Quentin Metsys The Elder Collection

Portrait of a Man Holding a Rosary, 1510-1520. Creator: Unknown
Portrait of a Man Holding a Rosary, 1510-1520

Quintin Metsys, The Blacksmith of Antwerp - the Portrait, 1857. Creator: Cheetham
Quintin Metsys, The Blacksmith of Antwerp - the Portrait, 1857. Imaginary scene where Master Van Twylt admires a portrait of his daughter Alyt painted by Quentin Matsys (1465-1530)

Christ Carrying the Cross, c.1510-c.1515. Creator: Quentin Metsys I
Christ Carrying the Cross, c.1510-c.1515

Virgin and Child, c.1525-c.1530. Creator: Workshop of Quinten Metsys
Virgin and Child, c.1525-c.1530

Portrait of Desiderius Erasmus, after c.1535. Creator: Unknown
Portrait of Desiderius Erasmus, after c.1535. Copy after Quinten Massijs

Painting of the Madonna and Child by Quentin Metsys belonging to George Schulein, 1927 Creator: Quentin Metsys I
Painting of the Madonna and Child by Quentin Metsys belonging to George Schulein, 1927

Christ, after Dirck Bouts. Creator: Unknown
Christ, after Dirck Bouts

Quintin Metsys, 1857. Creator: Cheetham
Quintin Metsys, 1857. Portrait of Flemish artist Quentin Matsys (1466-1530). There is a tradition alleging that he was trained as an ironsmith before becoming a painter

Portrait of a Man with a Pink, 1500 / 10. Creator: Quentin Metsys I
Portrait of a Man with a Pink, 1500/10

The Adoration of the Magi, 1526. Creator: Quentin Metsys I
The Adoration of the Magi, 1526

Portrait of a Woman, ca. 1520. Creator: Quentin Metsys I
Portrait of a Woman, ca. 1520

The Moneylenders, c1515, (1912). Artist: Quentin Metsys I
The Moneylenders, c1515, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

The Moneylender and his Wife, 1514. Artist: Quentin Metsys I
The Moneylender and his Wife, 1514. Painting housed in the Louvre, Paris. From A History of Painting, Volume IV by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]

Head of Christ, c15th century, (1905). Artist: Quentin Metsys I
Head of Christ, c15th century. From The Connoisseur Vol XL [Otto Limited, London, 1905.]

St Mary Magdalene, (1927). Artist: Quentin Metsys I
St Mary Magdalene, (1927). Found in the collection of the Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium. A print from Flemish and Belgian art 1300-1900

Petrus Aegidius, (1927). Artist: Quentin Metsys I
Petrus Aegidius, (1927). A print from Flemish and Belgian art 1300-1900, The Exhibition organised by the Anglo-Belgian Union at Burlington House, London

The Misers, c1480-1530 (1843). Artist: J Jackson
The Misers, c1480-1530 (1843). An engraving from The Art-Union Scrap Book, Henry G Bohn, London, 1843

Quentin Matsys, painter in the Flemish tradition, (1825). Artist: John Corner
Quentin Matsys, painter in the Flemish tradition, (1825). An engraving of Matsys (1466-1530) from John Corners Portraits of Celebrated Painters, (London, 1825)

The Adoration of the Magi, 1526. Artist: Quentin Metsys I
The Adoration of the Magi, 1526. Located in the collection at, Metropolitan Museum of Art, New York

Paracelsus Aracelsus (1493-1541), Swiss-born German physician and alchemist
Paracelsus Aracelsus (Theophrastus Bombastus Von Hohenheim) (1493-1541), Swiss-born German physician and alchemist. Paracelsus studied at Vienna University before becoming a military surgeon in

Triptych, c1486-1530. Artist: Quentin Metsys I
Triptych, c1486-1530. A triptych with the Crucifixion as the main panel flanked by panels of donors and saints

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Quentin Metsys the Elder, a renowned Flemish painter in the 15th and 16th centuries, left an indelible mark on art history with his masterful works. One of his notable creations is "Portrait of a Man with a Pink, " painted in 1500. This captivating piece showcases Metsys' ability to capture the essence and character of his subjects. In "The Adoration of the Magi" from 1526, Metsys demonstrates his talent for storytelling through art. The painting depicts the biblical scene where three wise men pay homage to baby Jesus. With meticulous attention to detail and vibrant colors, he transports viewers into this sacred moment. Metsys also excelled at portraiture, as seen in "Portrait of a Woman" circa 1520. Through delicate brushstrokes and subtle expressions, he reveals the inner beauty and personality of his subjects. "The Moneylenders, " created around 1515, portrays an intriguing narrative about greed and wealth during that era. Metsys skillfully captures human emotions while highlighting societal issues that still resonate today. Another remarkable work by Quentin Metsys is "The Moneylender and his Wife" from 1514. In this painting, he explores themes of love and trust within marriage against a backdrop of financial transactions. With pieces like "Head of Christ, " dating back to the fifteenth century, Quentin Metsys showcases religious devotion through exquisite craftsmanship. His portrayal evokes both reverence and compassion towards Christ's suffering. In addition to these iconic artworks attributed to him over time are other paintings such as "St Mary Magdalene" (1927) or "Petrus Aegidius" (1927). These later attributions demonstrate how influential Quentin Matsys remains even after centuries have passed since their creation. Not only did artists find inspiration in Quentin Matsy's legacy but also writers like J Jackson who depicted one famous artwork, "The Misers, " in 1843.