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Renascence Collection

"Renascence

Background imageRenascence Collection: Design for supplying water to a building by means of means of pipes drawing water from wells

Design for supplying water to a building by means of means of pipes drawing water from wells
XIR370209 Design for supplying water to a building by means of means of pipes drawing water from wells, illustration from De Machinis (pen and ink and w/c on paper)

Background imageRenascence Collection: Design to make use of heat to improve navigation, illustration from De Machinis

Design to make use of heat to improve navigation, illustration from De Machinis (pen and ink and w / c on paper)
XIR370208 Design to make use of heat to improve navigation, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after)

Background imageRenascence Collection: Diagram of a pump worked by means of bellows, illustration from De Machinis

Diagram of a pump worked by means of bellows, illustration from De Machinis (pen and ink and w / c on paper)
XIR370213 Diagram of a pump worked by means of bellows, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after)

Background imageRenascence Collection: Design for a machine with drawbridge on wheels for use in warfare or sieges

Design for a machine with drawbridge on wheels for use in warfare or sieges
XIR370206 Design for a machine with drawbridge on wheels for use in warfare or sieges, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola)

Background imageRenascence Collection: Tablet commemorating Antonio and Piero Pollaiolo (marble)

Tablet commemorating Antonio and Piero Pollaiolo (marble)
ALI281579 Tablet commemorating Antonio and Piero Pollaiolo (marble) by Italian School, (15th century); San Pietro in Vincoli, Rome

Background imageRenascence Collection: Renascence Ornament (litho)

Renascence Ornament (litho)
6006328 Renascence Ornament (litho) by Glazier, Richard (1851-1918); Private Collection; (add.info.: Renascence Ornament. Illustration for A Manual of Historic Ornament by Richard Glazier (Batsford)

Background imageRenascence Collection: Childrens games of the Sixteenth century (litho)

Childrens games of the Sixteenth century (litho)
KDC384294 Childrens games of the Sixteenth century (litho) by English School, (16th century) (after); Private Collection; (add.info.: two methods of playing shuttlecock)

Background imageRenascence Collection: Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs

Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs
KDC384163 Arrival of Queen Elizabeth I at Nonesuch Palace with her courtiers, guards and dogs, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel

Background imageRenascence Collection: Handwriting and signature of Albrecht Duerer (pen & ink on paper)

Handwriting and signature of Albrecht Duerer (pen & ink on paper)
KDC384210 Handwriting and signature of Albrecht Duerer (pen & ink on paper) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Background imageRenascence Collection: Griffin printers emblem of Sebastianus Gryphius, Lyon, 1546 (woodcut)

Griffin printers emblem of Sebastianus Gryphius, Lyon, 1546 (woodcut)
CHT418494 Griffin printers emblem of Sebastianus Gryphius, Lyon, 1546 (woodcut) by French School, (16th century); Bibliotheque des Arts Decoratifs, Paris

Background imageRenascence Collection: Palazzo Barbarano da Porto, 1570-75 (photo)

Palazzo Barbarano da Porto, 1570-75 (photo)
XIR415784 Palazzo Barbarano da Porto, 1570-75 (photo) by Palladio, Andrea (1508-80); Vicenza, Veneto, Italy; (add.info.: courtyard with loggia of Palladios only completely finished city palace;)

Background imageRenascence Collection: Fol. 11v The Month of November: Harvesting Acorns for the pigs and Hunting

Fol. 11v The Month of November: Harvesting Acorns for the pigs and Hunting
XIR365084 Fol.11v The Month of November: Harvesting Acorns for the pigs and Hunting, from the Breviarium Grimani, c.1515 (vellum) by Flemish School, (16th century); Biblioteca Nazionale Marciana

Background imageRenascence Collection: Guillaume Bude, 1841 (colour engraving)

Guillaume Bude, 1841 (colour engraving)
CHT274974 Guillaume Bude, 1841 (colour engraving) by Dupre (after); Bibliotheque des Arts Decoratifs, Paris, France; (add.info)

Background imageRenascence Collection: Ms 22531 Couple in bed, from Le Livre des Proprietes des choses

Ms 22531 Couple in bed, from Le Livre des Proprietes des choses
CHT307863 Ms 22531 Couple in bed, from Le Livre des Proprietes des choses by Barthelemy l Anglais, c.1410-15 (vellum) by French School, (15th century); Bibliotheque Nationale, Paris

Background imageRenascence Collection: Fol. 7v The Month of July: Harvest and Sheep Shearing, from the

