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Posture Collection (page 10)

"Posture: A Window into History, Art, and Health" In the realm of art, it has long been a subject of fascination

Background imagePosture Collection: Raishin and the Wind and Thunder Gods, 1865. Creator: Tsukioka Yoshitoshi

Raishin and the Wind and Thunder Gods, 1865. Creator: Tsukioka Yoshitoshi
Raishin and the Wind and Thunder Gods, 1865. From One Hundred Ghost Tales from China and Japan

Background imagePosture Collection: The Greedy Old Woman with a Box of Demons, 1865. Creator: Tsukioka Yoshitoshi

The Greedy Old Woman with a Box of Demons, 1865. Creator: Tsukioka Yoshitoshi
The Greedy Old Woman with a Box of Demons, 1865. From One Hundred Ghost Tales from China and Japan

Background imagePosture Collection: Folios from a Kalpasutra (Book of Sacred Precepts) (image 2 of 2), c1425. Creator: Unknown

Folios from a Kalpasutra (Book of Sacred Precepts) (image 2 of 2), c1425. Creator: Unknown
Folios from a Kalpasutra (Book of Sacred Precepts) (image 2 of 2), c1425

Background imagePosture Collection: An Ascetic Receiving an Offering from a Woman, between c1725 and c1750. Creator: Unknown

An Ascetic Receiving an Offering from a Woman, between c1725 and c1750. Creator: Unknown
An Ascetic Receiving an Offering from a Woman, between c1725 and c1750

Background imagePosture Collection: Ecstasy of Saint Francis, 1809. Creator: William Say

Ecstasy of Saint Francis, 1809. Creator: William Say
Ecstasy of Saint Francis, 1809

Background imagePosture Collection: Radha and Krishna Exchange Clothes, c1800. Creator: Unknown

Radha and Krishna Exchange Clothes, c1800. Creator: Unknown
Radha and Krishna Exchange Clothes, c1800

Background imagePosture Collection: First audience of a British minister with the Tycoon of Japan at Jeddo... 1860. Creator: Unknown

First audience of a British minister with the Tycoon of Japan at Jeddo... 1860. Creator: Unknown
First audience of a British minister with the Tycoon of Japan at Jeddo [ie Eddo] - from a sketch by S. J. Gower, 1860. Mr

Background imagePosture Collection: Allegory of Justice, 1605. Creator: Willem van Swanenburg

Allegory of Justice, 1605. Creator: Willem van Swanenburg
Allegory of Justice, 1605. From Thronus Justitiae, pl. 11

Background imagePosture Collection: Count William III of Holland Permitting the Beheading of His Bailiff, 1607

Count William III of Holland Permitting the Beheading of His Bailiff, 1607. Creator: Willem van Swanenburg
Count William III of Holland Permitting the Beheading of His Bailiff, 1607. From Thronus Justitiae, pl. 7

Background imagePosture Collection: The Goddess Chunda (?), c.700. Creator: Unknown

The Goddess Chunda (?), c.700. Creator: Unknown
The Goddess Chunda (?), c.700

Background imagePosture Collection: Shrine with Four Jinas (Rishabhanatha [Adinatha]), Parshvanatha, Neminatha, and Mahavira), c.600

Shrine with Four Jinas (Rishabhanatha [Adinatha]), Parshvanatha, Neminatha, and Mahavira), c.600. Creator: Unknown
Shrine with Four Jinas (Rishabhanatha [Adinatha]), Parshvanatha, Neminatha, and Mahavira), c.600

Background imagePosture Collection: Mutsuki Suginosuke Norifusa with a Ghost, 1867. Creator: Tsukioka Yoshitoshi

Mutsuki Suginosuke Norifusa with a Ghost, 1867. Creator: Tsukioka Yoshitoshi
Mutsuki Suginosuke Norifusa with a Ghost, 1867. From Beauty and Valor in the Novel Suikoden

Background imagePosture Collection: Sorori Shinzaemon and Hideyoshi (?), 1882. Creator: Tsukioka Yoshitoshi

Sorori Shinzaemon and Hideyoshi (?), 1882. Creator: Tsukioka Yoshitoshi
Sorori Shinzaemon and Hideyoshi (?), 1882. From Sketches by Yoshitoshi

Background imagePosture Collection: Okame Laughing at the Shadow of a Mushroom, 1882. Creator: Tsukioka Yoshitoshi

