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Rembrandt Harmenszoon Van Rijn Collection (page 6)

Rembrandt Harmenszoon van Rijn, a Dutch artist of the 17th century, left an indelible mark on the world of art with his masterful creations

Background imageRembrandt Harmenszoon Van Rijn Collection: The Card Player, 1641 (Etching)

The Card Player, 1641 (Etching)
7393376 The Card Player, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 1 x 8, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching)

The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching)
7393362 The statue of Nebuchadnezzar (Piedra Gloriosa), 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 1 x 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Abraham caressing Isaac, 1637 (Etching)

Abraham caressing Isaac, 1637 (Etching)
7393359 Abraham caressing Isaac, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 8 x 10, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Clement de Jonghe, 1651 (Etching)

Clement de Jonghe, 1651 (Etching)
7393354 Clement de Jonghe, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21, 9 x 17 cm; Fondation Glenat, Grenoble, France; (add.info.: Clement De Jonghe (1624-1677) was a Dutch engraver

Background imageRembrandt Harmenszoon Van Rijn Collection: Bathsheba in the bath, 1654 (oil on canvas)

Bathsheba in the bath, 1654 (oil on canvas)
JLJ4662888 Bathsheba in the bath, 1654 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 142x142 cm; Louvre, Paris, France; (add.info.: Bathsheba in the bath)

Background imageRembrandt Harmenszoon Van Rijn Collection: Portrait of a Man, 1631 (Etching)

Portrait of a Man, 1631 (Etching)
7393352 Portrait of a Man, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 1 x 13 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The flight into Egypt, nocturnal effect, 1651 (Etching)

The flight into Egypt, nocturnal effect, 1651 (Etching)
7393348 The flight into Egypt, nocturnal effect, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 7 x 11, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The angel disappears in front of Tobie's family, 1641 (Etching)

The angel disappears in front of Tobie's family, 1641 (Etching)
7393416 The angel disappears in front of Tobie's family, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 3 x 15, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The artist's mother sitting, wearing an oriental headdress, 1631 (Etching)

The artist's mother sitting, wearing an oriental headdress, 1631 (Etching)
7393410 The artist's mother sitting, wearing an oriental headdress, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 6 x 12, 9 cm; Fondation Glenat, Grenoble

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt with haggard eyes, 1630 (Etching)

Rembrandt with haggard eyes, 1630 (Etching)
7393406 Rembrandt with haggard eyes, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: A Rabbi, 1665 (oil on canvas)

A Rabbi, 1665 (oil on canvas)
7146899 A Rabbi, 1665 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: A Rabbi, 1665, Rembrandt Harmenszoon van Rijn)

Background imageRembrandt Harmenszoon Van Rijn Collection: Female Nude Reclining with Arm Raised, c. 1665 (pen and brown ink and brush and brown wash)

Female Nude Reclining with Arm Raised, c. 1665 (pen and brown ink and brush and brown wash, on tan laid paper)
5860116 Female Nude Reclining with Arm Raised, c.1665 (pen and brown ink and brush and brown wash, on tan laid paper) by Rembrandt Harmensz

Background imageRembrandt Harmenszoon Van Rijn Collection: Landscape with a Cow Drinking, c. 1650 (etching and drypoint on ivory laid paper)

Landscape with a Cow Drinking, c. 1650 (etching and drypoint on ivory laid paper)
5859809 Landscape with a Cow Drinking, c.1650 (etching and drypoint on ivory laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 10.2 x 12.9 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: Self portrait, 1669 (oil on canvas)

Self portrait, 1669 (oil on canvas)
7146901 Self portrait, 1669 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Self portrait, 1669)

Background imageRembrandt Harmenszoon Van Rijn Collection: Christ Seated Disputing with the Doctors, 1654 (etching on paper)

Christ Seated Disputing with the Doctors, 1654 (etching on paper)
5859465 Christ Seated Disputing with the Doctors, 1654 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 9.4 x 14.5 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: The Star of the Kings: A Night Piece, c. 1651 (etching, drypoint, and engraving on ivory laid paper)

The Star of the Kings: A Night Piece, c. 1651 (etching, drypoint, and engraving on ivory laid paper)
5859464 The Star of the Kings: A Night Piece, c.1651 (etching, drypoint, and engraving on ivory laid paper) by Rembrandt Harmensz

