Risen Collection (page 5)

The Resurrection, 1456 (oil on panel)
XIR411526 The Resurrection, 1456 (oil on panel) by Koerbecke, Johann (fl.1446-91); 93 x 65 cm; Musee Calvet, Avignon, France; (add.info)

The Resurrection of Christ, c. 1594 (oil on panel)
XIR404299 The Resurrection of Christ, c.1594 (oil on panel) by Caron, Antoine (1520-99); 125 x 138 cm; Musee Departemental de L Oise, Beauvais

The Resurrection of Christ, from the Convent of San Pietro, Perugia, 1496-98 (oil
XIR242473 The Resurrection of Christ, from the Convent of San Pietro, Perugia, 1496-98 (oil on panel) by Perugino, Pietro (c.1445-1523); 32x59.5 cm; Musee des Beaux-Arts, Rouen, France; Italian

Study for The Last Judgment (pen & pencil on paper) (verso)
BAL191764 Study for The Last Judgment (pen & pencil on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London

Supper at Emmaus, 1620 (oil on canvas)
XJL187592 Supper at Emmaus, 1620 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); Metropolitan Museum of Art, New York, USA; Spanish, out of copyright

Christ at the Sea of Galilee, c. 1575-80 (oil on canvas)
XOS1765989 Christ at the Sea of Galilee, c.1575-80 (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 117.1x169.2 cm; National Gallery of Art, Washington DC

The Resurrection of Christ, c. 1610-20 (oil on canvas)
XIR171843 The Resurrection of Christ, c.1610-20 (oil on canvas) by Seghers, Gerard (1591-1651); 324x240 cm; Louvre, Paris, France; Flemish, out of copyright

The Resurrection of Christ, 1700 (oil on canvas)
XIR157799 The Resurrection of Christ, 1700 (oil on canvas) by Coypel, Noel (1628-1707); 350x255 cm; Musee des Beaux-Arts, Rennes, France; French, out of copyright

The Resurrection, 1763 (oil on canvas)
XKH152268 The Resurrection, 1763 (oil on canvas) by Tischbein, Johann Heinrich (1722-89); 74x48.6 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

The Resurrection, panel from the St. Thomas Altar from St. Johns Church, Hamburg
XKH144554 The Resurrection, panel from the St. Thomas Altar from St. Johns Church, Hamburg, begun in 1424 (tempera & oil on panel) by Master Francke (c.1385-c.1436); 99x89 cm; Hamburger Kunsthalle

Virtue of Heaven, Hieronymus Wierix, 1563 - before 1619

Study for The Resurrection, c. 1532-34 (red & black chalk on paper) (recto)
BAL192516 Study for The Resurrection, c.1532-34 (red & black chalk on paper) (recto) by Buonarroti, Michelangelo (1475-1564); British Museum, London

The St. Thomas Altar from St. Johns Church, Hamburg, begun in 1424 (tempera
XKH156485 The St. Thomas Altar from St. Johns Church, Hamburg, begun in 1424 (tempera & oil on panel) by Master Francke (c.1385-c.1436); Hamburger Kunsthalle, Hamburg

Predella panel depicting the Resurrection, from the St. Barnabas Altarpiece (tempera on panel)
XAL154738 Predella panel depicting the Resurrection, from the St. Barnabas Altarpiece (tempera on panel) (see also 44334, 44354, 44358, 85657) by Botticelli

The Resurrection, 1550 (oil on panel)
XAL103484 The Resurrection, 1550 (oil on panel) by Bronzino, Agnolo (1503-72); S.S.Annunziata, Florence, Italy; Italian, out of copyright

EASTERN IN SOUTHERN RUSSIA, 1886: 1. Christ is Risen"
EASTERN IN SOUTHERN RUSSIA, 1886: 1. " Christ is Risen". 2. Purchasing Candles at Entrance of Church. 3. Peasants awaiting the Priests Blessing on their Easter Food. 4. During Service. 5

Doubting Thomas. The Disciple Thomas putting his hand into the lance wound in the side of the risen Jesus to make sure that the Saviour was real. After Armenian Evangelistery (Gospels) c1268

