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Pilasters Collection

Pilasters, the architectural marvels that have stood the test of time, can be found in various corners of the world

Background imagePilasters Collection: Ancient Roman athletes boxing in leather gloves

Ancient Roman athletes boxing in leather gloves
Ancient Roman athletes boxing wearing a cestus (leather glove) on each hand

Background imagePilasters Collection: Victoria Chambers, Chowringhee, Calcutta, India

Victoria Chambers, Chowringhee, Calcutta, India
Victoria Chambers, Whiteaway Laidlaw & Co Ltd, Department Store, Chowringhee, Calcutta (Kolkata), India. Date: circa 1920

Background imagePilasters Collection: Paris, France - La Sainte Chapelle

Paris, France - La Sainte Chapelle. Date: 19th century

Background imagePilasters Collection: London Palladium, autumn variety season, 1952

London Palladium, autumn variety season, 1952
London Palladium Theatre, programme cover, Variety Season, Autumn 1952 Date: 1952

Background imagePilasters Collection: Great Pultney Street, Bath, c. 1883 (litho)

Great Pultney Street, Bath, c. 1883 (litho)
468867 Great Pultney Street, Bath, c.1883 (litho) by Woodroffe, R. (fl.1835-54) (after); Private Collection; (add.info.: From Views of Bath, published by C. Duffield)

Background imagePilasters Collection: Opening ceremony, Menin Gate, Ypres, Belgium

Opening ceremony, Menin Gate, Ypres, Belgium
Opening ceremony of the Menin Gate, Ypres, Belgium, by Field Marshal Lord Plumer, 24 July 1927. 1927

Background imagePilasters Collection: Owen Jones Assyrian 14

Owen Jones Assyrian 14
Designs taken from columns and capitals, pilasters and mouldings, at Persepolis, Istakhr, Bi Sutoun and Ispahan

Background imagePilasters Collection: Sun Buildings, Spooners Corner, Plymouth

Sun Buildings, Spooners Corner, Plymouth, showing Farrows Bank Ltd and other premises. circa 1910s

Background imagePilasters Collection: Corn Exchange Worcester, 1942 a42_03678

Corn Exchange Worcester, 1942 a42_03678
Corn Exchange, Angel Street, Worcester. The entrance to the Corn Exchange adorned with advertisments and promotional posters

Background imagePilasters Collection: The entrance hall, Sutton Scarsdale, Derbyshire, from England's Lost Houses by Giles Worsley

The entrance hall, Sutton Scarsdale, Derbyshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311839 The entrance hall, Sutton Scarsdale, Derbyshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imagePilasters Collection: Lady Wynne's dressing room at 20 St. James Square, London, from The Country Houses of Robert Adam

Lady Wynne's dressing room at 20 St. James Square, London, from The Country Houses of Robert Adam
CLF310366 Lady Wynne's dressing room at 20 St. James Square, London, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Background imagePilasters Collection: The double-height hall, Buxted Park, Sussex, from The English Country House (b/w photo)

The double-height hall, Buxted Park, Sussex, from The English Country House (b/w photo)
CLF306280 The double-height hall, Buxted Park, Sussex, from The English Country House (b/w photo) by English Photographer

Background imagePilasters Collection: The archway to the Stable Court, Heveningham Hall, from The English Country House (b/w photo)

The archway to the Stable Court, Heveningham Hall, from The English Country House (b/w photo)
CLF306344 The archway to the Stable Court, Heveningham Hall, from The English Country House (b/w photo) by English Photographer, (20th century); © Country Life

Background imagePilasters Collection: The Long Gallery, Syon House, London, from The English Country House (b/w photo)

The Long Gallery, Syon House, London, from The English Country House (b/w photo)
CLF306327 The Long Gallery, Syon House, London, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

Background imagePilasters Collection: The staircase at Easton Neston, Northamptonshire, from 100 Favourite Houses (b/w photo)

The staircase at Easton Neston, Northamptonshire, from 100 Favourite Houses (b/w photo)
CLF310437 The staircase at Easton Neston, Northamptonshire, from 100 Favourite Houses (b/w photo) by English Photographer

Background imagePilasters Collection: Pump Room, Bath, Somerset

Pump Room, Bath, Somerset - Painted by landscape artist Alfred Robert Quinton for the Sevenoaks based publishing and printing company J. Salmon, and reproduced as a local view postcard

Background imagePilasters Collection: Detail of the gatehouse looking through to the castle at Kimbolton

Detail of the gatehouse looking through to the castle at Kimbolton, from The Country Houses of Robert Adam
CLF289867 Detail of the gatehouse looking through to the castle at Kimbolton, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Background imagePilasters Collection: The original dining room furnished as a sitting room at Chandos House, 2 Queen Anne Street, London

The original dining room furnished as a sitting room at Chandos House, 2 Queen Anne Street, London
CLF289832 The original dining room furnished as a sitting room at Chandos House, 2 Queen Anne Street, London, from The Country Houses of Robert Adam, by Eileen Harris

