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Rembrandt Collection (page 6)

Rembrandt van Rijn, a renowned Dutch painter of the 17th century, left an indelible mark on the art world with his masterful works

Background imageRembrandt Collection: Grotesque head, 1631 (Etching)

Grotesque head, 1631 (Etching)
7393407 Grotesque head, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 3, 8 x 2, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Smiling self-portrait, 1630 (etching)

Smiling self-portrait, 1630 (etching)
7393405 Smiling self-portrait, 1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Fourth eastern head, 1635 (Etching)

Fourth eastern head, 1635 (Etching)
7393400 Fourth eastern head, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 8 x 13, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Golfer, 1654 (Etching)

The Golfer, 1654 (Etching)
7393374 The Golfer, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Goldsmith, 1655 (Etching)

The Goldsmith, 1655 (Etching)
7393373 The Goldsmith, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 7 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Pilgrims of Emmaus, 1654 (Etching)

The Pilgrims of Emmaus, 1654 (Etching)
7393368 The Pilgrims of Emmaus, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 15, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Tribut, also called Le Denier de Cesar, 1635 (Etching)

The Tribut, also called Le Denier de Cesar, 1635 (Etching)
7393367 The Tribut, also called Le Denier de Cesar, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 3 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Triumph of Mordecai, 1641 (Etching)

The Triumph of Mordecai, 1641 (Etching)
7393363 The Triumph of Mordecai, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 4 x 21, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Abraham speaking to Isaac, 1645 (Etching)

Abraham speaking to Isaac, 1645 (Etching)
7393360 Abraham speaking to Isaac, 1645 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Rembrandt with three mustaches, 1634 (Etching)

Rembrandt with three mustaches, 1634 (Etching)
7393355 Rembrandt with three mustaches, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5, 1 x 4, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Mischievous or the Flute Player, 1642 (Etching)

The Mischievous or the Flute Player, 1642 (Etching)
7393351 The Mischievous or the Flute Player, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 6 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Academic figures of men, 1646 (Etching)

Academic figures of men, 1646 (Etching)
7393347 Academic figures of men, 1646 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 19, 5 x 12, 9 cm; Fondation Glenat, Grenoble, France; (add.info.: In the background)

Background imageRembrandt Collection: Six studies of heads including those of Saskia, 1636 (Etching)

Six studies of heads including those of Saskia, 1636 (Etching)
7393346 Six studies of heads including those of Saskia, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 2 x 12, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Medea, or The Marriage of Jason and Creuse, 1648 (Etching)

Medea, or The Marriage of Jason and Creuse, 1648 (Etching)
7393418 Medea, or The Marriage of Jason and Creuse, 1648 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 24 x 17, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: David praying, 1652 (Etching)

David praying, 1652 (Etching)
7393421 David praying, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 1 x 9, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Circumcision, 1630 (Etching)

The Circumcision, 1630 (Etching)
7393414 The Circumcision, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 8, 9 x 6, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Sleeping Old Woman, 1637 (Etching)

Sleeping Old Woman, 1637 (Etching)
7393413 Sleeping Old Woman, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 7 x 5, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Old man with a long beard, 1630 (Etching)

Old man with a long beard, 1630 (Etching)
7393403 Old man with a long beard, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 6 x 8, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Bald old man in profile, facing right (the father for some), 1630 (Etching)

Bald old man in profile, facing right (the father for some), 1630 (Etching)
7393401 Bald old man in profile, facing right (the father for some), 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 9 x 5, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Third eastern head, (Etching)

Third eastern head, (Etching)
7393399 Third eastern head, (Etching) by Rembrandt Harmensz. van Rijn (1606-69); Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Old man wearing a fur hat, 1640 (Etching)

Old man wearing a fur hat, 1640 (Etching)
7393390 Old man wearing a fur hat, 1640 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 3 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Jan Antonides van der Linden, 1655 (Etching)

Jan Antonides van der Linden, 1655 (Etching)
7393389 Jan Antonides van der Linden, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 2 x 10, 5 cm; Fondation Glenat, Grenoble

Background imageRembrandt Collection: Beggars receiving alms at the door of a house, 1648 (Etching)

Beggars receiving alms at the door of a house, 1648 (Etching)
7393380 Beggars receiving alms at the door of a house, 1648 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17 x 13, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The Card Player, 1641 (Etching)

The Card Player, 1641 (Etching)
7393376 The Card Player, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 1 x 8, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching)

The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching)
7393362 The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 1 x 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Abraham caressing Isaac, 1637 (Etching)

