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Post Impressionism Collection (page 2)

Post-Impressionism, a movement that emerged in the late 19th century

Background imagePost Impressionism Collection: Vincent van Gogh (1853-1890). Self-portrait. Bust with brown

Vincent van Gogh (1853-1890). Self-portrait. Bust with brown
Vincent van Gogh (1853-1890). Dutch post-Impressionist painter. Self-portrait. Bust with brown jacket and gray hat. Oil on pasteboard. Rijksmuseum. Amsterdam. Netherlands

Background imagePost Impressionism Collection: Ballet de Papa ChrysanthAeeme, 1892 (oil on cardboard)

Ballet de Papa ChrysanthAeeme, 1892 (oil on cardboard)
XIR901508 Ballet de Papa ChrysanthAeAšme, 1892 (oil on cardboard) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi

Background imagePost Impressionism Collection: VAN GOGH: SUNFLOWERS, 1888. Vase with Fifteen Sunflowers. Oil on canvas, Vincent van Gogh

VAN GOGH: SUNFLOWERS, 1888. Vase with Fifteen Sunflowers. Oil on canvas, Vincent van Gogh, 1888

Background imagePost Impressionism Collection: Moulin de la Galette, 1889. Creator: Henri de Toulouse-Lautrec

Moulin de la Galette, 1889. Creator: Henri de Toulouse-Lautrec
Moulin de la Galette, 1889

Background imagePost Impressionism Collection: Almond Blossom, 1890 (oil on canvas)

Almond Blossom, 1890 (oil on canvas)
1765646 Almond Blossom, 1890 (oil on canvas) by Gogh, Vincent van (1853-90); 73.3x92.4 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imagePost Impressionism Collection: A View of Menton, 1899-1900 (oil on canvas)

A View of Menton, 1899-1900 (oil on canvas)
CH402532 A View of Menton, 1899-1900 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Private Collection; (add.info.: Vue de Menton; ); Photo eChristies Images; French, out of copyright

Background imagePost Impressionism Collection: Mont Sainte-Victoire Seen beyond the Wall of the Jas de Bouffan, c. 1885 / 1888

Mont Sainte-Victoire Seen beyond the Wall of the Jas de Bouffan, c. 1885 / 1888
Mont Sainte-Victoire Seen beyond the Wall of the Jas de Bouffan, c. 1885/1888

Background imagePost Impressionism Collection: Sick Carnot! (Carnot malade!), 1893. Creator: Henri de Toulouse-Lautrec

Sick Carnot! (Carnot malade!), 1893. Creator: Henri de Toulouse-Lautrec
Sick Carnot! (Carnot malade!), 1893

Background imagePost Impressionism Collection: The Boating Party, 1893 / 1894. Creator: Mary Cassatt

The Boating Party, 1893 / 1894. Creator: Mary Cassatt
The Boating Party, 1893/1894

Background imagePost Impressionism Collection: Self-Portrait, 1889. Creator: Vincent van Gogh

Self-Portrait, 1889. Creator: Vincent van Gogh
Self-Portrait, 1889

Background imagePost Impressionism Collection: Entrance to a Garden, 1878-1880. Creator: Paul Cezanne

Entrance to a Garden, 1878-1880. Creator: Paul Cezanne
Entrance to a Garden, 1878-1880

Background imagePost Impressionism Collection: Gardanne, 1885-86. Creator: Paul Cezanne

Gardanne, 1885-86. Creator: Paul Cezanne
Gardanne, 1885-86

Background imagePost Impressionism Collection: Two Tahitian Women, 1899 (oil on canvas)

Two Tahitian Women, 1899 (oil on canvas)
3432880 Two Tahitian Women, 1899 (oil on canvas) by Gauguin, Paul (1848-1903); 94x72.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imagePost Impressionism Collection: Viscount Lepic, 1882. Artist: Henri de Toulouse-Lautrec

Viscount Lepic, 1882. Artist: Henri de Toulouse-Lautrec
Viscount Lepic, 1882

Background imagePost Impressionism Collection: Jas de Bouffan, the pool, c. 1876 (oil on canvas)

