Rosy Cheeks Collection (page 5)

Girl Taking Coffee, c1774. Artist: Louis Marin Bonnet
Girl Taking Coffee, c1774. From The Connoisseur Volume XLII. [The Connoisseur Ltd. London, 1915]

Chelsea Porcelain Head, c1746. Artist: Louis Francois Roubiliac
Chelsea Porcelain Head, c1746. Chelsea Porcelain Head, said to be a portrait of Sophie Roubiliac. From The Connoisseur Volume 102. [The Connoisseur Ltd. London, 1938]

Portrait of a Lady, c1790. Artist: John Hoppner
Portrait of a Lady, c1790. From The Connoisseur Volume XXIV. [The Connoisseur Ltd. London, 1909]

Puck, from a water-colour drawing by Stoddart, after Reynolds, (1789), 1903. Artist: Thomas Stothard
Puck, from a water-colour drawing by Stoddart, after Reynolds, 1789. Puck, also known as Robin Goodfellow, is a character in William Shakespeares play A Midsummer Nights Dream

Mademoiselle Puvigny, c1749. Artist: Maurice-Quentin de La Tour
Mademoiselle Puvigny, c1749. Held at the Musee Antoine Lecuyer, Saint-Quentin. From The French Pastellists of the Eighteenth Century by Haldane MacFall. [MacMillan and Co. Limited, London, 1909]

A sketch for a portrait of children, c1897. Artist: Paul Helleu
A sketch for a portrait of children, c1897. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

The Gipsy, c1900. Artist: Samuel John Peploe
The Gipsy, c1900. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

Portrait of Giovanneta, 17th century. Artist: Justus Sustermans
Portrait of Giovanneta, 17th century. From The Connoisseur Volume 95, edited by Edward Wenham. [International Studio, London, 1934-35]

A Boy with a Sabre, c17th century. From The Connoisseur Volume 95, edited by Edward Wenham. [International Studio, London, 1934-35]

Mary Isabella, Duchess of Rutland, c1781. Artist: John Downman
Mary Isabella, Duchess of Rutland, c1781. Mary Isabella Manners, Duchess of Rutland (nee Somerset) was the daughter of Charles Noel Somerset, fourth Duke of Beaufort

Sketch of a Female Head, 18th century. Artist: George Romney
Sketch of a Female Head, 18th century. Painting housed at the Victoria & Albert Museum, London. From The Connoisseur Volume LXXVII. [The Connoisseur Ltd, London, 1927]

The Lute Player, 1623. Artist: Frans Hals
The Lute Player, 1623. Painting held in the Louvre, Paris. From A History of Painting, Volume V by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Portrait of Madame Huet, c18th century. Artist: Gilles Demarteau
Portrait of Madame Huet, c18th century. After Jean-Baptiste Marie Huet (1745-1811). From The Connoisseur Vol. XX. [Otto Limited, London, 1908]

An embroidered coat, with a lovely silk gauze skirt. In fashion between 1850 and 1860, c1913. From The Connoisseur 1913, edited by J. T. Herbert Baily. [Otto Limited, London, 1913]

Mary Teresa, wife of Sixteenth Earl of Shrewsbury, 1834. Artist: L Mansion
Mary Teresa, wife of Sixteenth Earl of Shrewsbury, 1834. John Talbot, 16th Earl of Shrewsbury, 16th Earl of Waterford (1791-1852) married Maria Theresa Talbot (d1856) on 27th June 1814

Lady Erne, c18th century. Artist: Jules Simon Payrau
Lady Erne, 18th century. After John Dowman (1750-1824). From The Connoisseur 1913, edited by J. T. Herbert Baily. [Otto Limited, London, 1913]

Portrait of a Lady, c18th century. Artist: Le Chevalier
Portrait of a Lady, c18th century. From The Connoisseur Vol. XXII. [Otto Limited, London, 1908-9]

Portrait of a Man in his Thirties, 1633, (1903) Artist: Frans Hals
Portrait of a Man in his Thirties, 1633. Painting held in The National Gallery, London. From The Connoisseur Vol. VII [Otto Limited, London, 1903.]