Background imagePilasters Collection: Rowley Hall Dining Room

Rowley Hall Dining Room
An illustration showing the dining room of Rowley Hall, Staffordshire. This space has walls of exquisite oak panelling with carved strap work pilasters at intervals

Background imagePilasters Collection: The door-case into the Saloon at Saltram House, Devon, from The Country Houses of Robert Adam

The door-case into the Saloon at Saltram House, Devon, from The Country Houses of Robert Adam, by Eileen Harris
CLF289875 The door-case into the Saloon at Saltram House, Devon, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Background imagePilasters Collection: The central projection of the south front, Moundsmere House, from The English Manor House

The central projection of the south front, Moundsmere House, from The English Manor House (b/w photo)
CLF309173 The central projection of the south front, Moundsmere House, from The English Manor House (b/w photo) by English Photographer

Background imagePilasters Collection: The staircase at Westonbirt, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)

The staircase at Westonbirt, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320672 The staircase at Westonbirt, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer

Background imagePilasters Collection: The entrance hall, Barnsley Park, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)

The entrance hall, Barnsley Park, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320664 The entrance hall, Barnsley Park, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: house built c.1720 for Henry Perrot)

Background imagePilasters Collection: The saloon at Uppark, Sussex, from England's Lost Houses by Giles Worsley (1961-2006)

The saloon at Uppark, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311879 The saloon at Uppark, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imagePilasters Collection: The south-east corner of the hall, Shobdon Court, Herefordshire

The south-east corner of the hall, Shobdon Court, Herefordshire, from England's Lost Houses by Giles Worsley
CLF311855 The south-east corner of the hall, Shobdon Court, Herefordshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imagePilasters Collection: The drawing room, Sutton Scarsdale, Derbyshire, from England's Lost Houses by Giles Worsley

The drawing room, Sutton Scarsdale, Derbyshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311837 The drawing room, Sutton Scarsdale, Derbyshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imagePilasters Collection: The Saloon at Kimbolton, Cambridgeshire, from The Country Houses of Sir John Vanbrugh by Jeremy

The Saloon at Kimbolton, Cambridgeshire, from The Country Houses of Sir John Vanbrugh by Jeremy Musson
CLF327782 The Saloon at Kimbolton, Cambridgeshire, from The Country Houses of Sir John Vanbrugh by Jeremy Musson, published 2008 (b/w photo) by English Photographer

Background imagePilasters Collection: The window side of the Music Room at Home House, 20 Portman Square, London

The window side of the Music Room at Home House, 20 Portman Square, London, from The Country Houses of Robert Adam
CLF325783 The window side of the Music Room at Home House, 20 Portman Square, London, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Background imagePilasters Collection: The corridor looking east, Highhead Castle, Cumberland, from England's Lost Houses by Giles

The corridor looking east, Highhead Castle, Cumberland, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311793 The corridor looking east, Highhead Castle, Cumberland, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Background imagePilasters Collection: The entrance hall at Harewood House, Yorkshire, from The Country Houses of Robert Adam

The entrance hall at Harewood House, Yorkshire, from The Country Houses of Robert Adam, by Eileen Harris
CLF289866 The entrance hall at Harewood House, Yorkshire, from The Country Houses of Robert Adam, by Eileen Harris, published 2007 (b/w photo) by English Photographer

Background imagePilasters Collection: The west front of Easton Neston, from 100 Favourite Houses (b/w photo)

The west front of Easton Neston, from 100 Favourite Houses (b/w photo)
CLF310438 The west front of Easton Neston, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info)

Background imagePilasters Collection: Peace, 1874-80 (bronze)

Peace, 1874-80 (bronze)
5911875 Peace, 1874-80 (bronze) by Bates, Harry (1850-99); 53.5x26.3 cm; Manchester Art Gallery, UK; (add.info.: Part of a pair of relief panels, mounted in architectural frames of plain, dark wood)

Background imagePilasters Collection: An Arbour, from Hypnerotomachia Poliphili, attributed to Francesco Colonna (c)

An Arbour, from Hypnerotomachia Poliphili, attributed to Francesco Colonna (c)
STC172985 An Arbour, from Hypnerotomachia Poliphili, attributed to Francesco Colonna (c.1432-1527), published 1499 (woodcut) (b/w photo) by Italian School

Background imagePilasters Collection: View of Middle Temple Gate House, London, 1885 (b / w photo)

View of Middle Temple Gate House, London, 1885 (b / w photo)
1812992 View of Middle Temple Gate House, London, 1885 (b/w photo) by English Photographer, (19th century); London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English

Background imagePilasters Collection: La Main Chaude (oil on canvas)

La Main Chaude (oil on canvas)
623101 La Main Chaude (oil on canvas) by Janssens, Hieronymus (1624-93) (circle of); 58.4x79.3 cm; Private Collection; (add.info)

Background imagePilasters Collection: Temple of Fortuna Muliebre, 1833 (etching with brown wash)

Temple of Fortuna Muliebre, 1833 (etching with brown wash)
STC384839 Temple of Fortuna Muliebre, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

Background imagePilasters Collection: Design for the East Elevation, Chatsworth House (w / c on paper)

