Schonberg Collection

Frederick, Duke of Schomberg (1615-90) engraved by Jacobus Houbraken (1698-1780)
XJF170096 Frederick, Duke of Schomberg (1615-90) engraved by Jacobus Houbraken (1698-1780) (engraving) (b/w photo) by Kneller

Charge of Cavalry to Cover the Retreat of the Guns... 11th December 1879, (1901)
Charge of Cavalry to Cover the Retreat of the Guns in the Action of 11th December 1879, (1901). British and Punjab cavalry attacked the Afghans in the Chardeh Valley, Afghanistan

The Red Gaze, 1910 (oil on board)
PWI94160 The Red Gaze, 1910 (oil on board) by Schoenberg, Arnold (1874-1951); Stadtische Galerie im Lenbachhaus, Munich, Germany; © Peter Willi

Self portrait (oil on canvas)
XAM79044 Self portrait (oil on canvas) by Schoenberg, Arnold (1874-1951); Private Collection; (add.info.: abandoned traditional concept of tonality; ); Austrian, out of copyright

Arnold Schoenberg hand written score for Kammersymphonie
3913243 Arnold Schoenberg hand written score for Kammersymphonie by Schoenberg, Arnold (1874-1951); (add.info.: Arnold Schoenberg hand written score for Kammersymphonie')

Arnold Schoenberg, 1917 (pen & ink and w / c on paper)
GIA3512860 Arnold Schoenberg, 1917 (pen & ink and w/c on paper) by Schiele, Egon (1890-1918); Private Collection; (add.info)

Valley of Engeholle and ruins of Schonberg (engraving)
963643 Valley of Engeholle and ruins of Schonberg (engraving) by Tombleson, William (19th century) (after); Private Collection; (add.info.: Valley of Engeholle and ruins of Schonberg)

Landing of Marshall Schomberg at Carrickfergus, illustration from Cassell
STC393248 Landing of Marshall Schomberg at Carrickfergus, illustration from Cassells Illustrated History of England (engraving) (sepia photo) by English School

Frederick, Duke of Schomberg, 1739 (engraving)
451641 Frederick, Duke of Schomberg, 1739 (engraving) by Houbraken, Jacobus (1698-1780); 37.5x24 cm; Wolverhampton Art Gallery, West Midlands, UK; (add.info.: Friedrich Hermann)

Schomberg, (1615-1690), 1830. Creator: Unknown
Schomberg, (1615-1690), 1830. Frederick Armand de Schomberg (1615-1690) born in Heidelberg, orphaned within a few months of birth, educated by family friends including Frederick V

Portrait of Arnold Schonberg, c. 1907. Creator: Gerstl, Richard (1883-1908)
Portrait of Arnold Schonberg, c. 1907. Found in the Collection of Vienna Museum

Alexander Zemlinsky and Arnold Schonberg in Prague, 1917. Private Collection

Caricature on Schoenbergs Chamber Symphony No 1 on 31 March 1913 in Vienna, 1913. Private Collection

Frederick Duke of Schomberg, 1785. Creator: Unknown
Frederick Duke of Schomberg, 1785. Frederick Schomberg, 1st Duke of Schomberg (1615-1690), Marshal of France and a General in the British and Portuguese Army

Capitulation of a Bulgarian infantry brigade with twelve guns at Ferdinandovo. Artist
Capitulation of a Bulgarian infantry brigade with twelve guns at Ferdinandovo. Private Collection

Mathilde Schonberg, 1907
Mathilde Scho nberg, 1907. Found in the Collection of O sterreichische Galerie Belvedere, Vienna

Blessing domestic animals, Bulgaria, 1887. A print from The Illustrated London News, 12th Febuary 1887

The Hesse and Battenberg families at Osborne
A Royal group at Osborne House, Isle of Wight, to celebrate the marriage of Princess Beatrice to Prince Henry of Battenberg in 1885

Buildings Ukraine categorised region Winter Svaliava Raion
Buildings in Ukraine to be categorised by region, Winter in Ukraine, Svaliava Raion, 1912 postcards, Csonak, 1912, Schonberg, Kereczke Maramaros

Franz Balthasar Schonberg von Brenkenhoff (1723-1780). Engra
Franz Balthasar Schonberg von Brenkenhoff (1723-1780). German economist and statesman. Engraving in The Universal History, 1885. Colored

SCHONBERG, Johann Heinrich (1609-1683). The Oath of Hannibal. Baroque art. Oil. GERMANY. BAVARIA. N� rg. Germanisches Nationalmuseum (German National Museum)

The Schonberg Family
XAM53686 The Schonberg Family by Gerstl, Richard (1883-1908); Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

MAXIMILIAN I IN BATTLE, 1504. The victory of Holy Roman Emperor Maximilian I (1459-1519) over the Bohemians at Schonberg, Bavaria, in 1504. Contemporary woodcut by Hans Burgkmair the Elder

The Harbour at Hamburg, 1892
Aerial view of the harbour at Hamburg, with a large number of ships along the quayside, 1892. At that time cholera had broken out in Hamburg, meaning that shipping was unable to proceed normally

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"Schonberg: A Tapestry of Artistic Legacies" From the noble portraits of Frederick, Duke of Schomberg and Arnold Schoenberg's self-portrait, to the intricate hand-written score for Kammersymphonie, Schonberg weaves together a rich tapestry of artistic legacies. In "The Red Gaze, " an oil painting from 1910, we are drawn into a world where colors dance and emotions collide. The intensity captured in this piece reflects the passion that fueled Arnold Schoenberg's groundbreaking compositions. Speaking of which, his pen & ink and watercolor portrait from 1917 showcases his creative process - meticulous yet fluid, and is through these strokes that he revolutionized music with atonal compositions that challenged traditional harmonies. But Schonberg is not just about individuals; it encompasses landscapes too. The engraving depicting the Valley of Engeholle and ruins transports us to a place frozen in time - a testament to history's enduring presence. And speaking of history, let us not forget the landing of Marshall Schomberg at Carrickfergus as illustrated in Cassell's publication. This event marked an important chapter in military strategy but also serves as a reminder that art can be found even amidst battles fought on distant shores. The enigmatic engraving titled "Schomberg (1615-1690)" captures our curiosity with its unknown creator. Like many aspects within the realm of art, sometimes it is the mystery itself that draws us closer. Richard Gerstl's portrait from c. 1907 reveals another side to Arnold Schoenberg - vulnerable yet determined. It speaks volumes about their friendship and shared experiences within Vienna's vibrant artistic community during those transformative years. Alexander Zemlinsky joins Arnold Schoenberg in Prague in 1917; two musical pioneers united by their dedication to pushing boundaries and exploring new realms within composition. Their collaboration and friendship would forever shape the course of music history.