Pointilliste Collection

The Gardener, 1882-83 (oil on wood)
3468875 The Gardener, 1882-83 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Town Beach, Collioure, Opus 165, 1887 (oil on canvas)
3432931 The Town Beach, Collioure, Opus 165, 1887 (oil on canvas) by Signac, Paul (1863-1935); 62.9x80 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Collioure. La Plage de la ville)

Le Chahut, 1890 (oil on canvas)
3709927 Le Chahut, 1890 (oil on canvas) by Seurat, Georges Pierre (1859-91); 169.1x141 cm; Rijksmuseum Kroller-Muller, Otterlo, Netherlands; (add.info.: Chahut meaning noise or uproar)

Shepherd with Sheep, c. 1920 (oil on canvas)
3709932 Shepherd with Sheep, c.1920 (oil on canvas) by Assendelft, Cornelis Albert van (1870-1945); 56.7x79.2 cm; Rijksmuseum, Amsterdam, The Netherlands

House at Dusk, 1881-82 (conte crayon)
3931608 House at Dusk, 1881-82 (conte crayon) by Seurat, Georges Pierre (1859-91); Metropolitan Museum of Art, New York, USA; French, out of copyright

Boulevard (oil on board)
3959939 Boulevard (oil on board) by Cross, Henri-Edmond (1856-1910); 46.5 x 60 cm; Kunstmuseum, Basel, Switzerland; French, out of copyright

Le Pont Neuf, c. 1912-14 (w / c and gouache on paper)
3613998 Le Pont Neuf, c.1912-14 (w/c and gouache on paper) by Petitjean, Hippolyte (1854-1929); 25x19 cm; Metropolitan Museum of Art, New York

Landscape, c. 1904 (w / c and crayon on paper)
3614087 Landscape, c.1904 (w/c and crayon on paper) by Cross, Henri-Edmond (1856-1910); 17.5x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Garden of the Painter at Saint Clair, 1908 (w / c over graphite)
3472263 Garden of the Painter at Saint Clair, 1908 (w/c over graphite) by Cross, Henri-Edmond (1856-1910); 17.1x24.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Portrait of Mrs Marie Jeannette de Lange, c. 1900 (oil on canvas)
5916335 Portrait of Mrs Marie Jeannette de Lange, c.1900 (oil on canvas) by Toorop, Jan Theodore (1858-1928); 70.5x77.4 cm; Rijksmuseum, Amsterdam

The Maria at Honfleur, 1886 (oil on canvas)
5614489 The Maria at Honfleur, 1886 (oil on canvas) by Seurat, Georges Pierre (1859-91); 53x63.5 cm; Narodni Galerie, Prague, Czech Republic; French, out of copyright

Mountainous Landscape, 1896 (oil on canvas)
6041524 Mountainous Landscape, 1896 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Private Collection; (add.info.: Little Maresque Mountains); French, out of copyright

Valley with Fir (Shade on the Mountain), 1909 (oil on canvas)
3472265 Valley with Fir (Shade on the Mountain), 1909 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 73.7x90.2 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Evening, The Jetty at Vlissingen, 1898 (lithograph)
5672896 Evening, The Jetty at Vlissingen, 1898 (lithograph) by Signac, Paul (1863-1935); Cleveland Museum of Art, OH, USA; French, out of copyright

Venice-The Giudecca, 1903 (w / c, graphite, and charcoal on heavy, white wove paper)
3472268 Venice-The Giudecca, 1903 (w/c, graphite, and charcoal on heavy, white wove paper) by Cross, Henri-Edmond (1856-1910); 17.1x24.8 cm; Metropolitan Museum of Art, New York, USA; French

