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Sasanian Collection

The Sasanian Empire, also known as the Neo-Persian Empire, was a powerful and influential civilization that ruled over Iran from 224 to 651 AD

Background imageSasanian Collection: The Night Attack of Bahram Chubina on the Army of Khusraw Parvis (image 1 of 8), c1560

The Night Attack of Bahram Chubina on the Army of Khusraw Parvis (image 1 of 8), c1560. Creator: Unknown
The Night Attack of Bahram Chubina on the Army of Khusraw Parvis (image 1 of 8), c1560

Background imageSasanian Collection: Hormuz Forces His High Priest to Eat Poisoned Food... c1485-1495. Creators: Unknown, Ferdowsi

Hormuz Forces His High Priest to Eat Poisoned Food... c1485-1495. Creators: Unknown, Ferdowsi
Hormuz Forces His High Priest to Eat Poisoned Food, Page from a Manuscript of the Shahnama (Book of Kings) of Firdawsi, Iran, Shiraz, c1485-1495. Hormuz (Hormozd IV, r)

Background imageSasanian Collection: Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D

Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Khusrau Seated on his Throne, Folio 64 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the White Palace on Friday, Folio 235 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Yellow Palace on Sunday, Folio 213 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Sandal Palace on Thursday, Folio 230 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Triumph of Heraclius at Constantinople, (629AD), 1890. Creator: Unknown

Triumph of Heraclius at Constantinople, (629AD), 1890. Creator: Unknown
Triumph of Heraclius at Constantinople, (629AD) 1890. Heraclius (c575-641) Emperor of the Byzantine Empire from 610 to 641 entered Constantinople in ceremonial parade in 629AD during the Sasanian

Background imageSasanian Collection: Goblet, Iran, possibly 4th-7th century (moulded glass)

Goblet, Iran, possibly 4th-7th century (moulded glass)
AMQ113726 Goblet, Iran, possibly 4th-7th century (moulded glass) by Iranian School; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Background imageSasanian Collection: View of the ancient mud-and-clay citadel (photo)

View of the ancient mud-and-clay citadel (photo)
BOO181342 View of the ancient mud-and-clay citadel (photo) by Iranian School; Arg-e Bam, Iran; (add.info.: probably begun over 2000 years ago)

Background imageSasanian Collection: Coin Portraying King Chosroes II, 590-628. Creator: Unknown

Coin Portraying King Chosroes II, 590-628. Creator: Unknown
Coin Portraying King Chosroes II, 590-628. Reverse: fire altar with attendants, a crescent and star

Background imageSasanian Collection: Drachma (Coin) Portraying Chosroes I, 531-579. Creator: Unknown

Drachma (Coin) Portraying Chosroes I, 531-579. Creator: Unknown
Drachma (Coin) Portraying Chosroes I, 531-579

Background imageSasanian Collection: Coin Portraying King Sapor II, 309-379. Creator: Unknown

Coin Portraying King Sapor II, 309-379. Creator: Unknown
Coin Portraying King Sapor II, 309-379

Background imageSasanian Collection: Drachm (Coin) Portraying King Varahran II, 238-275. Creator: Unknown

Drachm (Coin) Portraying King Varahran II, 238-275. Creator: Unknown
Drachm (Coin) Portraying King Varahran II, 238-275

Background imageSasanian Collection: Ibex Eating, c. 400-600 (stucco (gypsum plaster) with traces of paint)

Ibex Eating, c. 400-600 (stucco (gypsum plaster) with traces of paint)
491224 Ibex Eating, c.400-600 (stucco (gypsum plaster) with traces of paint) by Sasanian School; h:30.80 cm; Cleveland Museum of Art, OH, USA; (add.info.: From about AD 224 until about 650)

Background imageSasanian Collection: Costumes of kings of the Sassanian Empire

Costumes of kings of the Sassanian Empire. Sassanid founder Ardashir I and Ahura Mazda hold a crown, while their horses stamp on the bodies of Artabanus and Ahriman (top)

Background imageSasanian Collection: Exterior view, c. 907 AD (photo)

Exterior view, c. 907 AD (photo)
XIR117437 Exterior view, c.907 AD (photo) by Islamic School, (10th century); Samanid Mausoleum, Bukhara, Uzbekistan; (add.info)

Background imageSasanian Collection: Reverse of a coin of Shapur II (310-79) depicting a sacrificial fire altar

Reverse of a coin of Shapur II (310-79) depicting a sacrificial fire altar
XIR162414 Reverse of a coin of Shapur II (310-79) depicting a sacrificial fire altar, Sassanian (silver) (b/w photo) (see 142415 for obverse) by Persian School, (4th century); Bibliotheque Nationale

Background imageSasanian Collection: Horse-Shaped Drinking Vessel, 200-325 (silver, partially gilt)

