Pseudo Science Collection

Phrenological model of personality traits
Phrenology model of the locations of the " various organs of mind" in the human head, c. 1890. Hand-colored woodcut of a 19th-century illustration

Alchemy. Historical artwork by the German artist Albrecht Durer (1471-1528) titled Melencolia I. It represents one of the four temperaments or humours

Leonhard Thurneysser zum Thurn, from Quinta Essentia, c. 1569 (woodcut)
746862 Leonhard Thurneysser zum Thurn, from Quinta Essentia, c.1569 (woodcut) by Seidel, Daniel (fl.c.1569) (after); Private Collection; (add.info)

The Alchemist, painting by Hellmer (engraving)
2798251 The Alchemist, painting by Hellmer (engraving) by Hellmer, Edmund Ritter von (1850-1935); Private Collection; (add.info.: The Alchemist, Hellmers painting)

Alchemical writers listed by nationality, c. 1700 (pen & ink on paper)
2919725 Alchemical writers listed by nationality, c.1700 (pen & ink on paper) by Newton, Isaac (1642-1727); 18.4x29.3 cm; The University of St

The Hunting of the Green Lyon, recto, c. 1700 (pen & ink on paper)
2919721 The Hunting of the Green Lyon, recto, c.1700 (pen & ink on paper) by Newton, Isaac (1642-1727); 30.5x18.6 cm; The University of St

Record of an experiment in six stages beginning with distillation followed by burning
2919724 Record of an experiment in six stages beginning with distillation followed by burning, further distillation, decoction, calcination and sublimation, c.1700 (pen & ink on paper) by Newton

The Hunting of the Green Lyon, recto, detail, c. 1700 (pen & ink on paper)
2919722 The Hunting of the Green Lyon, recto, detail, c.1700 (pen & ink on paper) by Newton, Isaac (1642-1727); 30.5x18.6 cm; The University of St

Doublures of Characters, or Striking Resemblances in Phisiognomy, published by J
NCO190491 Doublures of Characters, or Striking Resemblances in Phisiognomy, published by J. Wright in 1798 (hand-coloured etching) by Gillray

Laboratory of an alchemist, 18th or 19th century (engraving)
746868 Laboratory of an alchemist, 18th or 19th century (engraving) by English School; Private Collection; The Stapleton Collection; English, out of copyright

The Hunting of the Green Lyon, verso, c. 1700 (pen & ink on paper)
2919723 The Hunting of the Green Lyon, verso, c.1700 (pen & ink on paper) by Newton, Isaac (1642-1727); 30.5x18.6 cm; The University of St

Lisbon, MS 52-XIII-18 f. 1r, miniature representing the correspondences between the organs
LRI3725850 Lisbon, MS 52-XIII-18 f.1r, miniature representing the correspondences between the organs and the planets and the influence of the stars on the moods

Ghost of Annie Morgan appearing before a seance, 1870s
Spiritual materialization of Annie Morgan, said to have been dead for 200 years, revealing herself to mediums in Philadelphia, 1870s. Hand-colored woodcut of a 19th-century illustration

Phrenological Illustration Showing The Psychological Relations Of The Brain. From A 19Th Century Print

Book of Spirits (engraving)
XCF271086 Book of Spirits (engraving) by Barrett, Francis (fl. 1800) (after); Private Collection; English, out of copyright

Marie Jean Pierre Flourens (1794-1867)
Celebrated French physiologist, who became Secretary of the Academy of Sciences, accepted the Professorship of Natural History at the College of France

Phrenology chart

Phrenology model of a head. The pseudo-science of phrenology was based on the belief that a persons intellect and personality were related to the shape of their skull and scalp

Hennig Brand discovering phosphorus
The German alchemist Dr. Hennig Brand discovered phosphorus in Hamburg in 1669. He was using the residue from evaporated urine to search for the philosophers stone

Soviet guns for dispersing hail clouds

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"Pseudo Science: Unveiling the Mysteries of the Past" Step into a world where phrenological models determined personality traits, alchemy sought to turn base metals into gold, and homunculi were believed to exist within human sperm. This captivating woodcut from Leonhard Thurneysser zum Thurn's Quinta Essentia transports us back to the intriguing realm in the 16th century. The Alchemist, depicted in this mesmerizing engraving by Hellmer, captures the essence of those who tirelessly pursued elusive secrets hidden within nature. Their quest for transmutation and immortality fueled their imaginations and pushed boundaries that bridged science and mysticism. Intriguingly, an essay on Dioptrique reveals a belief in homunculi residing inside human sperm - a concept that now seems far-fetched but once captivated minds seeking answers about creation itself. Such ideas highlight how pseudo science often intertwined with religious beliefs during these times. Delving deeper into history, we encounter alchemical writers listed by nationality in this pen and ink illustration from around 1700. These individuals dedicated their lives to unraveling nature's mysteries through experimentation and observation – even if some theories proved unfounded or fantastical. "The Hunting of the Green Lyon" takes us on an enigmatic journey through time as we explore its intricate details captured on paper. The symbolism embedded within this artwork reflects both occult practices and pseudoscientific pursuits prevalent during that era. A glimpse at Muhammad ibn Khutlukh al-Mawsili's geomantic calculator showcases ancient divination techniques based on interpreting patterns formed by tossing handfuls of sand or pebbles onto specially marked surfaces. Though considered esoteric today, such practices were once taken seriously as means to predict future events. Recorded experiments like distillation followed by burning remind us how pseudo scientists meticulously documented their findings while striving for breakthrough discoveries.