Potteries Collection (page 4)

Broken Pot, c.1895 (oil on canvas)
8615150 Broken Pot, c.1895 (oil on canvas) by Suthers, Leghe (1856-1924); 81x102 cm; Gallery Oldham, UK; (add.info.: By John Lees Suthers/J)

Red-figured plate, 6th century bc (ceramic)
3079201 Red-figured plate, 6th century bc (ceramic) by Greek school, (6th century BC); (add.info.: Red-figured plate, depicts an archer, made in Athens)

Indian designs and manufactures, 1856 (lithograph)
3672270 Indian designs and manufactures, 1856 (lithograph) by American School, (19th century); Newberry Library, Chicago, Illinois, USA; (add.info.: [Lithographs of North American Indian portraits)

King Narmer Jug, c. 3000 B.C. (clay)
8601651 King Narmer Jug, c. 3000 B.C. (clay) by Egyptian 1st Dynasty (c.3100-2890 BC); 55.2 cm; Private Collection; (add.info.: Early Dynastic Period, Reign of Narmer)

Old man in trilby hat, Stoke
A senior man in a felt trilby hat looks directly at the camera. He has a serious, unsmiling face and wears a zipped-up anorak

John Street, Hanley, Stoke
Two young boys with their bicycles smile for the camera by the John Street sign in Hanley, Stoke of Trent. Vintage black and white photograph. The area of Hanley is unrecognisable today

Doorstep gossip Stoke
Two old women talk in the street. One stands on the doorstep of her terraced house in Stoke-on-Trent Date: 1987

Corner shop Stoke
A man wearing an overcoat walks past two children and a newsagents corner shop in a rundown area of Stoke on Trent Date: 1987

Stacking saggars DES01_04_0944
Royal Albert Pottery, Parsonage Street, Tunstall, Stoke-on-Trent. Inside a traditional Staffordshire bottle kiln or oven showing men setting saggars containing pottery-wares in preparation for

Workers in an earthenware pottery factory, Victorian period

The Potteries Potter with Sagger early 1900s Date: circa 1900s

Pottery worker with a sagger, Potteries Date: circa 1900s

Stoke on Trent industrial panorama, Victorian period

Royal Doulton Potteries Advertisement
An illustrated advertisement for the Royal Doulton Potteries of Burslem, showcasing some examples of Old Sung Glaze card bowls and figurines. Date: circa 1917

Sidney Hand Advertisement
An advertisement for Sidney Hand Ltd, showcasing a photograph of a rare example of 17th century English Slipware, made by Thomas Toft, an English potter who worked at Staffordshire potteries

Alfred Meakin Potteries and Tile Works, Stoke on Trent Date: 1913

A collection of Waldeck's original artwork of Mesoamerica, Box 5 of 22, 1831 (print)
3672784 A collection of Waldeck's original artwork of Mesoamerica, Box 5 of 22, 1831 (print) by Waldeck, Johann Friedrich Maximilian von (1766-1875); Newberry Library, Chicago, Illinois

Interior East India Pavilion, 1893 (litho)
3671643 Interior East India Pavilion, 1893 (litho) by Nichols, H.D. (19th Century); Newberry Library, Chicago, Illinois, USA; (add.info.: The book of the fair)

Footed Bowl, late 1100s-early 1200s (fritware, pierced and underglaze painting)
XOS5886455 Footed Bowl, late 1100s-early 1200s (fritware, pierced and underglaze painting) by Iranian School, (12th-13th century); 9.8x18.2 cm; Cleveland Museum of Art, OH, USA; (add.info.: Iran)

3672857

3673071

3673461

Buffens cave pottery, 700 -1100 BC (ceramics)
7415608 Buffens cave pottery, 700 -1100 BC (ceramics) by Prehistoric; (add.info.: Late Bronze Age pottery (700 -- 1100 BC): prehistoric crafts, flat urns and pot found in the Buffens cave

3673100

3672781

3671729

Capo di monte bowl and cover, c. 1750 (porcelain)
BAL1171 Capo di monte bowl and cover, c.1750 (porcelain) by Italian School, (18th century); Victoria & Albert Museum, London, UK

Octagonal Bowl and Saucer, possibly by J. H. O'Neale, Red Anchor Period, Chelsea, c. 1755 (porcelain)
BAL1212 Octagonal Bowl and Saucer, possibly by J.H.O'Neale, Red Anchor Period, Chelsea, c.1755 (porcelain) by Chelsea Porcelain Works (c.1745-69); Private Collection

Posset Pot Cover, Fareham, 1675-1725 (ceramic)
7241866 Posset Pot Cover, Fareham, 1675-1725 (ceramic) by English School, (17th-18th century); height: 16.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Kylix, c. 500 BC (ceramic)
7292370 Kylix, c. 500 BC (ceramic) by Greek school, (5th century BC); 7.3 cm; Manchester Art Gallery, UK; (add.info.: A red earthenware bowl with two handles on a stem painted in blackware)

Oval dish, decoration in Iznik-style, 1649 (earthenware)
7394036 Oval dish, decoration in Iznik-style, 1649 (earthenware) by Italian School, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: earthenware)

Bowl with Aeneas at Carthage, 1545 (earthenware)
7394044 Bowl with Aeneas at Carthage, 1545 (earthenware) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); Ashmolean Museum, University of Oxford

