Red Robes Collection

Portrait of Cardinal Newman (1801-90) (oil on canvas)
BBC199371 Portrait of Cardinal Newman (1801-90) (oil on canvas) by Millais, John Everett (1829-96); National Portrait Gallery, London, UK; English, out of copyright

George John, 2nd Earl Spencer, c. 1799-1806 (oil on canvas)
NUL374171 George John, 2nd Earl Spencer, c.1799-1806 (oil on canvas) by Copley, John Singleton (1738-1815); 264x170 cm; Private Collection; (add.info)

The Cardinals first visit
CH18714 The Cardinals first visit by Caccidrelli, Victor (1821-94); Private Collection; Photo eChristies Images; Italian, out of copyright

Portrait of John Henry Newman (1801-1890) 1889 (oil on canvas)
XCF266092 Portrait of John Henry Newman (1801-1890) 1889 (oil on canvas) by Deane, Emmeline (d.1944); 111.8x89.5 cm; National Portrait Gallery, London

Bando Kamezo as Yokawa Kakuhan in a Scene from Sembonzakura, pub. 1856
Bando Kamezo as Yokawa Kakuhan in a Scene from " Sembonzakura", pub. 1856 (colour woodblock print)

The very fine Buddhist 17th century fort and monastery at Trashi Yangtze is situated a short distance from the town, some 550 km from the capital, Thimpu

The impressive Dzong, or fortress, at Trashigang. It was built in 1667 on a high promontory overlooking the confluence of the Drangme Chhu and Gamri Chhu rivers

Two monks blow long horns called dung-chen, at the temple of Wangdue Phodrang Dzong (fortress). These copper or brass instruments create a low powerful sound

Title page depicting the Court of Cassation with Mr. Loew, Mr. Chambareaud and Mr
XIR384587 Title page depicting the Court of Cassation with Mr. Loew, Mr. Chambareaud and Mr. Manau, illustration from the illustrated supplement of Le Petit Journal, 17th April

Portrait of Armand Gaston Maximilien de Rohan (1673-1749) Bishop of Strasbourg (oil
XIR165179 Portrait of Armand Gaston Maximilien de Rohan (1673-1749) Bishop of Strasbourg (oil on canvas) by Rigaud, Hyacinthe (1659-1743) (after); 128x102 cm; ChAteau de Versailles

1127668; out of copyright

Virgin and Child in a Garden (oil on panel)
BAL210892 Virgin and Child in a Garden (oil on panel) by Master of the Embroidered Foliage (fl.1495-1500); 101x84 cm; Private Collection; Courtesy of Thomas Brod

Choristers in the Church, 1870 (oil on canvas)
BAL205319 Choristers in the Church, 1870 (oil on canvas) by Makovsky, Vladimir Egorovic (1846-1920); 70.5x89.5 cm; Sebastopol Art Museum, Sebastopol, Ukraine; Russian, out of copyright

All Professionally Made to Order for Quick Shipping

"Red Robes: A Tapestry of Tradition and Reverence" In the world of art, they have long been a symbol of power, spirituality, and prestige. From the regal portraits of Cardinal Newman to the captivating depiction of George John, 2nd Earl Spencer, these vibrant garments have captured the imagination for centuries. One cannot help but be drawn into the allure of these crimson vestments as they grace canvases with their rich hues. Whether it is Cardinal Newman's portrait in oil on canvas or John Henry Newman's introspective gaze frozen in time, these red robes command attention and demand respect. But it is not just within Western culture that we find this fascination with red robes. In Bando Kamezo's portrayal as Yokawa Kakuhan from Sembonzakura, published in 1856, we see how even in Japanese theater traditions, these robes hold an undeniable allure. Traveling further eastward brings us to Trashi Yangtze and Trashigang - two places where red-robed monks find solace amidst ancient fortresses and monasteries. The Buddhist influence is palpable as monks blow long horns called dung-chen at Wangdue Phodrang Dzong temple while surrounded by breathtaking landscapes. Yet our exploration does not end there; we delve into legal realms where even courts are adorned with echoes of scarlet elegance. Title pages depicting the Court of Cassation reveal Mr. Loew and Mr. Chambareaud donning their own versions of red attire - a reminder that authority extends beyond spiritual domains. Finally, we encounter Armand Gaston Maximilien de Rohan Bishop of Strasbourg whose portrait radiates both wisdom and piety through his resplendent robe. And let us not forget Virgin Mary herself depicted serenely holding her child amidst a garden scene - her flowing crimson garment symbolizing devotion and motherly love. In every brushstroke, every fold of fabric, these red robes tell a story.