Pre Raphaelite Brotherhood Collection (page 5)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825323 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: stained glass window in the West end of Birmingham Cathedral)

Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd
3474918 Birmingham, Ward End, St Margaret, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), The Good Shepherd, 1902 by Morris & Company; Ward End, Birmingham

St George and the Dragon (pencil on paper)
BIR185892 St George and the Dragon (pencil on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; Birmingham Museums Trust

Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper)
451295 Quest for the Holy Grail - Study for the Summons, 1894 (watercolour & gouache on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Angels of Creation: The Third Day, by Sir Edward Burne-Jones (1833-98), c. 1890
ASD54938 Angels of Creation: The Third Day, by Sir Edward Burne-Jones (1833-98), c.1890 by Burne-Jones, Edward Coley (1833-98); Manchester College, Oxford, Oxfordshire, UK; Ann S. Dean, Brighton

C. 2-1922 Morris and Company tile depicting St. Cecilia, designed by Edward Burne-Jones (1833-98)
FIT82956 C.2-1922 Morris and Company tile depicting St. Cecilia, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825326 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: altar and East windows of Birmingham Cathedral, St Philips Cathedral)

Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877 / 78
BAL3809 Angeli Laudantes, tapestry designed by Henry Dearle with figures by Edward Burne-Jones originally drawn in 1877/78, woven at Merton Abbey in 1894 by Morris and Co

Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932)
3474906 Birmingham, Acocks Green, St Mary The Virgin, Morris & Co. Edward Burne-Jones, John Henry Dearle (1859-1932), Overall View of Chancel with alabaster reredos by Bridgman of Lichfield (1903)

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825324 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: East window (side) of Birmingham Cathedral, St Philips Cathedral

Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c
FIT82957 Morris and Company tile depicting Penelope, designed by Edward Burne-Jones (1833-98), painted by Kate Faulkner, c.1865 (painted earthenware) by Morris & Company; diameter

Interior View, All Saints Church, Leek, Staffordshire (photo)
3475575 Interior View, All Saints Church, Leek, Staffordshire (photo) by Morris & Company; All Saints Church, Leek, Staffordshire

Ireland, County Waterford, Lismore, Cathedral of St Carthage, stained glass window by Edward Burne-Jones in Protestant
839155 Ireland, County Waterford, Lismore, Cathedral of St Carthage, stained glass window by Edward Burne-Jones in Protestant cathedral by Burne-Jones, Edward Coley (1833-98); Dorling Kindersley/UIG

Stained glass by Edward Burnes Jones in Birmingham (photo)
3825322 Stained glass by Edward Burnes Jones in Birmingham (photo) by Burne-Jones, Edward Coley (1833-98); (add.info.: altar and East window of Birmingham Cathedral, St Philips Cathedral)

Burne Jones Edward 1833-98 "Christ in Glory", Rome, Church of St. Paul within the Walls
3433441 Burne Jones Edward 1833-98 " Christ in Glory", Rome, Church of St. Paul within the Walls by Burne-Jones, Edward Coley (1833-98); (add.info.:)

William Morris with Edward Burne-Jones, 1874 (b / w photo)
2602393 William Morris with Edward Burne-Jones, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: William Morris (1834-1896) on the right, with Edward Burne-Jones (1833-1898)

Edward Burne-Jones and William Morris, English artists and designers (b / w photo)
7172087 Edward Burne-Jones and William Morris, English artists and designers (b/w photo) by Hollyer, Frederick (1837-1933); Private Collection; (add.info)

Circe Invidiosa, 1872 (oil on canvas)
DGA5609814 Circe Invidiosa, 1872 (oil on canvas) by Waterhouse, John William (1849-1917) (after); 180x87 cm; (add.info.: By Waterhouse); Photo © Fine Art Images

Gathering Summer Flowers in a Devonshire Garden, 1893 (oil on canvas)
6448800 Gathering Summer Flowers in a Devonshire Garden, 1893 (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info.: Waterhouse, John William (1849-1917))

Jesus Christ washing St Peters feet (colour litho)
7201941 Jesus Christ washing St Peters feet (colour litho) by Brown, Ford Madox (1821-93) (after); Private Collection; (add.info.: Jesus Christ washing St Peters feet)

The Last Judgement, detail, St Michael, 1863 (stained glass)
3474786 The Last Judgement, detail, St Michael, 1863 (stained glass) by Bayne, Robert Turnill (1837-1915) & Hassam, Alfred (1843-1868); St Mary, Brome, UK; (add.info.: Heaton)

The Sleeping Princess (oil on canvas)
6436330 The Sleeping Princess (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info.: From the Briar Rose series; model was the artists daughter, Margaret; )

The Lady of Shalott (litho)
7149596 The Lady of Shalott (litho) by Ryland, Henry (1856-1924); Private Collection; (add.info.: The Lady of Shalott.); © Look and Learn

Brother Brushes: Sir John Everett Millais, British artist; Wilhelm Peters, Norwegian artist, working at Newlyn
7148434 Brother Brushes: Sir John Everett Millais, British artist; Wilhelm Peters, Norwegian artist, working at Newlyn, Cornwall (engraving) by May

William Holman Hunt. 19th century (photo)
7212195 William Holman Hunt. 19th century (photo) by Cameron, Julia Margaret (1815-79); (add.info.: William Holman Hunt, 1827 - 1910)

