Raised Arm Collection (page 6)

Venus and her Satellites (Venus at her Toilet) (oil on panel)
1772138 Venus and her Satellites (Venus at her Toilet) (oil on panel) by Etty, William (1787-1849); 80.6x111 cm; Private Collection; (add.info.: Venus and her Satellites (Venus at her Toilet)

The Falconers, 1924 (oil on canvas)
1769833 The Falconers, 1924 (oil on canvas) by Rousseau, Henri Emilien (1875-1933); 50.8x66 cm; Private Collection; (add.info.: The Falconers. Henri Emilien Rousseau (1875-1933). Oil on canvas

A Hackney Meeting, pub. 1796 (hand coloured engraving)
2966806 A Hackney Meeting, pub. 1796 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Theseus slaying a centaur (marble)
XAM70765 Theseus slaying a centaur (marble) by Canova, Antonio (1757-1822); Kunsthistorisches Museum, Vienna, Austria; Italian, out of copyright

Initiation rites of the cult of Dionysus, fresco from the Villa Dei Mysteri
XIR57187 Initiation rites of the cult of Dionysus, fresco from the Villa Dei Mysteri, 1st century BC (fresco) by Roman, (1st century BC); Villa dei Misteri, Pompeii

An Officer of the 14th Light Dragoons in Parade Dress, from
NAM254117 An Officer of the 14th Light Dragoons in Parade Dress, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C

A Private of the 3rd, or Kings Own Dragoons, from
NAM254111 A Private of the 3rd, or Kings Own Dragoons, from Costumes of the Army of the British Empire, according to the last regulations 1812, engraved by J.C. Stadler, published by Colnaghi & Co

Statue of Emperor Constantine (AD c. 274-337) (marble) (b / w photo)
ALI189694 Statue of Emperor Constantine (AD c.274-337) (marble) (b/w photo) by Roman; San Giovanni in Laterano, Rome, Italy; (add.info)

Nkisi (wood, iron & glass)
622542 Nkisi (wood, iron & glass) by Congolese; 49.5 cm; Private Collection; (add.info.: Such objects are associated with the Yombe people)

The Four Elements, 1928 (oil on canvas)
657416 The Four Elements, 1928 (oil on canvas) by Procter, Ernest (1886-1935); Private Collection; (add.info.: The Four Elements. Ernest Procter (1886-1935). Oil on canvas. Signed and dated 1928

Bistro, Havre, (pencil, watercolour and bodycolour)
657248 Bistro, Havre, (pencil, watercolour and bodycolour) by Philpot, Glyn Warren (1884-1937); 35.6x23.5 cm; Private Collection; (add.info.: Bistro, Havre. Glyn Warren Philpot (1884-1937)

The Sea Race, (oil on canvas)
657188 The Sea Race, (oil on canvas) by Morley, Harry (1881-1943); 85x134.5 cm; Private Collection; (add.info.: The Sea Race. Harry Morley (1881-1943). Oil on canvas

Sea Maidens, (tempera on panel)
656873 Sea Maidens, (tempera on panel) by Morley, Harry (1881-1943); 65.4x43.2 cm; Private Collection; (add.info.: Sea Maidens. Harry Morley (1881-1943). Tempera on panel

Seller of Breakfast Cocoa, c. 1813 (hand-coloured engraving)
1195471 Seller of Breakfast Cocoa, c. 1813 (hand-coloured engraving) by Joly, Adrien (1772-1839); 21.5x12.9 cm; Private Collection; (add.info.: Joly)

Soi-En-Ga-Rah-Ta or King Hendrick, (colour engraving)
1195420 Soi-En-Ga-Rah-Ta or King Hendrick, (colour engraving) by Eastman, Captain Seth (1808-75) (after); 31.2x23.9 cm; Private Collection; Photo eChristies Images; American, out of copyright

The Sculptor Carl Eldh in his Studio, 1908 (oil on canvas)
659645 The Sculptor Carl Eldh in his Studio, 1908 (oil on canvas) by Nyberg, Vitalis (1883-1916); 116x135.5 cm; Private Collection; Photo eChristies Images; Swedish, out of copyright

The March of the Seasons, (oil on canvas)
659162 The March of the Seasons, (oil on canvas) by Halle, Charles Edward (1846-1914); 106x79.4 cm; Private Collection; (add.info.: The March of the Seasons. Charles Edward Halle (1846-1914)

Forfeits, 1872 (oil on panel)
659077 Forfeits, 1872 (oil on panel) by O Neill, George Bernard (1828-1917); 39x53.5 cm; Private Collection; (add.info.: Forfeits. George Bernard O Neill (1828-1917). Oil on panel

The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour)
658307 The Britons Deploring the Departure of the Last Roman Legion, 1843 (watercolour) by Corbould, Edward Henry (1815-1905); 91.5x137 cm; Private Collection; (add.info)