Horse-Shaped Drinking Vessel, 200-325 (silver, partially gilt)
499593 Horse-Shaped Drinking Vessel, 200-325 (silver, partially gilt) by Sasanian School; 12x10.8x32.7 cm; Cleveland Museum of Art, OH

Background imageSasanian Collection: Dish: The Goddess Anahita, 400-600 (silver gilt)

Dish: The Goddess Anahita, 400-600 (silver gilt)
499556 Dish: The Goddess Anahita, 400-600 (silver gilt) by Sasanian School; 4.6x21.6 cm; Cleveland Museum of Art, OH, USA; (add.info.: Anahita, the Zoroastrian goddess of water and fertility)

Background imageSasanian Collection: Bulla with inscription, Sasanian Period, 4th Century (ceramic)

Bulla with inscription, Sasanian Period, 4th Century (ceramic)
CH443734 Bulla with inscription, Sasanian Period, 4th Century (ceramic) by Persian School; height: 5 cm; Private Collection; (add.info.: inscription reads the Mazdeen, the Lord Shapur)

Background imageSasanian Collection: Bahram Gur hunts with Azada, from a Khamsa, c. 1580 (ink

Bahram Gur hunts with Azada, from a Khamsa, c. 1580 (ink
5932657 Bahram Gur hunts with Azada, from a Khamsa, c.1580 (ink, opaque watercolor and gold on paper by Persian School, (16th century); 31.1 x 20 cm; Freer Gallery of Art, Smithsonian Institution

Background imageSasanian Collection: Anahita Vessel, 300-500 (cast, raised, repousse, chased & gilted silver)

Anahita Vessel, 300-500 (cast, raised, repousse, chased & gilted silver)
499555 Anahita Vessel, 300-500 (cast, raised, repoussA©, chased & gilted silver) by Sasanian School; 18.5x11.5 cm; Cleveland Museum of Art, OH

Background imageSasanian Collection: Buzurgmihr masters the Game of Chess, c. 1300-30 (ink, opaque watercolour

Buzurgmihr masters the Game of Chess, c. 1300-30 (ink, opaque watercolour
6176499 Buzurgmihr masters the Game of Chess, c.1300-30 (ink, opaque watercolour and gold on paper) by Persian School, (14th century); Metropolitan Museum of Art, New York

Background imageSasanian Collection: Shallow bowl, 4th-5th century (silver & gilt)

Shallow bowl, 4th-5th century (silver & gilt)
5907011 Shallow bowl, 4th-5th century (silver & gilt) by Sasanian School; 4.3A--19.2 cm; (add.info.: Greek culture was introduced to Central Asia following the conquests of Alexander the Great around)

Background imageSasanian Collection: Dish: King Hormizd II or Hormizd III Hunting Lions, 400-600 (silver gilt)

Dish: King Hormizd II or Hormizd III Hunting Lions, 400-600 (silver gilt)
3594317 Dish: King Hormizd II or Hormizd III Hunting Lions, 400-600 (silver gilt) by Sasanian School; 4.6x20.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Iran, Sasanian)

Background imageSasanian Collection: Hunt Pitcher, 500-600 (silver)

Hunt Pitcher, 500-600 (silver)
499535 Hunt Pitcher, 500-600 (silver) by Sasanian School; 13.4x9 cm; Cleveland Museum of Art, OH, USA; (add.info.: Every good Zoroastrian was supposed to spend one-third of his day farming; one-third)

Background imageSasanian Collection: Stepped Pitcher, 400-600 (silver)

Stepped Pitcher, 400-600 (silver)
499637 Stepped Pitcher, 400-600 (silver) by Sasanian School; h:35.6 wt:1, 589 grams cm; Cleveland Museum of Art, OH, USA; Purchase from the J. H. Wade Fund; Iranian, out of copyright

Background imageSasanian Collection: Khusraw Parviz seated on the Takht-i Taqdis, c. 1425-50

Khusraw Parviz seated on the Takht-i Taqdis, c. 1425-50
5932627 Khusraw Parviz seated on the Takht-i Taqdis, c.1425-50 (opaque watercolor and gold on paper) by Indian School, (15th century); 15.3 x 17.9 cm; Freer Gallery of Art, Smithsonian Institution

Background imageSasanian Collection: Footed Goblet, Iran, 7th-8th century. Creator: Unknown

Footed Goblet, Iran, 7th-8th century. Creator: Unknown
Footed Goblet, Iran, 7th-8th century. Facet-cut vessel

Background imageSasanian Collection: Ewer with a Feline-Shaped Handle, Iran, 7th century. Creator: Unknown

Ewer with a Feline-Shaped Handle, Iran, 7th century. Creator: Unknown
Ewer with a Feline-Shaped Handle, Iran, 7th century

Background imageSasanian Collection: Pear-Shaped Vase, Iran, 8th century. Creator: Unknown

Pear-Shaped Vase, Iran, 8th century. Creator: Unknown
Pear-Shaped Vase, Iran, 8th century. Sasanian repoussee