Okame Laughing at the Shadow of a Mushroom, 1882. Creator: Tsukioka Yoshitoshi
Okame Laughing at the Shadow of a Mushroom, 1882. From Sketches by Yoshitoshi

Background imagePosture Collection: Hanuman, The Divine Monkey, c.1600. Creator: Unknown

Hanuman, The Divine Monkey, c.1600. Creator: Unknown
Hanuman, The Divine Monkey, c.1600

Background imagePosture Collection: Deposition, 1775. Creator: Valentine Green

Deposition, 1775. Creator: Valentine Green
Deposition, 1775

Background imagePosture Collection: The Bodhisattva Maitreya, c.1000. Creator: Unknown

The Bodhisattva Maitreya, c.1000. Creator: Unknown
The Bodhisattva Maitreya, c.1000

Background imagePosture Collection: Akinoiro and His Father, Jimbei, 1881. Creator: Tsukioka Yoshitoshi

Akinoiro and His Father, Jimbei, 1881. Creator: Tsukioka Yoshitoshi
Akinoiro and His Father, Jimbei, 1881. From A Mirror of Filial Piety in Japan

Background imagePosture Collection: Tokugawa Iemitsu Receiving Lords in Audience, 1875. Creator: Tsukioka Yoshitoshi

Tokugawa Iemitsu Receiving Lords in Audience, 1875. Creator: Tsukioka Yoshitoshi
Tokugawa Iemitsu Receiving Lords in Audience, 1875. From Brief Account of the Rulers of the Tokugawa Clan

Background imagePosture Collection: Tokugawa Ieyasu Examining the Head of Kimura Shigenari at the Battle of Osaka Castle, 1875

Tokugawa Ieyasu Examining the Head of Kimura Shigenari at the Battle of Osaka Castle, 1875. From Brief Account of the Rulers of the Tokugawa Clan

Background imagePosture Collection: Ushiwakamaru at Gojo Bridge, 1882. Creator: Tsukioka Yoshitoshi

Ushiwakamaru at Gojo Bridge, 1882. Creator: Tsukioka Yoshitoshi
Ushiwakamaru at Gojo Bridge, 1882. From Sketches by Yoshitoshi

Background imagePosture Collection: Architectural Fitting in the Form of a Serpent, between c.1400 and c.1500. Creator: Unknown

Architectural Fitting in the Form of a Serpent, between c.1400 and c.1500. Creator: Unknown
Architectural Fitting in the Form of a Serpent, between c.1400 and c.1500

Background imagePosture Collection: Cosmic Form of the Hindu God Shiva (Sadashiva), between c.1050 and c.1150. Creator: Unknown

Cosmic Form of the Hindu God Shiva (Sadashiva), between c.1050 and c.1150. Creator: Unknown
Cosmic Form of the Hindu God Shiva (Sadashiva), between c.1050 and c.1150

Background imagePosture Collection: Actor portraying a seller of birds for release, between circa 1850 and circa 1852

Actor portraying a seller of birds for release, between circa 1850 and circa 1852. Creator: Utagawa Kuniyoshi
Actor portraying a seller of birds for release, between circa 1850 and circa 1852. From Analog of Three Shrines

Background imagePosture Collection: Jina Mahavira (?), between 850 and 900. Creator: Unknown

Jina Mahavira (?), between 850 and 900. Creator: Unknown
Jina Mahavira (?), between 850 and 900

Background imagePosture Collection: Fujiwara Yoshitaka, Early 1840s. Creator: Utagawa Kuniyoshi

Fujiwara Yoshitaka, Early 1840s. Creator: Utagawa Kuniyoshi
Fujiwara Yoshitaka, Early 1840s. From Hundred Poets, One Poem Each

Background imagePosture Collection: Buddha Shakyamuni, between 400 and 600. Creator: Unknown

Buddha Shakyamuni, between 400 and 600. Creator: Unknown
Buddha Shakyamuni, between 400 and 600

Background imagePosture Collection: Compiled Album from Four Series: A Mirror of Famous Generals of Japan... between 1876 and 1882

Compiled Album from Four Series: A Mirror of Famous Generals of Japan... between 1876 and 1882
Compiled Album from Four Series: A Mirror of Famous Generals of Japan; Comic Pictures of Famous Places in Civilizing Tokyo; Twenty-four Accomplishments in Imperial Japan; Twenty-four Hours in

