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Pointilism Collection

Pointillism, a revolutionary art movement led by Paul Signac, brought vibrant life to the canvas through tiny, distinct dots of color

Background imagePointilism Collection: The Dyke

The Dyke
Artist: Kiddier, William - Title: The Dyke - Date: 1921 - Original Medium and Size: Oil on Canvas 83.8 x 96.5

Background imagePointilism Collection: Ponton de la Felicite at Asnieres (Opus no. 143), 1886 (oil on canvas)

Ponton de la Felicite at Asnieres (Opus no. 143), 1886 (oil on canvas)
5975302 Ponton de la Feliciteat AsniAres (Opus no. 143), 1886 (oil on canvas) by Signac, Paul (1863-1935); 33, 4x46, 7cm cm; Van Gogh Museum, Amsterdam, The Netherlands; French, out of copyright

Background imagePointilism Collection: Oil Sketch for La Grande Jatte, 1884 (oil on panel)

Oil Sketch for La Grande Jatte, 1884 (oil on panel)
2970769 Oil Sketch for La Grande Jatte, 1884 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.5x24.3 cm; The Art Institute of Chicago, IL, USA; Gift of Mary and Leigh Block; French

Background imagePointilism Collection: Final Study for Bathers at Asnieres, 1883 (oil on panel)

Final Study for Bathers at Asnieres, 1883 (oil on panel)
2968566 Final Study for Bathers at AsniAres, 1883 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.8x25.1 cm; The Art Institute of Chicago, IL, USA; Gift of the Adele R

Background imagePointilism Collection: The Cat by the Tree

The Cat by the Tree
Arne Östlund

Background imagePointilism Collection: The Port of Rotterdam, or The Fumes, 1906 (oil on canvas)

The Port of Rotterdam, or The Fumes, 1906 (oil on canvas)
XIR897760 The Port of Rotterdam, or The Fumes, 1906 (oil on canvas) by Signac, Paul (1863-1935); 72x92 cm; Private Collection; (add.info.: Le Port de Rotterdam ou Les Fumees)

Background imagePointilism Collection: Seated man and reclining woman, study for A Sunday Afternoon on the Island of La Grande Jatte

Seated man and reclining woman, study for A Sunday Afternoon on the Island of La Grande Jatte
XIR438892 Seated man and reclining woman, study for A Sunday Afternoon on the Island of La Grande Jatte, 1884 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.5x25 cm; Musee d Orsay, Paris

Background imagePointilism Collection: Circus Sideshow (Parade de cirque), 1887-88 (oil on canvas)

Circus Sideshow (Parade de cirque), 1887-88 (oil on canvas)
XOS1127611 Circus Sideshow (Parade de cirque), 1887-88 (oil on canvas) by Seurat, Georges Pierre (1859-91); 99.7x149.9 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Background imagePointilism Collection: Entrance of the port of Marseille, 1918, oil on canvas. Paul Signac (1863-1935)

Entrance of the port of Marseille, 1918, oil on canvas. Paul Signac (1863-1935) French Neo-Impressionist painter and exponent of Pointilism. Sailing ship being brought into port by a steam tug


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Pointillism, a revolutionary art movement led by Paul Signac, brought vibrant life to the canvas through tiny, distinct dots of color. The Dyke, Ponton de la Felicite at Asnieres (Opus no. 143), 1886, showcases this technique, with its shimmering water and sun-kissed boats. Oil Sketch for La Grande Jatte, 1884, and Final Study for Bathers at Asnieres, 1883, further illustrate the meticulous process of applying countless dots to form intricate, lively scenes. The Cat by the Tree and The Port of Rotterdam, or The Fumes, 1906, display the depth and texture achieved through this method. Seated man and reclining woman, study for A Sunday Afternoon on the Island of La Grande Jatte, and Circus Sideshow (Parade de cirque), 1887-88, reveal the captivating detail and energy captured in each dot. Entrance of the port of Marseille, 1918, is a testament to Signac's enduring commitment to pointillism, demonstrating the timeless beauty and innovation of this artistic style.