Returning Collection (page 3)

Vessantara Jataka, Chapter 13 (The Return to the Captial), 1830-1860. Creator: Unknown
Vessantara Jataka, Chapter 13 (The Return to the Captial), 1830-1860

Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660. Creator: Unknown
Return of the Errant Lover, Folio from an Amaru-Sataka (The Hundred Stanzas of Amaru), c1660

Vessantara Jataka, Chapter 13 (The Return to the Capital), 1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 13 (The Return to the Capital), 1920-1940

Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Creator: Unknown
Vessantara Jataka, Chapter 11 (Maharaja), c1920-1940. Divine beings lead Jujaka to the palace of King Sanjaya, Vessantara's father

The tanks reassemble after battle; Journey of the rear guard, 1917. Creator: Unknown
The tanks reassemble after battle; Journey of the rear guard, 1917. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

The tanks reassemble after battle, 1917 Creator: Unknown
The tanks reassemble after battle, 1917. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

Krishna Receives the Sacred Thread and Returns his Preceptor Sandipani's Son... c1640. Creator: Unknown
Krishna Receives the Sacred Thread and Returns his Preceptor Sandipani's Son, Folio from a Bhagavata Purana (Ancient Stories of the Lord), c1640

Coastal Scene, 19th century. Creator: Mauritz Frederik Hendrik De Haas
Coastal Scene, 19th century; showing several small sailing ships and depicting the hazy atmosphere and reflections of the sun on the water

Returning Sails at Yabase, between circa 1855 and circa 1858. Creator: Ando Hiroshige
Returning Sails at Yabase, between circa 1855 and circa 1858. From Eight Views of Omi

Return of the Duck Hunters / verso: Sketches of Ships and of a Man in Winter Clothing, c.1610-c.1615

Warriors and Maidens Return from Oeyama, 19th century. Creator: Unknown
Warriors and Maidens Return from Oeyama, 19th century

L'attaque navale de Zeebrugge et Ostende; Apres Zeebrugge, le retour triomphal du... 1918. Creator: Unknown
L'attaque navale de Zeebrugge et Ostende; Apres Zeebrugge, le retour triomphal du "Vindictive" a Douvres: l'equipage pousse des hourras, 1918

Urashima Taro Returning on the Turtle, 1882. Creator: Tsukioka Yoshitoshi
Urashima Taro Returning on the Turtle, 1882. From Sketches by Yoshitoshi

Returning Sails in the Ryukyu Islands, Tametomo and Neiwanjo, 1867. Creator: Tsukioka Yoshitoshi
Returning Sails in the Ryukyu Islands, Tametomo and Neiwanjo, 1867. From Eight Views with Fine Tales of Warriors

The Herdsman's Cottage, 1850. Creator: Samuel Palmer
The Herdsman's Cottage, 1850. From periodical: The Portfolio, 1872

The Gladdon-Cutter's Return, 1886. Creator: Peter Henry Emerson
The Gladdon-Cutter's Return, 1886. Plate: Plate XXXIII

Coming Home from the Marshes, 1886. Creator: Peter Henry Emerson
Coming Home from the Marshes, 1886. Plate: Plate 1

The Rest on the Return from Egypt, 1575. Creator: Cornelis Cort
The Rest on the Return from Egypt, 1575

Bluff-Bowed Scheveningen Boats at Anchor, 1860-1889. Creator: Hendrik Willem Mesdag
Bluff-Bowed Scheveningen Boats at Anchor, 1860-1889

La Nouvelle Europe; la republique Polonaise; Le general Pilsudski revenant de sa captivite... Creator: Unknown
La Nouvelle Europe; la republique Polonaise; Le general Pilsudski revenant de sa captivite a Magdebourg'. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris

Invalides!; retour d'allamagne: nos grand-blesses rapatries'. Creator: Unknown
Invalides!; retour d'allemagne: nos grand-blesses rapatries'. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

Rapatries; apres la distribution des lettres: "Ils sont vivants tous les deux ! "'. Creator: J Simont
Rapatries; apres la distribution des lettres: "Ils sont vivants tous les deux ! "'. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

Rapatries; La sortie de la gare: un officier permissionnaire a retrouve ses enfants'. Creator: J Simont
Rapatries; La sortie de la gare: un officier permissionnaire a retrouve ses enfants'. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

'Rapatries a Evian; en ecoutant la "Marseillaise" on chante, on pleure, on prie…. !, 1917
Rapatries a Evian; en ecoutant la "Marseillaise" on chante, on pleure, on prie. !, 1917. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

Rapatries; l'arrivee d'un train a Evian: des territoriaux de service sur le quai sont... 1917
Rapatries; l'arrivee d'un train a Evian: des territoriaux de service sur le quai sont acclames et embrasses, 1917

La Suisse fraternelle; le passage a Geneve des evacues des departements envahis; venant... 1918. Creator: J Renand
La Suisse fraternelle; le passage a Geneve des evacues des departements envahis; venant d'allemagne, par Schaffhouse, ils se dirigent, apres avoir ete reconfortes et pourvus vetements

Lalita Ragini, Fifth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1650. Creator: Unknown
Lalita Ragini, Fifth Wife of Bhairava Raga, Folio from a Ragamala (Garland of Melodies), c1650

Marriage of Ubayd (recto)... c1580. Creator: Unknown
Marriage of Ubayd (recto). Folio from a Tutinama (image 2 of 2), c1580