Fol. 7v The Month of July: Harvest and Sheep Shearing, from the
XIR254909 Fol.7v The Month of July: Harvest and Sheep Shearing, from the Breviarium Grimani, c.1515 (vellum) by Flemish School, (16th century); Biblioteca Nazionale Marciana, Venice

Background imageRenascence Collection: Rebel Peasants surrounding a knight, from an illustration to Trostspiegel

Rebel Peasants surrounding a knight, from an illustration to Trostspiegel
CHT244941 Rebel Peasants surrounding a knight, from an illustration to Trostspiegel by Petrarch, 1539 (woodcut) by German School

Background imageRenascence Collection: Diagram of a method of supplying water, illustration from De Machinis

Diagram of a method of supplying water, illustration from De Machinis
XIR177535 Diagram of a method of supplying water, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after)

Background imageRenascence Collection: Fol 6v The Month of June: Haymaking, from the Breviarium Grimani, c

Fol 6v The Month of June: Haymaking, from the Breviarium Grimani, c
XIR365083 Fol 6v The Month of June: Haymaking, from the Breviarium Grimani, c.1515 (vellum) by Flemish School, (16th century); Biblioteca Nazionale Marciana, Venice

Background imageRenascence Collection: Fol 5v The Month of May: Festival of the Trees, from the Breviarium Grimani, c

Fol 5v The Month of May: Festival of the Trees, from the Breviarium Grimani, c
XIR365082 Fol 5v The Month of May: Festival of the Trees, from the Breviarium Grimani, c.1515 (vellum) by Flemish School, (16th century); Biblioteca Nazionale Marciana, Venice

Background imageRenascence Collection: Eve offering the apple to Adam in the Garden of Eden and the serpent, c

Eve offering the apple to Adam in the Garden of Eden and the serpent, c
REV407330 Eve offering the apple to Adam in the Garden of Eden and the serpent, c.1520-25 (oil on wood) (detail of 407328) by Cranach, Lucas, the Elder (1472-1553); Museo Soumaya, Mexico City

Background imageRenascence Collection: Honour Triumphing over Deceit, c. 1561 (marble)

Honour Triumphing over Deceit, c. 1561 (marble)
ALG79838 Honour Triumphing over Deceit, c.1561 (marble) by Danti, Vincenzo (1530-76); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: L Honneur vainqueur de la Fraude; ); Italian

Background imageRenascence Collection: Portrait of Luca della Robbia in the Sala di Cosimo il Vecchio (fresco)

Portrait of Luca della Robbia in the Sala di Cosimo il Vecchio (fresco)
ALI281581 Portrait of Luca della Robbia in the Sala di Cosimo il Vecchio (fresco) by Vasari, Giorgio (1511-74); Palazzo Vecchio (Palazzo della Signoria) Florence

Background imageRenascence Collection: Cosimo de Medici seated among philosophers and artists in the Sala di Cosimo il Vecchio (fresco)

Cosimo de Medici seated among philosophers and artists in the Sala di Cosimo il Vecchio (fresco)
ALI281580 Cosimo de Medici seated among philosophers and artists in the Sala di Cosimo il Vecchio (fresco) by Vasari, Giorgio (1511-74); Palazzo Vecchio (Palazzo della Signoria) Florence

Background imageRenascence Collection: Printers emblem of Robert Estienne, Paris, 1526 (woodcut)

Printers emblem of Robert Estienne, Paris, 1526 (woodcut)
CHT418495 Printers emblem of Robert Estienne, Paris, 1526 (woodcut) by French School, (16th century); Private Collection; (add.info)

Background imageRenascence Collection: Astronomy (coloured engraving)

Astronomy (coloured engraving)
CHT307827 Astronomy (coloured engraving) by Degler, Johann (1666-1729) (after); Private Collection; (add.info.: Astronomie; engraved by Andreas Matthaeus Wolfgang (1660-1736)

Background imageRenascence Collection: Woman drawing water from a well, illustration from De Machinis

Woman drawing water from a well, illustration from De Machinis
XIR370203 Woman drawing water from a well, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after); Biblioteca Nazionale Marciana

Background imageRenascence Collection: Guillaume Gouffier, Seigneur de Bonnivet (pencil on paper)

Guillaume Gouffier, Seigneur de Bonnivet (pencil on paper)
PWI261842 Guillaume Gouffier, Seigneur de Bonnivet (pencil on paper) by French School, (16th century); Chateau de Beauregard

Background imageRenascence Collection: Frontispiece of La Defense et Illustration de la Langue Francaise

