoints Bartolomeo Platina as Prefect of the Vatican Library, ca 1478. Found in the collection of the Musei Vaticani in Viale Vaticano, Rome

Allegory of Vanity and Penitence, Mid of 17th cen. Creator: Canlassi (Called Cagnacci), Guido (Guidobaldo) (1601-1663)
Allegory of Vanity and Penitence, Mid of 17th cen. Found in the collection of the Musee de Picardie, Amiens

Die Beschneidung Christi, 1536. Creator: Palmezzano, Marco (1456-1539)
Die Beschneidung Christi, 1536. Found in the Collection of the Accademia Carrara, Bergamo

Die Beschneidung Christi, 1536. Creator: Palmezzano, Marco (1456-1539)
Die Beschneidung Christi, 1536. Found in the Collection of the Accademia Carrara, Bergamo

The Repentant Mary Magdalene, 1637-1639. Creator: Canlassi (Called Cagnacci), Guido
The Repentant Mary Magdalene, 1637-1639. Found in the Collection of Chiesa di Santa Maria Maddalena, Urbania

The Repentant Mary Magdalene, 1626-1627. Creator: Canlassi (Called Cagnacci), Guido
The Repentant Mary Magdalene, 1626-1627. Found in the Collection of Palazzo Barberini, Rome

Musician angel, c1480. Found in the Collection of Pinacoteca Vaticana, Rome

Allegoria del Tempo (Allegory of Time), c1650. Found in the Collection of Collezione Cavallini-Sgarbi

Group of angels. Found in the Collection of Musei Vaticani in Viale Vaticano, Rome

The Death of Cleopatra, ca 1662. Artist: Canlassi, Guido (Guidobaldo) (1601-1663)
The Death of Cleopatra, ca 1662. Found in the collection of the Art History Museum, Vienne

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The School of Forli, led by the talented artist Guido Canlassi (also known as Cagnacci), was a prominent artistic movement in Italy during the 17th century. Known for their exquisite attention to detail and emotional depth, the works produced by this school continue to captivate audiences today. One notable masterpiece from this period is "The Repentant Mary Magdalene" created between 1637-1639. Canlassi's portrayal of Mary Magdalene's remorse and redemption is both poignant and powerful, showcasing his mastery of capturing human emotions on canvas. Another remarkable piece is "The Rape of Europa, " painted around 1650. This mythological scene depicts Zeus disguised as a bull abducting Europa, showcasing Canlassi's ability to bring classical tales to life with his brushstrokes. In addition to these narrative paintings, the it also excelled in creating ethereal angelic figures such as the "Musician Angel" from circa 1480. These celestial beings are depicted playing various musical instruments, evoking a sense of heavenly harmony that resonates with viewers. Amongst their allegorical works stands out "Allegoria del Tempo (Allegory of Time)" from approximately 1650. This painting explores the concept of time through symbolic imagery, inviting contemplation on its fleeting nature and impact on human existence. Guido Canlassi's talent extended beyond religious themes and allegories; he also showcased his skill in portraiture with pieces like "The Death of Cleopatra" dating back to around 1662. In this work, he captures Cleopatra's tragic demise with great sensitivity and attention to detail.