The Incredulity of Thomas (1634) Picture illustrating episode in John 20: 19-29
The Incredulity of Thomas (1634) Picture illustrating episode in John 20:19-29 where the Apostle Thomas puts hand in wound in the risen Saviours side as he doubts what he is seeing

Noli me tangere Oil on wood. Private collection. Mary Magdalene, the first to see the risen Christ in the Garden of Gethsemane

Mary Magdalene seeing the apparition of the risen Jesus Christ: in left background angels are shown in the sepulchre. Woodcut c1500. Bible Luke 24

The Risen Christ appearing to the king of Spain (Ferdinand II of Aragon and Ferdinand V of Castile 1452-1516). Woodcut from 1497 pamphlet containing a German translation of Columbuss letter to Luis

Girl punching risen dough in bowl, close-up

Making wholemeal cottage loaves, brushing a baking sheet with melted butter, risen dough covered with tea towel in glass bowl nearby

Risen bread dough

Chocolate souffle

Ball of pizza dough, resting and rising

Removing the cloth covering a ball of risen dough

Reeds at dawn
Common reeds (Phragmites australis) backlit by the rising Sun at dawn. This grass is found in marshes and wetland areas in most tropical and temperate regions worldwide. Photographed in the UK

The risen Jesus says to Thomas: Put your finger here and be not faithless. Codex of Predis (1476). Royal Library. Turin. Italy

The risen Jesus appears to his disciples gathered in a house for fear of the Jews. Codex of Predis (1476). Royal Library. Turin. Italy

Joseph Chamberlain arriving in the House of Commons, 16th Ma
Illustration of Joseph Chamberlain, Colonial Secretary (centre with monocle), entering the House of Commons to loud applause from the Government benches, 16 March 1903

Nationalist Officer captured by Republicans; Spanish Civil W
Photograph showing a Nationalist officer (centre), from the Montana Barracks in Madrid, captured by Republican irregular troops, Madrid, 1936

Jesus at Emmaus
The risen Jesus with two of his disciples at Emmaus

Jesus Tomb Empty
Mary Magdalen, Mary the mother of James, and Salome come with spices to anoint Jesuss body, but find his tomb empty : a moment later, an angel will tell them that Jesus is risen

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"The Resurrection: A Symbol of Hope and Redemption" In the Altarpiece of the Chapel of the Sacred Heart, 1922, a masterpiece painted with oil on canvas, we witness The Ascension of Jesus. This powerful depiction portrays the moment when Jesus rises to heaven after his resurrection, symbolizing victory over death and offering hope for all humanity. Magdalen Sees Jesus in another remarkable artwork that captures the profound encounter between Mary Magdalene and the risen Christ. Guido Reni's Risen Christ from ca. 1619 beautifully illustrates this transformative moment where faith is restored and love triumphs over despair. As Easter approaches, white flowers and a silver cross grace an Easter card, reminding us of new beginnings and spiritual rebirth. Cherubs and crosses further embellish other cards as they celebrate this sacred season filled with joyous anticipation. KINDELAN DUANY's Flight of Leudaste takes us on a journey through time as we witness angels at tomb announcing the glorious news - He has risen. Their presence brings comfort amidst grief while reaffirming our belief in eternal life. Philip Galle's The Resurrection from ca. 1562-63 encapsulates the essence of this miraculous event. Through intricate details and masterful brushstrokes, he invites us to contemplate the significance of Christ's resurrection - a pivotal moment that forever changed history. White flowers, cross, and anchor adorning yet another Easter card serve as symbols representing faith, sacrifice, and steadfastness even in turbulent times. They remind us that just as Jesus conquered death itself; we too can rise above adversity with unwavering strength. The Resurrection is not merely an ancient story or religious doctrine; it is a timeless message resonating across cultures throughout centuries. It speaks to our deepest yearnings for redemption, forgiveness, renewal – inviting us to embrace hope even in our darkest moments. Let these artistic representations inspire you during this Easter season, as we reflect on the profound significance of Christ's resurrection.