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Roman Empire Collection (page 3)

"Exploring the Magnificence of the Roman Empire: From Ancient Athens to Gladiatorial Combat" Step into history with an antique map of the Roman Empire

Background imageRoman Empire Collection: Reproduction of an Exact Copy of the Icon 'St. Nicholas the Wonderworker', 1885

Reproduction of an Exact Copy of the Icon "St. Nicholas the Wonderworker", 1885. From a collection of paintings, lithographs, sketches, studies, and drawings

Background imageRoman Empire Collection: Pliny The Elder (23-79) - Portrait of Gaius Plinius Secundus the Elder (Pliny the Elder

Pliny The Elder (23-79) - Portrait of Gaius Plinius Secundus the Elder (Pliny the Elder
XEE4138700 Pliny The Elder (23-79) - Portrait of Gaius Plinius Secundus the Elder (Pliny the Elder) (Plinio il Vecchio) (23-79), naturalist and Latin writer. Engraving of the 19th century

Background imageRoman Empire Collection: Costumes, armor and weapons of Roman soldiers, warriors

Costumes, armor and weapons of Roman soldiers, warriors
LSE4086302 Costumes, armor and weapons of Roman soldiers, warriors and gladiators of antiquity - in " The historical costume" by Racinet, 19th century by Racinet

Background imageRoman Empire Collection: The Punishment of a Pupil. Fresco from the house of Julia Felix, 1st century. Creator

The Punishment of a Pupil. Fresco from the house of Julia Felix, 1st century. Creator
The Punishment of a Pupil. Fresco from the house of Julia Felix, 1st century. Found in the Collection of Museo Archeologico Nazionale di Napoli

Background imageRoman Empire Collection: Ariadne Abandoned by Theseus on Naxos, 1st H. 1st cen. AD. Creator: Roman-Pompeian wall painting

Ariadne Abandoned by Theseus on Naxos, 1st H. 1st cen. AD. Creator: Roman-Pompeian wall painting
Ariadne Abandoned by Theseus on Naxos, 1st H. 1st cen. AD. Found in the Collection of Museo Archeologico Nazionale di Napoli

Background imageRoman Empire Collection: Roman Baths, Bath, England, 1900. Creator: Works and Sun Sculpture Studios

Roman Baths, Bath, England, 1900. Creator: Works and Sun Sculpture Studios
Roman Bath s, Bath, England, 1900. From " Underwood and Underwood Publishers, New York-London-Toroto Canada-Ottawa Kansas."

Background imageRoman Empire Collection: Interview Between Octavian and Cleopatra, 1890. Creator: Unknown

Interview Between Octavian and Cleopatra, 1890. Creator: Unknown
Interview Between Octavian and Cleopatra, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier

Background imageRoman Empire Collection: Julius Caesar Refusing The Crown Offered By Antony, 1890. Creator: Unknown

Julius Caesar Refusing The Crown Offered By Antony, 1890. Creator: Unknown
Julius Caesar Refusing The Crown Offered By Antony, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier

Background imageRoman Empire Collection: Coin of Hannibal Barca. Carthage. (Obverse: Hannibal, Reverse: Elephant), ca. 213-210 BC

Coin of Hannibal Barca. Carthage. (Obverse: Hannibal, Reverse: Elephant), ca. 213-210 BC. Private Collection

Background imageRoman Empire Collection: Acta Diurna (Daily Acts or Daily Public Records). The first proto-newspaper, ca 131 BC

Acta Diurna (Daily Acts or Daily Public Records). The first proto-newspaper, ca 131 BC. Found in the Collection of Museo della Civilta Romana

Background imageRoman Empire Collection: Statue of Augustus as Jupiter, first half of 1st century BC

Statue of Augustus as Jupiter, first half of 1st century BC. Gaius Julius Caesar Octavianus (63 BC-14 AD) became one of a triumvirate of rulers after the death in 44 BC of Julius Caesar

Background imageRoman Empire Collection: Mosaic in Roman Villa of the Casale, Italy, Sicily, Enna district, Piazza Armerina

Mosaic in Roman Villa of the Casale, Italy, Sicily, Enna district, Piazza Armerina

Background imageRoman Empire Collection: The blue light of dusk on the ancient Imperial Forum Rome Lazio Italy Europe

The blue light of dusk on the ancient Imperial Forum Rome Lazio Italy Europe

Background imageRoman Empire Collection: The Death of Sophonisba, c.1810 (oil on canvas)

