Robert Wilson Collection

The first Tay Bridge from the south, Scotland, 1900. Illustration from The Life and Times of Queen Victoria by Robert Wilson, Volume IV, (Cassell and Company, London, Paris, New York, Melbourne, 1900)

Inverary Castle, western Scotland, 1900. Artist: GW Wilson and Company
Inverary Castle, western Scotland, 1900. The seat of the Chief the southern branch of the Clan Campbell, the Duke of Argyll

A survey of the Winco-Bank [Wincobank] Wood, called Great Winco... the Howlt included... 1730
From an original at Sheffield Libraries: arc02698

A Native American with buffalo-horns headdress, 1912. Artist: Robert Wilson Shufeldt
A Native American with buffalo-horns headdress, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

The queen leaving Holyrood Palace, Edinburgh, 1886, (1900). Queen Victoria leaves one of the royal residences. Illustration from The Life and Times of Queen Victoria, by Robert Wilson, Volume IV

The Chartist Demonstration on Kennington Common, 1848, (1900). Artist: William Barnes Wollen
The Chartist Demonstration on Kennington Common, 1848, (1900). Illustration from The life and times of Queen Victoria by Robert Wilson, (1900). (Colorised black and white print)

Queen Victoria investing Abdul Aziz, Sultan of Turkey, with the order of the Garter, 1867. Illustration from The Life & Times of Queen Victoria, by Robert Wilson, Vol III

Prince Arthur, Duke of Connaught and Strathearn, 1900. The third son of Queen Victoria, Prince Arthur (1850-1942) married Princess Louise Margaret of Prussia at St Georges Chapel, Windsor Castle

Sher Ali Khan, Emir of Afghanistan, (1900). Sher Ali Khan (1824-1879) was the ruler of Afghanistan when the Second Anglo-Afghan War broke out in 1878

The dash with the colours, Battle of Isandlwana, Anglo-Zulu War, 22 January 1879, (1900)
The dash with the colours, Battle of Isandlwana, Anglo-Zulu War, South Africa, 22 January 1879, (1900). Illustration from The Life and Times of Queen Victoria, by Robert Wilson, Volume IV

The Shah of Persia presenting his suit to Queen Victoria at Windsor, mid-late 19th century. A print from The Life and Times of Queen Victoria, by Robert Wilson, Volume IV, (Cassell and Company)

The Castle of Wartburg, 1900. Wartburg Castle overlooks the town of Eisenach in Thuringia, Germany. Illustration from The life and times of Queen Victoria by Robert Wilson, (1900)

Robert Wilson Yamaha 2015 Supersport TT
Robert Wilson (Yamaha) at Sulby Bridge, 2015 Supersport TT

Robert Wilson (Sarolea) 2014 TT Zero
Robert Wilson (Sarolea) at Tower Bends, 2014 TT Zero

Tablespoon, c. 1810. Creator: Robert Wilson
Tablespoon, c. 1810

Robert Wilson, 1802. Creator: Charles Balthazar Julien Fevret de Saint-Memin
Robert Wilson, 1802

Robert Wilson (Sarolea) 2015 TT Zero
Robert Wilson (Sarolea) on Ballaugh Bridge, 2015 TT Zero

Robert Wilson (Kawasaki) 2011 Superbike TT

Robert Wilson (Yamaha) 2014 Supersport TT
Robert Wilson (Yamaha) leaves Kirk Michael: 2014 Supersport TT

Robert Wilson (Kawasaki) TT 2012 Supersport TT

Robert Wilson (Kawasaki) 2012 Superbike TT

Robert Wilson (Kawasaki) 2013 Supersport TT

James Bruce, Lord Elgin, (1811-1863), 19th century. British colonial administrator and diplomat. Illustration from The life and times of Queen Victoria, by Robert Wilson, (1900)

The royal procession in Westminster Palace on the way to the House of Lords, 1886, (1900)
The royal procession in Westminster Palace on the way to the House of Lords, London, 1886, (1900). Queen Victoria presides over the opening of Parliament

Osborne House, Isle of Wight, 1900. Queen Victoria and Prince Albert bought Osborne House and its estate from Lady Isabella Blachford in 1845

A Sioux chief, 1912. Artist: Robert Wilson Shufeldt
A Sioux chief, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Full face view of a Sioux Indian, 1912. Artist: Robert Wilson Shufeldt
Full face view of a Sioux Indian, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

A Sioux chief in his warpaint, 1912. Artist: Robert Wilson Shufeldt
A Sioux chief in his warpaint, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Profile view of a Sioux, 1912. Artist: Robert Wilson Shufeldt
Profile view of a Sioux, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