Frontispiece of La Defense et Illustration de la Langue Francaise
XIR360245 Frontispiece of La Defense et Illustration de la Langue Francaise by Joachim du Bellay, printed by Federic Morel in Paris in 1561 (printed paper with pen & ink) by French School

Background imageRenascence Collection: In Praise of Folly, 1751 (printed paper)

In Praise of Folly, 1751 (printed paper)
BMR322571 In Praise of Folly, 1751 (printed paper) by French School, (18th century); Bibliotheque Mazarine, Paris, France; (add.info)

Background imageRenascence Collection: Frontispiece to Universalis Philosophiae by Tommaso Campanella

Frontispiece to Universalis Philosophiae by Tommaso Campanella
BMR322570 Frontispiece to Universalis Philosophiae by Tommaso Campanella, published in Paris, 1638 (engraving) by French School, (17th century); Bibliotheque Mazarine, Paris

Background imageRenascence Collection: Ms 978 fol. 31 The construction of the castle, illustration from a spiritual

Ms 978 fol. 31 The construction of the castle, illustration from a spiritual
BMR344022 Ms 978 fol.31 The construction of the castle, illustration from a spiritual treatise for use of lay people by Gabrielle de Bourbon (vellum) by French School

Background imageRenascence Collection: Arrival of Queen Elizabeth I at Nonesuch Palace and men and women from Tudor society

Arrival of Queen Elizabeth I at Nonesuch Palace and men and women from Tudor society
KDC324184 Arrival of Queen Elizabeth I at Nonesuch Palace and men and women from Tudor society, 1598 (hand coloured copper engraving) by Hoefnagel

Background imageRenascence Collection: Handwriting and signature of Michelangelo Buonarroti (pen and ink on paper)

Handwriting and signature of Michelangelo Buonarroti (pen and ink on paper)
KDC384145 Handwriting and signature of Michelangelo Buonarroti (pen and ink on paper) by Buonarroti, Michelangelo (1475-1564); Private Collection; (add.info)

Background imageRenascence Collection: Arrival of Queen Elizabeth I at Nonsuch Palace, 1598 (hand coloured copper engraving

Arrival of Queen Elizabeth I at Nonsuch Palace, 1598 (hand coloured copper engraving
KDC384160 Arrival of Queen Elizabeth I at Nonsuch Palace, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel

Background imageRenascence Collection: Adam and Eve in the Garden of Eden, c. 1520-25 (oil on wood)

Adam and Eve in the Garden of Eden, c. 1520-25 (oil on wood)
REV407328 Adam and Eve in the Garden of Eden, c.1520-25 (oil on wood) by Cranach, Lucas, the Elder (1472-1553); Museo Soumaya, Mexico City, Mexico; German, out of copyright

Background imageRenascence Collection: Design for a fortress with two drawbridges, illustration from De Machinis

Design for a fortress with two drawbridges, illustration from De Machinis
XIR370207 Design for a fortress with two drawbridges, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after)

Background imageRenascence Collection: Bathsheba receives two messengers from David at the fountain, c. 1510-15 (tapestry)

Bathsheba receives two messengers from David at the fountain, c. 1510-15 (tapestry)
XIR375798 Bathsheba receives two messengers from David at the fountain, c.1510-15 (tapestry) by Flemish School, (16th century); Musee National de la Renaissance, Ecouen

Background imageRenascence Collection: Fol. 9v The Month of September: The Wine Harvest, from Breviarium Grimani, c

Fol. 9v The Month of September: The Wine Harvest, from Breviarium Grimani, c
XIR211752 Fol.9v The Month of September: The Wine Harvest, from Breviarium Grimani, c.1515 (vellum) by Flemish School, (16th century); Biblioteca Nazionale Marciana, Venice

Background imageRenascence Collection: Painting, assisted by a cherub, depicting Fame (fresco)

Painting, assisted by a cherub, depicting Fame (fresco)
AII79518 Painting, assisted by a cherub, depicting Fame (fresco) by Mannozzi, Giovanni (da San Giovanni) (1592-1636); Palazzo Pitti, Florence

Background imageRenascence Collection: Eve offering the apple to Adam in the Garden of Eden, c

Eve offering the apple to Adam in the Garden of Eden, c
REV407329 Eve offering the apple to Adam in the Garden of Eden, c.1520-25 (oil on wood) (detail of 407328) by Cranach, Lucas, the Elder (1472-1553); Museo Soumaya, Mexico City, Mexico; German

Background imageRenascence Collection: Portrait of Mantegna, 1899 (litho)