Background imageRembrandt Harmenszoon Van Rijn Collection: The Rest on the Flight into Egypt: Lightly Etched, 1645 (etching with drypoint on buff paper)

The Rest on the Flight into Egypt: Lightly Etched, 1645 (etching with drypoint on buff paper)
5859463 The Rest on the Flight into Egypt: Lightly Etched, 1645 (etching with drypoint on buff paper) by Rembrandt Harmensz

Background imageRembrandt Harmenszoon Van Rijn Collection: Bust of an Old Man with a Fur Cap and Flowing Beard, c. 1631 (etching on paper)

Bust of an Old Man with a Fur Cap and Flowing Beard, c. 1631 (etching on paper)
5859220 Bust of an Old Man with a Fur Cap and Flowing Beard, c.1631 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 5.3x5.3 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: Abraham Francen, Apothecary, c. 1657 (etching and drypoint in black on paper)

Abraham Francen, Apothecary, c. 1657 (etching and drypoint in black on paper)
5859807 Abraham Francen, Apothecary, c.1657 (etching and drypoint in black on paper) by Rembrandt Harmensz. van Rijn (1606-69); 15.7 x 20.7 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: The Ship of Fortune, 1633 (etching on paper)

The Ship of Fortune, 1633 (etching on paper)
5859810 The Ship of Fortune, 1633 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 11.3 x 16.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Rembrandt van Rijn (1606-1669))

Background imageRembrandt Harmenszoon Van Rijn Collection: Peasant Family on the Tramp, c. 1652 (etching on cream laid paper)

Peasant Family on the Tramp, c. 1652 (etching on cream laid paper)
5859466 Peasant Family on the Tramp, c.1652 (etching on cream laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 11.3 x 9.3 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: The Adoration of the Shepherds: A Night Piece, c. 1657 (etching on paper)

The Adoration of the Shepherds: A Night Piece, c. 1657 (etching on paper)
5859462 The Adoration of the Shepherds: A Night Piece, c.1657 (etching on paper) by Rembrandt Harmensz. van Rijn (1606-69); 14.8 x 19.5 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: The Adoration of the Shepherds: A Night Piece, c. 1657 (etching, drypoint)

The Adoration of the Shepherds: A Night Piece, c. 1657 (etching, drypoint, and burin in black on ivory laid paper)
5859806 The Adoration of the Shepherds: A Night Piece, c.1657 (etching, drypoint, and burin in black on ivory laid paper) by Rembrandt Harmensz

Background imageRembrandt Harmenszoon Van Rijn Collection: St. Francis Beneath a Tree Praying, 1657 (etching and drypoint on ivory laid paper)

St. Francis Beneath a Tree Praying, 1657 (etching and drypoint on ivory laid paper)
5860330 St. Francis Beneath a Tree Praying, 1657 (etching and drypoint on ivory laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 18.2 x 24.2 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: The Phoenix or The Statue Overthrown, 1658 (etching and drypoint on ivory laid paper)

The Phoenix or The Statue Overthrown, 1658 (etching and drypoint on ivory laid paper)
5861923 The Phoenix or The Statue Overthrown, 1658 (etching and drypoint on ivory laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 17.9 x 18.3 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: The Artist Drawing from the Model, c. 1639 (etching and drypoint on buff laid paper)

The Artist Drawing from the Model, c. 1639 (etching and drypoint on buff laid paper)
5861800 The Artist Drawing from the Model, c.1639 (etching and drypoint on buff laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 23.3 x 18.3 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: Male Nude Seated and Standing, c. 1646 (etching on ivory laid paper)

Male Nude Seated and Standing, c. 1646 (etching on ivory laid paper)
5859469 Male Nude Seated and Standing, c.1646 (etching on ivory laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 19.6 x 12.9 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: Jupiter and Antiope: Smaller Plate, c. 1631 (etching on buff laid paper)

Jupiter and Antiope: Smaller Plate, c. 1631 (etching on buff laid paper)
5859468 Jupiter and Antiope: Smaller Plate, c.1631 (etching on buff laid paper) by Rembrandt Harmensz. van Rijn (1606-69); 8.4x11.4 cm; The Art Institute of Chicago, IL

