Renold Collection

Invoices and quotations for aircraft parts, Cody Archive
EARLY AVIATION PIONEERS - THE SAMUEL CODY ARCHIVE: Original invoices and quotations for aircraft parts to Colonel Samuel Cody dating from 1906. Date: early 20th century

Robert Cecil, First Earl of Salisbury, early 17th century, (1911). Artist: Renold Elstrack
Robert Cecil, First Earl of Salisbury, early 17th century, (1911). English statesman Robert Cecil (1563-1612) succeeded his father as an advisor to Elizabeth I

John Digby, First Earl of Bristol, early 17th century, (1911). Artist: Renold Elstrack
John Digby, First Earl of Bristol, early 17th century, (1911). Digby (1580-1653) was an English diplomat, and a royalist during the English Civil War

Edward, the Black Prince, c1618 (1894). Artist: Renold Elstrack
Edward, the Black Prince (1330-1376), c1618 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Edmund Sheffield, 1st Earl of Mulgrave, English statesman, early 17th century (1894). Artist: Renold Elstrack
Edmund Sheffield (c1564-1646), 1st Earl of Mulgrave, English statesman, early 17th century (1894). From A Collection of Engraved Portraits (Further Selection)

Renold Elstrack, English, (1571-1625), Mulld: Sake (Portrait of John Cottington), published
Renold Elstrack, English, (1571-1625), Mulld:Sake (Portrait of John Cottington), published 1618, engraving

RICHARD WHITTINGTON (1358?-1423). English mercer and philanthropist. With his cat. Line engraving, early 17th century, by Renold Elstrack

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Renold Elstrack, an English artist from the late 16th to early 17th century, left a remarkable legacy through his intricate engravings. His works ranged from historical figures like Robert Cecil and John Digby to renowned monarchs such as Henry IV and James I. Elstrack's attention to detail is evident in his portrayal of Edward, the Black Prince, capturing the essence of this legendary figure. One notable piece by Elstrack is a portrait of Edmund Sheffield, the 1st Earl of Mulgrave, who was an influential English statesman during this period. The engraving showcases Sheffield's dignified presence and signifies his significant role in shaping England's political landscape. Elstrack also ventured into illustrating literary works. He engraved the title page for Sir Walter Raleigh's "The History of the World, " adding visual allure to Raleigh's captivating narrative. This collaboration between two prominent figures highlights their shared dedication to preserving history through both written word and artistic expression. Among Elstrack's diverse subjects are Richard Whittington and his famous feline companion. These engravings depict Whittington as an esteemed English mercer and philanthropist with his loyal cat by his side—a testament to their enduring bond that has become part of folklore. Through examining Renold Elstrack's extensive body of work, we gain insight into not only the individuals he portrayed but also the cultural milieu in which he thrived. His engravings serve as invaluable historical artifacts that offer glimpses into early modern England while showcasing Elstrack’s exceptional talent as an artist.