The Death of Sophonisba, c.1810 (oil on canvas)
XOS5884038 The Death of Sophonisba, c.1810 (oil on canvas) by Guerin, Pierre (1774-1833); 52x80 cm; Cleveland Museum of Art, OH

Background imageRoman Empire Collection: Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite )

Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite )
XOS5884187 Study of a Plaster Cast (a la bosse), 1806 (black chalk with graphite ) by Millet, Frederic (1786-1859); 46.3x38.2 cm; Cleveland Museum of Art, OH

Background imageRoman Empire Collection: Daphnis repousse Gnathon. Dessin de Philippe d'Orleans (1674-1723)

Daphnis repousse Gnathon. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe
UIG5325124 Daphnis repousse Gnathon. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis et

Background imageRoman Empire Collection: Gnathon ramene Chloe. Dessin de Philippe d'Orleans (1674-1723)

Gnathon ramene Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de
UIG5325120 Gnathon ramene Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis et Chloe

Background imageRoman Empire Collection: Dryas trouve Chloe qu'il porte a sa femme. Dessin de Philippe d'Orleans (1674-1723)

Dryas trouve Chloe qu'il porte a sa femme. Dessin de Philippe d'Orleans (1674-1723)
UIG5325113 Dryas trouve Chloe qu'il porte a sa femme. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

Background imageRoman Empire Collection: Daphnis et Chloe delivrent Dorcon de leurs chiens. Dessin de Philippe d'Orleans (1674-1723)

Daphnis et Chloe delivrent Dorcon de leurs chiens. Dessin de Philippe d'Orleans (1674-1723)
UIG5325107 Daphnis et Chloe delivrent Dorcon de leurs chiens. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

Background imageRoman Empire Collection: Italy: Archaeological Site of Pompei at the foot of the Vesuve: Fresco

Italy: Archaeological Site of Pompei at the foot of the Vesuve: Fresco
GYS4720601 Italy: Archaeological Site of Pompei at the foot of the Vesuve: Fresco by Roman (1st century AD); (add.info.: Italy: Archaeological Site of Pompei at the foot of the Vesuve)

Background imageRoman Empire Collection: Wall painting of Iphigenia from the tablinum of the House of Lucius Caecilius Iucundus

Wall painting of Iphigenia from the tablinum of the House of Lucius Caecilius Iucundus
FLO4687024 Wall painting of Iphigenia from the tablinum of the House of Lucius Caecilius Iucundus. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn

Background imageRoman Empire Collection: Decorative ornaments from the tablinum of the house of Lucius Caecilius Jucundus

Decorative ornaments from the tablinum of the house of Lucius Caecilius Jucundus
FLO4686957 Decorative ornaments from the tablinum of the house of Lucius Caecilius Jucundus. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878)

Background imageRoman Empire Collection: Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus

Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus
FLO4686942 Wall painting from a room in the Domus M. Asellini or House of Adonis or House of Venus and Adonis or Casa di Ione or Casa con Xystus, Reg. VI.7.18

Background imageRoman Empire Collection: Wall painting of an arabesque with stag and cupid (top) and a panel with a mask of Pan (below)

Wall painting of an arabesque with stag and cupid (top) and a panel with a mask of Pan (below)
FLO4686941 Wall painting of an arabesque with stag and cupid (top) and a panel with a mask of Pan (below), both from Domus Vedi Sirici or House of Siricus, VII.1.47

Background imageRoman Empire Collection: Landscape painting from the Exedra in the House of Vesonius Primus, a fuller

Landscape painting from the Exedra in the House of Vesonius Primus, a fuller
FLO4686903 Landscape painting from the Exedra in the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878)

Background imageRoman Empire Collection: Wall painting of Narcissus contemplating his reflection said to have been found in the Casa delle

Wall painting of Narcissus contemplating his reflection said to have been found in the Casa delle Vestali or House of
FLO4687134 Wall painting of Narcissus contemplating his reflection said to have been found in the Casa delle Vestali or House of the Vestals, Reg. VI, Ins. 1, No. 7

Background imageRoman Empire Collection: Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei

Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei
PCT4293630 Dionysos vetu of grape clusters standing in front of Mount Vesuve - Fresco from Pompei, casa diel centenario (centenario house) - Naples, National Archeological Museum, (Napoli)

Background imageRoman Empire Collection: Lycenion ecoute Daphnis et Chloe qui cherchent remede d'amour