Landscape with Stars, c. 1905-08 (w / c over graphite on white wove paper)
3472264 Landscape with Stars, c.1905-08 (w/c over graphite on white wove paper) by Cross, Henri-Edmond (1856-1910); 24.4x32.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Venice: Night of the Festival of the Redeemer, 1903 (w / c over pencil on white wove paper)
3472262 Venice: Night of the Festival of the Redeemer, 1903 (w/c over pencil on white wove paper) by Cross, Henri-Edmond (1856-1910); 14x24.3 cm; Metropolitan Museum of Art, New York, USA; French

The Black Bow, 1882-3 (conte crayon)
BRM349519 The Black Bow, 1882-3 (conte crayon) by Seurat, Georges Pierre (1859-91); Private Collection; (add.info.: Le Noeud Noir; formerly in collection Brame & Lorenceau; ); French, out of copyright

The Artists Garden at Saint-Clair, 1904-5 (w / c)
5667139 The Artists Garden at Saint-Clair, 1904-5 (w/c) by Cross, Henri-Edmond (1856-1910); 26.6 x 35.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Marine Scene (Boats near Venice), 1903 (w / c over graphite on white wove paper dry-mounted)
3472267 Marine Scene (Boats near Venice), 1903 (w/c over graphite on white wove paper dry-mounted on heavy wove card) by Cross, Henri-Edmond (1856-1910); 17.1x24.6 cm; Metropolitan Museum of Art

Pines Along the Shore, 1896 (oil on canvas)
3472266 Pines Along the Shore, 1896 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 54x65.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

At the Eden Concert, 1886-7 (conte crayon, gouache, chalk & ink on paper)
BRM349525 At the Eden Concert, 1886-7 (conte crayon, gouache, chalk & ink on paper) by Seurat, Georges Pierre (1859-91); Van Gogh Museum, Amsterdam

Spring trees in blossom
38040 Spring trees in blossom by Cross, Henri-Edmond (1856-1910); Ny Carlsberg Glyptotek, Copenhagen, Denmark; French, out of copyright

Saint-Tropez: The Port, 1897-98 (colour lithograph)
5672891 Saint-Tropez: The Port, 1897-98 (colour lithograph) by Signac, Paul (1863-1935); 50.8 x 38.2 cm; Cleveland Museum of Art, OH, USA; French, out of copyright

Harmonious Times, 1895-96 (colour lithograph)
5672878 Harmonious Times, 1895-96 (colour lithograph) by Signac, Paul (1863-1935); 50 x 37.6 cm; Cleveland Museum of Art, OH

Pushing in the Poles, c. 1882 (oil on canvas)
5310448 Pushing in the Poles, c.1882 (oil on canvas) by Seurat, Georges Pierre (1859-91); 15x25 cm; Private Collection; French, out of copyright

Boats in the Bay of St. Malo, c. 1910 (oil on canvas)
MIB162897 Boats in the Bay of St. Malo, c.1910 (oil on canvas) by Martin, Henri (1860-1943); 48x65 cm; Private Collection; (add.info.: Bateaux dans la Baie de St Malo; ); eWhitford Fine Art, London

The Forest at Pontaubert, 1881 (oil on canvas)
3468877 The Forest at Pontaubert, 1881 (oil on canvas) by Seurat, Georges Pierre (1859-91); 79.1x62.5 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Gray Weather, Grande Jatte, c. 1886-88 (oil on canvas)
3468876 Gray Weather, Grande Jatte, c.1886-88 (oil on canvas) by Seurat, Georges Pierre (1859-91); 70.5x86.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Embroidery; The Artists Mother, 1882-83 (conte crayon on Michallet paper)
3468874 Embroidery; The Artists Mother, 1882-83 (contecrayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 31.2x24.1 cm; Metropolitan Museum of Art, New York

Foal (Le Poulain), 1882-83 (conte crayon on laid paper)
3432944 Foal (Le Poulain), 1882-83 (conte crayon on laid paper) by Seurat, Georges Pierre (1859-91); 24.8x31.8 cm; Metropolitan Museum of Art, New York