Perdita. (Mrs. Mary Robinson), c19th century, (1902). Artist: Charles Bestland
Perdita. (Mrs. Mary Robinson), From The Connoisseur Vol. III [Otto Limited, London, 1902.]

Miniature Portrait of Eliza Katherine Crawley, by Sir William Charles Ross, 19th century, (1903)
Miniature Portrait of Eliza Katherine Crawley by Sir William Charles Ross, 19th century. From The Connoisseur Vol. VII [Otto Limited, London, 1903.]

Miniature Portrait of Katherine, Lady Manners, Later Lady Huntingtower, 1787, (1907). Artist: Richard Cosway
Miniature Portrait of Katherine, Lady Manners, Later Lady Huntingtower, 1787. From The Connoisseur Vol. XVIII [Otto Limited, London, 1907.]

The Honorable Mrs Bouverie, c18th century, (1902). Artist: John Raphael Smith
The Honorable Mrs Bouverie, c18th century. After John Hoppner (1758-1810). From The Connoisseur Vol. II [Otto Limited, London, 1902.]

Almeria, c18th century, (1902). Artist: John Raphael Smith
Almeria, c18th century. After John Opie (1761-1807). From The Connoisseur Vol. II [Otto Limited, London, 1902.]

Jane, Countess of Westmoreland, c1778-1810, (1905). Artist: John Hoppner
June, Countess of Westmoreland. John Fane, 10th Earl of Westmorland (1759-1841). From The Connoisseur 1905 [Otto Limited, London, 1905.]

Rosamond Hester Elizabeth (nee Croker), 1828, (1903). Artist: Samuel Cousins
Rosamond Hester Elizabeth (nee Croker), Lady Barrow when Miss Croker, 1828. After Sir Thomas Lawrence (1769-1830). From The Connoisseur Vol. VI [Otto Limited, London, 1903.]

Portrait of the Hon. Henry Burrell as a Child, 1784, (1917). Artist: John Downman
Portrait of the Hon. Henry Burrell as a Child, 1784. From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Fanny and Jane Hamond, 19th century, (1917). Artist: Thomas Lawrence
Fanny and Jane Hamond. The daughters of the Rev. Horace Hamond. From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Miss Holcroft, c18th century, (1916). Artist: John Opie
Miss Holcroft, c18th century. From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

Honourable Lady Sinclair, c18th century, (1916). Artist: Francesco Bartolozzi
Honourable Lady Sinclair, c18th century. Diana MacDonald, later Lady Sinclair, second wife of the Rt. Hon. John Sinclair (d.1845). After Richard Cosway (1742-1821)

Head of a Girl, 18th century, (1916). Artist: Francois Boucher
Head of a Girl, 18th century. From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

George Dance the Younger, (1741-1825), English architect, surveyor and a portraitist, 1798. (1914)
George Dance the Younger, (1741-1825), English architect, surveyor and a portraitist, 1798. After an original work by Sir Thomas Lawrence (1769-1830). From The Connoisseur Vol

Queen Mary II (1662-1694), joint Sovereign of England, Scotland, and Ireland, 1912. Artist: Jan van der Vaart
Queen Mary II (1662?1694), joint Sovereign of England, Scotland, and Ireland, c1692. Queen Mary II (1662-1694) reigned as Queen of England and Ireland from 13 February 1689 until her death

Maria Theresa Talbot, 1916
Maria Theresa Talbot (died 1856) was the wife of John Talbot, 16th Earl of Shrewsbury, 16th Earl of Waterford (1791-1852)

Lady Mackintosh, (1723-1787), Jacobite of the Clan Farquharson, 1910
Anne Farquharson, Lady Mackintosh (1723-1787). Lady Mackintoshs father was John Farquharson a staunch Jacobite of Invercauld, chief of the Clan Farquharson

