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Raffael Collection

Raffael, also known as Raffaello Sanzio da Urbino, was a renowned Italian artist during the Renaissance period

Background imageRaffael Collection: Portrait of a Young Woman (La Muta), ca 1507. Creator: Raphael (Raffaello Sanzio da Urbino)

Portrait of a Young Woman (La Muta), ca 1507. Creator: Raphael (Raffaello Sanzio da Urbino)
Portrait of a Young Woman (La Muta), ca 1507. Found in the Collection of Galleria nazionale delle Marche, Urbino

Background imageRaffael Collection: The School of Athens. (Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael

The School of Athens. (Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael
The School of Athens. (Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: Disputation of the Holy Sacrament (La disputa del sacramento), 1509-1510. Creator

Disputation of the Holy Sacrament (La disputa del sacramento), 1509-1510. Creator
Disputation of the Holy Sacrament (La disputa del sacramento), 1509-1510. Found in the Collection of Apostolic Palace, Vatican

Background imageRaffael Collection: Raphael paints the portrait of Fornarina, 1834. Creator: Schiavoni, Felice (1803-1881)

Raphael paints the portrait of Fornarina, 1834. Creator: Schiavoni, Felice (1803-1881)
Raphael paints the portrait of Fornarina, 1834. Found in the Collection of the Pinacoteca Tosio Martinengo, Brescia.

Background imageRaffael Collection: Study for La belle jardiniere, ca 1506-1507. Creator: Raphael (Raffaello Sanzio da Urbino)

Study for La belle jardiniere, ca 1506-1507. Creator: Raphael (Raffaello Sanzio da Urbino)
Study for La belle jardiniere, ca 1506-1507. Found in the Collection of Musee du Louvre, Paris

Background imageRaffael Collection: Head of an Angel. Creator: Raphael (Raffaello Sanzio da Urbino) (1483-1520)

Head of an Angel. Creator: Raphael (Raffaello Sanzio da Urbino) (1483-1520)
Head of an Angel. Found in the Collection of Musee du Louvre, Paris

Background imageRaffael Collection: Head and hand study, 1518-20 (pencil on paper)

Head and hand study, 1518-20 (pencil on paper)
3957026 Head and hand study, 1518-20 (pencil on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); eThe Devonshire Collections

Background imageRaffael Collection: Allegory of Grammatica (metalpoint on grey prepared surface

Allegory of Grammatica (metalpoint on grey prepared surface
3957014 Allegory of Grammatica (metalpoint on grey prepared surface, heightened with white bodycolour) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 11.2x6.4 cm; eThe Devonshire Collections

Background imageRaffael Collection: Neoptolemus taking Andromache into captivity after the Fall of Troy (pen & ink on paper)

Neoptolemus taking Andromache into captivity after the Fall of Troy (pen & ink on paper)
3957019 Neoptolemus taking Andromache into captivity after the Fall of Troy (pen & ink on paper) by Romano, Giulio (1492-1546); 26.2x40.4 cm; eThe Devonshire Collections

Background imageRaffael Collection: Head of Pope Leo X (chalk on paper)

Head of Pope Leo X (chalk on paper)
3957017 Head of Pope Leo X (chalk on paper) by Romano, Giulio (1492-1546); 33.7x26.8 cm; eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian

Background imageRaffael Collection: St. Paul rending his garments, 1514-15 (metalpoint, heightened with white bodycolour

St. Paul rending his garments, 1514-15 (metalpoint, heightened with white bodycolour
3957015 St. Paul rending his garments, 1514-15 (metalpoint, heightened with white bodycolour, on lilac grey preparation) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Background imageRaffael Collection: Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the

Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the
3957013 Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the Quos ego, 1516 (pen & brown ink on paper) (recto of 3957027) by Raphael (Raffaello Sanzio of Urbino)

Background imageRaffael Collection: Dido receiving the Trojans in audience, study for a border scene of the Quos ego

Dido receiving the Trojans in audience, study for a border scene of the Quos ego
3957028 Dido receiving the Trojans in audience, study for a border scene of the Quos ego engraving, 1516 (pen & ink on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Background imageRaffael Collection: Nude studies for St. Andrew and another apostle in The Transfiguration, c

Nude studies for St. Andrew and another apostle in The Transfiguration, c
3957024 Nude studies for St. Andrew and another apostle in The Transfiguration, c.1517 (red chalk over stylus indentation on cream paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520)

