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Portrait Medallion Collection

The art world is filled with captivating and diverse pieces, each telling its own unique story

Background imagePortrait Medallion Collection: Wa-Pel-La chief of the Musquakees, 1838

Wa-Pel-La chief of the Musquakees, 1838
1574370 Wa-Pel-La chief of the Musquakees, 1838; (add.info.: Print shows Wa-Pel-La, half-length portrait, facing slightly left, headdress, feathered shawl)

Background imagePortrait Medallion Collection: St. Nicholas (enamel)

St. Nicholas (enamel)
XIR159070 St. Nicholas (enamel) by Byzantine; Museo Lazaro Galdiano, Madrid, Spain; out of copyright

Background imagePortrait Medallion Collection: Ms 344. Livy, Ab Urbe Condita, 1-10, 21-30, 31-40, and Periochae, f. 140r

Ms 344. Livy, Ab Urbe Condita, 1-10, 21-30, 31-40, and Periochae, f. 140r
5979389 Ms 344. Livy, Ab Urbe Condita, 1-10, 21-30, 31-40, and Periochae, f.140r. Inhabited illuminated initial [I] formed by an open frame housing a figure in academic dress (a secular jurist)

Background imagePortrait Medallion Collection: Portrait Medallion of the Late Peter Squire (engraving)

Portrait Medallion of the Late Peter Squire (engraving)
1045039 Portrait Medallion of the Late Peter Squire (engraving) by English School, (19th century); Private Collection; (add.info.: Portrait Medallion of the Late Peter Squire)

Background imagePortrait Medallion Collection: Preparing for a Festa, 1851 (w / c on paper)

Preparing for a Festa, 1851 (w / c on paper)
AMO101420 Preparing for a Festa, 1851 (w/c on paper) by Leighton, Frederic (1830-96); 89x62 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imagePortrait Medallion Collection: Portrait Jochem Hendricksz Swartenhont 1566-1627

Portrait Jochem Hendricksz Swartenhont 1566-1627
Portrait of Jochem Hendricksz. Swartenhont (1566-1627), Portrait of Jochem Hendricksz Swartenhont (1566-1627). Lieutenant Admiral of Holland, husband of Elisabeth Bas

Background imagePortrait Medallion Collection: Portrait Gerard Reynst Governor-General Dutch East Indies

Portrait Gerard Reynst Governor-General Dutch East Indies
Portrait of Gerard Reynst, Governor-General of the Dutch East Indies, Portrait of Gerard Reynst (gest. 1615). Governor General (1614-15). Standing, halfway to the right, the right hand to the side

Background imagePortrait Medallion Collection: A Painter Wife Double portrait painter Wybrand Hendriks

A Painter Wife Double portrait painter Wybrand Hendriks
A Painter with his Wife, Double portrait of the painter Wybrand Hendriks with first wife Agatha Ketel. Sitting in an interior, the man writing at a table, the woman holding up a portrait medallion

Background imagePortrait Medallion Collection: True depiction Mr Quinquempoix 1720 Veritable Portrait du tres fameux Seigneur messire

True depiction Mr Quinquempoix 1720 Veritable Portrait du tres fameux Seigneur messire
True depiction of Mr. Quinquempoix, 1720 Veritable Portrait du tres fameux Seigneur messire Quinquenpoix (title on object) The Great Scene of Foolishness (series title), True image of Mr

Background imagePortrait Medallion Collection: Portrait Gerrit Reynst Governor General Dutch East Indies

Portrait Gerrit Reynst Governor General Dutch East Indies
Portrait of Gerrit Reynst, Governor General of the Dutch East Indies, half-length. He wears a millstone collar, an armor and a necklace with a portrait medallion

Background imagePortrait Medallion Collection: Portrait Medallion 1830 Jean-Auguste Barre French

Portrait Medallion 1830 Jean-Auguste Barre French
Portrait Medallion, 1830. Jean-Auguste Barre (French, 1811-1896). Bronze; diameter: 21.8 cm (8 9/16 in.)

Background imagePortrait Medallion Collection: Portrait Francesco Albani 1680-1758 Red chalk

Portrait Francesco Albani 1680-1758 Red chalk
Artokoloro

Background imagePortrait Medallion Collection: Three Designs Funerary Monument Epitaph ca 1770-90

Three Designs Funerary Monument Epitaph ca 1770-90
Artokoloro

Background imagePortrait Medallion Collection: Female Figure with palette pointing at a painting, Arnold Houbraken, Anonymous, 1700-1750

Female Figure with palette pointing at a painting, Arnold Houbraken, Anonymous, 1700-1750


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The art world is filled with captivating and diverse pieces, each telling its own unique story. Among these treasures are portrait medallions, which offer a glimpse into the lives and personalities of individuals from various eras. One such example is the St. Nicholas enamel portrait medallion. This exquisite piece showcases the patron saint of children in intricate detail, capturing his benevolent expression and iconic attributes. It serves as a testament to religious devotion and artistic craftsmanship. In contrast, the Portrait Medallion of the Late Peter Squire takes on a different form - an engraving that immortalizes an individual's likeness for future generations to admire. The delicate lines etched onto metal reveal not only physical features but also hints at character traits and life experiences. Moving forward in time, we encounter Preparing for a Festa, 1851 - a watercolor painting on paper that transports us to a joyous celebration filled with vibrant colors and lively figures. This artwork captures not just one person but rather depicts an entire scene brimming with energy and anticipation. As we delve deeper into history through Ms 344 Livy's Ab Urbe Condita manuscript pages adorned with portrait medallions, we gain insights into ancient Roman society. These intricately crafted miniatures provide glimpses into notable figures' lives during specific periods or events described within Livy's work. Shifting our focus back to individuals, Jochem Hendricksz Swartenhont's portrait medallion offers us a window into Dutch society during the late 16th century. The detailed rendering allows us to observe facial features and clothing styles while pondering what stories lie behind this enigmatic figure. Meanwhile, Gerard Reynst Governor-General Dutch East Indies' portrait medallion reveals power dynamics at play during colonial times. It prompts contemplation about his role in shaping history while acknowledging both admiration and critique surrounding such positions of authority.