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Rosicrucianist Collection

The Rosicrucianist tradition is rich with symbolic designs and artifacts that hold deep meaning for its practitioners

Background imageRosicrucianist Collection: Symbolic designs on the lid of the Pastos in the vault of the Adepts, c

Symbolic designs on the lid of the Pastos in the vault of the Adepts, c
RGL212699 Symbolic designs on the lid of the Pastos in the vault of the Adepts, c.1895 (coloured ink on paper) by English School

Background imageRosicrucianist Collection: Symbolic diagram of the Garden of Eden before the Fall of Man, c

Symbolic diagram of the Garden of Eden before the Fall of Man, c
RGL212690 Symbolic diagram of the Garden of Eden before the Fall of Man, c.1892 (coloured ink on paper) by Burnett, Elizabeth (fl.1890s); Private Collection; (add.info)

Background imageRosicrucianist Collection: Charter of the Osiris Temple No. 4 of the Hermetic Order of the Golden Dawn

Charter of the Osiris Temple No. 4 of the Hermetic Order of the Golden Dawn
RGL212691 Charter of the Osiris Temple No.4 of the Hermetic Order of the Golden Dawn, 1888 (pen & ink on card) by Mathers

Background imageRosicrucianist Collection: Official diagram of the layout of The Golden Dawn Temple for working the first part of

Official diagram of the layout of The Golden Dawn Temple for working the first part of
RGL212683 Official diagram of the layout of The Golden Dawn Temple for working the first part of the 4=7 degree of Philosophus, c.1895 (litho) by Westcott, William Wynn (1848-1925) (attr)

Background imageRosicrucianist Collection: Samuel Liddell Mathers (1854-1918) 1889 (b / w photo)

Samuel Liddell Mathers (1854-1918) 1889 (b / w photo)
RGL212682 Samuel Liddell Mathers (1854-1918) 1889 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Background imageRosicrucianist Collection: Original rough design for the Rose-croix lamen, 1888 (ink & w / c on paper)

Original rough design for the Rose-croix lamen, 1888 (ink & w / c on paper)
RGL212696 Original rough design for the Rose-croix lamen, 1888 (ink & w/c on paper) by Westcott, William Wynn (1848-1925); Private Collection; (add.info.: worn by adepts of the Second)

Background imageRosicrucianist Collection: Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari

Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari
RGL212685 Sketch of Moina Mathers (1865-1928) in the role of the High Priestess Anari, working the Rites of Isis, Paris, 1899 (pen & ink on paper) by English School

Background imageRosicrucianist Collection: Colour wheel used for divination, 1894 (w / c & ink on card)

Colour wheel used for divination, 1894 (w / c & ink on card)
RGL212689 Colour wheel used for divination, 1894 (w/c & ink on card) by Westcott, William Wynn (1848-1925); Private Collection; (add.info.: practised in the Second, or Inner Order of the Golden Dawn)

Background imageRosicrucianist Collection: Original design for the symbolic Great Seal on the parchment roll of the Second Order of

Original design for the symbolic Great Seal on the parchment roll of the Second Order of
RGL212697 Original design for the symbolic Great Seal on the parchment roll of the Second Order of the Golden Dawn, 1891 (w/c on paper) by Mathers

Background imageRosicrucianist Collection: The robe (with the symbol of the Order) and regalia of the Instructor (Praemonstrator

The robe (with the symbol of the Order) and regalia of the Instructor (Praemonstrator
RGL212698 The robe (with the symbol of the Order) and regalia of the Instructor (Praemonstrator) of the Hermetic Order of the Golden Dawn, c.1895 (collage) (see also 212684) by English School

Background imageRosicrucianist Collection: Rose-croix lamen (collar jewel) 1888 (w / c & ink on coloured card with silk)

Rose-croix lamen (collar jewel) 1888 (w / c & ink on coloured card with silk)
RGL212687 Rose-croix lamen (collar jewel) 1888 (w/c & ink on coloured card with silk) by Westcott, William Wynn (1848-1925); Private Collection; (add.info)

Background imageRosicrucianist Collection: Rosicrucian symbol of the Hermetic Order of the Golden Dawn

Rosicrucian symbol of the Hermetic Order of the Golden Dawn
XTD69633 Rosicrucian symbol of the Hermetic Order of the Golden Dawn by English School, (19th century); Private Collection; English, out of copyright

Background imageRosicrucianist Collection: Dr. William R. Woodman (1828-91) with his family at their London home, c. 1887 (b / w photo)

Dr. William R. Woodman (1828-91) with his family at their London home, c. 1887 (b / w photo)
RGL212686 Dr. William R. Woodman (1828-91) with his family at their London home, c.1887 (b/w photo) by English Photographer

Background imageRosicrucianist Collection: Symbolic designs on the door of the vault of the Adepts, c. 1894 (w / c on paper)

Symbolic designs on the door of the vault of the Adepts, c. 1894 (w / c on paper)
RGL212695 Symbolic designs on the door of the vault of the Adepts, c.1894 (w/c on paper) by English School, (19th century); Private Collection; (add.info)

Background imageRosicrucianist Collection: The robe (with the symbol of the Order) and regalia of the Secretary (Cancellarius

The robe (with the symbol of the Order) and regalia of the Secretary (Cancellarius
RGL212684 The robe (with the symbol of the Order) and regalia of the Secretary (Cancellarius) of the Hermetic Order of the Golden Dawn, c.1895 (collage) (see also 212698) by English School


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The Rosicrucianist tradition is rich with symbolic designs and artifacts that hold deep meaning for its practitioners. From the intricate designs on the lid of the Pastos in the vault of the Adepts to the symbolic diagram of the Garden of Eden before the Fall of Man, these images transport us into a world steeped in esoteric knowledge. One such artifact is the Charter of Osiris Temple No. 4, belonging to the esteemed Hermetic Order of Golden Dawn. This document serves as a testament to their commitment to spiritual enlightenment and occult practices. In 1889, Samuel Liddell Mathers, a prominent figure in Rosicrucianism, posed for a black and white photograph that captures his enigmatic presence. His contribution to this mystical movement cannot be overstated. Another fascinating piece is an original rough design for Rose-croix lamen created in 1888. Ink and watercolor bring this emblematic symbol to life on paper, showcasing its importance within Rosicrucianist rituals. Moina Mathers also played a significant role as High Priestess Anari. A sketch depicting her in this revered position showcases her dedication and influence within Rosicrucianism. Divination plays an essential part in Rosicrucianist practices, as seen through a color wheel used for divination purposes dating back to 1894. Watercolor and ink on card create an enchanting tool believed to unlock hidden truths. The Great Seal holds immense significance within Second Order rituals; an original design adorns parchment rolls symbolizing unity among members who seek higher spiritual understanding. Regalia worn by instructors further emphasizes their authority within this ancient order; robes adorned with symbols serve as visual reminders of their roles as guides along this mystical path. A beautifully crafted collar jewel from 1888 features another rendition of Rose-croix lamen using watercolor and ink on colored card with silk accents—a tangible representation of the order's esteemed symbol.