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Sash Collection (page 20)

"Sash: A Symbol of Power, Influence, and Legacy" Throughout history, the sash has been worn by individuals who have left an indelible mark on society

Background imageSash Collection: Kaiser Wilhelm I standing beside the flag of the Kingdom of Prussia

Kaiser Wilhelm I standing beside the flag of the Kingdom of Prussia
488430 Kaiser Wilhelm I standing beside the flag of the Kingdom of Prussia and a display of German Deutschmarks, c.1890 (colour litho) by French School

Background imageSash Collection: Homo Bulla: A Boy Blowing Bubbles, c. 1665 (oil on canvas)

Homo Bulla: A Boy Blowing Bubbles, c. 1665 (oil on canvas)
LST204181 Homo Bulla: A Boy Blowing Bubbles, c.1665 (oil on canvas) by Helst, Bartolomeus van der (1613-70); 81.3x73 cm; Private Collection; (add.info)

Background imageSash Collection: Saint Acacius, c. 1835 (water-based paint on wood panel)

Saint Acacius, c. 1835 (water-based paint on wood panel)
BRN195806 Saint Acacius, c. 1835 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 19.2 x 14.5 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageSash Collection: Count de Daun, General of Armies of the Holy Roman Empire (1705-66

Count de Daun, General of Armies of the Holy Roman Empire (1705-66
STC196338 Count de Daun, General of Armies of the Holy Roman Empire (1705-66) from Receuil des Estampes, representant les Rangs et les Dignites, suivant le Costume de toutes les Nations existantes

Background imageSash Collection: Le Ministre d Etat en grand costume, from the series

Le Ministre d Etat en grand costume, from the series
NCO191270 Le Ministre d Etat en grand costume, from the series, Habits of the New French Legislators and other Public Functionaries

Background imageSash Collection: Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before

Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before
NCO190178 Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797

Background imageSash Collection: Costume of a Prefect during the period of the Consulate (1799-1804) of the First Republic

Costume of a Prefect during the period of the Consulate (1799-1804) of the First Republic
CHT217238 Costume of a Prefect during the period of the Consulate (1799-1804) of the First Republic, c.1800 (coloured engraving) (see also 168825) by Chataignier (fl.1800)

Background imageSash Collection: Catherine Cussans, c. 1790 (oil on canvas)

Catherine Cussans, c. 1790 (oil on canvas)
450089 Catherine Cussans, c.1790 (oil on canvas) by Hoppner, John (1758-1810); 119.4x97.8 cm; The Holburne Museum, Bath, UK; eHolburne Museum; English, out of copyright

Background imageSash Collection: The Princess of Wales, 1889 (b / w photo)

The Princess of Wales, 1889 (b / w photo)
JHL392616 The Princess of Wales, 1889 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Alexandra of Denmark (1844-1925) Queen Consort of Edward VII; ); English

Background imageSash Collection: Portrait of Nicholas I, Tsar of Russia and King of Poland, Neuruppiner Bilderbogen, c

Portrait of Nicholas I, Tsar of Russia and King of Poland, Neuruppiner Bilderbogen, c
DHC379960 Portrait of Nicholas I, Tsar of Russia and King of Poland, Neuruppiner Bilderbogen, c.1850 (colour litho) by German School

Background imageSash Collection: Customary Greeting in Greece, 1907 (colour litho)

Customary Greeting in Greece, 1907 (colour litho)
473000 Customary Greeting in Greece, 1907 (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageSash Collection: Daniel Laurenza, General of the Danish Army, 1780 (coloured engraving)

Daniel Laurenza, General of the Danish Army, 1780 (coloured engraving)
468776 Daniel Laurenza, General of the Danish Army, 1780 (coloured engraving) by Duflos, Pierre (1742-1816); Private Collection; (add.info)

Background imageSash Collection: Portrait of Marcelle, 1895 (oil on canvas)

Portrait of Marcelle, 1895 (oil on canvas)
MMT175998 Portrait of Marcelle, 1895 (oil on canvas) by Morisot, Berthe (1841-95); 64x46 cm; Musee Marmottan Monet, Paris, France; (add.info.: Portrait de la petite Marcelle; ); French

Background imageSash Collection: Portrait of the Khedive Tawfik, from L Egypte

Portrait of the Khedive Tawfik, from L Egypte
GDG345741 Portrait of the Khedive Tawfik, from L Egypte of Georg Moritz Ebers (1837-98), 1881 (b/w engraving) by French School

Background imageSash Collection: Lord Nelson (oil on canvas)

Lord Nelson (oil on canvas)
RNM285890 Lord Nelson (oil on canvas) by Hoppner, John (1758-1810); 76x63 cm; National Museum of the Royal Navy, Portsmouth, Hampshire

Background imageSash Collection: Royal visitors to France: George I, King of Greece (colour litho)

