Position Collection (page 10)

Gottlieb Bindesboll, Danish Architect, 1834. Creator: Wilhelm Marstrand
Gottlieb Bindesboll, Danish Architect, 1834

Two Female Nudes, 1927. Creator: Vilhelm Lundstrom
Two Female Nudes, 1927

Seated Female Nude, 1950. Creator: Vilhelm Lundstrom
Seated Female Nude, 1950

Portrait of the Poet Emil Bonnelycke, 1921. Creator: Vilhelm Lundstrom
Portrait of the Poet Emil Bonnelycke, 1921

Baron Otto Ditlev Rosenorn-Lehn, 1891. Creator: Peder Severin Kroyer
Baron Otto Ditlev Rosenorn-Lehn;1870 udenrigsminister og direktor for Den kongelige malerisamling, 1891

McKinley, S.B. Mr. portrait photograph, 1916. Creator: Arnold Genthe
McKinley, S.B. Mr. portrait photograph, 1916

Arnold Genthe photographing George Sterling, Mary Austin, Jack London and Jimmie... c1896-c1942. Creator: Arnold Genthe
Arnold Genthe photographing George Sterling, Mary Austin, Jack London and Jimmie Hooper on the beach at Carmel, , between 1896 and 1942

Travel views of Japan and Korea, 1908. Creator: Arnold Genthe
Travel views of Japan and Korea, 1908

Harkness, Edward S. Mr. portrait photograph, 1931 May 15. Creator: Arnold Genthe
Harkness, Edward S. Mr. portrait photograph, 1931 May 15

Bruce, Mrs. and Miss Hedman, seated outdoors on a fence, 1919 May 30. Creator: Arnold Genthe
Bruce, Mrs. and Miss Hedman, seated outdoors on a fence, 1919 May 30

Small, Thomas, Mrs. portrait photograph, 1916. Creator: Arnold Genthe
Small, Thomas, Mrs. portrait photograph, 1916

Isadora Duncan dancers, portrait photograph, between 1915 and 1923. Creator: Arnold Genthe
Isadora Duncan dancers, portrait photograph, between 1915 and 1923

Kennerley, Mitchell, Mrs. and boys, portrait photograph, 1912 or 1913. Creator: Arnold Genthe
Kennerley, Mitchell, Mrs. and boys, portrait photograph, 1912 or 1913

'Les Jours decisifs de la Marne; 8, 9, 10 septembre, 1914. Creator: Unknown
'Les Jours decisifs de la Marne; 8, 9, 10 septembre, 1914. From "L'Album de la Guerre 1914-1919: Volume I". [L'Illustration, Paris, 1926]

'Les Jours decisifs de la Marne; 5, 6, 7, septembre, 1914. Creator: Unknown
'Les Jours decisifs de la Marne; 5, 6, 7 septembre, 1914. From "L'Album de la Guerre 1914-1919: Volume I". [L'Illustration, Paris, 1926]

'La Course a la Mer; Les positions successives des armes alliees, du septembre au 17 october, 1914 Creator: Unknown
'La Course a la Mer; Les positions successives des armes alliees, du septembre au 17 october, 1914. From "L'Album de la Guerre 1914-1919: Volume I". [L'Illustration, Paris, 1926]

Trompe l'Oeil. Board Partition with a Still Life of Two Dead Birds Hanging on a Wall, 1670-1674

Trompe l'Oeil with Dead Duck and Hunting Implements, 1670-1674. Creator: Cornelis Norbertus Gysbrechts
Trompe l'Oeil with Dead Duck and Hunting Implements, 1670-1674

A Whip and a Letter Bag on a Board - Trompe l´oeil, 1672. Creator: Cornelis Norbertus Gysbrechts
A Whip and a Letter Bag on a Board - Trompe l´oeil, 1672

Two Ladies, 1922. Creator: Harald Giersing
Two Ladies, 1922

'Les operations du front oriental, 1914. Creator: Unknown
'Les operations du front oriental, 1914. From "L'Album de la Guerre 1914-1919: Volume I". [L'Illustration, Paris, 1926]

