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Pyle Collection (page 4)

"Pyle: The Nation Makers and the Art of History" Step into the world of Howard Pyle, a renowned American artist whose brushstrokes brought history to life

Background imagePyle Collection: TOLL GATE, 1879. An old Government Toll Gate with Westward-Bound Express

TOLL GATE, 1879. An old Government Toll Gate with Westward-Bound Express. Wood engraving, American, 1879, after Howard Pyle

Background imagePyle Collection: HOWARD PYLE: FIREPLACE. Old tiled Fire Place, Winthrop House

HOWARD PYLE: FIREPLACE. Old tiled Fire Place, Winthrop House. Wood engraving, American, after Howard Pyle, 1879

Background imagePyle Collection: GERMAN BAPTIST, 1880. A Dunker from Ephrata, Pennsylvania. Wood engraving after Howard Pyle, 1880

GERMAN BAPTIST, 1880. A Dunker from Ephrata, Pennsylvania. Wood engraving after Howard Pyle, 1880

Background imagePyle Collection: KISS OF PEACE, c1880. Two German Baptists (Dunkers) at Ephrata, Pennsylvania

KISS OF PEACE, c1880. Two German Baptists (Dunkers) at Ephrata, Pennsylvania, greet each other with the kiss of peace. Wood engraving after Howard Pyle, c1880

Background imagePyle Collection: DUNKERS AT EPHRATA, 1880. German Baptists on their way to the meeting at Ephrata, Pennsylvania

DUNKERS AT EPHRATA, 1880. German Baptists on their way to the meeting at Ephrata, Pennsylvania. Wood engraving after Howard Pyle, c1880

Background imagePyle Collection: EPHRATA: KLOSTER, 1880. The Kloster (monastery) of the celibate German Baptists, or Dunkers

EPHRATA: KLOSTER, 1880. The Kloster (monastery) of the celibate German Baptists, or Dunkers, at Ephrata, Pennsylvania. Wood engraving after Howard Pyle, c1880

Background imagePyle Collection: DUNKER DORMITORY, c1880. A dormitory in the sisters house of the German Baptists at Ephrata

DUNKER DORMITORY, c1880. A dormitory in the sisters house of the German Baptists at Ephrata, Pennsylvania. Wood engraving after Howard Pyle, c1880

Background imagePyle Collection: LANCASTER, PENNSYLVANIA. An old house in Lancaster, Pennsylvania

LANCASTER, PENNSYLVANIA. An old house in Lancaster, Pennsylvania. Wood engraving after Howard Pyle, 1880

Background imagePyle Collection: THE CONTRA-DANCE, 1882. Illustration by Howard Pyle, 1882

THE CONTRA-DANCE, 1882. Illustration by Howard Pyle, 1882

Background imagePyle Collection: GERMAN BAPTIST BRETHREN. A Love Feast among the Dunkers at Ephrata, Pennsylvania

GERMAN BAPTIST BRETHREN. A Love Feast among the Dunkers at Ephrata, Pennsylvania. Wood engraving after Howard Pyle, 1883

Background imagePyle Collection: ROAD TRAVEL, 19th CENTURY. An old government tollgate, with westward bound express

ROAD TRAVEL, 19th CENTURY. An old government tollgate, with westward bound express, on the Old National Pike. Wood engraving, American, 1879, after Howard Pyle

Background imagePyle Collection: KING WILLIAMs WAR, c1690. He staggers with him through the woods

KING WILLIAMs WAR, c1690. He staggers with him through the woods. English colonists harried by King Williams War (1689-1697). Line engraving, 19th century, after Howard Pyle

Background imagePyle Collection: BRITISH PRESS-GANG, c1760s. A press-gang operating in New York during the years leading up to

BRITISH PRESS-GANG, c1760s. A press-gang operating in New York during the years leading up to the American Revolutionary War. Wood engraving after a drawing, 1879, by Howard Pyle

Background imagePyle Collection: NEW ENGLAND: QUAKER, 1660. A Quaker exhorter in New England, 1660

