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Salvation Collection (page 2)

"Finding the Path to Salvation: Navigating the Broad and Narrow Way" In religious concepts

Background imageSalvation Collection: Detail of the Last Judgement, 1525 (oil on panel)

Detail of the Last Judgement, 1525 (oil on panel)
490013 Detail of the Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info)

Background imageSalvation Collection: Detail of the Last Judgement, 1551 (oil on panel)

Detail of the Last Judgement, 1551 (oil on panel)
489993 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

Background imageSalvation Collection: The Last Judgement, 1525 (oil on panel)

The Last Judgement, 1525 (oil on panel)
490011 The Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); 145x169 cm; Groeningemuseum, Bruges, Belgium; (add.info)

Background imageSalvation Collection: The Last Judgement, 1551 (oil on panel)

The Last Judgement, 1551 (oil on panel)
489991 The Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); 228.5x181 cm; Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageSalvation Collection: Noahs Ark on Mount Ararat, 1570 (oil on wood)

Noahs Ark on Mount Ararat, 1570 (oil on wood)
3527859 Noahs Ark on Mount Ararat, 1570 (oil on wood) by Myle, Simon de (fl.c.1570); 114x142 cm; Private Collection; Photo © Fine Art Images

Background imageSalvation Collection: The baptism of the king of the island of Cebu and five hundred other Indians by members of

The baptism of the king of the island of Cebu and five hundred other Indians by members of the Magellan expedition
IND388231 The baptism of the king of the island of Cebu and five hundred other Indians by members of the Magellan expedition on April 14, 1551, 1850 (hand-coloured engraving) by Spanish School

Background imageSalvation Collection: The Brazen Serpent, right hand section (oil on canvas)

The Brazen Serpent, right hand section (oil on canvas)
XIR161392 The Brazen Serpent, right hand section (oil on canvas) by Vouet, Simon (1590-1649); Musee des Augustins, Toulouse, France

Background imageSalvation Collection: Zingiddus sacrifice after the flood, illustration from Hutchinsons History of the Nations, c

Zingiddus sacrifice after the flood, illustration from Hutchinsons History of the Nations, c. 1910 (litho)
STC357935 Zingiddus sacrifice after the flood, illustration from Hutchinsons History of the Nations, c.1910 (litho) by Stewart

Background imageSalvation Collection: The Trinity, c. 1600 (tempera on wood)

The Trinity, c. 1600 (tempera on wood)
5945090 The Trinity, c.1600 (tempera on wood) by Savin, Nikifor Istomin (fl.1610-20); 40x30 cm; Tretyakov Gallery, Moscow, Russia; (add.info.: Central panel from a Triptych)

Background imageSalvation Collection: MS Hunter 229 ff. 13v-14r Thomas resolving his Doubt, Jesus on the Sea saving Peter

MS Hunter 229 ff. 13v-14r Thomas resolving his Doubt, Jesus on the Sea saving Peter, and the Ascension
5675685 MS Hunter 229 ff.13v-14r Thomas resolving his Doubt, Jesus on the Sea saving Peter, and the Ascension, from the Hunterian Psalter, c.1170 (pen & ink, and tempera on vellum) by English School

Background imageSalvation Collection: Decorative panel showing the Virgin Mary crushing the Serpent, Lamego, Portugal

Decorative panel showing the Virgin Mary crushing the Serpent, Lamego, Portugal. 1738 (ceramic tiles)
1126633 Decorative panel showing the Virgin Mary crushing the Serpent, Lamego, Portugal. 1738 (ceramic tiles) by Portuguese School, (18th century); Santuario de Nossa Senhora dos Remedios, Lamego

Background imageSalvation Collection: Noahs Ark on Mount Ararat, 1570 (oil on panel)

Noahs Ark on Mount Ararat, 1570 (oil on panel)
3530797 Noahs Ark on Mount Ararat, 1570 (oil on panel) by Myle, Simon de (fl.c.1570); 114x142 cm; Private Collection; Netherlandish, out of copyright

Background imageSalvation Collection: Moses Striking the Rock (oil on canvas)

Moses Striking the Rock (oil on canvas)
1220122 Moses Striking the Rock (oil on canvas) by Victors (Victoors), Jan (1620-76); 104.8x134.6 cm; Private Collection; Photo eChristies Images; Dutch, out of copyright

