Plate 9 Collection

Ms. 2597 Hope Takes Heart out of the River of Tears, facsimile edition of
STC141237 Ms. 2597 Hope Takes Heart out of the River of Tears, facsimile edition of Livre du Coeur d Amours Espris by Rene d Anjou (colour litho) by English School

Robinson Crusoe and Friday making a Tent to lodge Friday
3614726 A Robinson Crusoe and Friday making a Tent to lodge FridayAs Father and the SpaniardA from A" The Life and Strange Surprising Adventures of Robinson Crusoe, or York

Civitas Olinda Casparis Barlae rervm octennivm
Civitas Olinda, Casparis Barlaei, rervm per octennivm in Brasilia et alibi nuper gestarum, Baerle, Caspar van, 1584-1648, Post, Frans Jansz, 1612-1680, Savery, Salomon, 1594-1665, van Brosterhuisen

Aviary Plans elevations sections perspective views
The Aviary, Plans, elevations, sections, and perspective views of the gardens and buildings at Kew, in Surry, Chambers, William Sir, 1723-1796, Haberkorn, J

Plate 9 1 / 2 Lead 1 / 2 Tin Beschreibung einer ungemein
Plate 9: 1/2 Lead, 1/2 Tin, Beschreibung einer ungemein grossen Elektrisier-Maschine und der damit im Teylerschen Museum zu Haarlem angestelten Versuche, Eschenbach, H.C.W. Marum, M

Porta Latina Delle magnificenze Roma antica moderna
Porta Latina, Delle magnificenze di Roma antica e moderna, Vasi, Giuseppe, 1710-1782, Engraving, 1747-1761, plate 9, volume 1, facing page 34

Jean Gerson Histoire du Concile de Constance
Jean Gerson, Histoire du Concile de Constance: tiree principalement d auteurs qui ont assiste au concile, Lenfant, Jacques, 1661-1728, Picart, Bernard, 1673-1733, Engraving, 1714

Plate 9 Tratado instructivo y practico sobre el
Plate 9, Tratado instructivo, y practico, sobre el arte de la tintura: reglas experimentadas y metodicas para tintar sedas, lanas, hilos de todas clases, y esparto en rama, Fernandez, Luis

Suite Vases Plate 9 1746 Jacques Francois Saly
Suite of Vases: Plate 9, 1746. Jacques Francois Saly (French, 1717-1776). Etching

Liber Studiorum Plate 9 Study 1838 John Sell Cotman
Liber Studiorum: Plate 9, A Study, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 32 x 49.5 cm (12 5/8 x 19 1/2 in.); platemark

Mascarade a la Grecque Jeune moine a la Grecque
Mascarade a la Grecque: Jeune moine a la Grecque (Plate 9), 1771. Benigno Bossi (Italian, 1727-1792). Etching

Plate 9 Colonnaded hall according custom ancient Romans
Artokoloro

Plate 9 Phrygian Sibyl holding top tablet left hand
Artokoloro

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Plate 9 chariot carrying cannon left soldiers
Artokoloro

Plate 9 two horsemen left galloping uphill towards
Artokoloro

Drawings Prints, Print, Judge, Bias, Shedding, Tears, Thronus Justitiae, tredecim
Drawings and Prints, Print, The Judge Bias Shedding Tears, from Thronus Justitiae, tredecim pulcherrimus tabulis... plate 9, Thronus Justitiae, tredecim pulcherrimus tabulis

Plate 9 Arch Constantine Rome Arco di Costantino
Artokoloro

Plate 9 Two goats resting right turned towards
Artokoloro

Plate 9 cartouche head ram top center flowers
Artokoloro

Plate 9 Argonauts Hicleus Naucleus led float
Artokoloro

Drawings Prints, Print, Christ, Before, Caiaphas, looks, St. Peter, Denies Him, Passion Christ
Drawings and Prints, Print, Christ Before Caiaphas looks to St. Peter, who Denies Him, from The Passion of Christ, plate 9, The Passion of Christ, Artist, Gregoire Huret, French