Design for the East Elevation, Chatsworth House (w / c on paper)
621573 Design for the East Elevation, Chatsworth House (w/c on paper) by Wyatville, Jeffry (1766-1840); eThe Devonshire Collections, Chatsworth; (add.info.: Chatsworth House, North Derbyshire)

Background imagePilasters Collection: Aldgate, remains of the old Saracens Head Inn, c. 1883 (b / w photo)

Aldgate, remains of the old Saracens Head Inn, c. 1883 (b / w photo)
JHL394938 Aldgate, remains of the old Saracens Head Inn, c.1883 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info)

Background imagePilasters Collection: A dining room at the Robert Treat Hotel, Newark, New Jersey, 1916 (silver gelatin print)

A dining room at the Robert Treat Hotel, Newark, New Jersey, 1916 (silver gelatin print)
MNY380743 A dining room at the Robert Treat Hotel, Newark, New Jersey, 1916 (silver gelatin print) by Byron Company (fl.1890-1942); 27.9x35.6 cm; Museum of the City of New York

Background imagePilasters Collection: View of the Basilica di San Marco (b / w photo)

View of the Basilica di San Marco (b / w photo)
MES408657 View of the Basilica di San Marco (b/w photo) by Italian Photographer; Piazza San Marco, Venice, Italy; (add.info.: St)

Background imagePilasters Collection: Trinity House, Tower Hill, London

Trinity House, Tower Hill, London Date: circa 1900

Background imagePilasters Collection: Arch of Titus and the Colosseum, Rome, Italy

Arch of Titus and the Colosseum, Rome, Italy. Date: circa 1950s

Background imagePilasters Collection: Trafalgar Square Theatre, London - by day - comic opera every evening

Trafalgar Square Theatre, London - by day - comic opera every evening. (1 of 2) Date: late 19th century

Background imagePilasters Collection: San Marco Campanile, St. Marks Square, Venice, Italy

San Marco Campanile, St. Marks Square, Venice, Italy
The base of the San Marco Campanile, St Marks Square, Venice, Italy. Date: circa 1920s

Background imagePilasters Collection: Powis House, c. 1720 (engraving)

Powis House, c. 1720 (engraving)
3038204 Powis House, c.1720 (engraving) by Nicholls, Sutton (fl.1700-40); Private Collection; (add.info.: Townhouse of Marquess of Powis on Great Ormond Street published in Stowes Survey)

Background imagePilasters Collection: Mausoleum of Bohemund I of Hauteville (b / w photo)

Mausoleum of Bohemund I of Hauteville (b / w photo)
ALI266973 Mausoleum of Bohemund I of Hauteville (b/w photo) by Italian School, (12th century); Canosa Cathedral, Canosa, Puglia

Background imagePilasters Collection: Painting Atelier in the Moscow Art School, c. 1830 (oil on canvas)

Painting Atelier in the Moscow Art School, c. 1830 (oil on canvas)
BAL244814 Painting Atelier in the Moscow Art School, c.1830 (oil on canvas) by Podklyuchnikov, Nikolay Ivanovich (1813-77); 62x98 cm; State Russian Museum, St

Background imagePilasters Collection: Interior view of the church (photo)

Interior view of the church (photo)
BAT201224 Interior view of the church (photo) by Italian School; Church of San Marco, Florence, Italy; (add.info.: built in c13th and c14th; modifications by Michelozzo completed 1442;)



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Pilasters, the architectural marvels that have stood the test of time, can be found in various corners of the world. Just like Ancient Roman athletes boxing in leather gloves, these pillars exude strength and elegance. In Victoria Chambers, Chowringhee, Calcutta, India, pilasters adorn the grand facade with their intricate details. They tell stories of a bygone era and add a touch of regality to this bustling city. Paris, France boasts La Sainte Chapelle where pilasters create an awe-inspiring sight. As light filters through stained glass windows onto these pillars, they seem to come alive with vibrant colors and divine grace. Traveling back in time to c. 1883 Bath brings us to Great Pultney Street where litho prints capture the beauty adorning elegant Georgian townhouses. These structures stand as a testament to timeless architecture that still captivates our hearts today. The opening ceremony at Menin Gate in Ypres, Belgium showcases how even amidst solemnity and remembrance for fallen heroes, pilasters provide a sense of dignity and strength to this memorial site. Owen Jones Assyrian 14 takes us on a journey through history as we witness how ancient civilizations incorporated pilasters into their designs. These pillars not only served structural purposes but also symbolized power and artistry. Moving closer to home is Sutton Scarsdale's entrance hall from England's Lost Houses by Giles Worsley (1961-2006). A black-and-white photograph captures the grandeur of this once magnificent mansion adorned with exquisite pilasters that greeted guests upon arrival. Lady Wynne's dressing room at 20 St. James Square in London showcases how even intimate spaces were graced by these architectural wonders. Pilasters bring sophistication and charm into every corner they inhabit. Buxted Park's double-height hall in Sussex stands tall with its majestic columns reaching towards the heavens above.