Hans Richter (1843-1916) Austrian Hungarian orchestral and operatic conductor, 1911
Hans Richter (Janos Richter), (1843-1916). Richter was an Austrian Hungarian orchestral and operatic conductor. Taken from Wills Cigarette card, Musical Celebrities series, 1911

Head of a Girl, c1746. Artist: Francois Boucher
Head of a Girl, c1746. From The Connoisseur Volume LI. [The Connoisseur Ltd. London, 1918]

The Right Honourable Lady Louisa Manners, c1821. Artist: John Constable
The Right Honourable Lady Louisa Manners, c1821. Louisa Manners Tollemache, 7th Countess of Dysart (1745-1840). After John Hoppner (1758-1810). From The Connoisseur Volume L. [The Connoisseur Ltd

A Girl With Kitten, c1743. Artist: Jean-Baptiste Perronneau
A Girl With A Kitten, c1743. Painting held at The National Gallery. From World Famous Paintings edited by J Grieg Pirie [W.& G. Foyle Ltd. London, 1938.]

Portrait of Lady Emily Cowper, c1815, (1913). Artist: Thomas Lawrence
Portrait of Lady Emily Cowper, c1815. Lady Emily Caroline Catherine Frances Cowper, later Countess of Shaftesbury (1810-1872). From The Connoisseur Vol XXXV [Otto Limited, London, 1913.]

Young Lady with a Muff, c1750, (1938). Artist: Francois Boucher
Young Lady with a Muff, c1750. Painting housed in the Louvre, Paris. From World-Famous Paintings edited by J. Greig Pirie [W. & G. Foyle, Ltd, London, 1938.]

Woman with a fan, c1750-1850

Miss Temple, c1720Artist: Bocquet
Miss Temple, c1720

Caroline Dawson, c1750-1850

Lady Elizabeth Lambert, 1750-1820

Mrs W West as Cordelia, 1820. Artist: Thomas Charles Wageman
Mrs W West as Cordelia, 1820

Barthelemy Catherine Joubert, French general, 19th century. Artist: Jules Alfred Vincent Rigo
Barthelemy Catherine Joubert, French general, 19th century

Philip James de Loutherbourg, French painter, 1814

Manton, 1816. Artist: J Chapman
Manton, 1816

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"Rosy Cheeks: A Timeless Symbol of Youth and Beauty" From the innocent smile of a child wearing a swim cap, sitting in the surf in 1922, to the elegant portrait of Miss Jane Bowles by Sir Joshua Reynolds in 1775, they have captivated artists throughout history, and are a universal sign of vitality and health. Even Lord Byron, known for his poetic prowess and romantic escapades, couldn't resist mentioning rosy cheeks in his verses. From William Strover Birkin's youthful face captured at age 19 to The Hon. Anne Fane's timeless beauty depicted on canvas around 1782, these individuals exude an undeniable charm with their flushed complexion. The Children of John Angerstein remind us that they can not limited to adults; they grace the faces of little ones too. In Jean-Baptiste Perronneau's painting "A Girl with a Kitten, " created in 1743 but reproduced beautifully in 1902, we see how even animals can appreciate the allure of those blushing cheeks. Harrison Fisher's "A Study" from circa 1914 showcases how they are enhance femininity and elegance. Meanwhile, a front cover design for "Me and my Pussies" from 1924 proves that even playful illustrations recognize the enchantment brought by this natural flush. "The Grenadier, " an oil painting from 1930 capturing military strength alongside delicate features adorned with pink hues reminds us that bravery can coexist with tenderness. Finally, through thick woods painted on canvas or portrayed on countless other artistic mediums over time, one thing remains constant – rosy cheeks symbolize youthfulness and radiance that transcends generations. Whether it be through art or real-life encounters, we cannot help but be drawn to those captivating shades adorning our faces when touched by nature’s brushstroke - forever cherishing the timeless beauty of rosy cheeks.