Background imageSasanian Collection: Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa... A.H. 931 / A.D

Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa... A.H. 931 / A.D
Bahram Gur in the Dark Palace on Saturday, Folio 207 from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits)... of Nizami, ca

Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits)... of Nizami, ca
Bahram Gur on the Chase, Folio 10r from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Background imageSasanian Collection: Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A. H

Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A. H
Bahram Gur in the Green Palace on Monday, Folio from a Khamsa (Quintet) of Nizami, A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v... ca. 1430

Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v... ca. 1430
Bahram Gur and the Indian Princess in the Dark Palace on Saturday, Folio 23v from a Haft Paikar (Seven Portraits) of the Khamsa (Quintet) of Nizami, ca. 1430

Background imageSasanian Collection: Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa

Bahram Gur in the Turquoise Palace on Wednesday, Folio 216 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D

Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, A. H. 931 / A. D
Marriage of Khusrau and Shirin, Folio 104 from a Khamsa (Quintet) of Nizami, dated A.H. 931/A.D. 1524-25

Background imageSasanian Collection: Nearing Bagdad: British transport column passing the ruins of... Ctesiphon, (c1920)

Nearing Bagdad: British transport column passing the ruins of... Ctesiphon, (c1920)
Nearing Bagdad: British transport column passing the ruins of the ancient arch of Ctesiphon, (c1920)....near the scene of General Townshends costly victory on November 22, 1915

Background imageSasanian Collection: Tomb of Artaxerxes I, c. 466-464 BC (photo)

Tomb of Artaxerxes I, c. 466-464 BC (photo)
XIR279376 Tomb of Artaxerxes I, c.466-464 BC (photo) by Achaemenid, (550-330 BC); Naqsh-e Rostam, Iran; (add.info.: Mausolee d Artaxerxes I; Artaxerxes I)

Background imageSasanian Collection: Relief of Shapur I, Naqsh-i-Rustam, Iran

Relief of Shapur I, Naqsh-i-Rustam, Iran. Shapur I was the second king of the Sasanian dynasty. He ruled Persia from 241 until 272

Background imageSasanian Collection: Sasanian fire altar, Naqsh-i-Rustam, Iran

Sasanian fire altar, Naqsh-i-Rustam, Iran. The Sasanian dynasty ruled an empire centred on Persia from 224 until 651. During their rule Zoroastrianism became the state religion

Background imageSasanian Collection: Relief of the investiture of Ardashir I, Naqsh-I-Rustam, Iran

Relief of the investiture of Ardashir I, Naqsh-I-Rustam, Iran
Relief of the investiture of Ardashir, Naqsh-I-Rustam, Iran. This relief shows the investiture of the Sasanian Persian King Ardashir I by the god Ahuramazda

Background imageSasanian Collection: Gilded silver jug with dancing girls, Sasanian, 5th or 6th century

Gilded silver jug with dancing girls, Sasanian, 5th or 6th century. The Sasanian (Sassanid) Empire was the last pre-Islamic empire to rule Persia

Background imageSasanian Collection: Silver plate, Sasanian, c5th-c7th century

Silver plate, Sasanian, c5th-c7th century. Silver bowl representing a Sasanian king undertaking the traditional ancient Near Eastern royal sport of lion hunting

Background imageSasanian Collection: IRAN. Naqsh-e Rustam. The Roman emperor Valerianus

IRAN. Naqsh-e Rustam. The Roman emperor Valerianus kneeling before Shapur I after the battle of Edessa (260). Persian art. Sasanian art. Relief



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The Sasanian Empire, also known as the Neo-Persian Empire, was a powerful and influential civilization that ruled over Iran from 224 to 651 AD. This ancient empire left behind a rich cultural and artistic legacy that can still be seen today. One of the most iconic sites associated with the Sasanians is Naqsh-e Rustam, located in Iran. This archaeological complex features rock reliefs depicting various scenes from Sasanian history. One notable relief shows the Roman emperor Valerianus kneeling before Shapur I, symbolizing his defeat and capture during their conflicts. Artistic representations rulers can also be found in illuminated manuscripts like the Khamsa (Quintet) of Nizami. Folio 64 depicts Khusrau seated on his throne, exuding power and authority. Other folios show Bahram Gur in different palaces on specific days of the week, showcasing his legendary adventures. Sasanians were known for their exquisite craftsmanship as well. A silver rhyton portrays a buffalo-slayer goddess, highlighting their religious beliefs and mythological figures. Another artifact is a goblet made of molded glass dating back to possibly the 4th-7th century AD, showcasing their mastery in glassmaking techniques. Architectural wonders like ancient mud-and-clay citadels offer glimpses into daily life during this period. These structures stand as testaments to Sasanian engineering skills and provide insights into urban planning at that time. Coins minted under Sasanian rule are valuable historical artifacts too. Portraits of kings such as Chosroes II and Chosroes I are depicted on these coins, offering us visual records of these rulers' appearances.