Aman-Jean, 1882-83 (conte crayon on Michallet paper)
3432942 Aman-Jean, 1882-83 (contecrayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 62.2u47.5 cm; Metropolitan Museum of Art, New York

Landscape at Saint-Ouen, 1878-79 (Oil on wood)
3432941 Landscape at Saint-Ouen, 1878-79 (Oil on wood) by Seurat, Georges Pierre (1859-91); 17.5x26.4 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

View of the Seine, 1882-83 (oil on wood)
3432936 View of the Seine, 1882-83 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas)
3432934 Evening Calm, Concarneau, Opus 220 (Allegro Maestoso), 1891 (oil on canvas) by Signac, Paul (1863-1935); 64.8x81.3 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

The Jetty at Cassis, Opus 198, 1889 (oil on canvas)
3432933 The Jetty at Cassis, Opus 198, 1889 (oil on canvas) by Signac, Paul (1863-1935); 46.4x65.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: near Marseilles); French, out of copyright

Peasant with a Hoe, c. 1882 (oil on wood)
3428139 Peasant with a Hoe, c.1882 (oil on wood) by Seurat, Georges Pierre (1859-91); 14.6x24.1 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Poplars, c. 1883-4 (conte crayon on michalett paper)
1766125 Poplars, c.1883-4 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 24.3x31 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Portrait of Henri Edmond Cross (1856-1910) 1898 (oil on canvas) (detail) (see 140248)
BAL20769 Portrait of Henri Edmond Cross (1856-1910) 1898 (oil on canvas) (detail) (see 140248) by Luce, Maximilien (1858-1941); 100x81 cm; Private Collection; French

An Indian Man, c. 1878-9 (graphite)
XOS1766138 An Indian Man, c.1878-9 (graphite) by Seurat, Georges Pierre (1859-91); 48.4x28.5 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Madame Seurat, the Artists Mother, c. 1882-3 (conte crayon on Michallet paper)
XOS1766137 Madame Seurat, the Artists Mother, c.1882-3 (conte crayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 30.5x23.3 cm; J

Une Elegante, Woman strolling, c. 1884 (conte crayon on michalett paper)
XOS1766136 Une Elegante, Woman strolling, c.1884 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 32.8x24 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

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"Pointilliste: A Captivating Artistic Technique Unveiled" Step into the mesmerizing world of pointillism, a revolutionary artistic technique that captivated audiences in the late 19th and early 20th centuries. With its meticulous dots of color meticulously applied to create stunning compositions, pointillism brought a new dimension to the art scene. One notable masterpiece showcasing this technique is "The Gardener, 1882-83 (oil on wood). " In this painting, vibrant dots come together to form lush green foliage and delicate flowers, transporting viewers into a serene garden oasis. Another remarkable work is "The Town Beach, Collioure, Opus 165, 1887 (oil on canvas). " Through carefully placed dots of various hues, an idyllic coastal scene emerges with shimmering waves crashing against golden sands under a radiant sun. In "Le Chahut, 1890 (oil on canvas), " the energy and movement of dancers are conveyed through dynamic brushstrokes composed entirely of tiny dots. The lively atmosphere comes alive as each dot contributes to the overall rhythm and excitement of the piece. "Shepherd with Sheep, " c. 1920 (oil on canvas), showcases how pointillism can capture not only landscapes but also human figures. Every dot brings life to the shepherd's face and texture to his flock's woolly coats – an exquisite portrayal of rural life. Moving beyond traditional mediums like oil paint or crayon, artists explored other possibilities within pointillism. "House at Dusk, " 1881-82 (conte crayon), demonstrates how even simple lines created by individual marks can evoke a sense of tranquility as twilight descends upon an enchanting dwelling. "Boulevard" takes us for a stroll down city streets where bustling crowds merge seamlessly through skillful placement of colored dots on board. The vibrancy and liveliness captured in this artwork showcase the versatility inherent in the pointillist technique. In "Le Pont Neuf, c.