Lycenion ecoute Daphnis et Chloe qui cherchent remede d'amour. Dessin de Philippe d'Orleans (1674-1723)
UIG5325116 Lycenion ecoute Daphnis et Chloe qui cherchent remede d'amour. Dessin de Philippe d'Orleans (1674-1723)

Background imageRoman Empire Collection: Daphnis et Chloe partagent les travaux de la vendange. Dessin de Philippe d'Orleans (1674-1723)

Daphnis et Chloe partagent les travaux de la vendange. Dessin de Philippe d'Orleans (1674-1723)
UIG5325109 Daphnis et Chloe partagent les travaux de la vendange. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

Background imageRoman Empire Collection: Chloe se lave dans la fontaine des nymphes en presence de Daphnis

Chloe se lave dans la fontaine des nymphes en presence de Daphnis. Dessin de Philippe d'Orleans (1674-1723)
UIG5325106 Chloe se lave dans la fontaine des nymphes en presence de Daphnis. Dessin de Philippe d'Orleans (1674-1723)

Background imageRoman Empire Collection: The Maison carre, the Amphitheater and the Tour Magne, Nimes, 1786 - 1787 (oil on canvas)

The Maison carre, the Amphitheater and the Tour Magne, Nimes, 1786 - 1787 (oil on canvas)
7424447 The Maison carre, the Amphitheater and the Tour Magne, Nimes, 1786 - 1787 (oil on canvas) by French School, (18th century); Louvre, Paris, France; (add.info.: The Maison carre)

Background imageRoman Empire Collection: Italy: Archaeological site of Pompei at the foot of the Vesuve: Wall fresco

Italy: Archaeological site of Pompei at the foot of the Vesuve: Wall fresco
GYS4720579 Italy: Archaeological site of Pompei at the foot of the Vesuve: Wall fresco by Roman (1st century AD); (add.info.: Italy: Archaeological site of Pompei at the foot of the Vesuve)

Background imageRoman Empire Collection: Sculpture of Poseidon

Sculpture of Poseidon
7287204 Sculpture of Poseidon by Greco-Roman; Vatican Museums and Galleries, Vatican City; (add.info.: Sculpture of Poseidon. Roman sculture. Copy made after a Greek original dated 2nd century BC)

Background imageRoman Empire Collection: Stucco design with Bacchantes from the House of Epigrams, Reg. V, Ins. 1, No. 18

Stucco design with Bacchantes from the House of Epigrams, Reg. V, Ins. 1, No. 18
FLO4687192 Stucco design with Bacchantes from the House of Epigrams, Reg. V, Ins. 1, No. 18. The mural perished soon after its discovery in 1875

Background imageRoman Empire Collection: Atria of the new fullonica (fuller's shop), Regio VI, Insula XIV, 21

Atria of the new fullonica (fuller's shop), Regio VI, Insula XIV, 21. Chromolithograph by Victor Steeger after an
FLO4687175 Atria of the new fullonica (fuller's shop), Regio VI, Insula XIV, 21. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878)

Background imageRoman Empire Collection: Genre painting of two young satyrs with grapes and a dog from the house complex at Regio VI

Genre painting of two young satyrs with grapes and a dog from the house complex at Regio VI, Insula XIV, 28 to 32
FLO4687064 Genre painting of two young satyrs with grapes and a dog from the house complex at Regio VI, Insula XIV, 28 to 32, near the new fullonica (fuller's shop)

Background imageRoman Empire Collection: Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant

Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant
FLO4687046 Wall painting of cupids playing, fishing, sailing from a cubiculum in the House of the Restaurant (Casa di Lupanare Piccolo) at 14, Regio IX, Insula V. Chromolithograph by J.G

Background imageRoman Empire Collection: Painted scene of a feast day from the new fullonica (fuller's shop). Regio VI, Insula XIV, 21

Painted scene of a feast day from the new fullonica (fuller's shop). Regio VI, Insula XIV, 21
FLO4687028 Painted scene of a feast day from the new fullonica (fuller's shop). Regio VI, Insula XIV, 21. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile

Background imageRoman Empire Collection: Allegorical wall painting of summer from the east of the atrium of Regio IX.V.11

Allegorical wall painting of summer from the east of the atrium of Regio IX.V.11. She carries a sickle and wheat
FLO4687017 Allegorical wall painting of summer from the east of the atrium of Regio IX.V.11. She carries a sickle and wheat

Background imageRoman Empire Collection: A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus

A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish
FLO4687013 A Nereid (sea nymph) in mantle and bracelets riding on a sea monster or hippocampus, half horse and half fish. Museo Naz. XXII, Stabiae