Abraham caressing Isaac, 1637 (Etching)
7393359 Abraham caressing Isaac, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 8 x 10, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: Clement de Jonghe, 1651 (Etching)

Clement de Jonghe, 1651 (Etching)
7393354 Clement de Jonghe, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21, 9 x 17 cm; Fondation Glenat, Grenoble, France; (add.info.: Clement De Jonghe (1624-1677) was a Dutch engraver

Background imageRembrandt Collection: Bathsheba in the bath, 1654 (oil on canvas)

Bathsheba in the bath, 1654 (oil on canvas)
JLJ4662888 Bathsheba in the bath, 1654 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 142x142 cm; Louvre, Paris, France; (add.info.: Bathsheba in the bath)

Background imageRembrandt Collection: Portrait of a Man, 1631 (Etching)

Portrait of a Man, 1631 (Etching)
7393352 Portrait of a Man, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 1 x 13 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The flight into Egypt, nocturnal effect, 1651 (Etching)

The flight into Egypt, nocturnal effect, 1651 (Etching)
7393348 The flight into Egypt, nocturnal effect, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 7 x 11, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The angel disappears in front of Tobie's family, 1641 (Etching)

The angel disappears in front of Tobie's family, 1641 (Etching)
7393416 The angel disappears in front of Tobie's family, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 3 x 15, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: The artist's mother sitting, wearing an oriental headdress, 1631 (Etching)

The artist's mother sitting, wearing an oriental headdress, 1631 (Etching)
7393410 The artist's mother sitting, wearing an oriental headdress, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 6 x 12, 9 cm; Fondation Glenat, Grenoble

Background imageRembrandt Collection: Rembrandt with haggard eyes, 1630 (Etching)

Rembrandt with haggard eyes, 1630 (Etching)
7393406 Rembrandt with haggard eyes, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Collection: A Rabbi, 1665 (oil on canvas)

A Rabbi, 1665 (oil on canvas)
7146899 A Rabbi, 1665 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: A Rabbi, 1665, Rembrandt Harmenszoon van Rijn)

Background imageRembrandt Collection: Female Nude Reclining with Arm Raised, c. 1665 (pen and brown ink and brush and brown wash)

Female Nude Reclining with Arm Raised, c. 1665 (pen and brown ink and brush and brown wash, on tan laid paper)
5860116 Female Nude Reclining with Arm Raised, c.1665 (pen and brown ink and brush and brown wash, on tan laid paper) by Rembrandt Harmensz

Background imageRembrandt Collection: Landscape with a Cow Drinking, c. 1650 (etching and drypoint on ivory laid paper)

Landscape with a Cow Drinking, c. 1650 (etching and drypoint on ivory laid paper)
5859809 Landscape with a Cow Drinking, c.1650 (etching and drypoint on ivory laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 10.2 x 12.9 cm; The Art Institute of Chicago, IL

Background imageRembrandt Collection: Self portrait, 1669 (oil on canvas)

Self portrait, 1669 (oil on canvas)
7146901 Self portrait, 1669 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Self portrait, 1669)

Background imageRembrandt Collection: Christ Seated Disputing with the Doctors, 1654 (etching on paper)

Christ Seated Disputing with the Doctors, 1654 (etching on paper)
5859465 Christ Seated Disputing with the Doctors, 1654 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 9.4 x 14.5 cm; The Art Institute of Chicago, IL

Background imageRembrandt Collection: The Star of the Kings: A Night Piece, c. 1651 (etching, drypoint, and engraving on ivory laid paper)

The Star of the Kings: A Night Piece, c. 1651 (etching, drypoint, and engraving on ivory laid paper)
5859464 The Star of the Kings: A Night Piece, c.1651 (etching, drypoint, and engraving on ivory laid paper) by Rembrandt Harmensz

Background imageRembrandt Collection: The Rest on the Flight into Egypt: Lightly Etched, 1645 (etching with drypoint on buff paper)

The Rest on the Flight into Egypt: Lightly Etched, 1645 (etching with drypoint on buff paper)
5859463 The Rest on the Flight into Egypt: Lightly Etched, 1645 (etching with drypoint on buff paper) by Rembrandt Harmensz

Background imageRembrandt Collection: Bust of an Old Man with a Fur Cap and Flowing Beard, c. 1631 (etching on paper)

Bust of an Old Man with a Fur Cap and Flowing Beard, c. 1631 (etching on paper)
5859220 Bust of an Old Man with a Fur Cap and Flowing Beard, c.1631 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 5.3x5.3 cm; The Art Institute of Chicago, IL

