Saber Collection (page 4)

Italian fencing team Italy. Date of Photograph:1900 ca

Portrait of a man in Caucasian dress United States. Date of Photograph:1880 ca

The image shows a group of soldiers assuming the pose for a photograph; in the background, an open gallery with frescos. Europe. Date of Photograph:1876

Italian military fencing team, Udine Udine. Date of Photograph:1890-1900

French General Serviers, during an inspection of the colonial troops. The scene takes place in an Indian military camp. France. Date of Photograph:1914 - 1918

Equestrian monument to Napoleon III, by Francesco Barzaghi (1881) in the Sempione Park in Milan Milan Monument Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe

Full-length portrait of a young infantry soldier. Date of Photograph:1860 -1870 ca

Portrait of a samurai. Japan. Date of Photograph:1880-1890

Uniformed solder next to a statue of Diana. Behind him a backdrop with an illusionistically painted woods. Date of Photograph:1860 -1880 ca

Portrait of Victor Emanuel III of Savoy in military uniform.. Date of Photograph:10 Ottobre 1890

Studio portrait of a Russian soldier next to a woman dressed in simple work clothes. The woman holds a small pot in her right hand. The man rests one hand on her shoulder Russia

Full-length portrait of a young infantry officer in uniform. Date of Photograph:1860 -1870 ca

Portrait of a large group of Army soldiers. Date of Photograph:1880-1900 ca

Portrait of a man in military uniform; he has his back to the camera with head turned in profile. Date of Photograph:1853-1865 ca

Portrait of a young officer France Paris. Date of Photograph:1890 ca

Sketches for making weapons of war, drawings from the Codex Forster III, c.67v, by Leonardo da Vinci, housed in the Victoria and Albert Museum, London Drawing High Renaissance, Renaissance

Group portrait in mask Italy. Date of Photograph:1900-1910

Monument to General Giacomo Medici, work by Giulio Monteverde housed in the Portico of the Verano Cemetery, Rome Rome Verano Cemetery

Judith, sculpture by Giacomo Serpotta, located in the Church of Saint Francis of Assisi in Palermo. Palermo Church of Saint Francis of Assisi Statue Eighteenth Century

Equestrian monument to Napoleon III by Francesco Barzaghi. The work, formerly preserved at the Palace of the State Archive

A coat of arms surrounded by ribbons decorating the panel of one of the stalls of the Salon of the Town Hall in Pistoia. The sculpture is by Giovanni Mati and his son Bartolomeo

Orpheus and Eurydice. Roman bas-relief located in Villa Albani, Rome, Lazio Rome Villa Albani Low Relief, Basrelief Roman Art, Europe, Ancient Civilization. Date of Photograph:1890 ca

Monument to Napoleon III, work of Francesco Barzaghi situated in the Sempione Park, Milan Milan Monument Arts and handicrafts of XIX century, Nineteenth century, 19th century, Europe

Charles III's sabre and dagger, in the National Museum of Capodimonte, Naples Naples National Museum of Capodimonte Dagger, Saber Eighteenth Century, Renaissance-Baroque styles and periods

Japanese archery armor made in iron, in the Museo Stibbert, Florence Florence Museo Stibbert Armor. Date of Photograph:1920-1930 ca.. Date of Artwork:XVIII sec

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603816 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Kanadehon Chūshingura Act II, 1800 (colour woodcut)
8603872 Kanadehon Chūshingura Act II, 1800 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.4 x 55.8 cm; Ashmolean Museum, University of Oxford

Kanadehon Chushingura Act III, 1800 (colour woodcut)
8603862 Kanadehon Chushingura Act III, 1800 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.7 cm; Ashmolean Museum, University of Oxford, UK; Image © Ashmolean Museum

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603836 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603820 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Native men and women from Anatolia ( Turkey ) 1861 (engraving)
7147173 Native men and women from Anatolia ( Turkey ) 1861 (engraving) by Grandsire, Pierre Eugene (1825-1905); Private Collection; (add.info)

Kanadehon Chūshingura Act IX, 1806 (colour woodcut)
8603852 Kanadehon Chūshingura Act IX, 1806 (colour woodcut) by Hokusai, Katsushika (1760-1849); 40.5 x 55.8 cm; Ashmolean Museum, University of Oxford

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603817 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper)
8603815 Scenes from the war between Japan and Korea, end of 18th-first half of 19th century (ink and wash on paper) by Hokusai, Katsushika (1760-1849); 38 x 28 cm; Ashmolean Museum

The sabre of Grand Prince Vladimir II Monomakh of Kiev, 1840s. Artist: Solntsev, Fyodor Grigoryevich (1801-1892)
The sabre of Grand Prince Vladimir II Monomakh of Kiev, 1840s. Found in the collection of Russian State Library, Moscow

Asia, India, Rajasthan, Jaisalmer, desert festival

Fencers Sport Art 7
Justyna Jaszke

Fencing Sport Art 4
Justyna Jaszke

Fencing Sport Art 6
Justyna Jaszke

Fencers Sport Art 9
Justyna Jaszke

Fencing Sport Art 13
Justyna Jaszke

Fencing Sport Art 2
Justyna Jaszke

Fencing Sport Art 1
Justyna Jaszke

Fencing Sport Art 5
Justyna Jaszke

Fencer Sport Art 10
Justyna Jaszke

Fencing Sport Art 3
Justyna Jaszke

Fencers Sport Art 8
Justyna Jaszke

Fencing Sport Art 11
Justyna Jaszke

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"Saber: A Weapon of History, Honor, and Heroism" Throughout history, the saber has been a symbol of power, bravery, and skill. From the Barbary Pirates threatening US commander Stephen Decatur to the valiant Charge of the Light Brigade, this weapon has left an indelible mark on countless battles. In a German lithograph from 1830, we see a Prussian soldier proudly donning his saber as captain of the Hussar Regiment of the Prussian Guards. This image captures both elegance and strength in one frame. A Japanese painting from the 16-17th century depicts a samurai meticulously cleaning his sword. The artistry involved in maintaining such a weapon reflects not only discipline but also respect for its lethal capabilities. During the Korean War era, North American F-86 Sabre combat aircraft soared through Lebanese skies. These sleek machines embodied modern warfare while paying homage to their historical namesake. The Civil War cavalry skirmish showcases how sabers were wielded by brave soldiers on horseback during intense clashes. Their swift movements and precise strikes demonstrated their mastery over this formidable weapon. Even in silent films like "Pirates Beware" from 1928 starring Lupino Lane, sabers took center stage as swashbuckling pirates engaged in thrilling duels that kept audiences at the edge of their seats. From Dacian cavalry with sabers and shields to Numidian warriors who relied on these blades for protection, various cultures embraced this versatile weapon throughout time. Nathan Bedford Forrest was an American army officer known for leading Confederate cavalry forces during raids in c1864. His strategic use of sabers showcased their effectiveness as weapons on horseback during times of conflict. Beyond military applications, fencing emerged as a sport where athletes displayed incredible agility and precision with sabers. In Sport Art pieces depicting fencers engaging in fierce competition or graceful parries - it is evident that even today, the saber continues to captivate and inspire.