The Masked Ball, (oil on canvas)
658889 The Masked Ball, (oil on canvas) by Ballavoine, Jules Frederic (1880-1901); 99x64.7 cm; Private Collection; (add.info.: The Masked Ball. Jules Frederic Ballavoine (1855-1901). Oil on canvas

The Amethyst Necklace, 1906 (oil on canvas)
658687 The Amethyst Necklace, 1906 (oil on canvas) by Shannon, Charles Haslewood (1863-1937); 85x87 cm; Private Collection; (add.info.: The Amethyst Necklace. Charles Haslewood Shannon (1863-1937)

The Departure, (oil on canvas)
658500 The Departure, (oil on canvas) by French School, (19th century); 81x110 cm; Private Collection; (add.info.: The Departure. French School (late 19th century). Oil on canvas

In the Tavern, (oil on canvas)
658465 In the Tavern, (oil on canvas) by Benlliure y Gil, Jose (1855-1937); 36x47 cm; Private Collection; (add.info.: In the Tavern. Jose Benlliure y Gil (1855-1937). Oil on canvas

Echo, 1906 (oil on canvas)
658300 Echo, 1906 (oil on canvas) by Reid, Robert Payton (1859-1945); 61x46 cm; Private Collection; (add.info.: Echo. Robert Payton Reid (1859-1945). Oil on canvas. Signed and dated 1906

Loves Destiny, 1901 (oil on canvas)
658298 Loves Destiny, 1901 (oil on canvas) by Glindoni, Henry Gillard (1852-1913); 127x101.5 cm; Private Collection; (add.info.: Loves Destiny. Henry Gillard Glindoni (1852-1913). Oil on canvas

The Flower Garland, 1900 (oil on canvas)
658281 The Flower Garland, 1900 (oil on canvas) by Topham, Francis William (1808-77); 106.7x76.2 cm; Private Collection; (add.info.: The Flower Garland. Frank William Warwick Topham (1838-1924)

Britomart Unarming, c. 1855 (oil on canvas)
658269 Britomart Unarming, c.1855 (oil on canvas) by Pickersgill, Frederick Richard (1820-1900); 127x106.7 cm; Private Collection; (add.info.: Britomart Unarming)

Portrait of Prince Charles Edward Stuart, bust length, in Profile to the Left
651235 Portrait of Prince Charles Edward Stuart, bust length, in Profile to the Left, His Head Turned to the Front, His Right Arm Raised, (pastel) by Tour

A Boy with an Empty Birdcage, (oil on canvas)
651234 A Boy with an Empty Birdcage, (oil on canvas) by Charpentier, Jean Baptiste (or Joseph) (1728-1806); 47x37.5 cm; Private Collection; (add.info.: A Boy with an Empty Birdcage)

Cloud of Change, (oil on canvas)
651061 Cloud of Change, (oil on canvas) by Davies, Arthur Bowen (1862-1928); 43.2x55.6 cm; Private Collection; (add.info.: Cloud of Change. Arthur Bowen Davies (1862-1928). Oil on canvas

Steelworker, 1926 (bronze with brownish-green patina)
1767758 Steelworker, 1926 (bronze with brownish-green patina) by Kalish, Max (1891-1945); 45.7 (height) cm; Private Collection; Photo eChristies Images; American, out of copyright

Foundryman (bronze with dark brown patina)
1767754 Foundryman (bronze with dark brown patina) by Kalish, Max (1891-1945); 48.3 (height) cm; Private Collection; Photo eChristies Images; American, out of copyright

Crossing the River, c. 1895 (oil on panel)
1767686 Crossing the River, c.1895 (oil on panel) by Russell, Charles Marion (1865-1926); 62.2x45.7 cm; Private Collection; (add.info.: Crossing the River. Charles Marion Russell (1864-1926)

Christian at the Foot of the Cross, (oil on canvas)
1199591 Christian at the Foot of the Cross, (oil on canvas) by Paton, Joseph Noel (1821-1901); 40x26.5 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Danseuse Debout, c. 1885 (pastel and charcoal on paper)
1196538 Danseuse Debout, c. 1885 (pastel and charcoal on paper) by Degas, Edgar (1834-1917); 31.8x23 cm; Private Collection; Photo eChristies Images; French, out of copyright

Two Dancers Before Going on Stage; Avant l entree en scene
1196439 Two Dancers Before Going on Stage; Avant l entree en scene, 1888 (pastel and charcoal on papar laid down on card) by Degas

Touch Me Not; Noli me tangere (pencil on paper)
1195773 Touch Me Not; Noli me tangere (pencil on paper) by Zichy, Mihaly von (1827-1906); 22x17 cm; Private Collection; (add.info.: Zichy, Mikhail (1827-1906)); Photo eChristies Images; Hungarian