Background imageSalvation Collection: La Guerre des Paysans (Le Rassemblement), c. 1875 (oil on canvas)

La Guerre des Paysans (Le Rassemblement), c. 1875 (oil on canvas)
621702 La Guerre des Paysans (Le Rassemblement), c.1875 (oil on canvas) by Meunier, Constantin Emile (1831-1905); 117x176 cm; Musees Royaux des Beaux-Arts de Belgique, Brussels

Background imageSalvation Collection: At Romsey Abbey, 1899 (oil on panel)

At Romsey Abbey, 1899 (oil on panel)
746489 At Romsey Abbey, 1899 (oil on panel) by Bateman, Robert (1842-1922); 40.6x30.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

Background imageSalvation Collection: Triptych: Christ as Salvator Mundi (oil on panel)

Triptych: Christ as Salvator Mundi (oil on panel)
499438 Triptych: Christ as Salvator Mundi (oil on panel) by Eyck, Jan van (c.1390-1441) (school of); Private Collection; (add.info.: the wings inscribed with a hymn to St)

Background imageSalvation Collection: The Trinity with the Virgin, Saints John the Evangelist, Stephen and Lawrence and a Donor

The Trinity with the Virgin, Saints John the Evangelist, Stephen and Lawrence and a Donor
3545810 The Trinity with the Virgin, Saints John the Evangelist, Stephen and Lawrence and a Donor, 1479 (oil on panel) by Hemmel, Peter (c.1420-c.1501) (attr. to); 79.8x140.2 cm; J

Background imageSalvation Collection: The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)

The Crucifixion; The Last Judgment, c. 1440-41 (oil on canvas transferred from wood)
3493064 The Crucifixion; The Last Judgment, c.1440-41 (oil on canvas transferred from wood) by Eyck, Jan van (c.1390-1441); 56.5x19.7 cm; Metropolitan Museum of Art, New York, USA; Netherlandish

Background imageSalvation Collection: Abraham before Melchizedek from the Heilspiegel Altarpiece, c

Abraham before Melchizedek from the Heilspiegel Altarpiece, c
3597175 Abraham before Melchizedek from the Heilspiegel Altarpiece, c.1435 (mixed media on oak panel) by Witz, Konrad (1400/10-44/6); 78x68.5 cm; Kunstmuseum, Basel

Background imageSalvation Collection: The Angel of the Annunciation from the Heilspiegel Altarpiece, c

The Angel of the Annunciation from the Heilspiegel Altarpiece, c
3597170 The Angel of the Annunciation from the Heilspiegel Altarpiece, c.1435 (mixed media on oak panel) by Witz, Konrad (1400/10-44/6); 86.5x69 cm; Kunstmuseum, Basel, Switzerland; Swiss

Background imageSalvation Collection: Meshach, The Fiery Furnace, West Window, 1870 (stained glass)

Meshach, The Fiery Furnace, West Window, 1870 (stained glass)
3475466 Meshach, The Fiery Furnace, West Window, 1870 (stained glass) by Burne-Jones, Edward Coley (1833-98); All Saints Church, Middleton Cheney, Northamptonshire

Background imageSalvation Collection: The Monastery of San Pedro (Our Lady of the Snows), 1879 (oil on canvas)

The Monastery of San Pedro (Our Lady of the Snows), 1879 (oil on canvas)
5673766 The Monastery of San Pedro (Our Lady of the Snows), 1879 (oil on canvas) by Church, Frederic Edwin (1826-1900); 118.8 x 183.2 cm; Cleveland Museum of Art, OH

Background imageSalvation Collection: Frontispiece from the Second Part of The Pilgrims Progress From This World

Frontispiece from the Second Part of The Pilgrims Progress From This World
5615793 Frontispiece from the Second Part of The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) showing the author dreaming of Christians family

Background imageSalvation Collection: Fishing for Souls, 1614 (oil on panel)

Fishing for Souls, 1614 (oil on panel)
1765807 Fishing for Souls, 1614 (oil on panel) by Venne, Adriaen Pietersz. van de (1589-1662); 98.5A--187.8 cm; Rijksmuseum, Amsterdam

