Robertcooper Collection

Edmund Kean in Richard III, 1822.. Mr. Edmund Kean as Richard, Duke of Gloucester, later King Richard the Third, in Shakespeares Richard III at the Theatre Royal Drury Lane

John Cooper in The Pirate, 1822.. Mr. John Cooper as Clement Cleveland in The Pirate at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

James Wilkinson in Free and Easy, 1822.. Mr. James Pimbury Wilkinson as Michael in Free and Easy at the Theatre Royal English Opera House, Strand

Edward Fitzwilliam in The Review, 1822.. Mr. Edward Fitzwilliam as Looney Macwolter in The Review at the Theatre Royal Drury Lane

William Dowton in The Hypocrite, 1822.. Mr. William Dowton as Doctor Cantwell in The Hypocrite at the Theatre Royal Drury Lane

Henry Gattie in Monsieur Tonson, 1822.. Mr. Henry Gattie as Monsieur Morbleu in the farce Monsieur Tonson at the Theatre Royal Drury Lane

Edward Knight in Love in a Village, 1822.. Mr. Edward Knight as Hodge in the opera Love in a Village at the Theatre Royal Drury Lane

Charles Young in The Stranger, 1822.. Mr. Charles Young in The Stranger at the Theatre Royal Covent Garden. Handcolored stipple copperplate engraving by Robert Cooper after a painting by Michael

John Harley in The Review, 1822.. Mr. John Pritt Harley as Caleb Quotem in The Review at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Mrs Siddons as Lady Macbeth, 1822
Mrs. Siddons as Lady Macbeth, 1822.. Mrs. Sarah Siddons as Lady Macbeth at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by George Harlowe

Miss Lise Noblet, dancer in La Paysanne Supposee, 1822.. Mlle. Lise Noblet, dancer, in the ballet La Paysanne Supposee at the Italian Opera House Haymarket

Frances Copeland in Maid or Wife, 1822.. Miss Frances Copeland as Fanny in Maid or Wife at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Felicite Hullin, dancer in La Paysanne Supposee, 1822.. Miss Felicite Hullin, dancer, in the ballet La Paysanne Supposee at the Italian Opera House Haymarket

Harriet Smithson in Wives as They Were, 1822.. Miss Harriet Constance Smithson as Miss Dorrillon in Wives as They Were and Maids as They Are at the Theatre Royal Drury Lane

Sarah Booth in Love in Humble Life, 1822.. Sarah Booth as Christine in Love in Humble Life the Theatre Royal Covent Garden

Etienne le Blond, ballet dancer, 1822.. Mr. Etienne le Blond, ballet dancer, at the Theatre Royal Opera House Haymarket. Handcolored stipple copperplate engraving by Robert Cooper after a painting by

Maria Bland in Monsieur Tonson, 1822.. Mrs. Maria Theresa Bland, actress and singer, as Madame Marbleu in Monsieur Tonson the Theatre Royal Drury Lane

Giuseppe de Begnis in Il Turco in Italia, 1822.. Mr. Giuseppe de Begnis as Don Geronio in Il Turco in Italia at the Italian Opera House Haymarket

George Smith in No Song No Supper, 1822.. Mr. George Smith as Robin in No Song No Supper at the Theatre Royal Drury Lane. Handcolored stipple copperplate engraving by Robert Cooper after a painting

Samuel Simmons in Harlequin Munchausen, 1822.. Mr. Samuel Simmons as Baron Munchausen in the pantomime Harlequin Munchausen at the Theatre Royal Covent Garden

All Professionally Made to Order for Quick Shipping

Robert Cooper was a versatile actor who graced the stages of 19th-century London with his remarkable talent. In 1822, he portrayed a wide range of characters, from the cunning Richard III to the swashbuckling John Cooper in "The Pirate. " His performances were lauded by critics and audiences alike, as he effortlessly transformed into James Wilkinson in "Free and Easy" and Edward Fitzwilliam in "The Review. " Cooper's versatility knew no bounds, as he seamlessly transitioned into comedic roles such as William Dowton in "The Hypocrite" and Henry Gattie in "Monsieur Tonson. " Audiences were captivated by his portrayal of Edward Knight in "Love in a Village, " where he brought warmth and charm to the stage. Not limited to male roles alone, Cooper shared the spotlight with esteemed actresses like Mrs Siddons, who mesmerized audiences as Lady Macbeth. He also had the pleasure of performing alongside Miss Lise Noblet, a renowned dancer known for her grace and elegance in productions like "La Paysanne Supposee. " One cannot overlook Cooper's ability to bring depth to every character he inhabited. Whether it was Charles Young's enigmatic performance as The Stranger or John Harley's memorable turn in "The Review, " Cooper held his own on stage. In addition to his acting prowess, Cooper showcased his versatility behind the scenes too. As Frances Copeland took center stage in productions like "Maid or Wife, " Cooper worked tirelessly behind-the-scenes ensuring each production ran smoothly. Robert Cooper left an indelible mark on London's theater scene during 1822. His dedication to his craft shone through every role he undertook, leaving audiences spellbound night after night.