Quiver Collection (page 4)

DDE-90021507
Africa, Namibia, Keetmanshoop, Afternoon sun lights Quiver Tree (Aloe dichotoma) in Kokerboomwoud (Quiver Tree Forest) Date: 19/02/2005

DDE-90021500
Africa, Namibia, Keetmanshoop, Setting sun lights Quiver Tree (Aloe dichotoma) in Kokerboomwoud (Quiver Tree Forest) Date: 19/02/2005

DDE-90021494
Africa, Namibia, Keetmanshoop, Sunrise lights Quiver Trees (Aloe dichotoma) and igneous rocks in Giant's Playground Date: 19/02/2005

DDE-90021468
Africa, Namibia, Keetmanshoop, Evening twilight lights Quiver Tree (Aloe dichotoma) in Kokerboomwoud (Quiver Tree Forest) at dusk Date: 19/02/2005

Statue of Diana Venatrix, Roman goddess of the hunt, with bow, arrow and quiver
5323779 Statue of Diana Venatrix, Roman goddess of the hunt, with bow, arrow and quiver by David, Francois-Anne (1741-1824); (add.info.: Statue of Diana Venatrix, Roman goddess of the hunt, with bow)

Taos Hunter (oil on canvas)
HEH372279 Taos Hunter (oil on canvas) by Moon, Carl (1878-1948); 81.3x66 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Standing child carrying a bow and quiver, mid 17th century (bronze with gilding & tortoiseshell)
6356275 Standing child carrying a bow and quiver, mid 17th century (bronze with gilding & tortoiseshell) by Duquesnoy, Francois (1597-1643) (workshop of); height

Hope Comforting Love in Bondage, 1901 (oil on canvas)
BIR108329 Hope Comforting Love in Bondage, 1901 (oil on canvas) by Meteyard, Sidney (1868-1947); 104.2x109.2 cm; Birmingham Museums and Art Gallery; English, out of copyright

Standing child carrying a bow and quiver, mid 17th century (bronze with gilding & tortoiseshell)
6356276 Standing child carrying a bow and quiver, mid 17th century (bronze with gilding & tortoiseshell) by Duquesnoy, Francois (1597-1643) (workshop of); height

Standing child carrying a bow and quiver, mid 17th century (bronze with gilding & tortoiseshell)
6356274 Standing child carrying a bow and quiver, mid 17th century (bronze with gilding & tortoiseshell) by Duquesnoy, Francois (1597-1643) (workshop of); height

Hat, soldier with lance, helmet and shield, shield, targe, quiver, bow, chariots, and archer, 11th century
6340027 Hat, soldier with lance, helmet and shield, shield, targe, quiver, bow, chariots, and archer, 11th century by Villain (19th century); (add.info.: Hat, soldier with lance, helmet and shield)

Woman in crepe-de-chine gown with belt and bag embroidered with pearls. A cupid aims a love dart at her head
5893023 Woman in crepe-de-chine gown with belt and bag embroidered with pearls. A cupid aims a love dart at her head. Robe de crepe de chine, sac et ceinture brodes de perles

Ingenuity, 1734 (fresco)
5949097 Ingenuity, 1734 (fresco) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Villa Loschi Motterle, Vicenza, Veneto

Statue of Eros, Greek god of love, naked with quiver, launching invisible arrows with an invisible bow
5323799 Statue of Eros, Greek god of love, naked with quiver, launching invisible arrows with an invisible bow by David, Francois-Anne (1741-1824); (add.info.: Statue of Eros, Greek god of love)

Minerva (oil on canvas)
3087321 Minerva (oil on canvas) by Sylvius, Johan (c.1620-95); 164 x 122 cm; National Museum, Stockholm, Sweden; Swedish, out of copyright

The Quiver Olympic Archery Womens Archery Olympic Stadium, Beijing, China 14 August 2008 Date: 14 August 2008

Fol. 62r, Almo Sol, quella fronde ch io sol amo, from Canzoniere e Trionfi by Petrarch, c. 1470
XOT366478 Fol. 62r, Almo Sol, quella fronde ch io sol amo, from Canzoniere e Trionfi by Petrarch, c.1470 by Italian School, (15th century); Biblioteca Queriniana, Brescia

Empress Jingu (left), and Her Minister Takenouchi no Sukune (right), late 1780s

Minamoto no Yoritomo Hiding in a Tree, c. 1758. Creator: Torii Kiyoshige
Minamoto no Yoritomo Hiding in a Tree, c. 1758

Chained Prisoners are Brought Before a King, a scene from the Gulistan of Sa di, c. 1550

Eros Gathering Flowers (Furnishing Fabric), Bolbec, c. 1800. Creator: Unknown
Eros Gathering Flowers (Furnishing Fabric), Bolbec, c. 1800. Floral print with motifs of bow and quiver, and the god of love picking flowers

Amorini et Medallions (Cupid and Medallions) (Furnishing Fabric), France, c. 1810. Designed by Jean Baptiste Huet, manufactured by Christophe Philippe Oberkampf

Allegorie al Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815
Allegorie a l Amour (Homage to Love) (Furnishing Fabric), Nantes, c. 1815. Possibly after Angelica Kauffman, manufactured by Favre-Petitpierre & Cie

Allegory of Venus and Cupid, c. 1600. Creator: Unknown
Allegory of Venus and Cupid, c. 1600. Imitator of Titian

Armida Encounters the Sleeping Rinaldo, 1742 / 45. Creator: Giovanni Battista Tiepolo
Armida Encounters the Sleeping Rinaldo, 1742/45

