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Ragged Clothes Collection

"Unveiling the Stories of Ragged Clothes: A Glimpse into Humanity's Struggles" Beggar seated on a bank, 1630 (etching): In tattered garments

Background imageRagged Clothes Collection: Beggar seated on a bank, 1630 (etching)

Beggar seated on a bank, 1630 (etching)
XJF412293 Beggar seated on a bank, 1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; Dutch, out of copyright

Background imageRagged Clothes Collection: Boys Playing Dice, c. 1670-75 (oil on canvas)

Boys Playing Dice, c. 1670-75 (oil on canvas)
XIR62474 Boys Playing Dice, c.1670-75 (oil on canvas) by Murillo, Bartolome Esteban (1618-82); 146x108 cm; Alte Pinakothek, Munich

Background imageRagged Clothes Collection: Beggar with a crippled hand, c. 1629 (etching)

Beggar with a crippled hand, c. 1629 (etching)
5979147 Beggar with a crippled hand, c.1629 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 9.9x4.2 cm; Ashmolean Museum, University of Oxford

Background imageRagged Clothes Collection: Ragged Peasant with his Hands behind Him, holding a Stick, c. 1630 (etching)

Ragged Peasant with his Hands behind Him, holding a Stick, c. 1630 (etching)
5979155 Ragged Peasant with his Hands behind Him, holding a Stick, c.1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 9.2x5.7 cm; Ashmolean Museum, University of Oxford

Background imageRagged Clothes Collection: Old beggar woman with a gourd, c. 1629 (etching)

Old beggar woman with a gourd, c. 1629 (etching)
5979146 Old beggar woman with a gourd, c.1629 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 10.6x4.9 cm; Ashmolean Museum, University of Oxford

Background imageRagged Clothes Collection: As Happy as a King, 1884 (oil on canvas)

As Happy as a King, 1884 (oil on canvas)
POL275751 As Happy as a King, 1884 (oil on canvas) by Stott, William Edward (1859-1918); 71.1x50.8 cm; Private Collection; Susannah Pollen Ltd; English, out of copyright

Background imageRagged Clothes Collection: The Expected Penny (oil on panel)

The Expected Penny (oil on panel)
TW426834 The Expected Penny (oil on panel) by Good, Thomas Sword (1789-1872); 37.7x45.9 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageRagged Clothes Collection: Baked potato seller, 1892 (b / w photo)

Baked potato seller, 1892 (b / w photo)
1765635 Baked potato seller, 1892 (b/w photo) by Scamell, Edgar (fl.1892); Private Collection; English, out of copyright

Background imageRagged Clothes Collection: Rickety, Rackety Crew, 1895 (litho)

Rickety, Rackety Crew, 1895 (litho)
LMG208966 Rickety, Rackety Crew, 1895 (litho) by May, Philip William (1864-1903); 19.5x30.7 cm; Leeds Museums and Galleries (Lotherton Hall) U.K.; (add.info)

Background imageRagged Clothes Collection: Toothache (oil on canvas)

Toothache (oil on canvas)
TW426725 Toothache (oil on canvas) by Nicol, Erskine (1825-1904); 53.2x43 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

Background imageRagged Clothes Collection: Beggar leaning on a stick, c. 1630 (etching)

Beggar leaning on a stick, c. 1630 (etching)
5979144 Beggar leaning on a stick, c.1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 8.5x4.6 cm; Ashmolean Museum, University of Oxford

Background imageRagged Clothes Collection: Beggar in a high cap, c. 1630 (etching)

Beggar in a high cap, c. 1630 (etching)
XJF416579 Beggar in a high cap, c.1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); Private Collection; Dutch, out of copyright

Background imageRagged Clothes Collection: Pretty Bob, Poor Bob, Bandy Bob, 1819 (engraving)

Pretty Bob, Poor Bob, Bandy Bob, 1819 (engraving)
XJF391591 Pretty Bob, Poor Bob, Bandy Bob, 1819 (engraving) by Cruikshank, George (1792-1878); Private Collection; (add.info)

Background imageRagged Clothes Collection: Children of the Sea, 1872 (oil on canvas)

Children of the Sea, 1872 (oil on canvas)
XOS2909711 Children of the Sea, 1872 (oil on canvas) by Israels, Jozef (Josef) (1824-1911); 48.5x93.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: ); Dutch, out of copyright

Background imageRagged Clothes Collection: A London School-Board Capture, 2. 40am, from The Illustrated London News

A London School-Board Capture, 2. 40am, from The Illustrated London News
XJF265800 A London School-Board Capture, 2.40am, from The Illustrated London News, 9th September 1871 (engraving) (b/w photo) by English School

Background imageRagged Clothes Collection: Poverty follows Wealth, Gillis van Breen, Cornelius Schonaeus, 1595 - 1605

Poverty follows Wealth, Gillis van Breen, Cornelius Schonaeus, 1595 - 1605


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"Unveiling the Stories of Ragged Clothes: A Glimpse into Humanity's Struggles" Beggar seated on a bank, 1630 (etching): In tattered garments, he finds solace amidst life's uncertainties. Boys Playing Dice, c. 1670-75 (oil on canvas): Amidst their youthful innocence, ragged clothes mirror the harsh realities they face. Beggar with a crippled hand, c. 1629 (etching): His worn-out attire tells tales of resilience and survival against all odds. Ragged Peasant with his Hands behind Him, holding a Stick, c. 1630 (etching): The stick becomes both support and symbol of hope for this impoverished soul. Old beggar woman with a gourd, c. 1629 (etching): Her ragged clothing conceals wisdom gained through years of hardship and struggle. As Happy as a King, 1884 (oil on canvas): Even in destitution, one can find joy that transcends material possessions - an inspiring contrast to ragged clothes. The Expected Penny (oil on panel): Every threadbare garment carries stories of anticipation for even the smallest acts of kindness from passersby. Baked potato seller, 1892 (b/w photo): Through frayed attire emerges an unwavering spirit determined to make ends meet by selling humble sustenance. Rickety Rackety Crew, 1895 (litho) : Ragged clothes unite this unconventional crew as they navigate life's challenges together with laughter and resilience Toothache (oil on canvas) : Within every tear-stained fabric lies the pain endured silently by those who cannot afford proper care or relief Beggar leaning on a stick, c. 1630 ( etching) : The well-worn staff serves as both crutch and companion, a symbol of strength amidst adversity.