Background imageRembrandt Collection: Abraham Francen, Apothecary, c. 1657 (etching and drypoint in black on paper)

Abraham Francen, Apothecary, c. 1657 (etching and drypoint in black on paper)
5859807 Abraham Francen, Apothecary, c.1657 (etching and drypoint in black on paper) by Rembrandt Harmensz. van Rijn (1606-69); 15.7 x 20.7 cm; The Art Institute of Chicago, IL

Background imageRembrandt Collection: The Ship of Fortune, 1633 (etching on paper)

The Ship of Fortune, 1633 (etching on paper)
5859810 The Ship of Fortune, 1633 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 11.3 x 16.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Rembrandt van Rijn (1606-1669))

Background imageRembrandt Collection: Patronage of the Arts by the House of Hapsburg: right hand section of a ceiling painting

Patronage of the Arts by the House of Hapsburg: right hand section of a ceiling painting
XAM70756 Patronage of the Arts by the House of Hapsburg: right hand section of a ceiling painting, 1891 (see also 70754 and 70755) by Berger, Julius Victor (1850-1902); Kunsthistorisches Museum

Background imageRembrandt Collection: Peasant Family on the Tramp, c. 1652 (etching on cream laid paper)

Peasant Family on the Tramp, c. 1652 (etching on cream laid paper)
5859466 Peasant Family on the Tramp, c.1652 (etching on cream laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 11.3 x 9.3 cm; The Art Institute of Chicago, IL

Background imageRembrandt Collection: The Adoration of the Shepherds: A Night Piece, c. 1657 (etching on paper)

The Adoration of the Shepherds: A Night Piece, c. 1657 (etching on paper)
5859462 The Adoration of the Shepherds: A Night Piece, c.1657 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 14.8 x 19.5 cm; The Art Institute of Chicago, IL

Background imageRembrandt Collection: The Adoration of the Shepherds: A Night Piece, c. 1657 (etching, drypoint)

The Adoration of the Shepherds: A Night Piece, c. 1657 (etching, drypoint, and burin in black on ivory laid paper)
5859806 The Adoration of the Shepherds: A Night Piece, c.1657 (etching, drypoint, and burin in black on ivory laid paper) by Rembrandt Harmensz

Background imageRembrandt Collection: Patronage of the Arts by the House of Habsburg: central section of a ceiling painting

Patronage of the Arts by the House of Habsburg: central section of a ceiling painting, 1891 (see also 70754 and 70756)
XAM70755 Patronage of the Arts by the House of Habsburg: central section of a ceiling painting, 1891 (see also 70754 and 70756) by Berger, Julius Victor (1850-1902); Kunsthistorisches Museum, Vienna



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Rembrandt van Rijn, a renowned Dutch painter of the 17th century, left an indelible mark on the art world with his masterful works. One of his notable pieces is "A Man in Armour, " painted in 1655. This oil on canvas painting showcases Rembrandt's exceptional talent for capturing intricate details and emotions. Another iconic work by Rembrandt is "Supper at Emmaus" from 1648. In this painting, he skillfully depicts a biblical scene with vivid colors and dramatic lighting that adds depth to the composition. One cannot mention Rembrandt without mentioning the famous "Night Watch. " Located in Amsterdam, this colossal masterpiece exemplifies his ability to create dynamic group portraits filled with life and movement. Throughout his career, Rembrandt showcased versatility in various genres. His landscape paintings like "Landscape with a Stone Bridge" demonstrate his mastery of capturing nature's beauty while infusing it with a sense of tranquility. Not limited to just painting, it also excelled in etching. His etching titled "The Windmill" showcases his attention to detail and precise technique. "The Shell (Conus marmoreus)" is another captivating piece by Rembrandt that highlights his fascination with still life subjects. The meticulous rendering of textures and light reveals the artist's keen observation skills. Amongst these remarkable artworks lies one particularly intriguing piece called "The Man with the Golden Helmet. " Though initially attributed to Rembrandt, it has since been debated whether he was indeed its creator or not; nevertheless, it remains an enigmatic artwork admired for its mysterious allure. In addition to landscapes and still lifes, portraiture played a significant role in Rembrandt's oeuvre. His self-portrait from 1628 reflects both youthful vigor and introspection as he captures himself at an early stage of his career. Rembrandt's legacy endures through his ability to capture the human form with remarkable precision and sensitivity.