Two Putti, 1490 / 1510. Creator: Matteo di Giovanni
Two Putti, 1490/1510

Venus and Cupid, c. 1570. Creator: Luca Cambiaso
Venus and Cupid, c. 1570

Quiver in Mideastern Manner with Associated Arrows, Venice, c. 1800. Creator: Unknown
Quiver in Mideastern Manner with Associated Arrows, Venice, c. 1800

The Family of the oriental Peasant, from the Scherzi, ca. 1740

Bold satire in the depths of the forest (Satire audacieux, dans le fond des forets), 1714-39

Venus entrusting Cupid to Time, 1758-80. Creator: Giovanni Domenico Tiepolo
Venus entrusting Cupid, [or possibly her son Aeneas], to Time, 1758-80

Diana, Plate XIX (19). From "Museum Florentinum"
Diana, Plate XIX (19). From " Museum Florentinum" (Statuae antiquae dorum et virorum illustrium), 1734

Man and woman of Jagga, from the kingdoms of Monoemugi and Caffraria, Africa, 1818
6338258 Man and woman of Jagga, from the kingdoms of Monoemugi and Caffraria, Africa, 1818 by English School, (18th century); (add.info.: Man and woman of Jagga)

Figure of the Apollino, after the antique, c. 1722 (bronze)
747159 Figure of the Apollino, after the antique, c.1722 (bronze) by Italian School, (18th century); height: 58.4 cm; Private Collection; (add.info.: On an integrally cast oval base)

Cupid drawing an Arrow from a Quiver, in a Landscape
827541 Cupid drawing an Arrow from a Quiver, in a Landscape, (oiled black chalk on light brown paper) by Guercino (Giovanni Francesco Barbieri) (1591-1666)

Cupid Sharpening his Arrows
CH23388 Cupid Sharpening his Arrows by Gessi, Francesco Giovanni (1588-1649); Private Collection; Photo eChristies Images; Italian, out of copyright

Jupiter, Disguised as a Shepherd, Seducing Mnemosyne, the Goddess of Memory
4071467 Jupiter, Disguised as a Shepherd, Seducing Mnemosyne, the Goddess of Memory, 1727 (oil on canvas) by Wit, Jacob de (1695-1754); 240x205 cm; Rijksmuseum, Amsterdam

Diana with Nymphs, Dogs and Game (oil on canvas)
3930928 Diana with Nymphs, Dogs and Game (oil on canvas) by Aachen, Johann or Hans von (1552-1616) (follower of); 123.5x82 cm; National Museum, Stockholm

Habit of a Mandarin of War in Chinese Tartary in 1700 (engraving)
3640489 Habit of a Mandarin of War in Chinese Tartary in 1700 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of a Mandarin of War in Chinese Tartary in 1700)

Habit of a Tartarian Prince in 1700 (engraving)
3640477 Habit of a Tartarian Prince in 1700 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of a Tartarian Prince in 1700)

Habit of the Grand Seigniors Body Guard in 1749 (engraving)
3640466 Habit of the Grand Seigniors Body Guard in 1749 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of the Grand Seigniors Body Guard in 1749)

Greek shield viewed inside, helmet, greaves, sword, bow, quiver and two heralds staffs, or sceptres (engraving)
5200820 Greek shield viewed inside, helmet, greaves, sword, bow, quiver and two heralds staffs, or sceptres (engraving) by English School

Diana and her Dog, c. 1717-20 (oil on canvas)
5242281 Diana and her Dog, c.1717-20 (oil on canvas) by Ricci, Sebastiano (1658-1734); 74x55.6 cm; J. Paul Getty Museum, Los Angeles, USA; Italian, out of copyright

Amazon (marble)
703279 Amazon (marble) by Phidias (c.500-c.432 BC); Antiquarium, Tivoli, Italy; Greek, out of copyright

Indian warrior, 15th Century (chromolitho)
972391 Indian warrior, 15th Century (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Indian warrior, 15th Century)

Royal Thames Yacht Club, the Yachts rounding near Chapman Head (engraving)
1097584 Royal Thames Yacht Club, the Yachts rounding near Chapman Head (engraving) by English School, (19th century); Private Collection; (add.info.: Royal Thames Yacht Club)

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"Unleashing the Power of the Quiver: A Journey through Time and Mythology" Step back into the medieval era, where archers with their trusty quivers roamed the land. Picture Judi Trott as Maid Marion, her quiver slung over her shoulder, ready to defend justice alongside Robin Hood. Intriguingly depicted in The Art of Archerie's frontispiece from 1634, an engraving showcases a skilled archer reaching for an arrow from his quiver. The Misfitz - Robin Hood troupe brings this iconic image to life on stage. But it's not just in medieval times that we find references to the quiver. Cupid himself is often portrayed holding one in Les Amours des Dieux' painting "Cupids Target, " emphasizing love's power as sharp as any arrow. Traveling further back in time, witness medieval men engaging in the archery game of Popinjay while Elizabeth Fry leaves her mark by founding Quiver – a magazine aimed at promoting moral values among children. Nature itself offers its own version of a celestial quiver; behold the breathtaking sight of Milky Way Over Quiver Trees standing tall against a starry backdrop—a true marvel for stargazers. During Christmas carol services at London's Foundling Hospital, melodies filled the air as voices harmonized under flickering candlelight—each note hitting hearts like arrows released from a well-stocked quiver. Maritime history intertwines with our story too; envision The Chichester ship majestically sailing off Greenhithe, Kent—the crew armed with courage and determination akin to an archer drawing arrows from their trusted quivers. Mythology comes alive when contemplating Artemis, Goddess of Hunt—a marble statue capturing her poised stance with bow and full quiver—an embodiment of strength and grace combined. Finally, Three Loves showcases one figure holding both grapes and a quiver, symbolizing the intertwining nature of love and desire throughout history.