NEW ENGLAND: QUAKER, 1660. A Quaker exhorter in New England, 1660. Wood engraving after Howard Pyle (1853-1911)

Background imagePyle Collection: AMERICAN COLONIST. Colonist having his morning dram of rum. Wood engraving, 1882, after Howard Pyle

AMERICAN COLONIST. Colonist having his morning dram of rum. Wood engraving, 1882, after Howard Pyle

Background imagePyle Collection: ARRESTING A WITCH in the streets of Salem, Mass. 1692: engraving, 19th century, after Howard Pyle

ARRESTING A WITCH in the streets of Salem, Mass. 1692: engraving, 19th century, after Howard Pyle

Background imagePyle Collection: NEW YORK: COFFEE HOUSE. In the reading room of an 18th century New York coffee house

NEW YORK: COFFEE HOUSE. In the reading room of an 18th century New York coffee house. Wood engraving, 1890, after Howard Pyle

Background imagePyle Collection: WILLIAM PENN AND CHARLES II. William Penn (1644-1718), left, with King Charles II at Whitehall

WILLIAM PENN AND CHARLES II. William Penn (1644-1718), left, with King Charles II at Whitehall, c1680. Wood engraving after Howard Pyle

Background imagePyle Collection: HOWARD PYLE (1853-1911). American illustrator. Wood engraving, American, 1888

HOWARD PYLE (1853-1911). American illustrator. Wood engraving, American, 1888

Background imagePyle Collection: CARPENTERs HALL. Carpenters Hall, Philadelphia, Pennsylvania, meeting-place of the First

CARPENTERs HALL. Carpenters Hall, Philadelphia, Pennsylvania, meeting-place of the First and Second Continental Congresses of 1774 and 1775. Illustration by Howard Pyle (1853-1911)

Background imagePyle Collection: ROAD TRAVEL. An old wayside tavern on the Old National Pike. Wood engraving, American, 1879

ROAD TRAVEL. An old wayside tavern on the Old National Pike. Wood engraving, American, 1879, after Howard Pyle

Background imagePyle Collection: NEW AMSTERDAM. Dutch settlers strolling along the canal in New Amsterdam

NEW AMSTERDAM. Dutch settlers strolling along the canal in New Amsterdam: engraving after Howard Pyle

Background imagePyle Collection: NEW AMSTERDAM. Along the Canal in Old Manhattan. Wood engraving after Howard Pyle (1853-1911)

NEW AMSTERDAM. Along the Canal in Old Manhattan. Wood engraving after Howard Pyle (1853-1911)

Background imagePyle Collection: ROAD TRAVEL. An old government tollgate, with westward bound express, on the Old National Pike

ROAD TRAVEL. An old government tollgate, with westward bound express, on the Old National Pike. Wood engraving, American, 1879, after Howard Pyle

Background imagePyle Collection: STAGECOACH, 19th CENTURY. Arrival of the coach at an old stage station on the National Road in

STAGECOACH, 19th CENTURY. Arrival of the coach at an old stage station on the National Road in the early 19th century. Wood engraving, American, 1879, after Howard Pyle

Background imagePyle Collection: PENN AND COLONISTS, 1682. William Penn (standing, left center)

PENN AND COLONISTS, 1682. William Penn (standing, left center) meeting with the colonists of his land grant on his first visit to America in 1682. Wood engraving after Howard Pyle

Background imagePyle Collection: SIEUR de CADILLAC (1658-1730). Antoine de La Mothe, Sieur de Cadillac

SIEUR de CADILLAC (1658-1730). Antoine de La Mothe, Sieur de Cadillac. French colonial administrator in America. Cadillac landing at the site of the future city of Detroit, Michigan, on 24 July 1701

Background imagePyle Collection: KENTUCKY: COLONIAL WEDDING. A colonial wedding in Kentucky. Line engraving, American, 1882

KENTUCKY: COLONIAL WEDDING. A colonial wedding in Kentucky. Line engraving, American, 1882, after Howard Pyle

Background imagePyle Collection: COLONIAL SCHOOLMASTER. A colonial schoolmaster and his pupils in 18th century Pennsylvania