Background imagePosture Collection: Buddha Shakyamuni Sheltered by the Serpent King Muchalinda, between 300 and 350. Creator: Unknown

Buddha Shakyamuni Sheltered by the Serpent King Muchalinda, between 300 and 350. Creator: Unknown
Buddha Shakyamuni Sheltered by the Serpent King Muchalinda, between 300 and 350

Background imagePosture Collection: Maebara Ikkaku Holding a Sword, 1878. Creator: Tsukioka Yoshitoshi

Maebara Ikkaku Holding a Sword, 1878. Creator: Tsukioka Yoshitoshi
Maebara Ikkaku Holding a Sword, 1878. From A Chronicle of Events at Kagoshima

Background imagePosture Collection: Nagayama Yaichi Ducking Bullets, 1878. Creator: Tsukioka Yoshitoshi

Nagayama Yaichi Ducking Bullets, 1878. Creator: Tsukioka Yoshitoshi
Nagayama Yaichi Ducking Bullets, 1878. From A Chronicle of Events at Kagoshima

Background imagePosture Collection: Egawa Tarozaemon Playing the Koto, 1887. Creator: Tsukioka Yoshitoshi

Egawa Tarozaemon Playing the Koto, 1887. Creator: Tsukioka Yoshitoshi
Egawa Tarozaemon Playing the Koto, 1887. From Lives of Modern People

Background imagePosture Collection: Buddha Shakyamuni or the Jina Buddha Akshobhya, 9th-10th century. Creator: Unknown

Buddha Shakyamuni or the Jina Buddha Akshobhya, 9th-10th century. Creator: Unknown
Buddha Shakyamuni or the Jina Buddha Akshobhya, 9th-10th century

Background imagePosture Collection: Hakoomaru Kneeling by a Short Sword, 1878. Creator: Tsukioka Yoshitoshi

Hakoomaru Kneeling by a Short Sword, 1878. Creator: Tsukioka Yoshitoshi
Hakoomaru Kneeling by a Short Sword, 1878. From A Mirror of Wisdom, Benevolence, and Valor in Japan

Background imagePosture Collection: Elderly Couple Worshipping the Rising Sun, c1850. Creator: Kawanabe Kyosai

Elderly Couple Worshipping the Rising Sun, c1850. Creator: Kawanabe Kyosai
Elderly Couple Worshipping the Rising Sun, c1850

Background imagePosture Collection: Yui, Published in 1854. Creators: Utagawa Kunisada, Ando Hiroshige

Yui, Published in 1854. Creators: Utagawa Kunisada, Ando Hiroshige
Yui, Published in 1854. From Double-brush 53 stages(Sohitsu gojusan tsugi), no. 17. he Sisters (Shimei) Miyagino and Shinobu

Background imagePosture Collection: Actors Arashi Otohachi III and Iwai Kumesaburo II, 19th century. Creator: Utagawa Kunisada

Actors Arashi Otohachi III and Iwai Kumesaburo II, 19th century. Creator: Utagawa Kunisada
Actors Arashi Otohachi III and Iwai Kumesaburo II, 19th century. Play: Sekai no Hana Oguri Gaiden

Background imagePosture Collection: Tawara Toda Hidesato in Audience with the Emperor, 1880. Creator: Tsukioka Yoshitoshi

Tawara Toda Hidesato in Audience with the Emperor, 1880. Creator: Tsukioka Yoshitoshi
Tawara Toda Hidesato in Audience with the Emperor, 1880. From A Mirror of Great Warriors of Japan

Background imagePosture Collection: Bunya no Watamaro and Surrendering Rebels in Oshu, 1880. Creator: Tsukioka Yoshitoshi

Bunya no Watamaro and Surrendering Rebels in Oshu, 1880. Creator: Tsukioka Yoshitoshi
Bunya no Watamaro and Surrendering Rebels in Oshu, 1880. From A Mirror of Great Warriors of Japan

Background imagePosture Collection: Memorial Portrait of Hiroshige, 1859. Creator: Utagawa Kunisada

Memorial Portrait of Hiroshige, 1859. Creator: Utagawa Kunisada
Memorial Portrait of Hiroshige, 1859

Background imagePosture Collection: Otomo no Sadehiko Leaving Sayohime to Invade Korea, 1879. Creator: Tsukioka Yoshitoshi