Background imageRoman Empire Collection: Mural from unidentified building in Pompeii. Chromolithograph by Victor Steeger after an

Mural from unidentified building in Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia
FLO4686938 Mural from unidentified building in Pompeii. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878)

Background imageRoman Empire Collection: Column (left) from Casa di Caccia Antica or House of the Ancient Hunt, VII.IV.48

Column (left) from Casa di Caccia Antica or House of the Ancient Hunt, VII.IV.48, Column (right) from Domus M
FLO4686927 Column (left) from Casa di Caccia Antica or House of the Ancient Hunt, VII.IV.48, Column (right) from Domus M. Asellini or House of Adonis, VI.VII.18, head of Oceanus from Domus M

Background imageRoman Empire Collection: Iinterior of a Pompeii house

Iinterior of a Pompeii house
3780777 Iinterior of a Pompeii house by Roman (1st century AD); (add.info.: Interior of a Pompeii house. Water colour by Professor Alexander Kips. After volcano eruption. From Prof. Dr)

Background imageRoman Empire Collection: mythological scene: Hercules fighting against the Achelous River for the hand of Dejanire

mythological scene: Hercules fighting against the Achelous River for the hand of Dejanire, Herculanum (fresco)
PCT4293516 mythological scene: Hercules fighting against the Achelous River for the hand of Dejanire, Herculanum (fresco) by Roman, (1st century AD); (add.info.: Herculanum (Herculaneum, Ercolano)

Background imageRoman Empire Collection: Le secret de l'amour. Dessin de Philippe d'Orleans (1674-1723)

Le secret de l'amour. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe
UIG5325125 Le secret de l'amour. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours pastorales de Daphnis et

Background imageRoman Empire Collection: Daphnis and Chloe's wedding, 1787 (illustration)

Daphnis and Chloe's wedding, 1787 (illustration)
UIG5325121 Daphnis and Chloe's wedding, 1787 (illustration) by Orleans, Philippe d (1674-1723) (after); (add.info.: Daphnis and Chloe's wedding. Drawing by Philippe d'Orleans (1674-1723)

Background imageRoman Empire Collection: Regrets de Chloe qui se croit abandonnee de Daphnis. Dessin de Philippe d'Orleans (1674-1723)

Regrets de Chloe qui se croit abandonnee de Daphnis. Dessin de Philippe d'Orleans (1674-1723)
UIG5325119 Regrets de Chloe qui se croit abandonnee de Daphnis. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration from Les Amours

Background imageRoman Empire Collection: Daphnis prend des oiseaux pendant l'hiver pour voir Chloe. Dessin de Philippe d'Orleans (1674-1723)

Daphnis prend des oiseaux pendant l'hiver pour voir Chloe. Dessin de Philippe d'Orleans (1674-1723)
UIG5325114 Daphnis prend des oiseaux pendant l'hiver pour voir Chloe. Dessin de Philippe d'Orleans (1674-1723), pour Les amours pastorales de Daphnis et Chloe de Longus - Illustration



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"Exploring the Magnificence of the Roman Empire: From Ancient Athens to Gladiatorial Combat" Step into history with an antique map of the Roman Empire, tracing its vast territories and influential reign. Witness the strategic Battle of Cannae in 216 BC, where Rome's military prowess was put to test. Marvel at the grandeur of Ancient Athens, a city that flourished under Roman rule. Delve deeper into Europe's landscape as it thrived under the dominion of this mighty empire through another detailed map. Behold Dionysus, or Bacchus, seated on his throne—a symbol of artistry and indulgence celebrated by Romans. Yet not all moments were triumphant; gaze upon "The Sack of Rome" in 410 AD by Visigoths—an event that marked a turning point in history. The haunting painting by Joseph-Noel Sylvestre captures both destruction and resilience. Discover daily life within these ancient walls through a fresco depicting a young woman gathering flowers—a glimpse into ordinary existence amidst extraordinary times. Join Thomas Couture's vivid depiction of a Roman feast on canvas—where opulence met revelry. Uncover one aspect synonymous with Rome—the gladiators who captivated audiences with their valorous combat—as depicted in an intricate mosaic. Lastly, witness Caesar leading his army across the Rubicon River—a decisive moment that forever changed Rome's political landscape. The Roman Empire remains an eternal testament to human ambition and achievement—its legacy etched in maps, artwork, and historical events that continue to inspire awe and fascination today.