'La Bataille de la Marne; Le mouvement de la bataille du 6 au 13 septembre, 1914. Creator: Unknown
'La Bataille de la Marne; Le mouvement de la bataille du 6 au 13 septembre, 1914. From "L'Album de la Guerre 1914-1919: Volume I". [L'Illustration, Paris, 1926]

La grande attaque du Carso (aout 1916); La progression italienne sur le Carso, 1916. Creator: Unknown
La grande attaque du Carso (aout 1916); La progression italienne sur le Carso, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII

Ensemble du terrain des offensives franco-britanniques au Nord et au Sud de la Somme, 1916. Creator: Unknown
Ensemble du terrain des offensives franco-britanniques au Nord et au Sud de la Somme. Le grise indique l'avance realisee a la date 5 septembre

Felder, T.J. Mrs. portrait photograph, 1916 Mar. 3. Creator: Arnold Genthe
Felder, T.J. Mrs. portrait photograph, 1916 Mar. 3

Les Italiens a Gorizia; Croquis perspectif de la vallee de l'Isonzo, 1916. Creator: Unknown
Les Italiens a Gorizia; Croquis perspectif de la vallee de l'Isonzo des environs de Gorizia et du Carso, 1916. From "Collection de la Guerre IV. L'Illustration Tome CXLVIII

L'offensive de la Somme: L'attaque du juillet 1916; le general B, 1916. Creator: Unknown
L'offensive de la Somme: L'attaque du juillet 1916; le general B, commandant une division coloniale, visite une batterie allemande, qui etait encore en position et fut prise par ses troupes

L'offensive de la Somme: L'attaque du juillet 1916; les premieres lignes allemandes, 1916. Creator: Unknown
L'offensive de la Somme: L'attaque du juillet 1916; le terrain des premieres lignes allemandes (region de Curlu), completement bouleverse par notre artillerie, 1916

L'offensive de la Somme: L'attaque du 1er juillet 1916 observee d'un aeroplane, 1916. Creator: Unknown
L'offensive de la Somme: L'attaque du 1er juillet 1916 observee d'un aeroplane; La tranchee allemande de Stuttgart, au Nord de la route de Foucaucourt a Estrees

L'offensive de la Somme: L'attaque du 1er juillet 1916 observee d'un aeroplane, 1916. Creator: Unknown
L'offensive de la Somme: L'attaque du 1er juillet 1916 observee d'un aeroplane; Nos fantassins occupent la tranchee allemande de Landsberg, a 500 metres au Sud de Fay, 1916

L'offensive de la Somme; la preparation d'une bataille: L'attaque du 1er juillet 1916, 1916
L'offensive de la Somme; la preparation d'une bataille: L'attaque du 1er juillet 1916 observee d'un aeroplane; Tranchee allemande a un kilometre au Sud-Ouest de Fay

L'offensive de la Somme; la preparation d'une bataille: L'attaque du 1er juillet 1916, 1916
L'offensive de la Somme; la preparation d'une bataille: L'attaque du 1er juillet 1916 observee d'un aeroplane; Tranchees de depart garnies de troupes

La Guerre 20-26 juillet 1916; Carte-croquis du terrain au Nord et au Sud de la Somme, 1916. Creator: Unknown
La Guerre 20-26 juillet 1916; Carte-croquis du terrain au Nord et au Sud de la Somme. Le grise indique l'avance franco-britannique a la date du 26 juillet, 1916

La Guerre 20-26 juillet 1916; cartes des ouvrages allemands d'Ovillers a Hardecourt, 1916. Creator: Unknown
La Guerre 20-26 juillet 1916; cartes des ouvrages allemands d'Ovillers a Hardecourt, communiquee officiellement a la presse britannique

Plan and Three Views of a Circular Church, c. 1750. Creator: Pierre Varin
Plan and Three Views of a Circular Church, c. 1750