Jug with flowers against a fish-scale background, 1530-1550 (fritware)
7394091 Jug with flowers against a fish-scale background, 1530-1550 (fritware) by Turkish School, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: fritware)

Teapot, c. 1750 (steatitic porcelain)
7394059 Teapot, c.1750 (steatitic porcelain) by Worcester Porcelain Manufactory (18th-20th century); Ashmolean Museum, University of Oxford

Two-handled cup and cover in Adam-style, 1793-1794 (silver)
7394046 Two-handled cup and cover in Adam-style, 1793-1794 (silver) by Sharp, Robert (c.1733-1803); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s): Robert Sharp (c)

Plate, with flowers (rose centre), c. 1755 (frit paste porcelain)
7394102 Plate, with flowers (rose centre), c.1755 (frit paste porcelain) by Chelsea Porcelain Works (c.1745-69); Ashmolean Museum, University of Oxford

Blue-and-white stem bowl with lotus flowers and mandarin ducks, mid-14th century (porcelain)
7394090 Blue-and-white stem bowl with lotus flowers and mandarin ducks, mid-14th century (porcelain) by Chinese School (14th century); Ashmolean Museum, University of Oxford

Oxford plate, c. 1745 (porcelain)
7394082 Oxford plate, c.1745 (porcelain) by Burghers, Michael (1647-1727); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s)

Bowl with Adam and Eve, 1596 (earthenware)
7394067 Bowl with Adam and Eve, 1596 (earthenware) by English School, (16th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: earthenware, tin-glazed (delftware)

Plate with carnation design, c. 1765-1800 (earthenware)
7394062 Plate with carnation design, c.1765-1800 (earthenware) by Ferniani Manufactory (c.18th century); Ashmolean Museum, University of Oxford

Armorial plate with a shield surmounted by a papal tiara and crossed keys, 1503 (earthenware)
7394054 Armorial plate with a shield surmounted by a papal tiara and crossed keys, 1503 (earthenware) by Italian School, (16th century); Ashmolean Museum, University of Oxford

Ostracon: Ramses III fighting (pottery)
885871 Ostracon: Ramses III fighting (pottery) by Egyptian 20th Dynasty (1200-1085 BC); Egyptian Museum, Turin, Italy; (add.info.: An ostracon is a piece of pottery)

Plate, with flowers (daffodil centre), 1755-1760 (frit paste porcelain)
7394099 Plate, with flowers (daffodil centre), 1755-1760 (frit paste porcelain) by Chelsea Porcelain Works (c.1745-69); Ashmolean Museum, University of Oxford

Statue of lion, probably Old Kingdom, 6th Dynasty (Egypt) (c. 2325-2175 BC) (clay)
7394094 Statue of lion, probably Old Kingdom, 6th Dynasty (Egypt) (c. 2325-2175 BC) (clay) by Egyptian 6th Dynasty (c.2350-2200 BC); Ashmolean Museum, University of Oxford

Blue-and-white stem bowl with lotus flowers and mandarin ducks, mid-14th century (porcelain)
7394088 Blue-and-white stem bowl with lotus flowers and mandarin ducks, mid-14th century (porcelain) by Chinese School (14th century); Ashmolean Museum, University of Oxford

Storage jar, 8th-9th century AD (earthenware)
7394085 Storage jar, 8th-9th century AD (earthenware) by Iranian School, (8th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: earthenware)

Misshapen baluster jar with flowers, c. 1670 (porcelain)
7394075 Misshapen baluster jar with flowers, c.1670 (porcelain) by Japanese School, (17th century); Ashmolean Museum, University of Oxford

Armorial salt, 1643 (earthenware)
7394070 Armorial salt, 1643 (earthenware) by Italian School, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: earthenware, tin-glazed (maiolica)

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"Exploring the Rich Heritage of Potteries: From Stoke City Football Club to Fine Art Masterpieces" Immerse yourself in the vibrant world of potteries, where art and culture intertwine with football fandom. The bet365 Stadium Fine Art stands tall as a testament to the passion that Stoke City Football Club evokes in its fans. Transport yourself back to 1938 with "A Factoryscape in the Potteries, " capturing the essence of an era when smoke billowed from chimneys, symbolizing both industry and creativity. Inhale the "Fresh Air from the Potteries, " a breath of inspiration that fueled countless artists and craftsmen. Step into an old pub in Stoke, where time seems suspended as you encounter wise souls who have witnessed generations pass by. Meet "Old man in Stoke pub -1" and listen to his tales that echo through history. Marvel at exquisite poster designs like Grimwade Fine Art Pottery's masterpiece, showcasing craftsmanship at its finest. Admire Shelley Vogue China's elegant allure captured beautifully in a 1931 advert. Witness the ethereal beauty amidst industrial landscapes with "Smoke of the Potteries. " Rooftops adorned with Staffordshire Potteries' creations create a unique juxtaposition between tradition and progress. Let Edgar & Winifred Ward guide you through their artistic vision with "The potteries, 1926. " Their brushstrokes immortalize this thriving hub of creativity for future generations to appreciate. Discover Belleek's delicate porcelain treasures, embodying grace and sophistication within each piece. These timeless works exemplify how pottery transcends borders and captivates hearts worldwide. Join us on this journey through time as we celebrate not just pottery but also its profound impact on art, sports, community, and heritage. They can more than mere objects; they represent stories waiting to be told – stories that define our collective identity.