Portrait of Mantegna, 1899 (litho)
KDC397351 Portrait of Mantegna, 1899 (litho) by Beardsley, Aubrey (1872-98); Private Collection; (add.info.: Andrea Mantegna (1431-1506)

Background imageRenascence Collection: Courtiers and hunting dogs accompanying the arrival of Queen Elizabeth I at Nonsuch

Courtiers and hunting dogs accompanying the arrival of Queen Elizabeth I at Nonsuch
KDC384159 Courtiers and hunting dogs accompanying the arrival of Queen Elizabeth I at Nonsuch Palace, 1598 (hand coloured copper engraving) (detail of 324184) by Hoefnagel

Background imageRenascence Collection: Frontispiece to Apologia pro Galileo, Mathematico Florentino

Frontispiece to Apologia pro Galileo, Mathematico Florentino
CHT242814 Frontispiece to Apologia pro Galileo, Mathematico Florentino by Tommaso Campanella, published in Frankfurt, 1622 (engraving) by German School

Background imageRenascence Collection: View of the courtyard and chapel at Chantilly (pen, ink & w / c on paper)

View of the courtyard and chapel at Chantilly (pen, ink & w / c on paper)
BMR307485 View of the courtyard and chapel at Chantilly (pen, ink & w/c on paper) by French School, (17th century); Bibliotheque Mazarine, Paris

Background imageRenascence Collection: Ms 412 Book of Hours with illustrations of pilgrims, Jews. sun, moon and myrtle (vellum)

Ms 412 Book of Hours with illustrations of pilgrims, Jews. sun, moon and myrtle (vellum)
BMR290516 Ms 412 Book of Hours with illustrations of pilgrims, Jews. sun, moon and myrtle (vellum) by French School, (15th century); Bibliotheque Mazarine, Paris

Background imageRenascence Collection: Man Putting into Motion a Wheel-Driven Well, illustration from De Machinis

Man Putting into Motion a Wheel-Driven Well, illustration from De Machinis
XIR155553 Man Putting into Motion a Wheel-Driven Well, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after)

Background imageRenascence Collection: Design for a Warship, illustration from De Machinis

Design for a Warship, illustration from De Machinis
XIR370202 Design for a Warship, illustration from De Machinis (pen and ink and w/c on paper) by Mariano di Jacopo (detto il Taccola) (1382-c.1453) (after); Biblioteca Nazionale Marciana, Venice

Background imageRenascence Collection: Fol. 12v The Month of December: Hunting Wild Boar, from the Breviarium Grimani

Fol. 12v The Month of December: Hunting Wild Boar, from the Breviarium Grimani
XIR365085 Fol.12v The Month of December: Hunting Wild Boar, from the Breviarium Grimani, c.1515 (vellum) by Flemish School, (16th century); Biblioteca Nazionale Marciana, Venice



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"Renascence: A Glimpse into the Ingenious World of Innovation and Beauty" Step back in time to witness the remarkable rebirth of creativity and ingenuity during the Renaissance period. Through captivating illustrations, we explore groundbreaking designs that revolutionized various aspects of life. Delve into the realm of engineering marvels as you observe a design for supplying water to buildings through an intricate network of pipes drawing from wells. The pen and ink illustration from De Machinis showcases how this innovative system brought convenience and efficiency to urban living. Marvel at another ingenious creation, a design aimed at harnessing heat to enhance navigation. This pen and ink illustration from De Machinis reveals how this revolutionary concept propelled maritime exploration forward, opening new horizons for trade and discovery. Immerse yourself in the world of mechanics with a fascinating diagram depicting a pump operated by bellows. Witness how this invention transformed manual labor, making tasks more manageable while improving productivity across various industries. Prepare to be awestruck by a machine designed specifically for warfare or sieges - an imposing contraption featuring a drawbridge on wheels. This pen and ink illustration from De Machinis unveils the military advancements that shaped history's most significant battles. But Renaissance art extends beyond practicality; it also celebrates beauty in its purest form. Admire Antonio and Piero Pollaiolo's commemorative marble tablet, paying homage to their artistic legacy that continues to inspire generations. Indulge your senses with exquisite Renascence ornamentation captured on lithographs - delicate patterns intricately intertwined, showcasing meticulous craftsmanship that adorned palaces, churches, and homes alike. Travel back in time as you witness children engrossed in playful activities through vibrant lithographs capturing sixteenth-century games. These images offer glimpses into childhood innocence amidst turbulent times – moments frozen forever within these timeless prints. Experience regal grandeur as Queen Elizabeth I arrives at Nonesuch Palace, surrounded by her courtiers, guards, and loyal dogs.