COLONIAL SCHOOLMASTER. A colonial schoolmaster and his pupils in 18th century Pennsylvania. Wood engraving, American, 1881, after Howard Pyle

Background imagePyle Collection: NEW YORK, 18th CENTURY. Along the waterfront in old New York: illustration after Howard Pyle

NEW YORK, 18th CENTURY. Along the waterfront in old New York: illustration after Howard Pyle

Background imagePyle Collection: PIRATES: BLACKBEARD. Blackbeard buries his treasure. Wood engraving, 1887, after Howard Pyle

PIRATES: BLACKBEARD. Blackbeard buries his treasure. Wood engraving, 1887, after Howard Pyle

Background imagePyle Collection: ELEMENTARY SCHOOL. A colonial schoolmaster and his pupils in 18th century Pennsylvania

ELEMENTARY SCHOOL. A colonial schoolmaster and his pupils in 18th century Pennsylvania. Wood engraving, American, 1881, after Howard Pyle

Background imagePyle Collection: William Penn / Pyle 1882

William Penn / Pyle 1882
WILLIAM PENN English religious reformer and colonialist, dismissed by his father Date: 1644 - 1718

Background imagePyle Collection: THOMAS JEFFERSON (1743-1826). Third President of the United States

THOMAS JEFFERSON (1743-1826). Third President of the United States. Jefferson writing the Declaration of Independence. Oil on canvas, 1898, by Howard Pyle

Background imagePyle Collection: USOH2A-00001

USOH2A-00001
Settlers from Connecticut entering Ohio Territory after the American Revolution. Hand-colored halftone reproduction of a 19th-century Howard Pyle illustration

Background imagePyle Collection: The combatants cut and slashed with savage fury

The combatants cut and slashed with savage fury. Illustration from Jack Ballisters Fortunes by Howard Pyle, first published by The Century Company 1894

Background imagePyle Collection: Captain Malyoe shot Captain Brand through the head

Captain Malyoe shot Captain Brand through the head. Illustration from The Ghost of Captain Brand by Howard Pyle, first published in Harpers Weekly, 19th December 1896

Background imagePyle Collection: Lincoln (Pyle)

Lincoln (Pyle)
ABRAHAM LINCOLN U.S. President, in his office at the White House, 1865

Background imagePyle Collection: Joan of Arc (Pyle)

Joan of Arc (Pyle)
JOAN OF ARC French heroine



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"Pyle: The Nation Makers and the Art of History" Step into the world of Howard Pyle, a renowned American artist whose brushstrokes brought history to life. Through his masterful paintings, Pyle transported viewers back in time, capturing pivotal moments that shaped our nation. One such masterpiece is "The Battle of Brandywine, " an oil on canvas painting from 1906. This vivid depiction portrays the intensity and valor of the Revolutionary War's Battle of Brandywine in 1777. Pyle's attention to detail allows us to witness firsthand the bravery and sacrifice displayed by those who fought for independence. In another iconic work titled "Battle of Bunker Hill, " painted in 1898, Pyle immortalizes one of America's most significant battles during its fight for freedom. With every stroke, he recreates the chaos and determination that defined this historic event. Pyle's talent extended beyond war scenes as he delved into other realms like piracy. In his captivating artwork depicting pirates capturing a ship, he captures both fear and adventure with remarkable precision. Not limited to historical events alone, it also explored themes like spirituality through works such as "Robert E Lee / Pyle / Spirit. " Here we see a glimpse into the inner struggles faced by General Robert E Lee during the Civil War—a haunting portrayal that speaks volumes about human resilience amidst turmoil. But it wasn't just grand narratives that fascinated Pyle; everyday life intrigued him too. In his piece titled "Chapman or Chapbook Seller, " he offers a glimpse into street vendors peddling their wares—an ode to ordinary people shaping society in their own way. Prolific as ever, Pyle ventured beyond traditional canvases with works like "Bowling (oil on canvasboard). " This playful scene showcases his versatility while highlighting leisure activities enjoyed by Americans throughout history. Even seemingly mundane subjects found beauty under Pyle's brush. His painting "A Business Transaction.