A Postal Troika (litho)
1195718 A Postal Troika (litho) by Orlowski, Alexander (Alexandr Osipovich Orlovsky) (1777-1832) (after); 50.1x66.7 cm; Private Collection; (add.info.: Orlowsky)

A View of Monaco (oil on canvas)
1769792 A View of Monaco (oil on canvas) by Unterberger, Franz Richard (1838-1902); 81.3x70.5 cm; Private Collection; (add.info.: A View of Monaco. Franz Richard Unterberger (1838-1902)

Female Nude; Madchenakt, 1911 (pencil on paper)
1768307 Female Nude; Madchenakt, 1911 (pencil on paper) by Schiele, Egon (1890-1918); 54.3x34.6 cm; Private Collection; (add.info.: Female Nude; Madchenakt. Egon Schiele (1890-1918). Pencil on paper

The Times of the Day; Les heures du jour (a set of four), 1899 (colour lithograph)
1770134 The Times of the Day; Les heures du jour (a set of four), 1899 (colour lithograph) by Mucha, Alphonse Marie (1860-1939); 110x41 cm; Private Collection; (add.info)

Reproduction of a poster advertising the Salon des Cent Exposition at the Hall de la
1770133 Reproduction of a poster advertising the Salon des Cent Exposition at the Hall de la Plume, 1896 (colour lithograph) by Mucha

Study of a Woman Playing Violin, (pencil on paper)
1195107 Study of a Woman Playing Violin, (pencil on paper) by Mucha, Alphonse Marie (1860-1939); 10.4x13.3 cm; Private Collection; Photo eChristies Images; Czech, out of copyright

Sculptress at Work; Femme Sculpteur au Travail, 1906 (bronze with green patina)
656393 Sculptress at Work; Femme Sculpteur au Travail, 1906 (bronze with green patina) by Bourdelle, Emile-Antoine (1861-1929); height: 50.5 cm; Private Collection; (add.info)

Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour)
651981 Balloon Hunting Near Lady Jamess Folly, (pencil, pen and brown ink and watercolour) by Rowlandson, Thomas (1756-1827); 25.4x34.9 cm; Private Collection; (add.info)

The Hold-Up, 1794 (pen and ink and watercolour)
651939 The Hold-Up, 1794 (pen and ink and watercolour) by Howitt, Samuel (1756-1822); 11 3/8x15 3/8in cm; Private Collection; (add.info.: The Hold-Up. Samuel Howitt (1756-1822)

The Maestro, (oil on panel)
651467 The Maestro, (oil on panel) by Kern, Hermann (1839-1912); 68x47 cm; Private Collection; (add.info.: The Maestro. Hermann Kern (1839-1912). Oil on panel

Two Dancers, 1888 (charcoal with traces of pastel on paper)
987556 Two Dancers, 1888 (charcoal with traces of pastel on paper) by Degas, Edgar (1834-1917); 55.5x37.5 cm; Private Collection; (add.info.: Two Dancers; Deux Danseuses. Edgar Degas (1834-1917)

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"Raised Arm: A Captivating Collection of Artistic Expressions" This diverse collection showcases the power and beauty of a raised arm in various artistic mediums. In "Autumn, " an etching and aquatint printed in colors, the raised arm symbolizes nature's transition as leaves fall gracefully from trees. "Bucking Bronco, 1903" captures the raw energy and strength of a cowboy gripping tightly onto a wild horse, his raised arm signaling defiance against untamed forces. "The Nymphs in Homer's Odyssey; Die Nymphen aus Homers Odyssee" portrays ethereal beings with arms outstretched, embodying grace and mystique within ancient tales. "In a Village at El Biar, Algiers" depicts an everyday scene where a local resident raises their arm to greet passersby, reflecting warmth and hospitality. "A Raiding Party" presents warriors charging into battle with raised arms brandishing weapons, illustrating courage amidst chaos. In "Lying Young Girl, Half Nude, 1912, " the artist delicately captures vulnerability through a reclining figure raising her arm gently above her head - an intimate moment frozen in time. "A Scene from the Trojan Wars" immortalizes heroes locked in combat with arms extended towards victory or defeat on the battlefield. "Young Girl Worshipping Beside Waterfall" shows devotion as she raises her arm skyward while immersed in nature's awe-inspiring presence. Descending Night (1914) sculpted in bronze evokes mystery and melancholy as darkness descends upon us all – its central figure reaching upward with one hand uplifted towards hope amid obscurity. The vibrant "Poster advertising the 1933 World's Fair in Chicago" features jubilant figures celebrating progress with arms triumphantly lifted high – capturing optimism for future possibilities. "The Seesaw (1891)" playfully illustrates childhood joy as two children raise their arms gleefully while teetering in mid-air. Lastly, "Sleeping.