Background imageRaffael Collection: Study for warrior fallen in The Battle of Constantine

Study for warrior fallen in The Battle of Constantine
3957018 Study for warrior fallen in The Battle of Constantine, Sala di Costantino (chalk on paper) by Romano, Giulio (1492-1546); 22.2x30.2 cm; eThe Devonshire Collections

Background imageRaffael Collection: The Man Of Taste (engraving)

The Man Of Taste (engraving)
2905789 The Man Of Taste (engraving) by Hogarth, William (1697-1764) (after); Private Collection; (add.info.: The Man Of Taste)

Background imageRaffael Collection: Adoration of the Holy Family in an interior (pen & brown ink with brown wash

Adoration of the Holy Family in an interior (pen & brown ink with brown wash
3957023 Adoration of the Holy Family in an interior (pen & brown ink with brown wash and white heightening on cream paper) by Parmigianino (Francesco Mazzola) (1503-40) (follower of)

Background imageRaffael Collection: The Resurrection (pen & brown ink and white bodycolour on paper)

The Resurrection (pen & brown ink and white bodycolour on paper)
3957020 The Resurrection (pen & brown ink and white bodycolour on paper) by Penni, Giovanni Francesco (il Fattore) (c.1488-1528); 14.7x41.5 cm; eThe Devonshire Collections

Background imageRaffael Collection: The Emperor Constantine, addressing his troops, startled by the vision of the Cross in

The Emperor Constantine, addressing his troops, startled by the vision of the Cross in
3957021 The Emperor Constantine, addressing his troops, startled by the vision of the Cross in the sky (pen & ink on paper) by Penni

Background imageRaffael Collection: Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the

Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the
3957027 Aeneas escorted by Dido, study for the border scene (3rd compartment left) of the Quos ego, 1516 (pricked outlines & red chalk on paper) (verso of 3957013)

Background imageRaffael Collection: Study for The Transfiguration (red chalk on paper)

Study for The Transfiguration (red chalk on paper)
3957016 Study for The Transfiguration (red chalk on paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 24.6x34 cm; eThe Devonshire Collections

Background imageRaffael Collection: The Parnassus. Detail. (Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael

The Parnassus. Detail. (Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael
The Parnassus. Detail. (Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: Marsyas and Apollo. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator

Marsyas and Apollo. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator
Marsyas and Apollo. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: The Primum mobile. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator

The Primum mobile. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator
The Primum mobile. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: Ceiling. (Fresco in Stanza della Segnatura), ca 1510-1511

Ceiling. (Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: The Philosophy. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator

The Philosophy. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator
The Philosophy. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: The School of Athens. Detail. (Fresco in Stanza della Segnatura), ca 1510-1511. Creator

The School of Athens. Detail. (Fresco in Stanza della Segnatura), ca 1510-1511. Creator
The School of Athens. Detail. (Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: The Parnassus. Detail (Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael

The Parnassus. Detail (Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael
The Parnassus. Detail (Fresco in Stanza della Segnatura), ca 1510-1511. Found in the Collection of Apostolic Palace, Vatican

Background imageRaffael Collection: Theology. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael

Theology. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator: Raphael
Theology. (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: Ceiling in Stanza della Segnatura, ca 1510-1511. Creator: Raphael (Raffaello Sanzio da Urbino)

Ceiling in Stanza della Segnatura, ca 1510-1511. Creator: Raphael (Raffaello Sanzio da Urbino)
Ceiling in Stanza della Segnatura, ca 1510-1511. Private Collection

Background imageRaffael Collection: Disputa. Detail: Dante Alighieri (Fresco in Stanza della Segnatura), ca 1510-1511

Disputa. Detail: Dante Alighieri (Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: The Judgment of Solomon (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator

The Judgment of Solomon (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Creator
The Judgment of Solomon (Ceiling Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: Disputa. Detail: God the Father. (Fresco in Stanza della Segnatura), ca 1510-1511

Disputa. Detail: God the Father. (Fresco in Stanza della Segnatura), ca 1510-1511. Private Collection

Background imageRaffael Collection: Raphael and Fornarina, 1869. Creator: Induno, Gerolamo (1825-1890)

Raphael and Fornarina, 1869. Creator: Induno, Gerolamo (1825-1890)
Raphael and Fornarina, 1869. Private Collection