Background imageSalvation Collection: Studies for The Light of the World (braphite with pen

Studies for The Light of the World (braphite with pen
1217820 Studies for The Light of the World (braphite with pen and brown ink on off-white paper) by Hunt, William Holman (1827-1910); 25.7x35.8 cm; Ashmolean Museum, University of Oxford

Background imageSalvation Collection: Female Salvationists (b / w photo)

Female Salvationists (b / w photo)
982229 Female Salvationists (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: Woman members of the Salvation Army)

Background imageSalvation Collection: Mors Janua Vitae (The Gateway of Life), 1866 (oil on canvas)

Mors Janua Vitae (The Gateway of Life), 1866 (oil on canvas)
PNH367437 Mors Janua Vitae (The Gateway of Life), 1866 (oil on canvas) by Paton, Joseph Noel (1821-1901); 116.9x73.7 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries

Background imageSalvation Collection: The Romans trying to buy their salvation from the Gaulish chief Brennus

The Romans trying to buy their salvation from the Gaulish chief Brennus, 4th Century BC (chromolitho)
668997 The Romans trying to buy their salvation from the Gaulish chief Brennus, 4th Century BC (chromolitho) by French School

Background imageSalvation Collection: Salvation (engraving)

Salvation (engraving)
2800277 Salvation (engraving) by English School, (19th century); Private Collection; (add.info.: Salvation. Illustration for Religious Emblems and Allegories by William Holmes (new edition)

Background imageSalvation Collection: St Davids Church Army - Harvest Festival

St Davids Church Army - Harvest Festival Date: 1906

Background imageSalvation Collection: Florence Worth, as actress and Salvationist

Florence Worth, as actress and Salvationist

Background imageSalvation Collection: English gentleman writing a begging letter in a decrepit

English gentleman writing a begging letter in a decrepit parlour with lawyer and loanshark looking on. Handcoloured copperplate engraving after an illustration by Thomas Rowlandson from William

Background imageSalvation Collection: Italia Redenta, 1917 (lithograph)

Italia Redenta, 1917 (lithograph)
1216831 Italia Redenta, 1917 (lithograph) by Ricketts, Charles (1866-1931); 68.3x42.680.5x51.2 cm; Ashmolean Museum, University of Oxford

Background imageSalvation Collection: The First meeting of Petrarch and Laura, 1889 (w / c & bodycolour on paper)

The First meeting of Petrarch and Laura, 1889 (w / c & bodycolour on paper)
PNH366421 The First meeting of Petrarch and Laura, 1889 (w/c & bodycolour on paper) by Stillman, Marie Spartali (1844-1927); 56x48 cm; Private Collection; (add.info)

Background imageSalvation Collection: Deteriorating army of Darius the Great in desert

Deteriorating army of Darius the Great in desert - According to Polyaenus, Sirakes, a pastor of Saka, mislead Darius the Greats army to desert for death

Background imageSalvation Collection: The Beast (Capitalism): It is only when one has killed this beast that Real Social Truth

The Beast (Capitalism): It is only when one has killed this beast that Real Social Truth
CSM75319 The Beast (Capitalism): It is only when one has killed this beast that Real Social Truth comes to light, engraved by the artist from L Assiette Au Beurre, pub

Background imageSalvation Collection: The Crucifixion, by Cranach, Lucas, the Elder (1472-1553). Oil on wood, 1503

The Crucifixion, by Cranach, Lucas, the Elder (1472-1553). Oil on wood, 1503
FIA4713207 The Crucifixion, by Cranach, Lucas, the Elder (1472-1553). Oil on wood, 1503. Dimensions: 138x99 cm. Alte Pinakothek, Munich by Cranach, Lucas, the Elder (1472-1553); Alte Pinakothek

Background imageSalvation Collection: Brussels Biblical tapestry depicting the Descent from the Ark from the series

Brussels Biblical tapestry depicting the Descent from the Ark from the series
474255 Brussels Biblical tapestry depicting the Descent from the Ark from the series The Life of Noah, by Paulus van Nieuvenhove (wool & silk) by Coxie or Coxcie

Background imageSalvation Collection: The Deliverance of St. Peter (oil on canvas)