Returning from drill, Hampton Roads, between 1890 and 1901. Creator: William H. Jackson
Returning from drill, Hampton Roads, between 1890 and 1901

After the Hunt, c.1656. Creator: Jan Baptist Weenix
After the Hunt, c.1656

'Parmi les populations delivrees; A caudry; habitants venus chercher les vivres... 1918. Creator: Unknown
'Parmi les populations delivrees; A caudry; habitants venus chercher les vivres distribues par l'intendance britannique, 1918

'Parmi les populations delivrees; Pres de Maretz, entre le Cateau et Cambrai... 1918. Creator: Unknown
'Parmi les populations delivrees; Pres de Maretz, entre le Cateau et Cambrai; des soldats anglais pretent leur aide aux habitants rentrant dans leur village que l'ennemi les avait obliges a

Return from the Hunt, c.1845. Creator: Charles Rochussen
Return from the Hunt, c.1845

The return of the prodigal son, c.1540-c.1550. Creator: Cornelis Anthonisz
The return of the prodigal son, c.1540-c.1550. Son (Filius Prodigus) kneeling and embraced by father. Around them love (Dilectio), truth (Veritas), Hope (Spes)

Fénélon returns a Stolen Cow to a Peasant, c19th century. Creator: Louis Hersent
Fenelon returns a Stolen Cow to a Peasant, c19th century

'A L'Ouvrier de la Victoire !; Merci !, 1918. Creator: Louis Remy Sabattier
'A L'Ouvrier de la Victoire !; Merci !, 1918. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

'La joie dans les Foyers; Le retour du prisonnier, 1918. Creator: J Simont
'La joie dans les Foyers; Le retour du prisonnier, 1918. From "L'Album de la Guerre 1914-1919, Volume 2" [L'Illustration, Paris, 1924]

King Cyrus Handing over the Treasure Looted from the Temple of Jerusalem, 1655-1669. Creator: Ferdinand Bol
King Cyrus Handing over the Treasure Looted from the Temple of Jerusalem, 1655-1669. Other Title(s): King Cyrus Handing over the Treasure Looted from the Temple of Jerusalem. Solomon Receives Gifts

Parable of the Prodigal Son, 1538. Creator: Cornelis Massys
Parable of the Prodigal Son, 1538

The Return from the Hunt, 1650-1674. Creator: Johannes Lingelbach
The Return from the Hunt, 1650-1674

The return of the prodigal son, unknown date. Creator: Anon
The return of the prodigal son, unknown date

Port at Douarnenez, c.1920-c.1924. Creator: Gerrit van Blaaderen
Port at Douarnenez, c.1920-c.1924. Fishermen dressed in red, against a green-blue background of water

Along the Coast, 1840-1850. Creator: Johan Hendrick Louis Meijer
Along the Coast, 1840-1850

Design for a theatre piece: Dorinda gives Silvio his dog back, 1715-1798. Creator: Dionys van Nijmegen
Design for a theatre piece: Dorinda gives Silvio his dog back, 1715-1798. Design for a painting

Returning fishermen are received at Hornbæk Strand, 1848-1891. Creator: Carl Neumann
Returning fishermen are received at Hornbaek Strand, 1848-1891

Return of the prodigal son, 1742-1801. Creator: Anon
Return of the prodigal son, 1742-1801. The lost son returns home. He is met there by his father, who warmly welcomes him. On the right a calf is slaughtered for a feast to celebrate the son's

The Prodigal Son, 1661. Creator: Barent Fabritius
The Prodigal Son, 1661

Les transformations du fantassin Francais pendant la guerre, 1917. Creator: Georges Bertin Scott
Les transformations du fantassin Francais pendant la guerre, 1917. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII

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"Returning: A Journey Through Time, History, and Emotions" Step into the world of "returning, " where every moment holds a story waiting to be told. From the whimsical contraptions of William Heath Robinson's Kinecar to the triumphant return of HMS Invincible from the Falklands in 1982, this captivating collection captures the essence of coming back. In 1940, as war raged on, HMS Exeter arrived at Plymouth with weary yet determined sailors who had fought valiantly for their country. Their return symbolized hope amidst adversity and reminded us that resilience knows no bounds. Rembrandt Harmensz van Rijn's masterpiece "The Return of the Prodigal Son" evokes profound emotions as we witness forgiveness and redemption unfold before our eyes. It serves as a timeless reminder that home is not only a physical place but also a sanctuary for healing hearts. Amidst family gatherings, even unexpected guests like horses find solace in joining meals—a heartwarming testament to love transcending species boundaries. Similarly, fishing boats entering Gorleston harbor bring forth tales of hard work rewarded by bountiful catches—a humble reminder that perseverance leads us back to prosperity. The Melkite icon depicting the Holy Family returning to Nazareth transports us to Galilee—an ancient land steeped in spirituality—where faith guides our steps towards reunion with loved ones and finding solace within ourselves. From suffragette demonstrations in Hyde Park during 1908—the battle cry for equality—to British troops bravely fighting during WW1 in 1916—every act represents individuals' unwavering commitment towards creating a better future for all. Captain Charles Upham stands tall among heroes whose valorous deeds echo through generations. His unwavering dedication exemplifies how one person can make an indelible mark on history when driven by duty and honor. Silhouettes dance across hunting field scenes, capturing the thrill of the chase and the joy home victorious.