Jas de Bouffan, the pool, c. 1876 (oil on canvas)
BAL385506 Jas de Bouffan, the pool, c.1876 (oil on canvas) by Cezanne, Paul (1839-1906); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imagePost Impressionism Collection: Three Pears, 1878-9 (oil on canvas)

Three Pears, 1878-9 (oil on canvas)
XOS1765929 Three Pears, 1878-9 (oil on canvas) by Cezanne, Paul (1839-1906); 20x25.7 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imagePost Impressionism Collection: Flower Beds in Holland, c. 1883 (oil on canvas on wood)

Flower Beds in Holland, c. 1883 (oil on canvas on wood)
XOS1121231 Flower Beds in Holland, c.1883 (oil on canvas on wood) by Gogh, Vincent van (1853-90); 48.9x66 cm; National Gallery of Art, Washington DC, USA; Dutch, out of copyright

Background imagePost Impressionism Collection: Self-portrait with pipe, 1886 (oil on canvas)

Self-portrait with pipe, 1886 (oil on canvas)
XOS1765542 Self-portrait with pipe, 1886 (oil on canvas) by Gogh, Vincent van (1853-90); 46x38 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imagePost Impressionism Collection: VAN GOGH: POPLARS, 1885. Lane with Poplars Near Nenen. Oil on canvas, Vincent van Gogh

VAN GOGH: POPLARS, 1885. Lane with Poplars Near Nenen. Oil on canvas, Vincent van Gogh, 1885

Background imagePost Impressionism Collection: La Mer a L Estaque, July 1876 (oil on canvas)

La Mer a L Estaque, July 1876 (oil on canvas)
3076437 La Mer A L Estaque, July 1876 (oil on canvas) by Cezanne, Paul (1839-1906); 42x59 cm; Private Collection; French, out of copyright

Background imagePost Impressionism Collection: Le Jardin du Vert-Galant, c. 1928 (oil on canvas)

Le Jardin du Vert-Galant, c. 1928 (oil on canvas)
1195958 Le Jardin du Vert-Galant, c. 1928 (oil on canvas) by Signac, Paul (1863-1935); 46.4x116.8 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imagePost Impressionism Collection: Riders on the Beach, 1902 (oil on canvas)

Riders on the Beach, 1902 (oil on canvas)
JLJ4572441 Riders on the Beach, 1902 (oil on canvas) by Gauguin, Paul (1848-1903); 72x91 cm; Private Collection; Photo ePhoto Josse; French, out of copyright

Background imagePost Impressionism Collection: Flowering almond branch in a glass with a book, 1888 (oil on canvas)

Flowering almond branch in a glass with a book, 1888 (oil on canvas)
828999 Flowering almond branch in a glass with a book, 1888 (oil on canvas) by Gogh, Vincent van (1853-90); 24.2x19.1 cm; Private Collection; (add.info.: Nature morte, branche d amandier)

Background imagePost Impressionism Collection: The Avenue at the Park of Voyer-d Argenson at Asnieres, 1887 (oil on canvas)

The Avenue at the Park of Voyer-d Argenson at Asnieres, 1887 (oil on canvas)
987401 The Avenue at the Park of Voyer-d Argenson at Asnieres, 1887 (oil on canvas) by Gogh, Vincent van (1853-90); 55x67 cm; Private Collection; (add.info)

Background imagePost Impressionism Collection: View of Monte Carlo from Cap Martin, c. 1884. Creator: Pierre-Auguste Renoir

View of Monte Carlo from Cap Martin, c. 1884. Creator: Pierre-Auguste Renoir
View of Monte Carlo from Cap Martin, c. 1884

Background imagePost Impressionism Collection: Oarsmen at Chatou, 1879. Creator: Pierre-Auguste Renoir

Oarsmen at Chatou, 1879. Creator: Pierre-Auguste Renoir
Oarsmen at Chatou, 1879

Background imagePost Impressionism Collection: Les Damnees, 1885-1895. Creator: Auguste Rodin (French, 1840-1917)

Les Damnees, 1885-1895. Creator: Auguste Rodin (French, 1840-1917)
Les Damnees, 1885-1895. Rodin derived this couple, whose twisted bodies are locked painfully together, from the naked figures writhing in agony in his monumental sculpture The Gates of Hell