Three Views and a Plan of a Triangular Parish Church, c. 1750. Creator: Pierre Varin
Three Views and a Plan of a Triangular Parish Church, c. 1750

Portrait of Shep Fields and Tex Beneke, Glen Island Casino, New York, N.Y. May 16, 1947. Creator: William Paul Gottlieb
Portrait of Shep Fields and Tex Beneke, Glen Island Casino, New York, N.Y. May 16, 1947

Some of my informants; [Note the "mojo" around the neck of the center figure], 1926. Creator: Unknown
Some of my informants; [Note the "mojo" around the neck of the center figure], 1926

Miss Harriet E. Giles; Miss Sophia P. Packard; Founders of Spelman Seminary, 1907. Creator: Unknown
Miss Harriet E. Giles; Miss Sophia P. Packard; Founders of Spelman Seminary, 1907

Red Cross, between 1910 and 1920. Creator: Harris & Ewing. Red Cross, between 1910 and 1920. Creator: Harris & Ewing
Red Cross, between 1910 and 1920

Max Canstuart King, 1917-1923. Creator: Unknown
Max Canstuart King, 1917-1923

Robert Langham Douglass, 1917-1923. Creator: Unknown
Robert Langham Douglass, 1917-1923

Our theological students at Greensboro, February, 1926, 1927. Creator: Unknown
Our theological students at Greensboro, February, 1926, 1927

Portrait of Buddy Morrow, New York, N.Y. ca. May 1947. Creator: William Paul Gottlieb
Portrait of Buddy Morrow, New York, N.Y. ca. May 1947

Portrait of Joan Brooks and Duke Niles, New York, N.Y. ca. Apr. 1947. Creator: William Paul Gottlieb
Portrait of Joan Brooks and Duke Niles, New York, N.Y. ca. Apr. 1947

Wedding, possibly of an Elizabeth Duncan dancer, between 1911 and 1942. Creator: Arnold Genthe
Wedding, possibly of an Elizabeth Duncan dancer, between 1911 and 1942

View of the Quadrant: the Main Door, the Square, the Church and the Loggia of the Monastery of the Monte della Vernia (Prospettiva dell'ingresso della prima porta, con la Piazza, Chiesa)

Portraits of men, Brazil, 1890 (Inferred). Creator: Unknown
Portraits of men, Brazil, 1890 (Inferred)

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"Position: A Tapestry of Time and Place" In the intricate threads of history, positions define our past, present, and future. From the strategic Map of the Battle of Waterloo in 1815 to Marie Curie's groundbreaking scientific position, we witness moments that shaped humanity. Just as fencing positions demand precision and skill, so do life's challenges require us to find our stance. In Glenariff valley's serene beauty or amidst Greenan Castle's ancient walls, we discover our place within Ireland's majestic landscapes. Within Westminster Abbey's hallowed halls lies a map depicting the coronation ritual—a testament to power and authority held by those who ascend their rightful position. And like Taki Katei's exquisite artwork capturing Flowers and Birds in 19th-century Japan, we too can create beauty from where we stand. The iconic Forth Bridge stands tall as a symbol of engineering prowess—an architectural marvel that exemplifies strength in its structural position. Similarly, Geishas embody grace while reminding us to see no evil, hear no evil, speak no evil—finding harmony through their poised presence. Castlerock Beach whispers tales of Northern Ireland’s coastal wonders—a meeting point between land and sea where nature finds its perfect positioning. Meanwhile, Rifle Brigade soldiers on the Western Front during WWI demonstrate unwavering determination as they hold their ground against adversity. And just like the timeless elegance exuded by a 1959 Ford Thunderbird cruising down an open road—we are reminded that sometimes it is not about reaching a destination but reveling in every moment along the way. In this vast tapestry woven with diverse positions across time and space—let us embrace our own unique place with courage and conviction. For it is through finding our footing that we leave an indelible mark upon this world.