Fraud Blocker Skip to main content

Richard Dighton Collection

Richard Dighton was a British artist who lived from 1795 to 1880

Background imageRichard Dighton Collection: James Perry

James Perry
3733690 James Perry.; (add.info.: Profile portrait of James Perry (1756-1821) a British journalist and newspaper editor. Portrait by Richard Dighton (1795-1880)

Background imageRichard Dighton Collection: Lord William Pawlett, n.d. Creator: Richard Dighton

Lord William Pawlett, n.d. Creator: Richard Dighton
Lord William Pawlett, n.d

Background imageRichard Dighton Collection: Portrait of Man in Black Coat and Blue and White Cravat, 1835/40. Creator: Richard Dighton

Portrait of Man in Black Coat and Blue and White Cravat, 1835/40. Creator: Richard Dighton
Portrait of Man in Black Coat and Blue and White Cravat, 1835/40

Background imageRichard Dighton Collection: Equestrian Portrait of Man in Profile, n.d. Creator: Richard Dighton

Equestrian Portrait of Man in Profile, n.d. Creator: Richard Dighton
Equestrian Portrait of Man in Profile, n.d

Background imageRichard Dighton Collection: Sir James Stuart of Coltness, 1833/38. Creator: Richard Dighton

Sir James Stuart of Coltness, 1833/38. Creator: Richard Dighton
Sir James Stuart of Coltness, 1833/38

Background imageRichard Dighton Collection: The Persian Ambassador, n.d. Creator: Richard Dighton

The Persian Ambassador, n.d. Creator: Richard Dighton
The Persian Ambassador, n.d

Background imageRichard Dighton Collection: A Real TB, 1824, (1945). Creator: Richard Dighton

A Real TB, 1824, (1945). Creator: Richard Dighton
A Real TB, 1824, (1945). A Real True Blue, (Tory Royalist). Caricature of British publisher, bookseller and printer John Bell (1745-1831)

Background imageRichard Dighton Collection: A View of the Telegraph, Cambridge, 1809. Creator: Richard Dighton (British, 1795-1880)

A View of the Telegraph, Cambridge, 1809. Creator: Richard Dighton (British, 1795-1880)
A View of the Telegraph, Cambridge, 1809

Background imageRichard Dighton Collection: A View of the Royal Exchange, 1824. Creator: Richard Dighton (British, 1795-1880)

A View of the Royal Exchange, 1824. Creator: Richard Dighton (British, 1795-1880)
A View of the Royal Exchange, 1824

Background imageRichard Dighton Collection: A View of Somerset, 1811. Creator: Richard Dighton (British, 1795-1880)

A View of Somerset, 1811. Creator: Richard Dighton (British, 1795-1880)
A View of Somerset, 1811

Background imageRichard Dighton Collection: A View from St. Aldates, Oxford. Creator: Richard Dighton (British, 1795-1880)

A View from St. Aldates, Oxford. Creator: Richard Dighton (British, 1795-1880)
A View from St. Aldate s, Oxford

Background imageRichard Dighton Collection: The Hero of the Chase, 1819. Creator: Richard Dighton (British, 1795-1880)

The Hero of the Chase, 1819. Creator: Richard Dighton (British, 1795-1880)
The Hero of the Chase, 1819

Background imageRichard Dighton Collection: A Citizen of the World. Creator: Richard Dighton (British, 1795-1880)

A Citizen of the World. Creator: Richard Dighton (British, 1795-1880)
A Citizen of the World

Background imageRichard Dighton Collection: Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton

Humpty Dumpty sat on a Wall... 1821. Artist: Richard Dighton
Humpty Dumpty sat on a Wall... 1821. Alderman Wood lies in the mud outside Brandenburgh House. The cartoon refers to the fact that although Wood supported her

Background imageRichard Dighton Collection: A London Nuisance Artist: Richard Dighton

A London Nuisance Artist: Richard Dighton
A Pleasant Way to Lose an Eye, 1821. Plate IV of A London Nuisance. A butchers roundsman, not looking where he is going, has poked one of the horns of his tray in the eye of a passer by

Background imageRichard Dighton Collection: A Heavy Fall of Snow, 1821. Artist: Richard Dighton

A Heavy Fall of Snow, 1821. Artist: Richard Dighton
A Heavy Fall of Snow, 1821. Plate II of A London Nuisance. A man is clearing snow from above the shop front of Careless, skaite maker and the snow lands on the head of a passer- by

Background imageRichard Dighton Collection: An Unlucky Hit, 1821. Artist: Richard

An Unlucky Hit, 1821. Artist: Richard
An Unlucky Hit, 1821. Plate VI of A London Nuisance. A porter walks blindly along a street, carrying a cupboard or wardrobe, with the corner of which he has struck a lady in the forehead

Background imageRichard Dighton Collection: One of the Advantages of Gas over Oil, 1821. Artist: Richard Dighton

One of the Advantages of Gas over Oil, 1821. Artist: Richard Dighton
One of the Advantages of Gas over Oil, 1821. Plate V of A London Nuisance, depicting a gas lamp exploding in the shop of I Killem, chemist, throwing debris over a passing lady and small child

Background imageRichard Dighton Collection: Samuel Wilson, Lord Mayor 1838, 19th century. Artist: Richard Dighton

Samuel Wilson, Lord Mayor 1838, 19th century. Artist: Richard Dighton
Samuel Wilson, Lord Mayor 1838, 19th century. Portrait of the Lord Mayor of London

Background imageRichard Dighton Collection: The actor William Farren as Sir Peter Teazle, 1824. Artist: Richard Dighton