Concert Grand Piano by Sebastien Erard, c. 1850 (painted wood, ebony and ivory keys)
3928560 Concert Grand Piano by Sebastien Erard, c.1850 (painted wood, ebony and ivory keys) by Rooke, Thomas Matthews (1842-1942); 97 x 215 x 140 cm; Private Collection; (add.info)

John Everett Millais, Pre-Raphaelite painter (b / w photo)
7153085 John Everett Millais, Pre-Raphaelite painter (b/w photo) by Dodgson, Charles Lutwidge (Lewis Carroll) (1832-98); Private Collection; (add.info.: John Everett Millais, Pre-Raphaelite painter)

Portrait of Miss Isabella Waugh, study (oil on canvas)
7063446 Portrait of Miss Isabella Waugh, study (oil on canvas) by Hunt, William Holman (1827-1910); 55.9x35.6 cm; Private Collection

Timothy (Cartoon for Lady Chapel east window), March 1872

Samuel (Cartoon for Lady Chapel east window), March 1872

Kneeling Draped Figure, c. 1865-70. Creator: Sir Edward Coley Burne-Jones
Kneeling Draped Figure, c. 1865-70

Standing Draped Figure in Profile to Left, c. 1888-1891

Cupids Hunting Fields, 1885. Creator: Sir Edward Coley Burne-Jones
Cupids Hunting Fields, 1885

Home from Sea, 1856-1863. Creator: Arthur Hughes
Home from Sea, 1856-1863. This work was originally exhibited as The Mothers Grave : a boy in sailors uniform weeps over the grave of his mother who has died while he was at sea

The Return of the Dove to the Ark, 1850. Creator: John Everett Millais
The Return of the Dove to the Ark, 1850. Scene from the Old Testament story of Noahs Ark: a dove, bearing an olive branch, returns to the Ark

Pomona (From Flora and Pomona), England, 1906. Creators: Walter Taylor, John Keich
Pomona (From Flora and Pomona), England, 1906. Figure design 1882, background design 1898. Woven by Walter Taylor and John Keich at the Merton Abbey Tapestry Works, London

Portrait of a Lady, 1870 (chalk on paper)
7076534 Portrait of a Lady, 1870 (chalk on paper) by Rossetti, Dante Gabriel Charles (1828-82); Private Collection; English, out of copyright

Kittens, 1880-96 (oil on canvas)
6452808 Kittens, 1880-96 (oil on canvas) by Leighton, Frederic (1830-96); 119.4x78.8 cm; Private Collection; English, out of copyright

The Annunciation, 1887. Creator: George Hitchcock
The Annunciation, 1887. The Virgin Mary as a Dutch peasant girl standing in a field of lilies

Loves Melancholy, 1866. Creator: Constant Mayer
Loves Melancholy, 1866. Painting of a woman wearing a long black dress with a white scarf tied around her neck. She holds a bouquet of flowers and wears a wedding ring

The Neopolitan, 1864 / 65. Creator: Julia Margaret Cameron
The Neopolitan, 1864/65. A work made of albumen print

The Angel at the Sepulchre, 1869. Creator: Julia Margaret Cameron
The Angel at the Sepulchre, 1869. A work made of albumen print

Queen Henrietta Maria, May 1874. Creator: Julia Margaret Cameron
Queen Henrietta Maria, May 1874. A work made of albumen print

Balaustion, October 1871. Creator: Julia Margaret Cameron
Balaustion, October 1871. A work made of albumen print

Portrait of The Hon. Frank Charteris, 1867. Creator: Julia Margaret Cameron
Portrait of The Hon. Frank Charteris, 1867. A work made of albumen print

Mrs. Herbert Duckworth, April 1867. Creator: Julia Margaret Cameron
Mrs. Herbert Duckworth, April 1867. Black and white photograph of white woman, in profile, Victorian dress

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The Pre-Raphaelite Brotherhood: A Captivating Journey into Artistic Romanticism Step into the enchanting world of the Pre-Raphaelite Brotherhood, a group of visionary artists who sought to revive the purity and intensity of medieval art. Circe Invidiosa, painted by John William Waterhouse in 1892, mesmerizes with its bewitching portrayal of the sorceress from Greek mythology. In 1899, William John Wainwright's Parable Of The Wise And Foolish Virgins captivates viewers with its allegorical depiction of virtue and folly. This thought-provoking piece invites contemplation on human nature and moral choices. John Everett Millais' My First Sermon (1863) and My Second Sermon (1864) offer glimpses into Victorian society through innocent yet profound portrayals of children engaged in religious contemplation. These iconic works evoke a sense of innocence lost amidst societal pressures. Waterhouse's A Mermaid transports us to an ethereal underwater realm where myth meets reality. The artist skillfully captures both beauty and danger as we witness this mythical creature luring sailors to their demise. Crenaia, the nymph of Dargle, immortalized by unknown hands, embodies the allure and mystery associated with nymphs in ancient folklore. Her delicate features transport us to a world steeped in magic and wonder. Narcissus and Echo tell a tragic tale through Millais' brushstrokes - Narcissus enamored by his own reflection while Echo pines away for unrequited love. This poignant representation explores themes such as vanity, obsession, and unattainable desire. Sir Isumbras at the Ford (1857) showcases Millais' mastery at capturing historical narratives filled with chivalry and heroism. This evocative painting transports us back to medieval times when knights embarked on daring quests for honor and glory.