Otomo no Sadehiko Leaving Sayohime to Invade Korea, 1879. Creator: Tsukioka Yoshitoshi
Otomo no Sadehiko Leaving Sayohime to Invade Korea, 1879. From A Mirror of Great Warriors of Japan

Background imagePosture Collection: The Actors Sawamura Sojuro and Arashi Shincha, c1810s. Creator: Utagawa Kunisada

The Actors Sawamura Sojuro and Arashi Shincha, c1810s. Creator: Utagawa Kunisada
The Actors Sawamura Sojuro and Arashi Shincha, c1810s

Background imagePosture Collection: Kibi Daijin Seated at a Chinese Table, 1881. Creator: Tsukioka Yoshitoshi

Kibi Daijin Seated at a Chinese Table, 1881. Creator: Tsukioka Yoshitoshi
Kibi Daijin Seated at a Chinese Table, 1881. From Twenty-four Accomplishments in Imperial Japan

Background imagePosture Collection: Narihira Kneeling before Prince Koretaka, c1766. Creator: Shunsho

Narihira Kneeling before Prince Koretaka, c1766. Creator: Shunsho
Narihira Kneeling before Prince Koretaka, c1766. Series: Tales of Ise in Iroha Order

Background imagePosture Collection: Saruwaka Shibaimachi The Theater District in Saruwaka (Cho); The Actor Ichikawa Ebizo V... 1863

Saruwaka Shibaimachi The Theater District in Saruwaka (Cho); The Actor Ichikawa Ebizo V... 1863
Saruwaka Shibaimachi The Theater District in Saruwaka (Cho); The Actor Ichikawa Ebizo V in the Role of Hitotsuya no Baba The Old Woman of the Lonely House, 1863

Background imagePosture Collection: Hino Kumawakamaru and the Priest Calling Back the Boat, 1885. Creator: Tsukioka Yoshitoshi

Hino Kumawakamaru and the Priest Calling Back the Boat, 1885. Creator: Tsukioka Yoshitoshi
Hino Kumawakamaru and the Priest Calling Back the Boat, 1885. From Yoshitoshi's Warriors Trembling with Courage. The boy Hino Kunimitsu(1320-1363)

Background imagePosture Collection: Courtesans with Children, c1840. Creator: Utagawa Kunisada

Courtesans with Children, c1840. Creator: Utagawa Kunisada
Courtesans with Children, c1840

Background imagePosture Collection: The Bodhisattva Maitreya, 5th century. Creator: Unknown

The Bodhisattva Maitreya, 5th century. Creator: Unknown
The Bodhisattva Maitreya, 5th century



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"Posture: A Window into History, Art, and Health" In the realm of art, it has long been a subject of fascination. From Nicolas Poussin's masterpiece "Et in Arcadia ego" to Francisco Goya's provocative "The Naked Maja, " artists have captured the grace and power that lies within a person's stance. Even outside the world of art, posture holds immense significance. Just take a look at Charles Darwin, whose caricature in Vanity Fair depicts him with his characteristic hunched back—a physical manifestation of his tireless pursuit of knowledge. But it is not only historical figures who are affected by posture; even ballet dancers undergo rigorous training to perfect their form. The discipline and elegance they display on stage is a testament to the importance of maintaining proper alignment. In John Pettie's painting "Two Strings To Her Bow, " we see a woman standing tall and confident—her upright posture symbolizing her strength and independence in Victorian society. Similarly, Peter Lely's portrait of Sir John Nicholas exudes authority through his commanding pose. It also plays a role in health and well-being. In George Romney's depiction of Lady Hamilton as the Goddess of Health, her statuesque figure represents vitality and balance—an embodiment of good posture contributing to overall wellness. During times of adversity, like Winston Churchill contemplating the ruins after the bombing during World War II, one can't help but notice how he maintains an unwavering stance amidst chaos—a reminder that even in turmoil, our they are reflect resilience. Beyond these artistic representations lie real-life examples: soldiers marching proudly with impeccable postures as seen in JE Bruton’s photograph capturing The Cape Town Highlanders' unity; or everyday individuals stretching their bodies towards flexibility and release from tension as depicted by an anonymous photographer’s image. Whether portrayed on canvas or witnessed firsthand through photographs or personal experiences, these glimpses into history remind us that our postures convey more than just physicality.