Royal visitors to France: George I, King of Greece (colour litho)
2818690 Royal visitors to France: George I, King of Greece (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Royal visitors to France: George I, King of Greece)

Background imageSash Collection: Marshal Canrobert (colour litho)

Marshal Canrobert (colour litho)
2818607 Marshal Canrobert (colour litho) by French School, (19th century); Private Collection; (add.info.: Marshal Canrobert, French soldier. Le Marechal Canrobert)

Background imageSash Collection: Rear-Admiral Humann, commander of the French Navys Far East Fleet (colour litho)

Rear-Admiral Humann, commander of the French Navys Far East Fleet (colour litho)
2818414 Rear-Admiral Humann, commander of the French Navys Far East Fleet (colour litho) by French School, (19th century); Private Collection; (add.info.: Rear-Admiral Edgar Humann)

Background imageSash Collection: Admiral Rieunier (colour litho)

Admiral Rieunier (colour litho)
2818329 Admiral Rieunier (colour litho) by French School, (19th century); Private Collection; (add.info.: Henri Rieunier, French admiral. L Amiral Rieunier)

Background imageSash Collection: The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub

The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub
2490889 The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving) by Gillray

Background imageSash Collection: Mono iwanu hana Silent flowers, since mono iu hana, talking flowers

Mono iwanu hana Silent flowers, since mono iu hana, talking flowers
1766532 Mono iwanu hana Silent flowers, since mono iu hana, talking flowers, is a common poetic expression for beautiful women, silent flowers refers to actual flowers in their natural state

Background imageSash Collection: Portrait of Nasir-ud-Din Shah Qajar (King of Persia), c. 1845-1850 (painting)

Portrait of Nasir-ud-Din Shah Qajar (King of Persia), c. 1845-1850 (painting)
1196697 Portrait of Nasir-ud-Din Shah Qajar (King of Persia), c.1845-1850 (painting) by Persian School, (19th century); 16.5x9.5 cm; Private Collection; Photo eChristies Images; Persian

Background imageSash Collection: Morning Glory, 1879 (oil on canvas)

Morning Glory, 1879 (oil on canvas)
1769852 Morning Glory, 1879 (oil on canvas) by Lefebvre, Jules Joseph (1836-1911); 118.7x75.6 cm; Private Collection; (add.info.: Morning Glory. Jules Joseph Lefebvre (1836-1911 or 1912)

Background imageSash Collection: Grandpas Sash (oil on panel)

Grandpas Sash (oil on panel)
1769800 Grandpas Sash (oil on panel) by Vibert, Jean or Jehan Georges (1840-1902); 73.7x99.7 cm; Private Collection; (add.info.: Grandpas Sash; La ceinture du grand-papa)

Background imageSash Collection: The Love Letter (oil on canvas)

The Love Letter (oil on canvas)
1772177 The Love Letter (oil on canvas) by Gorst, Jessie Elliot (fl.1889-99); 59.7x49.5 cm; Private Collection; (add.info.: The Love Letter. Jessie Elliot Gorst (fl.1889-1899). Oil on canvas

Background imageSash Collection: Young Woman Climbing Stone Stairs to a Shinto Temple, c. 1750-70 (woodblock print)

Young Woman Climbing Stone Stairs to a Shinto Temple, c. 1750-70 (woodblock print)
5049890 Young Woman Climbing Stone Stairs to a Shinto Temple, c.1750-70 (woodblock print) by Harunobu, Suzuki (1725-70); 25.4x20.3 cm; Metropolitan Museum of Art, New York, USA; Japanese

Background imageSash Collection: Pretty Girls Sitting On Branch (chromolitho)

Pretty Girls Sitting On Branch (chromolitho)
733482 Pretty Girls Sitting On Branch (chromolitho) by American School, (19th century); Private Collection; (add.info.: Pretty Girls Sitting On Branch)

Background imageSash Collection: Urbain Le Verrier (1811-77) (oil on canvas)

Urbain Le Verrier (1811-77) (oil on canvas)
XIR208412 Urbain Le Verrier (1811-77) (oil on canvas) by Giacomotti, Felix Henri (1828-1909); 124x88 cm; ChAteau de Versailles

Background imageSash Collection: Pedro I (1798-1834) Emperor of Brazil, 19th century (litho) (b / w photo)

Pedro I (1798-1834) Emperor of Brazil, 19th century (litho) (b / w photo)
CHT207835 Pedro I (1798-1834) Emperor of Brazil, 19th century (litho) (b/w photo) by Brazilian School (19th century); Bibliotheque Nationale, Paris

Background imageSash Collection: Children feeding the swans (chromolitho)

Children feeding the swans (chromolitho)
6001850 Children feeding the swans (chromolitho) by English School, (19th century); Private Collection; (add.info.: Children feeding the swans)