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8, AM170720 084531

Drawings Prints, Print, Comforts Bath, Plate 9, Artist, Thomas Rowlandson, British
Drawings and Prints, Print, Comforts of Bath, Plate 9, Comforts of Bath, Artist, Thomas Rowlandson, British, London 1757-1827 London, Rowlandson, Thomas, 1757, 1827, January 6, 1798

Plate 9 five heads two young women left bearded man
Artokoloro

Plate 9 Emperor Vitellus Horseback First Twelve Roman Caesars
Artokoloro

Plate 9 Arch Constantine left side part Colosseum
Artokoloro

Verscheyde Constige Vindigen om, Gout, Silver, Hout en Steen te wercken, Plate 9
Verscheyde Constige Vindigen om in Gout, Silver, Hout en Steen te wercken (Plate 9), Engraved by Michiel Mosyn (Dutch, born 1630), After Gerbrand van den Eeckhout (Dutch)

Drawings Prints, Print, Plate 9, Aulus, Vitellius, head, turned, slightly, left, Twelve Caesars
Drawings and Prints, Print, Plate 9: Aulus Vitellius with his head turned slightly to the left, from The Twelve Caesars, The Twelve Caesars, Artist, After, Raffaello Schiaminossi, Italian

Plate 9 Alexander Triumphal Entry Babylon Deeds
Artokoloro

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second movement bringing pike shoulder holding
Artokoloro

Plate 9 Romans Defeated Dutch Troops Bonna War
Artokoloro

Mt St Gothard Liber Studiorum part II plate 9
Artokoloro

Verso Sheet Fragment Destroying Angels Apocalypse
Artokoloro

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8, AM170720 083681

Plate 9 Israelites Battling Amalekites Battles
Artokoloro

Plate 9 cow ascending bank peasant woman leading two cows across
Artokoloro

Drawings Prints, Print, Charcoal-Burner, Verscheyden Landtschapjes, Various Landscapes
Drawings and Prints, Print, The Charcoal-Burner, from Verscheyden Landtschapjes (Various Landscapes), Plate 9, Publisher, Artist, Claes Jansz. Visscher, Willem Pietersz

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8, AM170720 083164

Plate 9 bust Minerva wearing helmet feathers
Artokoloro

Plate 9 Pulley man woman conversing right lantern hung
Artokoloro

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Plate 9 offers a fascinating glimpse into the architectural wonders of Vatican City and St. Peter's Basilica. The perspective view of the upper courtyard, known as the Court of the Pigna, transports us back to 1882 when Paul Marie Letarouilly meticulously engraved this scene. The intricate details capture the grandeur and magnificence of this sacred place. Moving on to another engraving from Letarouilly's work, we are presented with a floor plan of the third floor of Vatican Palace. This blueprint provides us with an insight into the layout and organization within this historic building, and is truly remarkable how Letarouilly managed to convey such complexity in his engravings. Continuing our journey through time, we encounter a reconstruction plan that showcases St. Peter's Basilica and its expansion, linking it with Innocent VIII's villa. This ambitious project aimed to enhance both religious and residential spaces within Vatican City. Letarouilly's engraving allows us to visualize these proposed changes and appreciate their impact on this iconic site. Delving further into history, Plate 9 presents an engraving depicting Old St Peter's Basilica alongside the old Papal Palace. These structures evoke a sense of awe as we contemplate their significance in shaping Rome's rich cultural heritage. Intriguingly, it also features Ms. 2597 Hope Takes Heart out of the River of Tears—a facsimile edition that invites contemplation on themes beyond architecture alone—perhaps reminding us that beauty can be found in various forms. Additionally, Robinson Crusoe and Friday making a Tent to lodge Friday captivate our imagination by transporting us into literary realms where survival skills intertwine with architectural ingenuity. The cross-section illustration reveals an oval chapel located near Chapel Canons inside St Peter’s Basilica—an exquisite example showcasing Letarouilly’s attention to detail even in smaller areas within these monumental structures.