Samuel Palmer Collection (page 2)

Opening the Fold, 1880. Creator: Samuel Palmer (British, 1805-1881)
Opening the Fold, 1880

Milking in the Field, c1847. Artist: Samuel Palmer
Milking in the Field, c1847. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

Emily and Valancourt at the Chateau Le Blanc: Lady Foix Hears from Dr Foix, Mysteries of Udulpho, 19th century. From The Studio Volume 123 [The Studio Ltd, London & New York, 1942.]

Samuel Palmer, British artist, 19th century (1956). Palmer (1805-1881) was a landscape painter, etcher and printmaker and was an important member of the English Romantic movement

Sir Guyon Tempted Phaedria Samuel Palmer English
Sir Guyon Tempted by Phaedria; Samuel Palmer (English, 1805 - 1881); England; 1849; Watercolor and bodycolor, with some gum arabic, over black chalk underdrawing; 53.7 × 75.1 cm (21 1, 8 × 29 9)

Skylark 1850 Samuel Palmer British 1805-1881
The Skylark, 1850. Samuel Palmer (British, 1805-1881). Etching

Moeris Galatea 1883 Samuel Palmer British 1805-1881
Moeris and Galatea, 1883. Samuel Palmer (British, 1805-1881). Etching

Lonely Tower 1879 Samuel Palmer British 1805-1881
The Lonely Tower, 1879. Samuel Palmer (British, 1805-1881). Etching

Opening Fold 1880 Samuel Palmer British 1805-1881
Opening the Fold, 1880. Samuel Palmer (British, 1805-1881). Etching

Bellman 1879 Samuel Palmer British 1805-1881
The Bellman, 1879. Samuel Palmer (British, 1805-1881). Etching

Cypress Grove 1883 Samuel Palmer British 1805-1881
The Cypress Grove, 1883. Samuel Palmer (British, 1805-1881). Etching

Sepulchre 1883 Samuel Palmer British 1805-1881
The Sepulchre, 1883. Samuel Palmer (British, 1805-1881). Etching

Homeward Star 1883 Samuel Palmer British 1805-1881
The Homeward Star, 1883. Samuel Palmer (British, 1805-1881). Etching

Weary Plowman begun 1858 Samuel Palmer British
The Weary Plowman, begun 1858. Samuel Palmer (British, 1805-1881). Etching

Rising Moon 1857 Samuel Palmer British 1805-1881
The Rising Moon, 1857. Samuel Palmer (British, 1805-1881). Etching

Sleeping Shepherd 1857 Samuel Palmer British
The Sleeping Shepherd, 1857. Samuel Palmer (British, 1805-1881). Etching

Morning Life 1860-1861 Samuel Palmer British
The Morning of Life, 1860-1861. Samuel Palmer (British, 1805-1881). Etching

Early Plowman 1861 Samuel Palmer British 1805-1881
The Early Plowman, before 1861. Samuel Palmer (British, 1805-1881). Etching

Early Plowman Samuel Palmer British 1805-1881
The Early Plowman. Samuel Palmer (British, 1805-1881). Etching

The Willow, 1850. Creator: Samuel Palmer
The Willow, 1850

Early Ploughman 1861 Etching fifth state nine
Artokoloro

Shepherd 1828 Engraving Plate 4 1 / 4 3 1 / 8 10. 8
Artokoloro

Sleeping Shepherd Early Morning 1857 Etching
Artokoloro

Herdsman Cottage Sunset 1880 Etching second state
Artokoloro

Opening Fold Early Morning 1880 Etching third state
Artokoloro

Weary Ploughman Herdsman Tardus Bubulcus begun 1858
Artokoloro

Willow 1850 Etching second state three sheet
Artokoloro

Early Ploughman Morning Spread Upon Mountains
Artokoloro

Christmas Folding Last Sheep 1850 Etching second state
Artokoloro

Samuel Palmer 1860s Albumen silver print Approx
Samuel Palmer, 1860s, Albumen silver print, Approx, 10.2 x 6.3 cm, 4 2 1/2, Photographs, 1, AM170720 027402

Samuel Palmer (British, 1805 - 1881), The Bellman, in or before 1879, etching

Samuel Palmer (British, 1805 - 1881), The Early Ploughman, c. 1860, etching on laid paper

Samuel Palmer (British, 1805 - 1881), Harvesting, c. 1851, watercolor and gouache over graphite with scratching-out and touches of gum arabic on paperboard

Sketch from Nature in Sion Park, London, Samuel Palmer, 1805-1881, British

The Harvest Moon Signed, lower left: S. PALMER, Samuel Palmer, 1805-1881
The Harvest Moon Signed, lower left: " S. PALMER", Samuel Palmer, 1805-1881, British

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Samuel Palmer, a renowned artist of the 19th century, captured the essence of nature and spirituality in his beautiful works. In "Coming from Evening Church, " painted in 1830, he transports us to a serene countryside scene where villagers make their way home after an evening service. The warm glow of the setting sun casts a golden hue on the landscape, creating a sense of tranquility. Palmer's love for Christmas is evident in "Christmas, or Folding the Last Sheep" from 1850. This heartwarming painting depicts shepherds gathering their flock as snowflakes gently fall around them. The joyous atmosphere and festive spirit are palpable, reminding us of the beauty and warmth that this holiday brings. "In Shoreham Garden" takes us into Palmer's personal sanctuary - his own garden. With meticulous attention to detail, he portrays lush greenery and vibrant flowers that seem to dance with life under the sunlight, and is a testament to his deep connection with nature and his ability to capture its ethereal beauty. "The Herdsmans Cottage" showcases Palmer's mastery in capturing breathtaking sunsets. Painted in 1880, it portrays a humble cottage bathed in warm hues as daylight fades away. The peacefulness exuded by this scene invites contemplation and reflection on life's simple pleasures. In "Sir Guyon with the Palmer Attending, " we see Palmer exploring themes from Edmund Spenser's epic poem "The Faerie Queene. " Through intricate brushstrokes and vivid colors, he tells tales of knights tempted by enchanting figures like Phaedria while navigating treacherous lands. Palmer also showcased his versatility through different mediums such as pencil drawings and watercolors. His work titled "Sunset over the Gleaning Fields" captures delicate shades blending seamlessly together on paper – an exquisite portrayal of nature’s ever-changing palette. One cannot overlook Palmer's fascination with clouds; they often feature prominently in his works.