Background imageSash Collection: A Family Group

A Family Group
AGN47167 A Family Group by Downman, John (c.1750-1824); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageSash Collection: Pacific-Overtured, - or- a Flight from St Cloud s- over the Wter to Charlet

Pacific-Overtured, - or- a Flight from St Cloud s- over the Wter to Charlet
2966877 Pacific-Overtured, - or- a Flight from St Cloud s- over the Wter to Charlet. - a new Dramatic Peace now Rehearsing, pub

Background imageSash Collection: Portrait of Lieut-Colonel Morrison of the 7th Dragoon Guards, Half Length, in Uniform

Portrait of Lieut-Colonel Morrison of the 7th Dragoon Guards, Half Length, in Uniform
652193 Portrait of Lieut-Colonel Morrison of the 7th Dragoon Guards, Half Length, in Uniform, (oil on canvas) by Raeburn, Henry (1756-1823); 89x68.5 cm; Private Collection; (add.info)

Background imageSash Collection: Portrait of Sarah, wife of Walker King, Bishop of Rochester, three quarter length

Portrait of Sarah, wife of Walker King, Bishop of Rochester, three quarter length
651947 Portrait of Sarah, wife of Walker King, Bishop of Rochester, three quarter length, in a white dress with a blue sash, (pastel on paper laid on linen) by Russell

Background imageSash Collection: Jeanne Durand-Ruel (1870-1914) 1876 (oil on canvas)

Jeanne Durand-Ruel (1870-1914) 1876 (oil on canvas)
BRN152406 Jeanne Durand-Ruel (1870-1914) 1876 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 113x74 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageSash Collection: The Unwelcome Companion (A Street Scene in Cairo), c. 1872-73 (oil on canvas)

The Unwelcome Companion (A Street Scene in Cairo), c. 1872-73 (oil on canvas)
THA157517 The Unwelcome Companion (A Street Scene in Cairo), c.1872-73 (oil on canvas) by Waterhouse, John William (1849-1917); 59.1x49.5 cm; Towneley Hall Art Gallery and Museum, Burnley

Background imageSash Collection: Diamond Jubilee of Queen Victoria (1819-1901) 1897 (coloured print)

Diamond Jubilee of Queen Victoria (1819-1901) 1897 (coloured print)
LMG144947 Diamond Jubilee of Queen Victoria (1819-1901) 1897 (coloured print) by English School, (19th century); Leeds Industrial Museum (Armley Mills) U.K.; (add.info)

Background imageSash Collection: Portrait of Thomas Cavendish (1560-92) engraved by L

Portrait of Thomas Cavendish (1560-92) engraved by L
XJF139065 Portrait of Thomas Cavendish (1560-92) engraved by L Armessin (engraving) (b/w photo) by French School, (17th century); Private Collection; French, out of copyright

Background imageSash Collection: Portrait of King Charles II (1630-85) Wearing Garter Robes (oil on canvas)

Portrait of King Charles II (1630-85) Wearing Garter Robes (oil on canvas)
CH140992 Portrait of King Charles II (1630-85) Wearing Garter Robes (oil on canvas) by Lely, Peter (1618-80) (circle of); 76.2x63.5 cm; Private Collection; Photo eChristies Images; English



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"Sash: A Symbol of Power, Influence, and Legacy" Throughout history, the sash has been worn by individuals who have left an indelible mark on society. From Queen Elizabeth II, the beloved monarch of the United Kingdom and Commonwealth, to influential figures like Gen C Gordon and Col Lith, this accessory holds great significance. In 1953, Queen Elizabeth II donned her coronation robes with a majestic sash draped across her shoulder. The artist Sterling Henry Nahum Baron captured this iconic moment that symbolized her reign as a powerful leader. The suffragette movement led by Pankhurst in Manchester Docks fought tirelessly for women's rights. Their determination was embodied in their symbolic sashes proudly displayed during protests. Mustafa Kemal Ataturk, known as the father of modern Turkey, wore a sash that represented his vision for progress and reform. Similarly, Reza Shah Pahlavi of Iran used his regal sash to signify authority during his transformative rule. Even fictional characters found themselves adorned with significant sashes. In Hannah Humphrey's depiction of "The King of Brobdingnag" from Gulliver's Travels published in 1803, we see how even imaginary realms recognize the power behind this accessory. The military also embraces the importance of tradition and honor through their use of ceremonial sashes. As they celebrate the birthday of their queen or pay homage to Field Marshal Lord Roberts' leadership during South Africa's conflicts in 1902 - these symbols serve as reminders of duty and loyalty. Portraits throughout history capture distinguished individuals wearing magnificent sashes; Nelson exuding bravery on panel canvas or Queen Victoria radiating elegance circa 1880 – all showcasing how these adornments elevate one's stature. Lastly but not leastly is Princess Elizabeth herself before she ascended to become Queen Elizabeth II.