A Sioux chief and his squaw, 1912. Artist: Robert Wilson Shufeldt
A Sioux chief and his squaw, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

An Iroquois chief, 1912. Artist: Robert Wilson Shufeldt
An Iroquois chief, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

A Sioux woman, 1912. Artist: Robert Wilson Shufeldt
A Sioux woman, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

A Group of Algonquins, 1912. Artist: Robert Wilson Shufeldt
A Group of Algonquins, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Hopi Indian women grinding corn meal, Walpi, Arizona, 1912. Artist: Robert Wilson Shufeldt
Hopi Indian women grinding corn meal, Walpi, Arizona, 1912. The distinctive hairstyle of the woman on the right identifies her as being unmarried. From The Living Races of Mankind, Vol. II

A Sahaptin Indian, 1912. Artist: Robert Wilson Shufeldt
A Sahaptin Indian, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

An Algonquin brave, 1912. Artist: Robert Wilson Shufeldt
An Algonquin brave, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

An Algonquin Indian, 1912. Artist: Robert Wilson Shufeldt
An Algonquin Indian, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

An Algonquin in full dress, 1912. Artist: Robert Wilson Shufeldt
An Algonquin in full dress, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Florence Nightingale (1820-1910), British nurse. Florence Nightingale made her reputation by her organisation of nursing service during the Crimean War

A Sahaptin chief, 1912. Artist: Robert Wilson Shufeldt
A Sahaptin chief, 1912. From The Living Races of Mankind, Vol. II. [Hutchinson & Co, London, 1912]

Charles Dickens, 19th century English novelist. Illustration from The Life & Times of Queen Victoria, by Robert Wilson, Vol III, (c1890s). (Colorised black and white print)

Sedan, 19th century. Artist: William Henry Prior
Sedan, 19th century. Illustration from The Life & Times of Queen Victoria, by Robert Wilson, Vol III

The James River and countryside near Richmond, Virginia, USA, 19th century
The James River and country near Richmond, Virginia, USA, 19th century. From The Life and Times of Queen Victoria, vol III, by Robert Wilson

Prince Frederick Charles (1828-1885), Duke of Augustenborg, 19th century. From The Life and Times of Queen Victoria, vol III, by Robert Wilson

The Exhibition Building of 1862. Illustration from The Life & Times of Queen Victoria, by Robert Wilson, Vol III

The Royal tour in Ireland, visit to Ross Castle, Killarney, 1887. Artist: William Barnes Wollen
The Royal tour in Ireland, visit to Ross Castle, Killarney, 1887. Queen Victoria or members of her family on a visit to Ireland

Queen Victoria firing the first shot at Wimbledon, July 1860, (1887). Artist: William Barnes Wollen
Queen Victoria firing the first shot at Wimbledon, July 1860, (1887). The queen opens the first meeting of the National Rifle Association by firing the first shot from a Whitworth rifle

John Lawrence (1811-1879), 1st Baron Lawrence19th century. Lawrence was an Irishman who became a prominent British pro-consul and imperial statesman who served as Viceroy of India from 1864 to 1869

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Robert Wilson, a name that echoes through time and across continents. From the picturesque landscapes of Scotland to the vibrant cultures of Native America, his lens captured moments that would forever be etched in history. In 1900, Robert Wilson stood at the foot of the first Tay Bridge, its majestic arches stretching towards the sky. The bridge symbolized progress and innovation, a testament to human ingenuity. Just like Wilson himself, always seeking new perspectives and pushing boundaries. Venturing further into western Scotland, he found himself mesmerized by Inverary Castle. Its grandeur was matched only by Wilson's artistic vision as he immortalized it on film for generations to come. GW Wilson and Company may have been credited for this masterpiece but it was Robert's keen eye that truly brought it to life. But his lens didn't confine itself solely to Scottish shores; it traversed oceans and continents alike. In 1912, he encountered a Native American adorned with a buffalo-horns headdress - an image that encapsulated both strength and cultural heritage. It was through photographs like these that Robert sought to preserve diverse traditions for future generations. His camera also witnessed historical events unfold before his very eyes. As Queen Victoria left Holyrood Palace in Edinburgh in 1886 or invested Abdul Aziz with the order of the Garter in 1867, Robert stood there capturing every moment with precision and grace. Yet amidst all these grand spectacles lay intimate portraits of individuals who shaped their own destinies. Prince Arthur Duke of Connaught and Strathearn exuded regal charm while Sher Ali Khan Emir of Afghanistan emanated power from within. The Battle of Isandlwana during the Anglo-Zulu War held no secrets from him either; his lens froze time as soldiers dashed fearlessly into battle with colors flying high above them – bravery immortalized forevermore. Even royalty could not escape his discerning gaze.