Background imagePost Impressionism Collection: The Mediterranean Sea, (triptych, right side panel), 1911. Artist: Pierre Bonnard

The Mediterranean Sea, (triptych, right side panel), 1911. Artist: Pierre Bonnard
The Mediterranean Sea, (triptych, right side panel), 1911. Found in the collection of the State Hermitage, St Petersburg

Background imagePost Impressionism Collection: Boats on the Beach of Les-Saintes-Maries, 1888. Artist: Vincent van Gogh

Boats on the Beach of Les-Saintes-Maries, 1888. Artist: Vincent van Gogh
Boats on the Beach of Les-Saintes-Maries, 1888. Found in the collection of the State Hermitage, St Petersburg

Background imagePost Impressionism Collection: Vestibule of Asylum, 1889. Artist: Vincent van Gogh

Vestibule of Asylum, 1889. Artist: Vincent van Gogh
Vestibule of Asylum, 1889. From the collection of the Rijksmuseum, Amsterdam, Netherlands

Background imagePost Impressionism Collection: PAUL CEZANNE (1839-1906). French painter. Self-portrait. Oil on canvas, c1875

PAUL CEZANNE (1839-1906). French painter. Self-portrait. Oil on canvas, c1875

Background imagePost Impressionism Collection: At the Door, 1885 (crayon, brush, wash & oil on card)

At the Door, 1885 (crayon, brush, wash & oil on card)
5860732 At the Door, 1885 (crayon, brush, wash & oil on card) by Toulouse-Lautrec, Henri de (1864-1901); 47--23.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: By Henri de Toulouse-Lautrec).

Background imagePost Impressionism Collection: Portrait of a Young Boy Wearing a Straw Hat 1890 (Oil on canvas)

Portrait of a Young Boy Wearing a Straw Hat 1890 (Oil on canvas)
8766696 Portrait of a Young Boy Wearing a Straw Hat 1890 (Oil on canvas) by Martin, Henri Jean Guillaume (1860-1943); 24--20 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imagePost Impressionism Collection: 8920997

8920997

Background imagePost Impressionism Collection: Sailor, 1879-80 (w/c on paper)

Sailor, 1879-80 (w/c on paper)
8696726 Sailor, 1879-80 (w/c on paper) by Toulouse-Lautrec, Henri de (1864-1901); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imagePost Impressionism Collection: The Opera on the Square; Place de l'Opera, (oil on panel)

The Opera on the Square; Place de l'Opera, (oil on panel)
824498 The Opera on the Square; Place de l'Opera, (oil on panel) by Adrion, Lucien (1889-1953); 58.5x73.6 cm; Private Collection; (add.info.: The Opera on the Square; Place de l'Opera)

Background imagePost Impressionism Collection: Balcony with a Gilded Grotesque Mask, 1894 (litho)

Balcony with a Gilded Grotesque Mask, 1894 (litho)
8696724 Balcony with a Gilded Grotesque Mask, 1894 (litho) by Toulouse-Lautrec, Henri de (1864-1901); Sterling and Francine Clark Art Institute, Williamstown, Massachusetts

Background imagePost Impressionism Collection: Young Girl Seated', 1850 (sketch)

Young Girl Seated', 1850 (sketch)
3330257 Young Girl Seated', 1850 (sketch); (add.info.: Sketch titled 'Young Girl Seated' by Vincent Van Gogh (1853-1890) a Dutch Post-Impressionist painter

Background imagePost Impressionism Collection: Butterflies and poppies, 1889 (oil on canvas)

Butterflies and poppies, 1889 (oil on canvas)
8832556 Butterflies and poppies, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); Van Gogh Museum, Amsterdam, The Netherlands; (add.info.: By Vincent van Gogh); Photo © Fine Art Images.

Background imagePost Impressionism Collection: Bastille Day, 1892 (monotype in oil colours)

Bastille Day, 1892 (monotype in oil colours)
XOS5873741 Bastille Day, 1892 (monotype in oil colours) by Prendergast, Maurice Brazil (1858-1924); 30.5x24.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: By Maurice Prendergast).

