Saint Luke Collection

Lindisfarne Gospels page
Beginning of the Book of Luke, Lindisfarne Gospels, 1100s. Hand-colored woodcut reproduction

Page of illuminated text from the Gospel of St Luke, c700. Latin text with intricate decoration inspired by Celtic designs. From the Gospel of St Luke, Lindisfarne Gospels

Painting titled The Adoration of the Kings by Jan Gossaert, 16th century
Painting titled The Adoration of the Kings by Jan Gossaert

Saint Luke, 1518. Creator: Agostino Veneziano
Saint Luke, 1518

The Supper at Emmaus, 1633. Creator: Matthias Stomer
The Supper at Emmaus, 1633

Saint Luke painting the Virgin, 1478. Creator: Gabriel Malesskircher
Saint Luke painting the Virgin, 1478

Saint Luke the Evangelist, 1478. Creator: Gabriel Malesskircher
Saint Luke the Evangelist, 1478

St. Luke, seated on a cloud with an open book in both hands, a bull lying at his feet, from a series of the four evangelists after Agostino Veneziano, which are in turn after Giulio Romano, after 1518

Leaf from a Gospel Book with Four Standing Evangelists, 1290-1330. Creator: Unknown
Leaf from a Gospel Book with Four Standing Evangelists, 1290-1330. The Four Evangelists are Matthew, Mark, Luke, and John

The Four Evangelists, from c.1616 until 1624. Creator: Pieter Soutman
The Four Evangelists, from c.1616 until 1624. The Evangelists are seated together at a table, each engaged in the writing of his Gospel. Matthew's attribute is an angel, Mark's a lion

Single leaf with Saint Luke, late 14th century. Creator: Unknown
Single leaf with Saint Luke, late 14th century

The Evangelist Saint Luke, 1610-1615. Creator: Joachim Anthonisz Wtewael
The Evangelist Saint Luke, 1610-1615

Saint Luke, ca 1624-1625. Creator: Valentin de Boullogne (1591-1632)
Saint Luke, ca 1624-1625. Found in the collection of the Musee de l'Histoire de France, Chateau de Versailles

Saint Luke, after 1518. Creator: Leyden, Lucas, van (1489/94-1533)
Saint Luke, after 1518. Found in the collection of the Royal Museum of Fine Arts, Antwerp

Supper at Emmaus, 1648. Creator: Rembrandt Harmensz van Rijn
Supper at Emmaus, 1648

Saint Luke at His Easel and Four Expressive Heads, 1775. Creator: Jean Claude Richard Saint-Non
Saint Luke at His Easel and Four Expressive Heads, 1775

Saint Luke, second half 16th century. Creator: Unknown
Saint Luke, second half 16th century

Saint Luke, fourth quarter 12th century. Creator: Unknown
Saint Luke, fourth quarter 12th century

The Evangelists Saint Luke and Saint John, c.1700

Sanctus Lucas. Creator: Marco Alvise Pitteri
Sanctus Lucas

Project for a triptych. Creator: Ary Scheffer
Project for a triptych

Saint Luke, c. 1425/1435. Creator: Unknown
Saint Luke, c. 1425/1435

Saint Luke Painting the Virgin, 18th century. Creator: Francesco Fontebasso
Saint Luke Painting the Virgin, 18th century

Saint Luke holding a paint brush and palette, after Reni (?), 1600-1650. Creator: Anon
Saint Luke holding a paint brush and palette, after Reni (?), 1600-1650

St Luke the Evangelist, holding a banderole (possibly a modern impression), ca.. 1480-1520. Creator: Anon
St Luke the Evangelist, holding a banderole (possibly a modern impression), ca. 1480-1520

Saint Luke, plate three from The Four Evangelists, 1588. Creator: Jacques de Gheyn II
Saint Luke, plate three from The Four Evangelists, 1588

Saint Luke Painting the Virgin, n.d. Creator: Antoine Joseph Wiertz
Saint Luke Painting the Virgin, n.d

Saints Luke and Dominic, n.d. Creator: School of Francesco Solimena Italian, 1657-1747
Saints Luke and Dominic, n.d

Supper at Emmaus, 1590/95. Creator: Peter Candid
Supper at Emmaus, 1590/95

Saint Luke, 1650. Creator: Cornelis de Visscher
Saint Luke, 1650

ST. LUKE EVANGELIST Taken from a Book of the Gospels, Taken From A Book Of The Gospels
Vintage illustration of ST. LUKE EVANGELIST Taken from a Book of the Gospels, formerly kept in the abbey of Saint-Medard de Soissons. (Bibl. Imple N: 686 of the Latin Supplement.)

Old Chelsea Church, recently restored, 1886. Creator: Unknown
Old Chelsea Church, recently restored, 1886. From " The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

Saint Luke, ca. 1514-36. ca. 1514-36. Creator: Anon
Saint Luke, ca. 1514-36

Saint Luke Drawing the Virgin and Christ Child, c. 1535. Creator: Girolamo da Carpi
Saint Luke Drawing the Virgin and Christ Child, c. 1535

One of the Set of the Four Evangelists: Luke, modeled c. 1580

Bookmark with Tassel, Coventry, 19th century. Creator: Thomas Stevens
Bookmark with Tassel, Coventry, 19th century

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"Saint Luke: A Testament of Faith, Healing, and Artistic Splendor" The Lindisfarne Gospels page reveals the exquisite craftsmanship of a page from the Gospel of St. Luke, dating back to around 700 AD. The intricate illuminated text showcases the devotion and artistic talent that went into creating this sacred work. In a stunning 17th-century painting titled "Saint Luke healing the hydropic child, " we witness the miraculous power attributed to Saint Luke as he brings relief to those in need. This depiction serves as a testament to his role as a healer and patron saint of physicians. The opening words of St. Luke's Gospel, known as "Quoniam, " are beautifully illustrated in the Book of Kells from around 800 AD. This ancient manuscript highlights not only Saint Luke's contribution to spreading Christ's teachings but also showcases his significance within early Christian art. A striking statue found at La Sagrada Familia captures Saint Luke depicted as a bull, symbolizing strength and determination. This sculpture, begun in 1882, pays homage to his unwavering commitment to proclaiming the Gospel message throughout history. An awe-inspiring page from the Greek codex dating back to the 5th century displays an excerpt from Saint Luke's gospel. Preserved through centuries, it stands as evidence of his enduring influence on religious texts and scholarship. Agostino Veneziano's artwork titled "Saint Luke" portrays him with grace and reverence in 1518. Through this masterpiece, we glimpse into how artists have sought inspiration from his life story for centuries. Jan Gossaert's painting titled "The Adoration of Kings" depicts an event described by Saint Matthew but is often associated with Saint Luke due to its inclusion in some versions of his gospel commentary. It exemplifies how various artistic interpretations have intertwined different aspects of biblical narratives over time.