Background imageRaffael Collection: Bramante Presents Raphael to Pope Julius II, ca 1836. Creator: Riepenhausen, Johann Christian

Bramante Presents Raphael to Pope Julius II, ca 1836. Creator: Riepenhausen, Johann Christian
Bramante Presents Raphael to Pope Julius II, ca 1836. Found in the Collection of Thorvaldsens Museum, Copenhagen

Background imageRaffael Collection: Raphael and the Bakers Daughter, 1846

Raphael and the Bakers Daughter, 1846. Found in the Collection of Columbus Museum of Art, Ohio

Background imageRaffael Collection: La donna velata (The woman with the veil), 1516

La donna velata (The woman with the veil), 1516. Found in the Collection of Palazzo Pitti, Florence

Background imageRaffael Collection: Raphael Painting The Madonna of The Chair, 1849

Raphael Painting The Madonna of The Chair, 1849. Found in the Collection of Galleria Civica d Arte Moderna, Torino

Background imageRaffael Collection: Madonna del Granduca

Madonna del Granduca. Found in the Collection of Galleria Palatina, Florence

Background imageRaffael Collection: The Vision of Ezekiel

The Vision of Ezekiel. Found in the Collection of Palazzo Pitti, Florence

Background imageRaffael Collection: Madonna of Foligno, 1511-1512

Madonna of Foligno, 1511-1512. Found in the collection of Musei Vaticani in Viale Vaticano, Rome

Background imageRaffael Collection: Saint Sebastian, ca 1501-1502. Artist: Raphael (1483-1520)

Saint Sebastian, ca 1501-1502. Artist: Raphael (1483-1520)
Saint Sebastian, ca 1501-1502. Found in the collection of Accademia Carrara, Bergamo

Background imageRaffael Collection: Head of an Angel, c. 1520. Artist: Raphael (1483-1520)

Head of an Angel, c. 1520. Artist: Raphael (1483-1520)
Head of an Angel, c. 1520. Found in the collection of Szepmuveszeti Muzeum, Budapest

Background imageRaffael Collection: Predella Panel of the Fano Altarpiece, 1497. Artist: Raphael (1483-1520)

Predella Panel of the Fano Altarpiece, 1497. Artist: Raphael (1483-1520)
Predella Panel of the Fano Altarpiece, 1497. Found in the collection of Pinacoteca Civica di Fano

Background imageRaffael Collection: The Ecstasy of Saint Cecilia, ca 1514. Artist: Raphael (1483-1520)

The Ecstasy of Saint Cecilia, ca 1514. Artist: Raphael (1483-1520)
The Ecstasy of Saint Cecilia, ca 1514. Found in the collection of Pinacoteca Nazionale di Bologna

Background imageRaffael Collection: Madonna Colonna, 1508. Artist: Raphael (1483-1520)

Madonna Colonna, 1508. Artist: Raphael (1483-1520)
Madonna Colonna, 1508. Found in the collection of the Staatliche Museen, Berlin



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Raffael, also known as Raffaello Sanzio da Urbino, was a renowned Italian artist during the Renaissance period. His works are celebrated for their exquisite detail and masterful technique. One of his most famous pieces is "The School of Athens, " a fresco located in the Stanza della Segnatura. Painted around 1510-1511, it depicts an array of philosophers and scholars engaged in intellectual discourse. Another notable artwork by Raffael is "Portrait of a Young Woman" (La Muta), created circa 1507. This captivating portrait showcases his ability to capture the essence and beauty of his subjects with great precision. In "Disputation of the Holy Sacrament" (La disputa del sacramento), completed between 1509-1510, Raffael explores religious themes through a dynamic composition that portrays various figures engaging in theological debate. His talent extended beyond painting as seen in his meticulous studies such as "Head of an Angel. " Created using pencil on paper, this piece demonstrates Raffael's attention to anatomical details and delicate shading techniques. Raffael's versatility can be observed in different mediums like metalpoint on grey prepared surface used for the creation of "Allegory of Grammatica. " This work exemplifies his skillful use of lines to convey depth and texture. Furthermore, he showcased his proficiency in pen & ink on paper with pieces like "Neoptolemus taking Andromache into captivity after the Fall of Troy. " These intricate illustrations reveal Raffael's ability to depict dramatic scenes with emotional intensity. Amongst his many sketches is "Head and hand study, " executed between 1518-20 using pencil on paper. It highlights Raffael's dedication to honing his craft through constant practice and observation.