Background imagePost Impressionism Collection: Marine, 1908 (oil on panel)

Marine, 1908 (oil on panel)
8903307 Marine, 1908 (oil on panel) by Rysselberghe, Theo van (1862-1926); 23x33 cm; Private Collection; (add.info.: Painting by Theo van Rysselberghe); Photo © Christie's Images.

Background imagePost Impressionism Collection: Aurelien Marie Lugne-Poe (b/w photo)

Aurelien Marie Lugne-Poe (b/w photo)
1629958 Aurelien Marie Lugne-Poe (b/w photo); (add.info.: Aurelien Marie Lugne (27 December 1869 - 19 June 1940), known by his stage-name and pen name Lugne-Poe, was a French actor, theatre director

Background imagePost Impressionism Collection: Mirror of life. And what the first did, the others also do. (Lo specchio della vita..., 1895-1898)

Mirror of life. And what the first did, the others also do. (Lo specchio della vita..., 1895-1898)
Mirror of life. And what the first did, the others also do. (Lo specchio della vita. E cio che l'una fa, e l'altre fanno), 1895-1898

Background imagePost Impressionism Collection: Le fiacre, 1898. Creator: Bernard, Émile (1868-1941)

Le fiacre, 1898. Creator: Bernard, Émile (1868-1941)
Le fiacre, 1898. Private Collection

Background imagePost Impressionism Collection: L'Aube au Praz-de-Lys, 1901. Creator: Perrier, Alexandre (1862-1936)

L'Aube au Praz-de-Lys, 1901. Creator: Perrier, Alexandre (1862-1936)
L'Aube au Praz-de-Lys, 1901. Private Collection

Background imagePost Impressionism Collection: Morning. Spring, 1899. Creator: Longoni, Emilio (1859-1932)

Morning. Spring, 1899. Creator: Longoni, Emilio (1859-1932)
Morning. Spring, 1899. Private Collection

Background imagePost Impressionism Collection: Angolo di giardino (garden corner), 1909. Creator: Morbelli, Angelo (1853-1919)

Angolo di giardino (garden corner), 1909. Creator: Morbelli, Angelo (1853-1919)
Angolo di giardino (garden corner), 1909. Private Collection

Background imagePost Impressionism Collection: Portrait of Dr. Wilhelm Carl Escher, 1926. Creator: Giacometti, Giovanni (1868-1933)

Portrait of Dr. Wilhelm Carl Escher, 1926. Creator: Giacometti, Giovanni (1868-1933)
Portrait of Dr. Wilhelm Carl Escher, 1926. Private Collection



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Post-Impressionism, a movement that emerged in the late 19th century, revolutionized the art world with its innovative approach to capturing emotions and sensations on canvas. Artists like Walter Richard Sickert, Pierre Bonnard, Vincent van Gogh, Edgar Degas, Paul Gauguin, Paul Cezanne, and Edouard Vuillard were at the forefront of this artistic revolution. In "Ennui, " painted by Walter Richard Sickert in c1914 (1935), we are transported into a world of melancholy and boredom. The somber tones and languid figures evoke a sense of restlessness that is both captivating and haunting. Pierre Bonnard's "Mirror above a Washstand" from 1908 invites us into an intimate space where everyday objects become infused with vibrant colors. The play of light on the mirror creates an ethereal atmosphere that blurs the line between reality and imagination. Van Gogh's "Field with Flowers near Arles" transports us to the idyllic countryside where nature bursts forth in vivid hues. The bold brushstrokes convey Van Gogh's emotional connection to his surroundings as he captures the essence of beauty amidst simplicity. In "Vue sur L'Estaque et le Chateau d'If, " created by Paul Cezanne around 1883-85, we witness his unique interpretation of landscapes. Through geometric shapes and flattened perspectives, Cezanne challenges traditional notions of representation while still capturing the essence of Provence's picturesque scenery. Vincent van Gogh mesmerizes us yet again with his masterpiece "Oleanders. " Painted in 1888 during his time in Arles, this vibrant composition showcases Van Gogh's mastery over color as he transforms simple flowers into symbols of vitality and hope. Edgar Degas takes us backstage in his painting "Dancers Pink and Green.