The Deliverance of St. Peter (oil on canvas)
622420 The Deliverance of St. Peter (oil on canvas) by Gentileschi, Orazio (1565-1647) (circle of); Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageSalvation Collection: Music cover, A Very Different Place

Music cover, A Very Different Place, words by W Pink, music by F Aylmer, sung by G H MacDermott. 19th century

Background imageSalvation Collection: Music cover, The Salvation Sisters

Music cover, The Salvation Sisters, sung by Carrie Roberts and Alice Golding. circa 1865

Background imageSalvation Collection: Music cover, Sister Ria, sung by Miss Lizzie Fletcher

Music cover, Sister Ria, sung by Miss Lizzie Fletcher
Music cover, Sister Ria, written by A J Mills, composed by Arthur Lennard, sung by Miss Lizzie Fletcher. 1895

Background imageSalvation Collection: Cartoon, Squire Bancroft and General William Booth

Cartoon, Squire Bancroft and General William Booth
Cartoon, Squire Bancroft, actor-manager, and General William Booth of the Salvation Army. To think the little house should come to this! I wonder if he will make as much money here as I did

Background imageSalvation Collection: The Guide to Faith (fresco)

The Guide to Faith (fresco)
938041 The Guide to Faith (fresco) by Italian School, (19th century); Santuario di Montenero, Livorno, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageSalvation Collection: Una Delivering the Red Cross Knight from the Cave of Despair, c. 1830 (oil on canvas)

Una Delivering the Red Cross Knight from the Cave of Despair, c. 1830 (oil on canvas)
SJS134741 Una Delivering the Red Cross Knight from the Cave of Despair, c.1830 (oil on canvas) by Eastlake, Charles Lock (1793-1865); 80x52.4 cm; Courtesy of the Trustees of Sir John Soanes Museum

Background imageSalvation Collection: The Good being led to Heaven, detail from The Last Judgement, c

The Good being led to Heaven, detail from The Last Judgement, c
MAE20552 The Good being led to Heaven, detail from The Last Judgement, c. 1451 (oil on panel) (see 20546-50 and 21041) by Weyden, Rogier van der (1399-1464); Musee de l Hotel-Dieu, Beaune

Background imageSalvation Collection: Ultima etas Mundi (The Last Judgement) from Liber Chronicarum

Ultima etas Mundi (The Last Judgement) from Liber Chronicarum
810292 Ultima etas Mundi (The Last Judgement) from Liber Chronicarum by Hartmann Schedel, 1493 (woodcut) by German School

Background imageSalvation Collection: Sibbecai and Benaiah from the Heilspiegel Altarpiece, c. 1435 (mixed media on oak panel)

Sibbecai and Benaiah from the Heilspiegel Altarpiece, c. 1435 (mixed media on oak panel)
3597174 Sibbecai and Benaiah from the Heilspiegel Altarpiece, c.1435 (mixed media on oak panel) by Witz, Konrad (1400/10-44/6); 97.5x70 cm; Kunstmuseum, Basel



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"Finding the Path to Salvation: Navigating the Broad and Narrow Way" In religious concepts, often depicted as a journey along two contrasting paths - one leading to heaven and the other to hell. The Novgorod Icon of the Last Judgement, with its vivid tempera on wood painting, serves as a reminder of this eternal choice we must make. The Salvation Army has long been at the forefront of campaigns for social justice and compassion. From their impactful work during World War I to their involvement in riots at Worthing, Sussex, they have tirelessly fought for those in need. Even Dunmore House Salvation Army Maternity Home in Bradninch offered solace and support for vulnerable mothers. Amidst tragedy, stories of survival emerge like that of the Empress of Ireland survivors who found hope through salvation. The uplifting melodies played by brass bands such as those from 1910 echoed throughout communities, spreading joy and faith. General William Booth's leadership from Salvation Army Headquarters inspired countless individuals to join their cause. His dedication engraved his name into history alongside images capturing Cub Scouts cleaning fire engines or even an elevator bearing the emblematic red shield symbolizing help for all. Salvation transcends time and place; it touches hearts across generations. Let us remember that salvation is not limited to any particular organization or company but rather a universal concept that offers redemption and hope to all who seek it earnestly.