Background imageRembrandt Harmenszoon Van Rijn Collection: The Preacher Eleazar Swalmius, 1637 (oil on canvas)

The Preacher Eleazar Swalmius, 1637 (oil on canvas)
471298 The Preacher Eleazar Swalmius, 1637 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 132x109 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageRembrandt Harmenszoon Van Rijn Collection: Portrait of Saskia van Uylenburgh (oil on canvas)

Portrait of Saskia van Uylenburgh (oil on canvas)
471309 Portrait of Saskia van Uylenburgh (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 111x89 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageRembrandt Harmenszoon Van Rijn Collection: Old man (oil on panel)

Old man (oil on panel)
471308 Old man (oil on panel) by Rembrandt Harmensz. van Rijn (1606-69); 71x58 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt Harmenszoon van Rijn, 15 July 1606

Rembrandt Harmenszoon van Rijn, 15 July 1606
7278899 Rembrandt Harmenszoon van Rijn, 15 July 1606 by Rembrandt Harmensz. van Rijn (1606-69) (after); Private Collection; (add.info.: Rembrandt Harmenszoon van Rijn, 15 July 1606)

Background imageRembrandt Harmenszoon Van Rijn Collection: Study for the lion hunt (Painting, 1614-1615)

Study for the lion hunt (Painting, 1614-1615)
LRI4622305 Study for the lion hunt (Painting, 1614-1615) by Rubens, Peter Paul (1577-1640); National Gallery, London, UK; (add.info)

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt, Dutch artist at work in his studio (colour litho)

Rembrandt, Dutch artist at work in his studio (colour litho)
7150440 Rembrandt, Dutch artist at work in his studio (colour litho) by Brunin, Leon (1861-1949); Private Collection; (add.info.: Rembrandt (1606-1669), Dutch artist at work in his studio

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt Harmenszoon van Rijn, from Living Biographies of Great Painters

Rembrandt Harmenszoon van Rijn, from Living Biographies of Great Painters
3960935 Rembrandt Harmenszoon van Rijn, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: Rembrandt Harmenszoon van Rijn, 1606-1669)

Background imageRembrandt Harmenszoon Van Rijn Collection: Jael and Sisera: in an interior Jael stands at centre, holding up a hammer in her right hand

Jael and Sisera: in an interior Jael stands at centre, holding up a hammer in her right hand
7206067 Jael and Sisera: in an interior Jael stands at centre, holding up a hammer in her right hand, she kills the sleeping Sisera, who is lying at centre, by hitting the nail through his temple

Background imageRembrandt Harmenszoon Van Rijn Collection: L Atelier de Rembrandt (engraving)

L Atelier de Rembrandt (engraving)
7194555 L Atelier de Rembrandt (engraving) by Gilbert, John (1817-97) (after); Private Collection; (add.info.: L Atelier de Rembrandt)

Background imageRembrandt Harmenszoon Van Rijn Collection: Young Woman with a Gold Chain, 1634 (oil on canvas)

Young Woman with a Gold Chain, 1634 (oil on canvas)
7073223 Young Woman with a Gold Chain, 1634 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 62.5x55.6 cm; Museo Nacional de Bellas Artes, Buenos Aires, Argentina; Dutch, out of copyright

Background imageRembrandt Harmenszoon Van Rijn Collection: Self Portrait in a Soft Hat and Patterned Cloak, 1631 (etching)

Self Portrait in a Soft Hat and Patterned Cloak, 1631 (etching)
6620772 Self Portrait in a Soft Hat and Patterned Cloak, 1631 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 14.8A--13.1 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageRembrandt Harmenszoon Van Rijn Collection: Self Portrait with Saskia, 1636 (etching)

Self Portrait with Saskia, 1636 (etching)
6620771 Self Portrait with Saskia, 1636 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 10.4A--9.4 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imageRembrandt Harmenszoon Van Rijn Collection: Jacobs Farewell to Benjamin, 1650 / 60. Creator: Unknown