The actor William Farren as Sir Peter Teazle, 1824. Artist: Richard Dighton
The actor William Farren as Sir Peter Teazle, 1824. William Farren in the role of Sir Peter Teazle, in Sheridans play The School for Scandal

Background imageRichard Dighton Collection: A View of Burghersh, 1822. Artist: Richard Dighton

A View of Burghersh, 1822. Artist: Richard Dighton
A View of Burghersh, 1822. Full-length profile portrait of John Fane, Lord Burghersh and later 11th Earl of Westmorland. He wears a top hat frock coat and carries a cane

Background imageRichard Dighton Collection: A View of Westmoreland, or an Impression of the Privy Seal, 1821

A View of Westmoreland, or an Impression of the Privy Seal, 1821. Full-length profile portrait of John Fane, 10th Earl of Westmorland

Background imageRichard Dighton Collection: A Princely Ambassador, 1822. Artist: Richard Dighton

A Princely Ambassador, 1822. Artist: Richard Dighton
A Princely Ambassador, 1822. Full-lenght portrait of Prince Paul Anthony Esterhazy in profile, wearing a top hat, frock coat and carrying a goad in his right hand

Background imageRichard Dighton Collection: Passing a Mud Cart, 1821. Artist: Richard Dighton

Passing a Mud Cart, 1821. Artist: Richard Dighton
Passing a Mud Cart, 1821. A dandy on the pavement is splashed in the face and dress by liquid mud (or worse) from a cart. Plate I of A London Nuisance

Background imageRichard Dighton Collection: One of the Advantages of Oil over Gas, 1821. Artist: Richard Dighton

One of the Advantages of Oil over Gas, 1821. Artist: Richard Dighton
One of the Advantages of Oil over Gas, 1821. A lamplighter is mounted on a ladder, engaged in filling a lamp with oil; momentarily distracted, he pours the oil over a passing citizen

Background imageRichard Dighton Collection: Guildhall, London, 1825. Artist: Richard Dighton

Guildhall, London, 1825. Artist: Richard Dighton
Interior view of the Council Chamber in the Guildhall, London, 1825; showing the Lord Mayor John Garratt, Aldermen and the Common Council

Background imageRichard Dighton Collection: The Paintress of Macaroni s, 1770. Artist: Richard Dighton

The Paintress of Macaroni s, 1770. Artist: Richard Dighton
The Paintress of Macaroni s, 1770. A macaroni was a dandy who wore exaggerated fashions. Illustration from Social Caricature in the Eighteenth Century

Background imageRichard Dighton Collection: View St. Aldate Oxford Richard Dighton British

View St. Aldate Oxford Richard Dighton British
A View from St. Aldate s, Oxford. Richard Dighton (British, 1795-1880). Etching, hand colored

Background imageRichard Dighton Collection: Citizen World Richard Dighton British 1795-1880

Citizen World Richard Dighton British 1795-1880
A Citizen of the World. Richard Dighton (British, 1795-1880). Etching, hand colored

Background imageRichard Dighton Collection: Ireland Scotland Trip Oxford Land Cakes 1807

Ireland Scotland Trip Oxford Land Cakes 1807
Ireland in Scotland, or a Trip from Oxford to the Land of Cakes, 1807. Richard Dighton (British, 1795-1880). Etching, hand colored

Background imageRichard Dighton Collection: View Somerset 1811 Richard Dighton British 1795-1880

View Somerset 1811 Richard Dighton British 1795-1880
A View of Somerset, 1811. Richard Dighton (British, 1795-1880). Etching, hand colored

Background imageRichard Dighton Collection: View Royal Exchange 1824 Richard Dighton British

View Royal Exchange 1824 Richard Dighton British
A View of the Royal Exchange, 1824. Richard Dighton (British, 1795-1880). Etching, hand colored

Background imageRichard Dighton Collection: Hero Chase 1819 Richard Dighton British 1795-1880

Hero Chase 1819 Richard Dighton British 1795-1880
The Hero of the Chase, 1819. Richard Dighton (British, 1795-1880). Etching, hand colored

Background imageRichard Dighton Collection: View Telegraph Cambridge 1809 Richard Dighton

View Telegraph Cambridge 1809 Richard Dighton
A View of the Telegraph, Cambridge, 1809. Richard Dighton (British, 1795-1880). Etching, hand colored


All Professionally Made to Order for Quick Shipping

Richard Dighton was a British artist who lived from 1795 to 1880. He was known for his diverse range of artwork, capturing various scenes and subjects with great skill and creativity. One of his notable works is "A Real TB, " created in 1824, which showcases his attention to detail and ability to bring characters to life on canvas. In addition to this, Dighton also depicted landscapes and architectural landmarks in his art. For instance, "A View of the Telegraph, Cambridge" from 1809 provides a glimpse into the past with its portrayal of this historical communication hub. Similarly, "A View of the Royal Exchange" transports viewers back to 1824 London, showcasing the grandeur of this iconic building. Dighton's talent extended beyond just landscapes and architecture; he also had a knack for capturing everyday life moments. His painting titled "The Hero of the Chase" depicts an exhilarating horse race scene that immerses viewers in the excitement and energy of such events. Furthermore, Dighton showcased his wit through artworks like "Humpty Dumpty sat on a Wall. . " (1821) and "A London Nuisance. " These pieces demonstrate not only his artistic abilities but also his sense of humor as he brings these familiar tales or situations to life through visual storytelling. Lastly, Dighton's work often reflected societal changes during his time. In paintings like "One of the Advantages of Gas over Oil, " he highlights advancements in technology by depicting gas lighting replacing traditional oil lamps.