Jacobs Farewell to Benjamin, 1650 / 60. Creator: Unknown
Jacobs Farewell to Benjamin, 1650/60. [In the Old Testament, Benjamin was the last-born of Jacobs thirteen children]. Follower of Rembrandt

Background imageRembrandt Harmenszoon Van Rijn Collection: The Raising of Lazarus, 1630 / 35. Creator: Unknown

The Raising of Lazarus, 1630 / 35. Creator: Unknown
The Raising of Lazarus, 1630/35. Follower of Rembrandt

Background imageRembrandt Harmenszoon Van Rijn Collection: Young Man in a Turban, c. 1650. Creator: Unknown

Young Man in a Turban, c. 1650. Creator: Unknown
Young Man in a Turban, c. 1650. Follower of Rembrandt

Background imageRembrandt Harmenszoon Van Rijn Collection: Old Man with a Gold Chain, 1631. Creator: Rembrandt Harmensz van Rijn

Old Man with a Gold Chain, 1631. Creator: Rembrandt Harmensz van Rijn
Old Man with a Gold Chain, 1631

Background imageRembrandt Harmenszoon Van Rijn Collection: Young Woman at an Open Half-Door, 1645. Creators: Rembrandt Harmensz van Rijn

Young Woman at an Open Half-Door, 1645. Creators: Rembrandt Harmensz van Rijn
Young Woman at an Open Half-Door, 1645

Background imageRembrandt Harmenszoon Van Rijn Collection: A Bearded Man Wearing a Hat, c. 1655-1660 (oil on canvas)

A Bearded Man Wearing a Hat, c. 1655-1660 (oil on canvas)
XOS5872194 A Bearded Man Wearing a Hat, c. 1655-1660 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 119.4x104.1 cm; Cleveland Museum of Art, OH

Background imageRembrandt Harmenszoon Van Rijn Collection: The Sacrifice of Abraham, 1635 (oil on canvas)

The Sacrifice of Abraham, 1635 (oil on canvas)
XIR167525 The Sacrifice of Abraham, 1635 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 193.5x132.8 cm; State Hermitage Museum, St. Petersburg, Russia; Dutch, out of copyright

Background imageRembrandt Harmenszoon Van Rijn Collection: A Scholar in his Study, c. 1640 (oil on canvas)

A Scholar in his Study, c. 1640 (oil on canvas)
3745620 A Scholar in his Study, c.1640 (oil on canvas) by Bol, Ferdinand (1616-80); 96.5x82 cm; Nasjonalgalleriet, Oslo, Norway; Dutch, out of copyright



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Rembrandt Harmenszoon van Rijn, a Dutch artist of the 17th century, left an indelible mark on the world of art with his masterful creations. From his iconic painting "The Night Watch" to his intimate self-portraits, Rembrandt's work continues to captivate audiences even today. In "The Return of the Prodigal Son, " painted around 1668, Rembrandt portrays a powerful narrative of forgiveness and redemption. The emotional depth in this piece is palpable as he skillfully captures the moment when a wayward son returns home seeking solace. Another notable masterpiece by Rembrandt is "Aristotle with a Bust of Homer, " completed in 1653. This thought-provoking painting showcases Aristotle contemplating the legacy left behind by Homer, symbolizing the eternal connection between philosophy and literature. Through portraits like "Portrait of Aechje Claesdr" from 1634 or his own self-portraits such as "Self Portrait at the Age of 63" created in 1669, Rembrandt reveals not only technical brilliance but also an ability to convey profound introspection and vulnerability. "The Anatomy Lesson of Dr Nicolaes Tulp, " painted in 1632, demonstrates Rembrandt's fascination with human anatomy and scientific exploration. This groundbreaking artwork depicts Dr Tulp conducting an autopsy while surrounded by attentive students—an early example of medical illustration combined with artistic mastery. Rembrandt's versatility shines through various genres as well. In pieces like "Sick woman in a bed" or "Half-Naked Woman by a Stove, " he delves into capturing intimate scenes that evoke empathy and curiosity about human experiences beyond traditional portraiture or historical narratives. Not limited to people-centric subjects alone, Rembrandt also excelled at landscapes such as "Landscape with two cottages. " With meticulous attention to detail and atmospheric effects, he transports viewers to serene countryside settings, showcasing his ability to capture the beauty of nature.